Wild Bára
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Wild Bára
''Wild Bára'' () is a 1856 romantic short story by Božena Němcová with elements of fantasy. It is a story of a village girl, who is nice and cheerful, but her courage, independence and unusual appearance do not meet the expected stereotypes and she is not accepted by the superstitious villagers. Plot Bára was single child of a shepherd Jakub whose wife died a long time ago. Soon after the childbirth a mysterious accident happened to her mother: she was cooking when she was Lying-in, six weeks after the childbirth and supposed to be in bed, and was found fainted. Since this happened right at the high noon, villagers started to suspect that the girl was a changeling, "wild child" brought by a noon witch: they decided that she has too big eyes, too big head, etc. This is how she got her nickname, Wild Bara. Bára grows up as a good-natured girl, but her independence and unusual behavior are met with the prejudice from the villagers. A strong and emotional friendship develops be ...
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Diva Bara By Prohazka
Diva (, ) is the Latin word for a goddess. Diva is a name from Roman mythology, and is associated with the nouns divus, diva, which means god, goddess, and the adjective divinius, which means divine or heavenly. It has often been used to refer to a celebrated woman of outstanding talent in the world of opera, theatre, Film, cinema, fashion and popular music. If referring to an actress, the meaning of ''diva'' is closely related to that of ''prima donna''. Diva can also refer to a person, especially one in show business, with a reputation for being temperamental or demanding. Derivation The word entered the English language in the late 19th century. It is derived from the Italian language, Italian noun ''diva'', a female deity. The plural of the word in English is "divas"; in Italian, ''dive'' . The basic sense of the term is ''goddess'', the feminine of the Latin word ''divus'' (Italian ''divo''), someone deified after death, or Latin ''deus'', a god. The male form ''Wikt:divo, ...
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Božena Němcová
Božena Němcová () (4 February 1820 in Vienna – 21 January 1862 in Prague) was a Czech writer of the final phase of the ''Czech National Revival'' movement. Her image is featured on the 500 CZK denomination of the Česká koruna. Biography According to the dating up to now accepted by the majority of Czech authors, Božena Němcová was born in 1820 as ''Barbara Pankl'' (or ''Barbora Panklová'' according to the usual Czech name-giving for women) in Vienna as a daughter of Johann Pankl from Lower Austria and Teresie Novotná, a maid of Bohemian origin. In her childhood she lived near the small town of Ratibořice, where her grandmother Magdalena Novotná played an important part in her life. Němcová would later write her most famous novel with the main character inspired by her grandmother. When she was 17 years old, she married Josef Němec, fifteen years her senior, who worked as a customs officer and was therefore a state employee. The marriage was arranged by Barbora ...
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Barbara (given Name)
Barbara is a given name used in numerous languages. It is the feminine form of the Greek word ''barbaros'' () meaning "stranger" or "foreign". In Roman Catholic and Eastern Orthodoxy, Eastern Orthodox tradition, Saint Barbara (Greek language, Greek: Ἁγία Βαρβάρα) was imprisoned in a tower by her father. She was then martyred by her father when she refused to renounce Christianity. According to legend, her father was then punished with death by lightning. As such, Saint Barbara is a protectress against fire and lightning. Early Christians occasionally referred to themselves as "barbarians" in opposition to the pagan Romans and Greeks. The story of Saint Barbara is said to have been an inspiration for the fairy tale Rapunzel and other European stories that feature a maiden in a tower. Today, the name Barbara or its variants are commonly given to female babies born in such countries as Chile, the Czech Republic, Estonia, Georgia (country), Georgia, Hungary, Poland, Slovaki ...
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Lying-in
Lying-in is the term given to the European forms of postpartum confinement, the traditional practice involving long bed rest before and after giving birth. The term and the practice it describes are old-fashioned or archaic, but lying-in used to be considered an essential component of the postpartum period, even if there were no medical complications during childbirth. Description A 1932 publication refers to lying-in as ranging from two weeks to two months.Lying in by Jan Nusche
quoting ''The Bride's Book — A Perpetual Guide for the Montreal Bride'', published in 1932
It also suggests not "getting up" (getting out of bed post-birth) for at least nine days and ideally for 20 days. Care was provided either by her female relatives (mother or mother-in-law), or, for those who could afford it, by a t ...
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Changeling
A changeling, also historically referred to as an auf or oaf, is a human-like creature found throughout much of European folklore. According to folklore, a changeling was a substitute left by a supernatural being when kidnapping a human being. Sometimes the changeling was a "stock" (a piece of wood made magically to resemble the kidnapped human), more often the changeling was a supernatural being made magically to look like the kidnapped human. Supernatural beings blamed for stealing children included Fairy, fairies, demons, trolls, nereids and many others. Usually, the kidnapped human was a child; but there were cases, particularly in Scandinavia and Ireland, where adults were taken. Some modern scholars have argued these stories of replaced children originated as folklore explanations for autism or other developmental conditions. Description A changeling is typically identifiable via several traits, which vary from culture to culture. In Irish mythology, Irish legend, a ...
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Noon Witch
Poludnitsa (from: ''Polden'' or ''Poluden'', 'half-day' or 'midday') is a mythical character common to the various Slavic countries of Eastern Europe. She is referred to as Południca in Polish, Полудниця in Ukrainian, Полудница (Poludnitsa) in Serbian, Bulgarian and Russian, Polednice in Czech, Poludnica in Slovak, Připołdnica in Upper Sorbian, and Полознича (Poloznicha) in Komi, Chirtel Ma in Yiddish. The plural form of this word is poludnitsy (or poludnici). Poludnitsa is a noon demon in Slavic mythology. She can be referred to in English as "Lady Midday", "Noonwraith" or "noon witch". She was usually pictured as a young woman dressed in white that roamed field bounds. She assailed folk working at noon, causing heatstrokes and aches in the neck; sometimes she even caused madness. In some accounts, she symbolizes the midday star, thereby being the sister of Zarya-Zarenitsa (the morning star; also called Utrenica), Vechorka (the evening star; also c ...
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Divá Bára (film)
''Divá Bára'' (''Wild Bára'', ''Wild Barbara'') is a 1949 Czechoslovak film based on the short story with the same name by Božena Němcová.Divá Bárain English
, web portal of Národní filmový archiv


Credited cast

*, Bára * Jana Dítětová, Eliška (Elška), friend of Bára *Marie Brožová, parson's sister *Robert Vrchota, hunter * Jaroslav Vojta, parson *, village el ...
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Vladimír Čech (director)
Vladimír Čech (25 September 1914 – 2 February 1992) was a Czechoslovak film director and screenwriter. He directed more than 35 films between 1941 and 1980. His 1971 film '' The Key'' was entered into the 7th Moscow International Film Festival The 7th Moscow International Film Festival was held from 20 July to 3 August 1971. The Golden Prizes were awarded to the Italian film '' Confessions of a Police Captain'' directed by Damiano Damiani, the Japanese film '' Live Today, Die Tomorrow ... where it won the Silver Prize. Selected filmography *'' Divá Bára'' (1949) * '' The Key'' (1971) References External links * {{DEFAULTSORT:Cech, Vladimir 1914 births 1992 deaths Czechoslovak film directors Czechoslovak screenwriters Film people from České Budějovice ...
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Anatoly Alexandrov (composer)
Anatoly Nikolayevich Alexandrov (, Moscow – April 16, 1982, Moscow) was a Soviet and Russian composer of works for piano and for other instruments, and pianist. His initial works had a mystical element, but he downplayed this to better fit socialist realism. He led a somewhat retiring life, but received several honors. Alexandrov was the son of a Professor of Tomsk State University. He attended the Moscow Conservatory (which he left in 1915), where he was a pupil of Nikolai Zhilyayev, Sergei Taneyev and Sergei Vasilenko (theory), Alexander Ilyinsky (composition) and Konstantin Igumnov (pianoforte). His early music revealed the influence of Nikolai Medtner and Alexander Scriabin. He was appointed Professor at the Moscow Conservatory in 1923.These details from A. Eaglefield-Hull, ''A Dictionary of Modern Music and Musicians'' (Dent, London 1924). Viktor Belyaev, Alexandrov's first biographer, wrote in 1926: "If Myaskovsky is a thinker, and Feinberg a psychologist, then A ...
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