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YU RetROCKspektiva
''YU retROCKspektiva'' (trans. ''YU retROCKspektive'') is a compilation album series released by Serbian record label Komuna in 1994. The discs, compiled by Serbian music critics Bogoljub Mijatović and Peca Popović, feature songs by artists from the former Yugoslav rock scene. ''Sve smo mogli mi: Akustičarska muzika'' The disc ''Sve smo mogli mi: Akustičarska muzika'' (trans. ''We Could Have Done All: Acoustic Music'') featured songs by artists from the former Yugoslav acoustic rock scene. Track listing # S Vremena Na Vreme - "Sunčana strana ulice" - 2:44 # Suncokret - "Prvi sneg" - 4:15 # Srđan Marjanović - "Kad bih smeo, kad bi htela" - 3:33 # Andrej Šifrer - "Od šanka do šanka" - 2:50 # Miladin Šobić - "Kad bi došla Marija" - 3:18 # Ivica Percl - "Stari Pjer" - 3:44 # Jadranka Stojaković - "Sve smo mogli mi" - 2:36 # Vlada i Bajka - "Oblak" - 3:30 # Buco i Srđan - "Povratak" - 2:10 # Rani Mraz - "Neki novi klinci" - 4:18 # DAG - "Daj mi ruku" - 4:05 # Maj ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rock Music
Rock is a Music genre, genre of popular music that originated in the United States as "rock and roll" in the late 1940s and early 1950s, developing into a range of styles from the mid-1960s, primarily in the United States and the United Kingdom. It has its roots in rock and roll, a style that drew from the black musical genres of blues and rhythm and blues, as well as from country music. Rock also drew strongly from genres such as electric blues and folk music, folk, and incorporated influences from jazz and other styles. Rock is typically centered on the electric guitar, usually as part of a rock group with electric bass guitar, drum kit, drums, and one or more singers. Usually, rock is song-based music with a Time signature, time signature and using a verse–chorus form; however, the genre has become extremely diverse. Like pop music, lyrics often stress romantic love but also address a wide variety of other themes that are frequently social or political. Rock was the most p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Buco I Srđan
Bijo (also, Bijoy, Bidzhov) is a village and municipality in the Aghsu district (Agsu Rayon) of the Republic of Azerbaijan. It has a population of 1,860 as of 2012 Etymology Some sources indicates the name of village as "Bijoy" or "Bija". During the Tsar Russian and most part of the Soviet empires periods it has been mainly called as "Bijov" or "Bidzov". Though it would not be realistic to strict upon one of the versions about the etymology of "Bojo", the two of them are grounded on more reliable sources as well as reasonable explanation methods: #It comes from the name of "pechoys" or a pecheneg tribes that is related to Oghuz Turks. #It is from the same origin which is used in the name of the country - Azerbaijan. In Middle Ages the name "Azerbaijan" has been mostly used as "Azerbijan" ("أذربيجان") in Arabic alphabet. History Bijo is one of the ancient village of Azerbaijan. Although its history has not yet been investigated properly, the obvious evidence inform u ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Parni Valjak
Parni Valjak (; trans. '' Steam Roller'') is a Croatian and Yugoslav rock band formed in Zagreb in 1975. They were one of the most popular acts of the Yugoslav rock scene, and have maintained large popularity in all former Yugoslav republics after the breakup of the country. The band was formed by guitarists Husein Hasanefendić "Hus" and Jurica Pađen (both former members of Grupa 220), vocalist Aki Rahimovski, bass guitarist Zlatko Miksić "Fuma" and drummer Srećko Antonioli. Immediately attracting the attention of the public with their energetic live performances and boogie rock sound, the band gained popularity with their early studio albums, ''Dođite na show!'' and ''Glavom kroz zid''. Following the release of their second studio album, Pađen left the band to form Aerodrom, and was for a very brief period of time replaced by Branimir "Johnny" Štulić, later of Azra fame. During the following decades, Hasanefendić and Rahimovski would remain the key figures an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divlje Jagode
Divlje Jagode () is a hard rock and heavy metal band, originally formed in 1977 in Sarajevo, SR Bosnia and Herzegovina, SFR Yugoslavia, and since their 1994 reunion based in Croatia. Led by guitarist Sead "Zele" Lipovača, Divlje Jagode are considered one of the most popular and most influential acts of the Yugoslav hard rock and heavy metal scenes. The band was formed in 1977 by Sead Lipovača (guitar), Anto "Toni" Janković (vocals), Nihad Jusufhodžić (bass guitar), Adonis Dokuzović (drums) and Mustafa "Muc" Ismailovski (keyboards). Throughout Divlje Jagode's career, Lipovača would remain the leader and the only mainstay member of the group. The band gained the attention of the Yugoslav public and the media with their 1978 debut self-titled album and the 1981 album '' Stakleni hotel''. After the release of their second album, Janković left the band, parting ways with the rest of the group amicably, and would be seen on several occasions in the following years as guest m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bijelo Dugme
() is a Socialist Federal Republic of Yugoslavia, Yugoslav Rock music, rock band, formed in Sarajevo, SR Bosnia and Herzegovina in 1974. is widely considered to have been the most popular and the best-selling band ever to exist in the former Socialist Federal Republic of Yugoslavia and one of the most prominent acts of the Yugoslav rock scene and Yugoslav popular music in general. was officially formed in 1974, although the members of its default lineup—guitarist Goran Bregović, vocalist Željko Bebek, drummer Ipe Ivandić, keyboardist Vlado Pravdić and bass guitarist Zoran Redžić—had previously played together under the name Jutro (Sarajevo band), Jutro. The band's 1974 debut album ''Kad bi' bio bijelo dugme'' brought them nationwide popularity with its Balkan folk music, Balkan folk-influenced hard rock sound. The band's subsequent several studio releases, featuring similar sound, maintained their huge popularity, described by the Yugoslav press as "Dugmemania". Simu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Time (rock Band)
