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William Parsons (actor)
William Parsons (29 February 1736 – 3 February 1795) was a British actor and painter in the mid to late eighteenth century. He appeared mostly at Drury Lane and Haymarket in minor to supporting roles, but also had prominent roles in plays like ''Volpone'' and ''Hamlet''. Early life Parsons was born to William and Elizabeth (née Latter) Parsons in 1736. His father William did carpentry work in Bow Lane, Cheapside and City of London; his mother Elizabeth was from Maidstone. Parsons attended St Paul's School where surveyor Sir Henry Cheere or Cheke was his instructor. Parsons took part in amateur entertainment with William Powell and Charles Holland. In 1756, Parsons played Kent in King Lear in Haymarket. Professional career Earlier roles Parsons's first professional role was that of Southampton in poet Henry Jones's ''Earl of Essex'' play in York. Most of his work during this time was high comedy and tragedy. Under the guidance of West Digges, Parsons acted at the T ...
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The School For Scandal
''The School for Scandal'' is a comedy of manners written by Richard Brinsley Sheridan. It was first performed in London at Drury Lane Theatre on 8 May 1777. Plot Act I Scene I: Lady Sneerwell, a wealthy young widow, and her hireling Snake discuss her various scandal-spreading plots. Snake asks why she is so involved in the affairs of Sir Peter Teazle, his ward Maria, and Charles and Joseph Surface, two young men under Sir Peter's informal guardianship, and why she has not yielded to the attentions of Joseph, who is highly respectable. Lady Sneerwell confides that Joseph wants Maria, who is an heiress, and that Maria wants Charles. Thus she and Joseph are plotting to alienate Maria from Charles by putting out rumours of an affair between Charles and Sir Peter's new young wife, Lady Teazle. Joseph arrives to confer with Lady Sneerwell. Maria herself then enters, fleeing the attentions of Sir Benjamin Backbite and his uncle, Crabtree. Mrs. Candour enters and ironically talk ...
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Trip To Scarborough
''A Trip to Scarborough'' is an 18th-century play by Richard Brinsley Sheridan (1751–1816), first performed on 24 February 1777. Sheridan based his work on John Vanbrugh's ''The Relapse'' (1696), removing much of the bawdy content. The play was reworked as one of three plot strands in a 1982 revival by Alan Ayckbourn, with the action taking place in the Royal Hotel, Scarborough. The first performance was on 8 December that year. It is a technically demanding piece as the actors are required to take on several roles, with quick changes between scenes as the play switches from the 18th century to World War II to the present day. Ayckbourn updated the production when it returned to the Stephen Joseph Theatre in the town during 2007–2008. Plot The hero of the play, Tom Fashion, arrives penniless in Scarborough, attended by but one faithful servant, Lory, who privately informs the audience that he will never desert his master until he pays him his wages. Fashion has come to ...
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The Runaway (play)
Hannah Cowley (14 March 1743 – 11 March 1809) was an English playwright and poet. Although Cowley's plays and poetry did not enjoy wide popularity after the 19th century, critic Melinda Finberg rates her as "one of the foremost playwrights of the late eighteenth century" whose "skill in writing fluid, sparkling dialogue and creating sprightly, memorable comic characters compares favourably with her better-known contemporaries, Goldsmith and Sheridan." Cowley's plays were produced frequently in her lifetime. The major themes of her plays – including her first, ''The Runaway'' (1776), and her major success, which is being revived, ''The Belle's Stratagem'' (1780) – revolve around marriage and how women strive to overcome the injustices imposed by family life and social custom. Early success Born Hannah Parkhouse, she was the daughter of Hannah (née Richards) and Philip Parkhouse, a bookseller in Tiverton, Devon. Sources disagree about some details of her married life, cit ...
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Polonius
Polonius is a character in William Shakespeare's play '' Hamlet''. He is chief counsellor of the play's ultimate villain, Claudius, and the father of Laertes and Ophelia. Generally regarded as wrong in every judgment he makes over the course of the play, Polonius is described by William Hazlitt as a "sincere" father, but also "a busy-body, hois accordingly officious, garrulous, and impertinent". In Act II, Hamlet refers to Polonius as a "tedious old fool" and taunts him as a latter day " Jephtha". Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet. Character Father of Ophelia and Laertes, and counsellor to King Claudius, he is described as a windbag by some and a rambler of wisdom by others. It has also been suggested that he only acts like a "foolish prating knave" to keep his position ...
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Love In A Village
''Love in a Village'' is a ballad opera in three acts that was composed and arranged by Thomas Arne. A pastiche, the work contains 42 musical numbers of which only five were newly composed works by Arne. The other music is made up of 13 pieces borrowed from Arne's earlier stage works, a new overture was by C. F. Abel, and 23 songs by other composers, including Bishop, Boyce, Geminiani, Giordani, and Galuppi, albeit with new texts. The English libretto, by Isaac Bickerstaffe, is based on Charles Johnson’s 1729 play ''The Village Opera''. The opera premiered at the Royal Opera, Covent Garden in London on 8 December 1762.John A. Parkinson: "Love in a Village", ''Grove Music Online'' ed. L. Macy (Accessed February 16, 2009)(subscription access)/ref> One of its best known songs is the '' Miller of Dee''. History ''Love in a Village'' was received enthusiastically at its premiere and became one of Arne's more popular operas, enjoying 40 performances in its first season alone. T ...
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The Merchant Of Venice
''The Merchant of Venice'' is a play by William Shakespeare, believed to have been written between 1596 and 1598. A merchant in Venice named Antonio defaults on a large loan provided by a Jewish moneylender, Shylock. Although classified as a comedy in the First Folio and sharing certain aspects with Shakespeare's other romantic comedies, the play is most remembered for its dramatic scenes, and it is best known for the character Shylock and his famous demand for a "pound of flesh" in retribution. The play contains two famous speeches, that of Shylock, "Hath not a Jew eyes?" on the subject of humanity, and that of Portia on " the quality of mercy". Debate exists on whether the play is anti-Semitic, with Shylock's insistence on his legal right to the pound of flesh being in opposition to Shylock's seemingly universal plea for the rights of all people suffering discrimination. Characters * Antonio – a prominent merchant of Venice in a melancholic mood. * Bassanio – ...
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The London Merchant
''The London Merchant (Or The History Of George Barnwell)'' is playwright George Lillo's most famous work. A tragedy that follows the downfall of a young apprentice due to his association with a prostitute, it is remarkable for its use of middle and working class characters. First performed at the Drury Lane Theatre on 21 June 1731, ''The London Merchant'' became one of the most popular plays of the century. Sources George Lillo was born in London on 4 February 1693. By 1730, he began writing plays such as '' George Barnwell'' (also known as ''The London Merchant''), ''Fatal Curiosity'', ''Silvia'', and ''The Country Burial''. George Lillo based ''The London Merchant'' on a seventeenth-century ballad about a murder in Shropshire. The ballad follows the adventures of George Barnwell, who engages in an affair with the prostitute Sarah Millwood. After stealing money from his employer to fund his relationship, Barnwell robs and murders his uncle. Both Barnwell and Millwood ar ...
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All In The Wrong
''All in the Wrong'' is a 1761 comedy play by the Irish writer Arthur Murphy. It premiered at the Theatre Royal, Drury Lane in London, the under the management of David Garrick, on 15 June 1761.Nicoll p.290 The original cast included Richard Yates as Sir John Restless, William O'Brien as Beverley, John Hayman Packer as Young Bellmont, Thomas Weston as Brush, Servant to Beverley, Astley Bransby as Blandford, Charles Blakes as Robert, Hannah Haughton as Lady Restless, Mary Ann Yates as Belinda, Mary Bradshaw Mary Bradshaw (died 1780) was a British stage actress at Theatre Royal, Drury Lane for 37 years. She appeared with David Garrick and she was included in a painting by Johann Zoffany. Life Bradshaw comes to notice playing young women. She joine ... as Tattle, Servant to Lady Restless and Jane Hippesley as Tippet, Servant to Belinda. References Bibliography * Emery, John Pike. ''Arthur Murphy: An Eminent English Dramatist of the Eighteenth Century''. University of Pen ...
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Henry IV, Part 1
''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V), and his eventual return to court and favour. ''Henry IV, Part 1'' is the first of Shakespeare's two plays which deal with the reign of Henry IV (the other being '' Henry IV, Part 2''), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II, Henry IV, and Henry V. From its first performance on, it has been an extremely popular work both with the public and critics. Cha ...
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