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When Do I Get To Sing 'My Way'
"When Do I Get to Sing 'My Way'" is a song by American pop duo Sparks, released on 17 October 1994 by Logic Records as the first single from their sixteenth studio album, '' Gratuitous Sax & Senseless Violins'' (1994). Written and produced by brothers Russell and Ron Mael of Sparks, the song references Frank Sinatra's 1969 signature song "My Way" and was a number seven hit in Germany. In the United States, it reached number nine on the ''Billboard'' Hot Dance Club Play chart, and it was also a top 40 hit in the United Kingdom. The song was re-released as a single the following year, this time peaking at number 32 on the UK singles chart. Its accompanying music video was directed by Sophie Muller, depicting the band in a 1940s black-and-white Hollywood film noir style. Chart performance "When Do I Get to Sing 'My Way'" was a hit on the chart in several European countries, reaching the top 10 in Germany, where it peaked at number seven. It is also their highest charting single ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sparks (band)
Sparks is an American pop music, pop and rock music, rock duo formed by brothers Ron Mael, Ron (keyboards) and Russell Mael (vocals) in Los Angeles. The duo is noted for their quirky approach to songwriting; their music is often accompanied by sophisticated and wikt:acerbic, acerbic lyrics—often about women, and sometimes containing literary or cinematic references—and an idiosyncratic, theatrical stage presence, typified by the contrast between Russell's animated, hyperactive frontman antics and Ron's deadpan scowling. Russell Mael has a distinctive wide-ranging voice, while Ron Mael plays keyboards in an intricate and rhythmic style. Their frequently changing styles and visual presentations have kept the band at the forefront of modern, artful pop music. Career highlights include "This Town Ain't Big Enough for Both of Us", which reached No. 2 on the UK Singles Chart in 1974; the disco hit "The Number One Song in Heaven" in 1979, resulting from a collaboration with Giorgio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance Club Songs
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was " You Should Be Dancing" by th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Falsetto
Falsetto ( , ; Italian language, Italian diminutive of , "false") is the vocal register occupying the frequency range just above the modal voice register and overlapping with it by approximately one octave. It is produced by the vibration of the ligamentous edges of the vocal cords, in whole or in part. Commonly cited in the context of singing, falsetto, a characteristic of phonation by both sexes, is also one of four main spoken vocal registers recognized by speech pathology. The term ''falsetto'' is most often used in the context of singing to refer to a type of vocal phonation that enables the singer to sing notes beyond the vocal range of the normal, or modal, voice (M1). The typical tone of falsetto register, or M2, usually has a characteristic breathy and flute-like sound relatively free of overtones—which is more limited than its modal counterpart in both dynamic variation and tone quality. However, William Vennard points out that while most untrained people can sound co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Flick
Larry Flick is an American journalist, former dance music columnist, single reviewer, and Senior Talent Editor for ''Billboard'' magazine, where he worked for 14 years. Now he produces and hosts Sirius XM radio shows. Flick started in the music business at 21 as a college radio rep at a company called Gold Mountain. He went on the road as a touring assistant to the Power Station and KISS during their 1980s heyday, before starting as a part-time assistant/mail sorter at Billboard. He later became the dance music/single reviews editor of the magazine. Flick also worked as a music consultant for Prince A prince is a male ruler (ranked below a king, grand prince, and grand duke) or a male member of a monarch's or former monarch's family. ''Prince'' is also a title of nobility (often highest), often hereditary, in some European states. The .... References External links Larry Flick on Sirius XMLarry Flick on Discogs.com* Flick on LinkedIn {{DEFAULTSORT:Flick, Larry ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giorgio Moroder
Giovanni Giorgio Moroder (, ; born 26 April 1940) is an Italian composer and music producer. Dubbed the "Honorific nicknames in popular music, Father of Disco", Moroder is credited with pioneering Euro disco and electronic dance music. His work with synthesizers had a significant influence on several music genres such as hi-NRG, Italo disco, synth-pop, new wave, house, and techno music. While in Munich in the 1970s, Moroder started Oasis Records, later a subdivision of Casablanca Records. He is the founder of the former Musicland Studios in Munich, a recording studio used by many artists including the Rolling Stones, Electric Light Orchestra, Led Zeppelin, Deep Purple, Queen (band), Queen, and Elton John. He produced singles for Donna Summer during the mid-to-late 1970s disco era, including "Love to Love You Baby (song), Love to Love You Baby", "I Feel Love", "Last Dance (Donna Summer song), Last Dance", "MacArthur Park (song)#Donna Summer version, MacArthur Park", "Hot Stuff (D ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Techno
Techno is a genre of electronic dance music (EDM) which is generally produced for use in a continuous DJ set, with tempos being in the range from 120 to 150 beats per minute (bpm). The central rhythm is typically in common time ( ) and often characterized by a repetitive four on the floor beat. Artists may use electronic instruments such as drum machines, sequencers, and synthesizers, as well as digital audio workstations. Drum machines from the 1980s such as Roland's Roland TR-808 and Roland TR-909 are highly prized, and software emulations of such retro instruments are popular in this style. Much of the instrumentation in techno is used to emphasize the role of rhythm over other musical aspects. Vocals and melodies are uncommon. The use of sound synthesis in developing distinctive timbres tends to feature more prominently. Typical harmonic practices found in other forms of music are often ignored in favor of repetitive sequences of notes. More generally the creatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Music
House is a genre of electronic dance music characterized by a repetitive Four on the floor (music), four-on-the-floor beat and a typical tempo of 115–130 beats per minute. It was created by DJs and music producers from Chicago's underground Clubbing (subculture), club culture and evolved slowly in the early/mid 1980s as DJs began altering disco songs to give them a more mechanical beat. By early 1988, house became mainstream and supplanted the typical 80s music beat. House was created and pioneered by DJs and producers in Chicago such as Frankie Knuckles, Ron Hardy, Jesse Saunders, Chip E., Joe Smooth, Steve "Silk" Hurley, Farley "Jackmaster" Funk, Marshall Jefferson, Phuture, and others. House music initially expanded to New York City, then internationally to cities such as London, and ultimately became a worldwide phenomenon. House has a large influence on pop music, especially dance music. It was incorporated into works by major international artists including Whitney Hou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Synth-pop
Synth-pop (short for synthesizer pop; also called techno-pop; ) is a music genre that first became prominent in the late 1970s and features the synthesizer as the dominant musical instrument. It was prefigured in the 1960s and early 1970s by the use of synthesizers in progressive rock, electronic music, electronic, art rock, disco, and particularly the Krautrock of bands like Kraftwerk. It arose as a distinct genre in Japan and the United Kingdom in the post-punk era as part of the New wave music, new wave movement of the late 1970s. Electronic musical synthesizers that could be used practically in a recording studio became available in the mid-1960s, and the mid-1970s saw the rise of electronic art musicians. After the breakthrough of Gary Numan in the UK Singles Chart in 1979, large numbers of artists began to enjoy success with a synthesizer-based sound in the early 1980s. In Japan, Yellow Magic Orchestra introduced the TR-808 rhythm machine to popular music, and the band ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
AllMusic
AllMusic (previously known as All-Music Guide and AMG) is an American online database, online music database. It catalogs more than three million album entries and 30 million tracks, as well as information on Musical artist, musicians and Musical ensemble, bands. Initiated in 1991, the database was first made available on the Internet in 1994. AllMusic is owned by RhythmOne. History AllMusic was launched as ''All-Music Guide'' by Michael Erlewine, a "compulsive archivist, noted astrologer, Buddhist scholar, and musician". He became interested in using computers for his astrological work in the mid-1970s and founded a software company, Matrix, in 1977. In the early 1990s, as compact discs (CDs) replaced LP record, LPs and cassette (format), cassettes as the dominant format for recorded music, Erlewine purchased what he thought was a CD of early recordings by Little Richard. After buying it, he discovered it was a "flaccid latter-day rehash". Frustrated with the labeling, he res ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
European Hot 100 Singles
The European Hot 100 Singles was compiled by '' Billboard'' and ''Music & Media'' magazine from March 1984 until December 2010. The chart was based on national singles sales charts in 17 European countries: Austria, Belgium (two charts separately for Flanders and Wallonia), Denmark, Finland, France, Germany, Greece, Hungary, Ireland, Italy, Netherlands, Norway, Portugal, Spain, Sweden, Switzerland, and the United Kingdom. , the European Hot 100 had accumulated 400 number one hits. The final chart was published on December 11, 2010, following the news of ''Billboard'' closing their London office and letting their UK-based staff go. The final number one single on the chart was " Only Girl (in the World)" by Rihanna. History Europarade top 30 The first attempt at a Europe-wide chart was the Europarade, which was started in early 1976 by the Dutch TROS radio network. The chart initially consisted of only six countries: the Netherlands, UK, France, Germany, Belgium and Spain. In 1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Film Noir
Film noir (; ) is a style of Cinema of the United States, Hollywood Crime film, crime dramas that emphasizes cynicism (contemporary), cynical attitudes and motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key lighting, low-key, black-and-white visual style that has roots in German expressionist cinematography. Many of the prototypical stories and attitudes expressed in classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression, known as noir fiction. The term ''film noir'', French for "black film" (literal) or "dark film" (closer meaning), was first applied to Hollywood films by French critic Nino Frank in 1946, but was unrecognized by most American film industry professionals of that era. Frank is believed to have been inspired by the French literary publishing imprint Série noire, founded in 1945. Cinema hist ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