Time was a Yugoslav rock band formed in Zagreb in 1971. They were one of the most prominent acts of the 1970s Yugoslav rock scene. The band was formed by former Dinamiti and Korni Grupa vocalist Adolf "Dado" Topić. The first lineup featured, beside Topić, Vedran Božić (guitar), Tihomir "Pop" Asanović (keyboards), Mario Mavrin (bass guitar), Ratomir "Ratko" Divjak (drums) and Branislav "Labmert" Živković (piano and flute). The band gained large popularity and media attention with the release of their self-titled debut album in 1972—today considered one of the most important albums in the history of Yugoslav rock music—presenting themselves with jazz-influenced progressive rock sound. Despite the success of their debut release, the band did not manage to maintain a steady lineup, with Topić remaining the only permanent member during the following years. Despite experiencing multiple lineup changes and taking breaks, the band managed to release two additional studio a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ballad
A ballad is a form of verse, often a narrative set to music. Ballads were particularly characteristic of the popular poetry and song of Great Britain and Ireland from the Late Middle Ages until the 19th century. They were widely used across Europe, and later in Australia, North Africa, North America and South America. While ballads have no prescribed structure and may vary in their number of lines and stanzas, many ballads employ quatrains with ABCB or ABAB rhyme schemes, the key being a rhymed second and fourth line. Contrary to a popular conception, it is rare if not unheard-of for a ballad to contain exactly 13 lines. Additionally, couplets rarely appear in ballads. Many ballads were written and sold as single-sheet Broadside (music), broadsides. The form was often used by poets and composers from the 18th century onwards to produce lyrical ballads. In the later 19th century, the term took on the meaning of a slow form of popular love song and is often used for any love song ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pop Rock
Pop rock (also typeset as pop/rock) is a fusion genre and form of rock music characterized by a strong commercial appeal, with more emphasis on professional songwriting and recording craft, and less emphasis on attitude than standard rock music. Originating in the late 1950s as an alternative to normal rock and roll, early pop rock was influenced by the Beat (music), beat, arrangements, and original style of rock and roll (and sometimes doo-wop). It may be viewed as a distinct genre field rather than music that overlaps with Pop music, pop and rock. The detractors of pop rock often deride it as a slick, commercial product and less Authenticity in art#Authenticity of performance, authentic than rock music. Characteristics and etymology Much pop and rock music has been very similar in sound, instrumentation and even lyrical content. The terms "pop rock" and "power pop" have been used to describe more commercially successful music that uses elements from, or the form of, roc ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hard Rock
Hard rock or heavy rock is a heavier subgenre of rock music typified by aggressive vocals and Distortion (music), distorted electric guitars. Hard rock began in the mid-1960s with the Garage rock, garage, Psychedelic rock, psychedelic and blues rock movements. Some of the earliest hard rock music was produced by the Kinks, the Who, the Rolling Stones, Cream (band), Cream, Vanilla Fudge, and the Jimi Hendrix Experience. In the late 1960s, bands such as Blue Cheer, the Jeff Beck Group, Iron Butterfly, Led Zeppelin, Creedence Clearwater Revival, Golden Earring, Steppenwolf (band), Steppenwolf, Grand Funk, Free (band), Free, and Deep Purple also produced hard rock. The genre developed into a major form of popular music in the 1970s, with the Who, Led Zeppelin and Deep Purple being joined by Black Sabbath, Alice Cooper, Aerosmith, Kiss (band), Kiss, Queen (band), Queen, AC/DC, Thin Lizzy and Van Halen. During the 1980s, some hard rock bands moved away from their hard rock roots and m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San (band)
San ( sr-cyr, Сан, trans. ''The Dream'') was a Yugoslav rock band formed in Belgrade in 1971. Formed and led by keyboardist and composer Aleksandar "Sanja" Ilić, San was a prominent act of the early 1970s Yugoslav rock scene. The group disbanded in 1975, after the band's vocalist Predrag Jovičić died in concert from an electric shock. Band history 1971–1975 San was formed in 1971 by keyboardist and composer Aleksandar "Sanja" Ilić, formerly of the band Vragolani (''The Imps''). San consisted of Ilić (keyboards), Predrag Jovičić (vocals), former Bele Višnje member Aleksandar Slaviković (guitar), Dragoslav Jovanović (bass guitar) and former Smeli (''The Daring Ones'') member Aleksandar Grujić (drums). In 1971, the band released their debut record, a 7-inch single featuring the songs "Tebe sam želeo" ("I Wanted You") and "Helena", through PGP-RTB record label. Two years later, the band released another single, featuring the songs "Papirni brodovi" ("Paper Ships") ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lutajuća Srca
Lutajuća Srca (Serbian Cyrillic: Лутајућа Срца, trans. ''The Wandering Hearts'') was a Serbian and Yugoslav rock band formed in Niš in 1970. They were one of the most notable representatives of the 1970s Yugoslav acoustic rock scene. During the initial years, a number of musicians passed through the band, with vocalist Spomenka Đokić, known for her trademark soprano, and guitarists Milan Marković and Miroljub Jovanović remaining the core members of the band, Lutajuća Srca eventually becoming a musical trio. During the 1970s, the band had several hit songs and won numerous awards at Yugoslav pop festivals. Lutajuća Srca disbanded in the mid-1980s, after releasing three studio albums and a number of 7-inch singles. The group reunited in 1998 for the recording of one studio album, and made several one-off performances during the 2010s. History 1970–mid-1980s The band's history begins in 1970, when Milan Marković, a student of the Niš Faculty of Arts, a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
