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Wuthering Heights (2011 Film)
''Wuthering Heights'' is a 2011 British Gothic romantic drama film directed by Andrea Arnold starring Kaya Scodelario as Catherine Earnshaw and James Howson as Heathcliff. The screenplay written by Arnold and Olivia Hetreed, is based on Emily Brontë's 1847 novel of the same name. Plot Heathcliff is found on the streets of Liverpool and brought back to Wuthering Heights on the Yorkshire Moors. The plot largely follows that of the book Wuthering Heights, but concentrates on the childhood and adolescence of its two main characters of Heathcliff and Catherine. Heathcliff is bullied and "whipped like a slave", as he is played by a multiracial actor which befits the original description of Heathcliff in the book. Cast * Kaya Scodelario as Catherine Earnshaw ** Shannon Beer as Young Catherine * James Howson as Heathcliff ** Solomon Glave as Young Heathcliff * Oliver Milburn as Mr. Linton * Nichola Burley as Isabella Linton ** Eve Coverley as Young Isabella * James No ...
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Andrea Arnold
Andrea Patricia Arnold OBE (born 5 April 1961) is an English filmmaker and former actress. She won an Academy Award for her short film ''Wasp'' in 2005. Her feature films include '' Red Road'' (2006), '' Fish Tank'' (2009) and '' American Honey'' (2016), all of which have won the Jury Prize at the Cannes Film Festival, while her first documentary feature '' Cow'' premiered at the 2021 Cannes Film Festival. Arnold's television work includes directing the second season of the HBO series '' Big Little Lies'', and four episodes each of the Amazon Prime Video series '' Transparent'' and '' I Love Dick''. Early life and education Andrea Patricia Arnold was born on 5 April 1961 in Dartford, Kent, the eldest of four children. She was born when her mother was only 16 years old and her father was 17, and they separated when she was very young. Growing up on a council estate, she spent her youth days constantly exploring the "chalk pits, fields, woods and motorways" of Dartford. Her ...
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Screen Yorkshire
Following a review of the film infrastructure in England during 2000, the UK Film Council set up nine Regional Screen Agencies, one in each of the regions of England, to deliver support for film-making, exhibition and related media activities. The regional screen agency network was closed down in 2011, with a number of services consolidated into a new agency, Creative England, and the majority of screen agencies then folded. However, a few continued to operate, most notably Film London and Screen Yorkshire. The nine agencies were or are:Screen East(East of England) *(East Midlands) *Film London (Greater London)Northern Film and Media relaunched in 2022 aNorth East Screen(North East England) *Vision+Media (North West England)Screen South(South East England)South West Screen(South West England)Screen West Midlands( West Midlands)Screen Yorkshire(Yorkshire and the Humber) Role and activities Regional Screen Agencies have cultural, economic and social objectives. They engage with oth ...
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Hindley Earnshaw
''Wuthering Heights'' is the only novel by the English author Emily Brontë, initially published in 1847 under her pen name "Ellis Bell". It concerns two families of the landed gentry living on the West Yorkshire moors, the Earnshaws and the Lintons, and their turbulent relationships with the Earnshaws' foster son, Heathcliff. The novel, influenced by Romanticism and Gothic fiction, is considered a classic of English literature. ''Wuthering Heights'' was accepted by publisher Thomas Newby along with Anne Brontë's ''Agnes Grey'' before the success of their sister Charlotte Brontë's novel ''Jane Eyre'', but they were published later. The first American edition was published in April 1848 by Harper & Brothers of New York. After Emily's death, Charlotte edited a second edition of ''Wuthering Heights'', which was published in 1850. ''Wuthering Heights'' is now widely considered to be one of the greatest novels ever written in English, but contemporaneous reviews were polarised. ...
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Multiracial People
The term multiracial people refers to people who are mixed with two or more races (human categorization), races and the term multi-ethnic people refers to people who are of more than one ethnicity, ethnicities. A variety of terms have been used both historically and presently for multiracial people in a variety of contexts, including ''multiethnic'', ''polyethnic'', occasionally ''bi-ethnic'', ''biracial'', ''mixed-race'', ''Métis'', ''Muladí, Muwallad'', ''Melezi'', ''Coloureds, Coloured'', ''Dougla people, Dougla'', ''half-caste'', ''Euronesian, ʻafakasi'', ''mulatto'', ''mestizo'', ''Wiktionary:mutt, mutt'', ''Melungeon'', ''quadroon'', ''Quadroon, octoroon'', ''Quadroon#Racial classifications, griffe'', ''sacatra'', ''zambo, sambo/zambo'', ''Indo people, Eurasian'', ''hapa'', ''hāfu'', ''Garifuna'', ''pardo'', and ''Gurans (Transbaikal people), Gurans''. A number of these once-acceptable terms are now considered Offensive language, offensive, in addition to those that were ...
