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Wild Rover
"The Wild Rover" (Roud 1173) is a very popular and well-travelled folk song. Many territories have laid claim to having the original version. History In the English Folk Song and Dance periodical "Folk Music Journal" vol 10 (2015), Brian Peters claimed that the origin of the song was a seventeenth century English Broadside written by Thomas Lanfiere. This evolved into several distinct versions found in England, Scotland, Ireland and North America. Shortly afterwards it became popular in Australia. The song tells the story of a young man who has been away from his hometown for many years. When he returns to his former alehouse, the landlady refuses him credit, until he presents the gold which he has gained while he has been away. He sings of how his days of roving are over and how he intends to return to his home and settle down. Other overview or significant versions According to Professor T. M. Devine in his book ''The Scottish Nation 1700 - 2000'' (Penguin, 2001), it was ...
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Roud Folk Song Index
The Roud Folk Song Index is a database of around 250,000 references to nearly 25,000 songs collected from oral tradition in the English language from all over the world. It is compiled by Steve Roud. Roud's Index is a combination of the Broadside Index (printed sources before 1900) and a "field-recording index" compiled by Roud. It subsumes all the previous printed sources known to Francis James Child (the Child Ballads) and includes recordings from 1900 to 1975. Until early 2006, the index was available by a CD subscription; now it can be found online on the Vaughan Williams Memorial Library website, maintained by the English Folk Dance and Song Society (EFDSS). A partial list is also available at List of folk songs by Roud number. Purpose of index The primary function of the Roud Folk Song Index is as a research aid correlating versions of traditional English-language folk song lyrics independently documented over past centuries by many different collectors across (especially) ...
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Surrey
Surrey () is a Ceremonial counties of England, ceremonial county in South East England. It is bordered by Greater London to the northeast, Kent to the east, East Sussex, East and West Sussex to the south, and Hampshire and Berkshire to the west. The largest settlement is Woking. The county has an area of and a population of 1,214,540. Much of the north of the county forms part of the Greater London Built-up Area, which includes the Suburb, suburbs within the M25 motorway as well as Woking (103,900), Guildford (77,057), and Leatherhead (32,522). The west of the county contains part of Farnborough/Aldershot built-up area, built-up area which includes Camberley, Farnham, and Frimley and which extends into Hampshire and Berkshire. The south of the county is rural, and its largest settlements are Horley (22,693) and Godalming (22,689). For Local government in England, local government purposes Surrey is a non-metropolitan county with eleven districts. The county historically includ ...
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Irish Folk Songs
Irish traditional music (also known as Irish trad, Irish folk music, and other variants) is a genre of folk music that developed in Ireland. In ''A History of Irish Music'' (1905), W. H. Grattan Flood wrote that, in Gaelic Ireland, there were at least ten instruments in general use. These were the ''crwth'' (a small rubbed strings harp) and '' cláirseach'' (a bigger harp with typically 30 strings), the '' tiompán'' (a small string instrument played with a bow or plectrum), the ''feadán'' (a fife), the ''buinne'' (an oboe or flute), the ''guthbuinne'' (a bassoon-type horn), the ''beannbhuabhal'' and ''corn'' (hornpipes), the ''cuislenna'' (bagpipes – see Great Irish warpipes), the ''stoc'' and ''storgán'' (clarions or trumpets), and the ''cnámha'' (bones).�koːl̪ˠt̪ˠəsˠ ˈcoːl̪ˠt̪ˠoːɾʲiː ˈeːɾ ... (music festival) helped lead the revival of the music. Following the success of the Clancy Brothers and Tommy Makem in the US in 1959, Irish folk music beca ...
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Scottish Folk Songs
Scottish usually refers to something of, from, or related to Scotland, including: *Scottish Gaelic, a Celtic Goidelic language of the Indo-European language family native to Scotland *Scottish English *Scottish national identity, the Scottish identity and common culture *Scottish people, a nation and ethnic group native to Scotland * Scots language, a West Germanic language spoken in lowland Scotland * Symphony No. 3 (Mendelssohn), a symphony by Felix Mendelssohn known as ''the Scottish'' See also *Scotch (other) *Scotland (other) *Scots (other) *Scottian (other) *Schottische The schottische is a partnered country dance that apparently originated in Bohemia. It was popular in Victorian-era ballrooms as a part of the Bohemian folk-dance craze and left its traces in folk music of countries such as Argentina (Spanish ... * {{disambiguation Language and nationality disambiguation pages ca:Escocès ...
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Sing Loud, Sing Proud!
''Sing Loud, Sing Proud!'' is the third studio album from Boston punk rock band the Dropkick Murphys. The album was released on February 6, 2001 through Hellcat. The album is final release to feature founding guitarist Rick Barton, who left the band early into the record of the album and only appears on a three songs. The album features various new member since their previous album. In 2000, guitarist James Lynch of Boston punk band The Ducky Boys joined the band shortly before Barton's departure while 17 year old guitarist, Marc Orrell was added as well. The new lineup was rounded out by mandolin player, Ryan Foltz and bagpipe player, Spicy McHaggis, who are only featured on this album. Music videos were released for the songs "The Spicy McHaggis Jig", "The Gauntlet" and "The Wild Rover". Recording The album features collaborations with Shane MacGowan, vocalist of The Pogues, on the song "Good Rats", and Colin McFaull of Cock Sparrer, on the song "The Fortunes of War ...
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Dropkick Murphys
Dropkick Murphys are an American Celtic punk band formed in Quincy, Massachusetts in 1996. The current lineup consists of co-lead vocalist and bassist Ken Casey, drummer Matt Kelly, co-lead vocalist Al Barr (on hiatus from the band since 2022), rhythm and lead guitarist James Lynch, lead guitarist and multi-instrumentalist Tim Brennan, multi-instrumentalist and rhythm guitarist Jeff DaRosa and bassist Kevin Rheault. Casey has been the band's only constant member since the band formed. The band was initially signed to independent punk record label Hellcat Records; they released five albums for the label and built a reputation around New England and the East coast through persistent touring. They expanded their schedule to include national and international tour dates, and began a tradition of yearly St. Patrick's Day week shows, held in and around Boston. The 2004 single, " Tessie,” an homage to a Boston Red Sox fanclub (the Royal Rooters) became the band's first mainst ...
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Red Roses For Me
''Red Roses for Me'' is the debut studio album by the London-based band the Pogues, released on 15 October 1984. It was produced by Stan Brennan, who had managed the Nipple Erectors/The Nips and Rocks Off Records shop in London. Overview ''Red Roses for Me'' is filled with traditional Irish music performed with punk influences. ''The Mancunion'' saw the "creativity of post-punk" as being "evident throughout the record", while Muso's Guide described much of ''Red Roses for Me'' as "a whirlwind of revved-up folk punk". The band's approach of mixing traditional songs and ballads with frontman Shane MacGowan's "gutter hymns" about drinking, fighting and sex was innovative at the time. The album reached number 89 in the UK album charts. The front of the album shows the band with the exception of drummer Andrew Ranken (pictured in inset) sitting in front of a picture of US President John F. Kennedy. On the back cover, accordion player James Fearnley has a bottle sticking out of hi ...
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The Pogues
The Pogues are an English Celtic punk band founded in King's Cross, London, in 1982, by Shane MacGowan, Spider Stacy and Jem Finer. Originally named Pogue Mahone—an anglicisation of the Irish language, Irish phrase :wikt:póg mo thóin, ''póg mo thóin'', meaning "kiss my arse"—the band fused Irish traditional music with punk rock influences. Initially poorly received in traditional circles—folk musician Tommy Makem labelled the band "the greatest disaster ever to hit Irish music"—they were later credited with reinvigorating the genre. After their founding, the Pogues added more members, including James Fearnley and Cait O'Riordan, and built a reputation playing raucous live shows in London pubs and clubs. After opening for the Clash on their 1984 tour, they released their first studio album, ''Red Roses for Me'', featuring a mix of traditional Irish songs and original compositions by MacGowan. Elvis Costello produced their second album, ''Rum Sodomy & the Lash'' (1985 ...
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Recorded Live In Ireland
''Recorded Live in Ireland'' is a 1965 album of Irish folk songs performed by The Clancy Brothers and Tommy Makem. It was the first live album to be recorded in stereo in Ireland. It was their sixth LP for Columbia Records and, unusually for the group, included two newly composed songs in the folk style. Music critic Joe Goldberg wrote the liner notes. Music on the album The album contained the first recording of "Lament for Brendan Behan," a recently composed tribute to the late Irish author, Brendan Behan, whom the Clancys had personally known. Tommy Makem wrote "The Curlew's Song" for the album. Two more songs, " Butcher Boy" and "Beggar Man" (a.k.a. "The Little Beggarman"), Makem learned from his mother, Sarah, a source singer for folk song collectors. The sound fades briefly at the end of "Beggar Man" when Makem danced a jig onstage as the audience cheered. The group learned " Wild Rover" from Luke Kelly of The Dubliners, with whom they were friends. They sang the number ...
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Tommy Makem
Thomas Makem (4 November 1932 – 1 August 2007) was an Irish folk music, folk musician, artist, poet and storyteller. He was best known as a member of the Clancy Brothers and Tommy Makem. He played the long-necked 5-string banjo, tin whistle, low whistle, guitar, bodhrán and bagpipes, and sang in a distinctive baritone. He was sometimes known as "The Bard of Armagh" (taken from a traditional song of the same name) and "The Godfather of Irish Music". Biography Makem was born and raised in Keady, County Armagh (the "Hub of the Universe" as Makem always said), in Northern Ireland. His mother, Sarah Makem, was an important source of traditional Irish music, who was visited and recorded by, among others, Diane Hamilton, Diane Guggenheim Hamilton, Jean Ritchie, Peter Kennedy (folklorist), Peter Kennedy and Sean O'Boyle. His father, Peter Makem, was a fiddler who also played the bass drum in a local pipe band named "Oliver Plunkett", after a Roman Catholic martyr of the reign of Charl ...
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The Clancy Brothers
The Clancy Brothers were an influential Irish folk music group that developed initially as a part of the American folk music revival. Most popular during the 1960s, they were famed for their Aran jumpers and are widely credited with popularising Irish traditional music in the United States and revitalising it in Ireland. This contributed to an Irish folk boom with groups like the Dubliners and the Wolfe Tones. The Clancy Brothers – Paddy, Tom and Liam – are known best for their work with Tommy Makem, recording almost two dozen albums together as The Clancy Brothers and Tommy Makem. Makem left in 1969, the first of many changes in the group's membership. The most notable subsequent member to join was the fourth Clancy brother, Bobby. The group continued in various formations until Paddy Clancy's death in 1998. The Clancy Brothers and Tommy Makem significantly influenced the young Bob Dylan and other artists, including Christy Moore and Paul Brady. The group was fa ...
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The Dubliners
The Dubliners () were an Folk music of Ireland, Irish folk band founded in Dublin in 1962 as The Ronnie Drew Ballad Group, named after its founding member; they subsequently renamed themselves The Dubliners. The line-up saw many changes in personnel over their fifty-year career, but the group's success was centred on lead singers Luke Kelly and Ronnie Drew. The band garnered international success with their lively Irish folk songs, traditional street ballads and instrumentals. The band were regulars on the folk scenes in both Dublin and London in the early 1960s. They were signed to the Major Minor Records, Major Minor label in 1965 after backing from Dominic Behan who was paid by the label to work with the group and help them to build a better act fit for larger concert hall venues. The Dubliners worked with Behan regularly between 1965 and 1966; Behan wrote numerous songs for this act, including the song "McAlpine's Fusiliers" created specifically to showcase Ronnie Drew's gr ...
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