|
White-ground Technique
White-ground technique is a style of white ancient Greek pottery and the painting in which figures appear on a white background. It developed in the region of Attica, dated to about 500 BC. It was especially associated with vases made for ritual and funerary use, if only because the painted surface was more fragile than in the other main techniques of black-figure and red-figure vase painting. Nevertheless, a wide range of subjects are depicted. Technique and style In white-ground pottery, the vase is covered with a light or white slip of kaolinite. A similar slip had been used as carrier for vase paintings in the Geometric and Archaic periods. White-ground vases were produced, for example, in Ionia, Laconia and on the Cycladic islands, but only in Athens did it develop into a veritable separate style beside black-figure and red-figure vase painting. For that reason, the term "white-ground pottery" or "white-ground vase painting" is usually used in reference to the Attic ma ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Apollo Black Bird AM Delphi 8140
Apollo is one of the Twelve Olympians, Olympian deities in Ancient Greek religion, ancient Greek and Ancient Roman religion, Roman religion and Greek mythology, Greek and Roman mythology. Apollo has been recognized as a god of archery, music and dance, truth and prophecy, healing and diseases, the Sun and light, poetry, and more. One of the most important and complex of the Greek gods, he is the son of Zeus and Leto, and the twin brother of Artemis, goddess of the hunt. He is considered to be the most beautiful god and is represented as the ideal of the ''kouros'' (ephebe, or a beardless, athletic youth). Apollo is known in Greek-influenced Etruscan mythology as ''Apulu''. As the patron deity of Delphi (''Apollo Pythios''), Apollo is an oracular god—the prophetic deity of the Pythia, Delphic Oracle and also the deity of ritual purification. His oracles were often consulted for guidance in various matters. He was in general seen as the god who affords help and wards off e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Marble
Marble is a metamorphic rock consisting of carbonate minerals (most commonly calcite (CaCO3) or Dolomite (mineral), dolomite (CaMg(CO3)2) that have recrystallized under the influence of heat and pressure. It has a crystalline texture, and is typically not Foliation (geology), foliated (Layered intrusion, layered), although there are exceptions. In geology, the term ''marble'' refers to metamorphosed limestone, but its use in stonemasonry more broadly encompasses unmetamorphosed limestone. The extraction of marble is performed by quarrying. Marble production is dominated by four countries: China, Italy, India and Spain, which account for almost half of world production of marble and decorative stone. Because of its high hardness and strong wear resistance, and because it will not be deformed by temperature, marble is often used in Marble sculpture, sculpture and construction. Etymology The word "marble" derives from the Ancient Greek (), from (), "crystalline rock, shin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Alabastron
An alabastron or alabastrum (; plural: ''alabastra'' or ''alabastri'' (ἀλάβαστρα or ἀλάβαστα)) is a small tapering or pear-shaped vessel, having no feet, used for holding perfumes or massage oils. They originated around the 11th century BC in ancient Egypt and spread via ancient Greece to other parts of the classical world. The first mention of such scent bottles comes from Herodotus, who refers to a myrrh alabastron (μύρου ἀλάβαστρο) as one of the gifts sent by Cambyses to the king of Ethiopia. They were originally crafted from alabaster, particularly the onyx-alabaster variety, which was commonly used for this purpose. However, it's uncertain whether the vessels were named after the material or if the material was named after the vessels. They can also be made from stone and terra-cotta, with other materials like glass and even gold (χρύσεια ἀλάβαστρα) being used as well. Most types of alabastron have a narrow body with a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Psiax
Psiax was an Attic vase painter of the transitional period between the black-figure and red-figure styles. His works date to ''circa'' 525 to 505 BC and comprise about 60 surviving vases, two of which bear his signature. Initially he was allocated the name "Menon Painter" by John Beazley. Only later was it realised that the artist was identical with the painters signing as "Psiax". Psiax collaborated with the potters Hilinos, Menon, Andokides and Nikosthenes. While he started as a painter in the black-figure technique, he played a major role in the early development of red-figure, which was invented in the workshop of Andokides. The black-figure Antimenes Painter, working for the same workshop, was stylistically close to Psiax; Beazley described the two as "brothers". Perhaps unsurprisingly, considering his chronological position, Psiax was a master of bilingual vase painting. Formerly called the Menon Painter, after the potter’s signature on a red-figure amphora (Philadel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nikosthenes
Nikosthenes was a potter of Greek black- and red-figure pottery in the time window 550–510 BC. He signed as the potter on over 120 black-figure vases, but only nine red-figure. Most of his vases were painted by someone else, called Painter N (for Nikosthenes). Beazley considers the painting "slovenly and dissolute;" that is, not of high quality. In addition, he is thought to have worked with the painters Anakles, Oltos, Lydos and Epiktetos. Six's technique is believed to have been invented in Nikosthenes' workshop, possibly by Nikosthenes himself, around 530 BC. He is considered transitional between black-figure and red-figure pottery. The pottery workshop Nikosthenes was the owner of a workshop in Athens in the latter part of the 6th century BC. On the theory that the number of signed works reflects the number of total works, the high number of signatures referring to Nikosthenes suggests that he had one of the largest if not the largest manufacturing center in Athens. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Andokides (vase Painter)
Andokides was an ancient Athenian vase painter, active from approximately 530 to 515 BC. His work is unsigned and his true name unknown. He was identified as a unique artistic personality through stylistic traits found in common among several paintings. This corpus was then attributed by John D. Beazley to the Andokides Painter, a name derived from the potter Andokides, whose signature appears on several of the vases bearing the painter's work. He is often credited with being the originator of the red-figure vase painting technique. To be sure, he is certainly one of the earliest painters to work in the style. In total, fourteen amphorae and two cups are attributed to his hand. Six of the amphorae are "bilingual", meaning they display both red-figure and black-figure scenes. Biography Several details regarding the artistic biography of the Andokides Painter have been suggested through connoisseurial studies of his work. As mentioned, he is widely thought to be the creator of th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Metropolitan Museum Of Art
The Metropolitan Museum of Art, colloquially referred to as the Met, is an Encyclopedic museum, encyclopedic art museum in New York City. By floor area, it is the List of largest museums, third-largest museum in the world and the List of largest art museums, largest art museum in the Americas. With 5.36 million visitors in 2023, it is the List of most-visited museums in the United States, most-visited museum in the United States and the List of most-visited art museums, fifth-most visited art museum in the world. In 2000, its permanent collection had over two million works; it currently lists a total of 1.5 million works. The collection is divided into 17 curatorial departments. The Met Fifth Avenue, The main building at 1000 Fifth Avenue, along the Museum Mile, New York, Museum Mile on the eastern edge of Central Park on Manhattan's Upper East Side, is by area one of the world's list of largest art museums, largest art museums. The first portion of the approximately building ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Acropolis Of Athens
The Acropolis of Athens (; ) is an ancient citadel located on a rocky outcrop above the city of Athens, Greece, and contains the remains of several Ancient Greek architecture, ancient buildings of great architectural and historical significance, the most famous being the Parthenon. The word ''Acropolis'' is . The term acropolis is generic and there are many other acropoleis in Greece. During ancient times the Acropolis of Athens was also more properly known as Cecropia, after the legendary serpent-man Cecrops I, Cecrops, the supposed first Athenian king. While there is evidence that the hill was inhabited as early as the 4th millennium BC, it was Pericles (–429 BC) in the fifth century BC who coordinated the construction of the buildings whose present remains are the site's most important ones, including the Parthenon, the Propylaia_(Acropolis_of_Athens), Propylaea, the Erechtheion and the Temple of Athena Nike. The Parthenon and the other buildings were seriously damaged during ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nearchos (painter)
Nearchos (Greek: Νέαρχος) was an Attic potter and vase painter of the black figure style, active in Athens c. 570 to 555 BC. In some stylistic terms, particularly his fine drawings, Nearchos seems closely connected to the Painter of Acropolis 606. Unlike his contemporaries, he achieved figures with a striking sense of dignity, comparable to those painted much later by Exekias. Especially striking is a '' kantharos'', probably both shaped and painted by Nearchos, which depicts Achilles harnessing his horses. ''Kantharoi'' were one of his favourite shapes, and he signed them as both potter and painter. He also introduced some innovations, such as the attempt to render a horse's body in white paint. Not all his experiments can be considered successful. A further vessel that exemplifies his artistic mastery is an ''aryballos'' in the Corinthian style, decorated with a frieze of pygmies and cranes along the rim. Strikingly, the vessel is less than 8 cm tall and the fr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kantharos
A kantharos (; ) or cantharus () is a type of ancient Greek cup used for drinking. Although almost all surviving examples are in Greek pottery, the shape, like many Greek vessel types, probably originates in metalwork. In its iconic "Type A" form, it is characterized by its deep bowl, tall pedestal foot, and pair of high-swung handles which extend above the lip of the pot. The Greek words ''kotylos'' (κότῦλος, masculine) and ''kotyle'' (κοτύλη, feminine) are other ancient names for this same shape.. The kantharos is a cup used to hold wine, probably both for drinking and for ritual use in libations and offerings. The kantharos seems to be an attribute of Dionysus, the god of wine, who was associated with vegetation and fertility. As well as a banqueting cup, they could be used in pagan rituals as a symbol of rebirth or resurrection, the immortality offered by wine, "removing in moments of ecstasy the burden of self-consciousness and elevating man to the rank of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