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Heathcliff (Wuthering Heights)
Heathcliff is a fictional character in Emily Brontë's 1847 novel ''Wuthering Heights''. Owing to the novel's enduring fame and popularity, he is often regarded as an archetype of the tortured antihero whose all-consuming rage, jealousy and anger destroy both him and those around him; in short, the Byronic hero. He is better known for being a romantic hero due to his youthful love for Catherine Earnshaw, than for his final years of vengeance in the second half of the novel, during which he grows into a bitter, haunted man, and for a number of incidents in his early life that suggest that he was an upset and sometimes malicious individual from the beginning. His complicated, mesmerizing, absorbing, and altogether bizarre nature makes him a rare character, incorporating elements of both the hero and villain. Actors who have portrayed Heathcliff on screen include Laurence Olivier, Richard Burton, Timothy Dalton, Ralph Fiennes and Tom Hardy. Character You teach me now how crue ...
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Catherine Earnshaw
Catherine Earnshaw (later Catherine Linton) is the female protagonist of the 1847 novel ''Wuthering Heights'' written by Emily Brontë. Catherine is one of two surviving children born to Mr. and Mrs. Earnshaw, the original tenants of the Wuthering Heights estate. The star-crossed love between her and Heathcliff is one of the primary focuses of the novel. Catherine is often referred to as "Cathy," particularly by Heathcliff. Biography Cathy Earnshaw is the younger sister of Hindley Earnshaw. Cathy and Hindley are born and raised at Wuthering Heights. The siblings are later joined by the foundling Mr. Earnshaw comes across in Liverpool and later names Heathcliff, after a son he and Mrs. Earnshaw lost in childbirth. Heathcliff and Hindley develop a rivalry, and Catherine and Heathcliff develop a close bond, as they are both wild and unruly. Following the death of Mr. Earnshaw, Hindley demotes Heathcliff to the role of a servant and attempts, with the help of his wife, to limit ...
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Drama (film And Television)
In film and television show, television, drama is a category or genre of narrative fiction (or docudrama, semi-fiction) intended to be more serious than humour, humorous in tone. The drama of this kind is usually qualified with additional terms that specify its particular super-genre, macro-genre, or micro-genre, such as soap opera, police procedural, police crime drama, political drama, legal drama, historical drama, domestic drama, Drama (film and television)#Teen drama, teen drama, and comedy drama (dramedy). These terms tend to indicate a particular Setting (narrative), setting or subject matter, or they combine a drama's otherwise serious tone with elements that encourage a broader range of Mood (literature), moods. To these ends, a primary element in a drama is the occurrence of Conflict (process), conflict—emotional, social, or otherwise—and its resolution in the course of the storyline. All forms of Film industry, cinema or television that involve Fiction, fiction ...
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Romance Film
Romance films involve romantic love stories recorded in visual media for broadcast in theatres or on television that focus on passion (emotion), passion, emotion, and the affectionate romantic involvement of the main characters. Typically their journey through dating, courtship or marriage, marriage is featured. These films focus on the search for romantic love as the main plot focus. Occasionally, romance lovers face obstacles such as finances, physical illness, various forms of discrimination, psychological restraints, or family resistance. As in all quite strong, deep, and close romantic relationships, the tensions of day-to-day life, temptations (of infidelity), and differences in compatibility enter into the plots of romantic films. Romantic films often explore the essential themes of love at first sight, young and mature love, unrequited love, obsession, sentimental love, Spirituality, spiritual love, forbidden love, platonic love, sexual and passionate love, sacrificial ...
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Gothic Fiction
Gothic fiction, sometimes referred to as Gothic horror (primarily in the 20th century), is a literary aesthetic of fear and haunting. The name of the genre is derived from the Renaissance era use of the word "gothic", as a pejorative to mean medieval and barbaric, which itself originated from Gothic architecture and in turn the Goths. The first work to be labelled as Gothic was Horace Walpole's 1764 novel ''The Castle of Otranto'', later subtitled ''A Gothic Story''. Subsequent 18th-century contributors included Clara Reeve, Ann Radcliffe, William Beckford (novelist), William Thomas Beckford, and Matthew Gregory Lewis, Matthew Lewis. The Gothic influence continued into the early 19th century, with Romantic works by poets, like Samuel Taylor Coleridge and Lord Byron. Novelists such as Mary Shelley, Charles Maturin, Walter Scott and E. T. A. Hoffmann frequently drew upon gothic motifs in their works as well. Gothic aesthetics continued to be used throughout the early Victorian li ...
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British Board Of Film Classification
The British Board of Film Classification (BBFC) is a non-governmental organization, non-governmental organisation founded by the British film industry in 1912 and responsible for the national classification and censorship of films exhibited at cinemas and video works (such as television programmes, Trailer (promotion), trailers, adverts, public information/campaigning films, menus, bonus content, etc.) released on physical media within the United Kingdom. It has a statutory requirement to classify all video works released on VHS, DVD, Blu-ray Disc, Blu-ray (including Blu-ray 3D, 3D and Ultra HD Blu-ray, 4K UHD formats), and, to a lesser extent, some video games under the Video Recordings Act 1984. The BBFC was also the designated regulator for the UK age-verification, UK age-verification scheme, which was abandoned before being implemented. History and overview The BBFC was established in 1912 as the British Board of Film Censors, under the aegis of the Incorporated Associa ...
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