X-Communication
''X-communication'' is the seventh studio album by jazz fusion band Brand X, released in 1992. It was the band's first studio release in more than a decade. Track listing All tracks written by John Goodsall, except where noted. #"Xanax Taxi" – 5:57 #"Liquid Time" – 4:39 #"Kluzinski Period" ( Percy Jones) – 7:00 #"Healing Dream" – 3:51 #"Mental Floss" – 3:17 #"Strangeness" (Jones) – 3:23 #"A Duck Exploding" (Goodsall, Jones) – 6:47 #"Message to You" – 0:25 #"Church of Hype" (Jones) – 5:54 #"Kluzinski Reprise" (Goodsall, Jones) – 4:25 Personnel * John Goodsall – guitars, MIDI guitar * Percy Jones – fretless bass, keyboards (6) * Frank Katz – drums Additional personnel * Danny Wilding – flute The flute is a member of a family of musical instruments in the woodwind group. Like all woodwinds, flutes are aerophones, producing sound with a vibrating column of air. Flutes produce sound when the player's air flows across an opening. In th ... (3, 10) ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Brand X
Brand X were a British jazz rock band formed in London in 1974. They were initially active until 1980, followed by reformations between 1992–1999 and 2016–2021. Despite sometimes being considered to be a Phil Collins side project (due to Collins' participation as drummer between 1975 and 1977 in between his commitments to Genesis), the band was in fact centred on a core composing/playing trio of John Goodsall (guitar), Percy Jones (bass) and Robin Lumley (keyboards), with Lumley also playing a prominent production role. Other members of the band at various times included Morris Pert, J. Peter Robinson, Kenwood Dennard, Chuck Burgi, John Giblin, Mike Clark, Frank Katz, Kenny Grohowski and Chris Clark. Jones would ultimately remain the sole constant member throughout Brand X's existence (both during the original 1970s run and throughout the assorted twenty-first century reunions), with Goodsall and Lumley playing a part in most of the albums and tours. Jones ended ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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John Goodsall
John Goodsall (15 February 1953 – 10 November 2021As far as the exact date of death is concerned, numerous false statements are circulating on the internet. The only reliable reference is the photocopy of the death certificate provided by John Goodsall's daughter Natasha Kaned/ref>) was a British-American progressive rock and jazz fusion guitarist most noted for his work with Brand X, Atomic Rooster, and The Fire Merchants. Life and career Goodsall was born in Middlesex, England in February 1953, and lived in England, Los Angeles, Milan and Minnesota. He began playing guitar at age 7. At 15, he became a professional musician and joined Carol Grimes' Babylon, with members of Joe Cocker's Grease Band, Juicy Lucy and Jon Hiseman's Colosseum. He then went on tour with '' The Alan Bown Set'' and, now 18 years old, formed his first own band, ''Sandoz'', in his hometown. The group was mainly influenced by Captain Beefheart and The Grateful Dead. Goodsall, with Jim Mercer (bass) and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Is There Anything About?
''Is There Anything About?'' is the sixth studio album by British jazz fusion group Brand X. It is the last album to feature longstanding members Robin Lumley and Phil Collins. It was assembled from outtakes from the 1979 '' Product'' sessions. Bassist Percy Jones first heard about the album after it was released, and was unsatisfied with the results. These sessions produced around twenty tracks which also comprised the '' Do They Hurt?'' album (1980). "Modern, Noisy and Effective" is actually the backing track to "Soho" with a new keyboard line overdubbed on it. "A Longer April" is an extended version of "April" from ''Product'', with a bit of synth noise added in the middle. "TMIU-ATGA" is taken from an old cassette tape running in the studio while the band were improvising; the title is an acronym for 'They Make It Up- As They Go Along'. Background and recording This album is outtakes from the '' Product'' (1979) sessions. "A Longer April" is a re-engineered version of "April ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Manifest Destiny (Brand X Album)
''Manifest Destiny'' is the eighth and final studio album by jazz fusion group Brand X. Track listing #"True to the Clik" (Goodsall, Pusch) – 5:31 #"Stellerator" (Jones) – 6:17 #"Virus" (Goodsall, Pusch) – 7:56 #"XXL" (Goodsall) – 5:51 #"The Worst Man" (Jones) – 4:33 #"Manifest Destiny" (Goodsall, Jones, Katz, Wagnon) – 4:11 #"Five Drops" (Wagnon) – 3:52 #"Drum Ddu" (Jones) – 5:50 #"Operation Hearts and Minds" (Goodsall) – 4:39 #"Mr. Bubble Goes to Hollywood" (Jones, Katz) – 2:56 Hidden Tracks on European release # "Disco Suicide" - Live ( Robin Lumley) – 8:06 # "Bass and Drum Solo Improvisation" - Live – 9:44 Personnel * John Goodsall – guitars (1, 3, 4, 7, 8, 9), MIDI guitar rchestra pad + vapor guitar(2), MIDI guitar Hammond organ samples (3), "reverse" guitar solo (3), narrator (3), wah guitar (4), MIDI guitar sitar sample solo and triggered bass line (4), MIDI guitar synth sets (5), rhythm guitar (5, 9), tubular bells (5), MIDI guitar synth pa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Album
An album is a collection of audio recordings (e.g., music) issued on a medium such as compact disc (CD), Phonograph record, vinyl (record), audio tape (like 8-track cartridge, 8-track or Cassette tape, cassette), or digital distribution, digital. Albums of recorded sound were developed in the early 20th century as individual 78 rpm records (78s) collected in a bound book resembling a photo album; this format evolved after 1948 into single vinyl LP record, long-playing (LP) records played at rpm. The album was the dominant form of recorded music expression and consumption from the mid-1960s to the early 21st century, a period known as the ''album era''. Vinyl LPs are still issued, though album sales in the 21st-century have mostly focused on CD and MP3 formats. The 8-track tape was the first tape format widely used alongside vinyl from 1965 until being phased out by 1983, being gradually supplanted by the cassette tape throughout the 1970s and early 1980s; the popul ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jazz Fusion
Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock began to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to use ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Percy Jones (musician)
Percy Jones (born 3 December 1947) is a Welsh bass guitarist best known as a member of the jazz rock ensemble Brand X, with whom he played during three stints: 1974 to 1980, 1992 to 1999, and 2016-2020, with the group ending shortly before the passing of their founding guitarist John Goodsall in 2021. Jones, who was born near Llandrindod Wells, has also done extensive work as a session musician, and has been active with other groups. He played with a trio called Stone Tiger (featuring guitarist Bill Frisell) in 1982/83. Jones was also one of the driving forces behind Tunnels, a fusion collective which released four albums between 1994-2006. While residing in New York, he also worked with the improvising group MJ12. Jones was also briefly a member of the group Soft Machine in 1976, the "poetry rock" group The Liverpool Scene (featuring poet Adrian Henri) in the late 1960s, and has contributed to albums by prominent artists such as Kate Bush, David Sylvian, Brian Eno, Steve Hack ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Encyclopedia Of Popular Music
''The Encyclopedia of Popular Music'' is an encyclopedia created in 1989 by Colin Larkin. It is the "modern man's" equivalent of the '' Grove Dictionary of Music'', which Larkin describes in less than flattering terms.''The Times'', ''The Knowledge'', Christmas edition, 22 December 2007 – 4 January 2008. It is published by the Oxford University Press and was described by ''The Times'' as "the standard against which all others must be judged". History of the encyclopedia Larkin believed that rock music and popular music were at least as significant historically as classical music, and as such, should be given definitive treatment and properly documented. ''The Encyclopedia of Popular Music'' is the result. In 1989, Larkin sold his half of the publishing company Scorpion Books to finance his ambition to publish an encyclopedia of popular music. Aided by a team of initially 70 contributors, he set about compiling the data in a pre-internet age, "relying instead on information ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Jazz Fusion
Jazz fusion (also known as jazz rock, jazz-rock fusion, or simply fusion) is a popular music genre that developed in the late 1960s when musicians combined jazz harmony and improvisation with rock music, funk, and rhythm and blues. Electric guitars, amplifiers, and keyboards that were popular in rock began to be used by jazz musicians, particularly those who had grown up listening to rock and roll. Jazz fusion arrangements vary in complexity. Some employ groove-based vamps fixed to a single key or a single chord with a simple, repeated melody. Others use elaborate chord progressions, unconventional time signatures, or melodies with counter-melodies. These arrangements, whether simple or complex, typically include improvised sections that can vary in length, much like in other forms of jazz. As with jazz, jazz fusion can employ brass and woodwind instruments such as trumpet and saxophone, but other instruments often substitute for these. A jazz fusion band is less likely to use ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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MIDI
Musical Instrument Digital Interface (; MIDI) is an American-Japanese technical standard that describes a communication protocol, digital interface, and electrical connectors that connect a wide variety of electronic musical instruments, computers, and related audio devices for playing, editing, and recording music. A single MIDI cable can carry up to sixteen channels of MIDI data, each of which can be routed to a separate device. Each interaction with a key, button, knob or slider is converted into a MIDI event, which specifies musical instructions, such as a note's pitch, timing and velocity. One common MIDI application is to play a MIDI keyboard or other controller and use it to trigger a digital sound module (which contains synthesized musical sounds) to generate sounds, which the audience hears produced by a keyboard amplifier. MIDI data can be transferred via MIDI or USB cable, or recorded to a sequencer or digital audio workstation to be edited or played back. ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Fretless Bass
A fretless bass is an electric bass guitar whose neck lacks frets and thus is smooth like traditional string instruments, and like the neck of an acoustic double bass. While the fretless bass is played in all styles of music, it is most common in pop, rock, and jazz. It first saw widespread use during the 1970s, although some players used them before then. The Fender Precision Bass was introduced in 1951, with frets to help performers find the proper note (''i.e.'' to provide ''precision''). This concept of the fretted bass guitar has since become the standard, as other companies followed with similar electric fretted basses, like the Höfner 500/1 of Beatle Paul McCartney, which resembled a viol but with frets. The first fretless electric bass guitars appeared around 1961, from modifications made by players. Historically the most significant, while not likely the first, example of this is the Rolling Stones bassist Bill Wyman, who wanted to change the frets of his bass guit ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |