Whisper Not (Keith Jarrett Album)
''Whisper Not'' is a live double-album by Keith Jarrett, recorded at the Palais des congrès de Paris on July 5, 1999 and released on ECM October the following year. The trio—Jarrett's " ''Standards'' Trio"—features rhythm section Gary Peacock and Jack DeJohnette. Reception Writing for ''DownBeat'', Ted Panken commented: "the pianist makes a Steinway dance buoyantly through 14 canonical tunes, conjuring free-as-the-wind melodies with effortless grace. The animating imperative here is the syntax of bebop... Unencumbered by iconic interpretations of the now vernacularized repertoire, Jarrett, Peacock and DeJohnette impart to their statements the improvising-from-point-zero approach that is their trademark; they avoid cliché while retaining idiomatic nuances of phrasing and swing that define the form and make it live. All in all, a stimulating paean to the rejuvenating powers of improvisation by one of the supreme communicators in jazz." The authors of ''The Penguin Guide t ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Keith Jarrett
Keith Jarrett (born May 8, 1945) is an American pianist and composer. Jarrett started his career with Art Blakey and later moved on to play with Charles Lloyd (jazz musician), Charles Lloyd and Miles Davis. Since the early 1970s, he has also been a group leader and solo performer in jazz, jazz fusion, and classical music. His improvisations draw from the traditions of jazz and other genres, including Western classical music, gospel music, gospel, blues, and ethnic folk music. His album ''The Köln Concert'', released in 1975, is the best-selling piano recording in history. In 2008, he was inducted into ''DownBeat'' Jazz Hall of Fame in the magazine's 73rd Annual Readers' Poll. In 2003, Jarrett received the Polar Music Prize and was the first recipient to be recognized with prizes for both contemporary and classical music. In 2004, he received the Léonie Sonning Music Prize. In February 2018, Jarrett suffered a stroke and has been unable to perform since. A second stroke in Ma ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bouncing With Bud
Bouncing with Bud (also known as Bebop in Pastel) is a 1946 jazz standard by American pianist Bud Powell and Gil Fuller, which features the saxophone of Sonny Stitt and the trumpet of Kenny Dorham. It was originally recorded on 23 August 1946 as "Bebop in Pastel". Composition In the key of B-flat major, the tune is a "nonblues theme whose form is A-A'-B-A' with an eight-bar interlude that is not played during the solos." The introduction consists of an ascending line that modulates between two chords, Bbmaj7#11 and B7b5 before resolving to Bb through the use of a tritone substitution. Notable performances Powell played the theme under the debut title "Bouncing with Bud" on August 9, 1949 for Blue Note Records with Sonny Rollins, Fats Navarro, Tommy Potter and Roy Haynes, for a recording which is often wrongly thought to be the original. The same recording session included two alternate takes of the tune that were later released as well. He recorded a trio version as the title ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thelonious Monk
Thelonious Sphere Monk ( October 10, 1917 – February 17, 1982) was an American Jazz piano, jazz pianist and composer. He had a unique improvisational style and made numerous contributions to the Jazz standard, standard jazz repertoire, including "'Round Midnight (song), 'Round Midnight", "Blue Monk", "Straight, No Chaser (composition), Straight, No Chaser", "Ruby, My Dear (composition), Ruby, My Dear", "In Walked Bud", and "Well, You Needn't". Monk is the second-most-recorded jazz composer after Duke Ellington. Monk's compositions and improvisations feature consonance and dissonance, dissonances and angular melodic twists, often using flat ninths, flat fifths, unexpected chromatic notes together, low bass notes and stride, and fast whole tone scale, whole tone runs, combining a highly percussive attack with abrupt, dramatic use of switched key releases, silences, and hesitations. Monk's distinct look included suits, hats, and sunglasses. He also had an idiosyncratic habit dur ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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'Round Midnight (song)
"Round Midnight" (sometimes titled "Round About Midnight") is a 1943 composition by American jazz pianist Thelonious Monk that quickly became a jazz standard and has been recorded by a wide variety of artists. A version recorded by Monk's quintet was added to the Grammy Hall of Fame in 1993. It is one of the most recorded jazz standards composed by a jazz musician. Composition and Monk's first recording It is thought that Monk composed the song sometime in 1940 or 1941. However, Monk's longtime manager Harry Colomby claims the pianist may have written an early version around 1936 (at the age of 19). The song was copyrighted September 24, 1943, in C minor under the title "I Need You So", with lyrics by a friend of Monk's named Thelma Murray. The first recording was made by Cootie Williams on August 22, 1944, after the pianist Bud Powell persuaded Williams to record the tune. Monk first recorded the song on November 21, 1947. It later appeared on the Blue Note album '' Genius of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billy Moll
Billy may refer to: * Billy (name), a name (and list of people with the name) * Billy (surname), a surname (and list of people with the surname) Animals * Billy (dog), a dog breed * Billy (pigeon), awarded the Dickin Medal in 1945 * Billy (pygmy hippo), a pet of U.S. President Calvin Coolidge * Billy, a young male domestic goat Film * Billy (''Black Christmas''), a character from ''Black Christmas'' * Billy (''Saw''), a puppet from ''Saw'' * '' Billy: The Early Years'', a 2008 biographical film about Billy Graham Literature * ''Billy'' (novel), a 1990 novel by Whitley Strieber * ''Billy'', a 2002 biography of Billy Connolly by Pamela Stephenson Music Musicals * ''Billy'' (musical), a musical based on Billy Liar * ''Billy'', a 1969 Broadway musical with music and lyrics by Gene Allen and Ron Dante Albums * ''Billy'' (Samiam album) (1992) * ''Billy'' (Feedtime album) Songs * "Billy" (Kathy Linden song), a 1958 song by Kathy Linden * "Billy", a 1986 song by C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ted Koehler
Ted L. Koehler (July 14, 1894 – January 17, 1973) was an American lyricist. He was inducted into the Songwriters Hall of Fame in 1972. Life and career Koehler was born in 1894 in Washington, D.C. He started out as a photo-engraver, but was attracted to the music business, where he started out as a theater pianist for silent films. He moved on to write for vaudeville and Broadway theatre, and he also produced nightclub shows. His most successful collaboration was with the composer Harold Arlen, with whom he wrote many famous songs from the 1920s through the 1940s. In 1929 the duo composed their first well-known song, " Get Happy", and went on to create " Let's Fall in Love", " Stormy Weather", " Sing My Heart" and other hit songs. Throughout the early and mid-1930s they wrote for the Cotton Club, a popular Harlem night club, for big band jazz legend Duke Ellington and other top performers, as well as for Broadway musicals and Hollywood films. Koehler also worked with ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Harry Barris
Harry Barris (November 24, 1905 – December 13, 1962) was an American popular singer and songwriter. He was one of the earliest singers to use " scat singing" in recordings. Barris, one of Paul Whiteman's Rhythm Boys, along with Bing Crosby and Al Rinker, scatted on several songs, including " Mississippi Mud," which Barris wrote in 1927. Biography Barris was born to Jewish parents in New York City. Gary Giddins described him as "small, wiry, and moon-faced with glittery eyes, and dark hair slicked back and parted in the middle." He was educated in Denver, Colorado. Barris became a professional pianist at the age of 14. He led a band which toured the Far East at the age of 17. Barris married Hazelle Thompson in 1925 and they had a daughter, Hazelle Barris, in 1926. The same year, Barris played the piano and occasionally sang in Paul Ash's orchestra. In the same year, Al Rinker and Bing Crosby became members of Paul Whiteman's Orchestra as a singing duo. However, appearing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Billy Strayhorn
