XTC Songs
XTC were an English rock band formed in Swindon in 1972. Fronted by songwriters Andy Partridge (guitars, vocals) and Colin Moulding (bass, vocals), the band gained popularity during the rise of punk and new wave in the 1970s, later playing in a variety of styles that ranged from angular guitar riffs to elaborately arranged pop. Partly because the group did not fit into contemporary trends, they achieved only sporadic commercial success in the UK and US, but attracted a considerable cult following. They have since been recognised for their influence on post-punk, Britpop and later power pop acts. Partridge and Moulding first met in the early 1970s and subsequently formed a glam outfit with drummer Terry Chambers. The band's name and line-up changed frequently, and it was not until 1975 that the band was known as XTC. In 1977, the group debuted on Virgin Records and were subsequently noted for their energetic live performances and their refusal to play conventional punk rock, i ...
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Andy Partridge
Andrew John Partridge (born 11 November 1953) is an English guitarist, singer, songwriter, and record producer who founded the rock band XTC. He and Colin Moulding each acted as a songwriter and frontman for XTC, with Partridge writing and singing about two-thirds of the group's material. While the band were a formative punk group, Partridge's music drew heavily from 1960s songwriters, and his style gradually shifted to more traditional pop, often with pastoral themes. The band's only UK top 10 hit, " Senses Working Overtime" (1982), was written by Partridge. Partridge is sometimes regarded as the "godfather" of Britpop. Since the 1980s, he has worked, written with, or produced for many other recording artists—efforts which include collaborative albums with Peter Blegvad, Harold Budd and Robyn Hitchcock. From 2002 to 2006, Partridge's APE House record label released several volumes of his demos and songs as part of the ''Fuzzy Warbles'' album series. Beyond music, he is a gra ...
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Idea Records
XTC released 12 original albums and over 30 singles for Virgin Records, between 1977 and 1992. They signed to Cooking Vinyl for their final two albums in 1999 and 2000. Albums Studio albums Live albums Compilation albums Other albums Extended plays Singles Music videos See also * The Dukes of Stratosphear * '' A Testimonial Dinner: The Songs of XTC'' * '' Left of the Dial: Dispatches from the '80s Underground'' References External links XTC Discographyat chalkhills.org {{DEFAULTSORT:Xtc Discography XTC New wave discographies Pop music group discographies Discography Discography is the study and cataloging of published sound recordings, often by specified artists or within identified music genres. The exact information included varies depending on the type and scope of the discography, but a discography entry ...

Dub Music
Dub is an electronic musical style that grew out of reggae in the late 1960s and early 1970s. It is commonly considered a subgenre of reggae, though it has developed to extend beyond that style.Dub: soundscapes and shattered songs in Jamaican reggae, p.2 Generally, dub consists of remixes of existing recordings created by significantly manipulating the original, usually through the removal of vocal parts, the application of studio effects such as echo and reverb, emphasis of the rhythm section (the stripped-down drum-and-bass track is sometimes referred to as a riddim), and the occasional dubbing of vocal or instrumental snippets from the original version or other works.Michael Veal (2013)''Dub: Soundscapes and Shattered Songs in Jamaican Reggae'', pages 26-44, "Electronic Music in Jamaica" Wesleyan University Press Dub was pioneered by recording engineers and producers such as Osbourne "King Tubby" Ruddock, Lee "Scratch" Perry, Errol Thompson and others beginning in ...
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Glam Punk
Glam punk is a term used retrospectively to describe a short-lived trend for bands which produced a form of proto-punk that incorporated elements of glam rock, initially in the early to mid-1970s. History Glam punk has been seen as a backlash to the hippie folk music sensibilities of the 1960s. Lucy O'Brien defines the New York Dolls style as combining "Rolling Stones raunch with heavy borrowings from the girl group era". The band was highly influential in New York City's club scene of the early 1970s, as well as with later generations of musicians,T. Givens, ''People of Paradox: a History of Mormon Culture'' (Oxford: Oxford University Press, 2007), , p. 281. and their style was adopted by a number of New York bands, including Ruby and the Rednecks. The Dolls broke up in 1976, by which time the trend had already metamorphosed into punk and begun to move on to new wave. Influence The New York Dolls helped spark the beginning of punk rock, with Malcolm McLaren informally managing ...
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Power Pop
Power pop (also typeset as powerpop) is a form of pop rock based on the early music of bands such as the Who, the Beatles, the Beach Boys, and the Byrds. It typically incorporates melodic hooks, vocal harmonies, an energetic performance, and cheerful sounding music underpinned by a sense of yearning, longing, or despair. The sound is primarily rooted in pop and rock traditions of the early to mid-1960s, although some acts have occasionally drawn from later styles such as punk, new wave, glam rock, pub rock, college rock, and neo-psychedelia. Originating in the 1960s, power pop developed mainly among American musicians who came of age during the British Invasion. Many of these young musicians wished to retain the "teenage innocence" of pop and rebelled against newer forms of rock music that were thought to be pretentious and inaccessible. The term was coined in 1967 by the Who guitarist and songwriter Pete Townshend to describe his band's style of music. However, power ...
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Britpop
Britpop was a mid-1990s British-based music culture movement that emphasised Britishness. It produced brighter, catchier alternative rock, partly in reaction to the popularity of the darker lyrical themes of the US-led grunge music and to the UK's own shoegaze music scene. The movement brought British alternative rock into the mainstream and formed the backbone of a larger British popular cultural movement, Cool Britannia