William Thomas Strayhorn (November 29, 1915 – May 31, 1967) was an American jazz composer, pianist, lyricist, and arranger who collaborated with bandleader and composer Duke Ellington for nearly three decades. His compositions include "Take the 'A' Train", "Chelsea Bridge (song), Chelsea Bridge", "A Flower Is a Lovesome Thing", and "Lush Life (jazz song), Lush Life". Early life Strayhorn was born in Dayton, Ohio, United States. His family then moved to the Homewood (Pittsburgh), Homewood neighborhood of Pittsburgh, Pennsylvania. His mother's family came from Hillsborough, North Carolina, and she sent him there to protect him from his father's drunken rages. Strayhorn spent many months of his childhood at his grandparents' house in Hillsborough. In an interview, Strayhorn said that his grandmother was his primary influence during the first ten years of his life. He became interested in music while living with her, playing hymns on her piano and listening to records on her Victrol ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chelsea Bridge (song)
"Chelsea Bridge" (1941 in music, 1941) is an impressionistic jazz standard composed by Billy Strayhorn. History The piece was originally recorded by the Duke Ellington orchestra on 2 December 1941, with Strayhorn (rather than Ellington himself) on piano and solos by tenor saxophonist Ben Webster and valve trombonist Juan Tizol. It has since been recorded by Webster several times, including with Gerry Mulligan in 1959, as well as by Vince Guaraldi (1956), Tommy Flanagan (musician), Tommy Flanagan (1957 and 1975), Joe Henderson (1967), Kenny Burrell (1975), Stan Kenton (1978), Bobby Hutcherson (1988), Lew Tabackin (1989), Vincent Herring (1992), Joe Lovano (1994), Ahmad Jamal (1995), André Previn (1999 and live in 2000), Keith Jarrett (1999), and Wynton Marsalis (1999), among many others. Strayhorn himself returned to the piece, recording it as an unaccompanied piano solo on his 1961 album ''The Peaceful Side''. Another version appears on the posthumously released album ''Lush Life ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dizzy Gillespie
John Birks "Dizzy" Gillespie ( ; October 21, 1917 – January 6, 1993) was an American jazz trumpeter, bandleader, composer, educator and singer. He was a trumpet virtuoso and improvisation, improviser, building on the virtuosic style of Roy Eldridge but adding layers of Harmony, harmonic and rhythmic complexity previously unheard in jazz. His combination of musicianship, showmanship, and wit made him a leading popularizer of the new music called bebop. His beret and horn-rimmed spectacles, scat singing, bent horn, pouched cheeks, and light-hearted personality have made him an enduring icon. In the 1940s, Gillespie, with Charlie Parker, became a major figure in the development of bebop and modern jazz. He taught and influenced many other musicians, including trumpeters Miles Davis, Jon Faddis, Fats Navarro, Clifford Brown, Arturo Sandoval, Lee Morgan, Chuck Mangione, and balladeer Johnny Hartman. He pioneered Afro-Cuban jazz and won several Grammy Awards. Scott Yanow wrote: "Di ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Groovin' High
"Groovin' High" is an influential 1945 song by jazz composer and trumpeter Dizzy Gillespie. The song was a bebop mainstay that became a jazz standard, one of Gillespie's best known hits, and according to ''Bebop: The Music and Its Players'' author Thomas Owens, "the first famous bebop recording". The song is a complex musical arrangement based on the chord structure of the 1920 standard originally recorded by Paul Whiteman, "Whispering", with lyrics by John Schonberger and Richard Coburn ''(né'' Frank Reginald DeLong; 1886–1952) and music by Vincent Rose. The biography ''Dizzy'' characterizes the song as "a pleasant medium-tempo tune" that "demonstrates... illespie's/nowiki> skill in fashioning interesting textures using only six instruments". The song has been used to title many compilation albums and also the 2001 biography ''Groovin' High: The Life of Dizzy Gillespie''. Impact The track appeared on the debut 1947 album, ''Dizzy Gillespie and His All Stars'', the song is on ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |