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West Coast Blues!
''West Coast Blues!'' is a studio album by American tenor saxophonist Harold Land, released in 1960 by Jazzland label. Reception According to Scott Yanow of AllMusic: "The music is as well-played and swinging as one would expect from this superior bop group."Scott Yanow''West Coast Blues!'' review AllMusic. Track listing # "Ursula" (Harold Land) – 7:07 # "Klactoveedsedstene" (Charlie Parker) – 9:59 # "Don't Explain (song), Don't Explain" (Arthur Herzog Jr., Billie Holiday) – 4:54 # "West Coast Blues" (Wes Montgomery) – 6:02 # "Terrain" (Land) – 7:46 # "Compulsion" (Land) – 6:48 Personnel * Harold Land – tenor saxophone * Wes Montgomery – guitar * Joe Gordon (musician), Joe Gordon – trumpet * Barry Harris – piano * Sam Jones (musician), Sam Jones – double bass * Louis Hayes – drums References External reviews *[ AMG review: West Coast Blues!] {{Authority control 1960 albums Jazzland Records albums Harold Land albums ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Harold Land
Harold de Vance Land (December 18, 1928 – July 27, 2001) was an American hard bop and post-bop tenor saxophonist. Land developed his hard bop playing with the Max Roach/Clifford Brown band into a personal, modern style, often rivalling Clifford Brown's instrumental ability with his own inventive and whimsical solos. His tone was strong and emotional, yet hinted at a certain introspective fragility. Biography Land was born in Houston, Texas, United States and grew up in San Diego, California. He started playing at the age of 16. He made his first recording as the leader of the Harold Land All-Stars, for Savoy Records in 1949. In 1954, he joined the Clifford Brown/Max Roach Quintet, with whom he was at the forefront of the hard-bop/bebop movement. The Land family moved from San Diego to Los Angeles, in 1955. There he played with Curtis Counce, led his own groups, and co-led groups with Bobby Hutcherson, Blue Mitchell, and Red Mitchell. From the 1970s onwards, his style showed the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Don't Explain (song)
"Don't Explain" is a song written by jazz singer Billie Holiday and Arthur Herzog Jr. It was Holiday's final song. Overview In her 1956 autobiography, Holiday cites the infidelity of her first husband, Jimmy Monroe, as the inspiration for this song; specifically, an instance in which Monroe's woeful attempt to explain away lipstick on his collar elicits Holiday's disgusted response: "Take a bath, man; don't explain." Recording session Session #52: New York City, November 8, 1944, Decca, Toots Camarata and His Orchestra, with Russ Case (trumpet), Hymie Schertzer, Jack Cressey (alto saxophone), Larry Binyon and Dave Harris (tenor saxophone), Dave Bowman (piano), Carl Kress (guitar), Haig Stephens (bass), George Wettling (drums), Billie Holiday (vocals), and six strings. Notable cover versions * Helen Merrill (1954) * John Coltrane (1957) * Abbey Lincoln (1957) * Charlie Byrd (1958) * Wes Montgomery (1959) * Anita O'Day – for her album '' Trav'lin' Light'' (1961) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1960 Albums
Year 196 ( CXCVI) was a leap year starting on Thursday of the Julian calendar. At the time, it was known as the Year of the Consulship of Dexter and Messalla (or, less frequently, year 949 ''Ab urbe condita''). The denomination 196 for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years. Events By place Roman Empire * Emperor Septimius Severus attempts to assassinate Clodius Albinus but fails, causing Albinus to retaliate militarily. * Emperor Septimius Severus captures and sacks Byzantium; the city is rebuilt and regains its previous prosperity. * In order to assure the support of the Roman legion in Germany on his march to Rome, Clodius Albinus is declared Augustus by his army while crossing Gaul. * Hadrian's wall in Britain is partially destroyed. China * First year of the Jian'an Era, during the reign of the Xian Emperor of the Han. * The Xian Emperor returns to wa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Louis Hayes
Louis Hayes (born May 31, 1937) is an American jazz drummer and band leader. He was with McCoy Tyner's trio for more than three years. Since 1989 he has led his own band, and together with Vincent Herring formed the Cannonball Legacy Band. He is part of the NEA Jazz Masters awards class of 2023. Biography Louis Sedell Hayes was born in Detroit, Michigan, United States, to a father, an automaker, who played drums and piano. His mother waited tables and played the piano. She was the sister of John L. Nelson, the father of the musician Prince. Hayes got his first drum set at age 10. The key influence in his early development was his cousin Clarence Stamps, an accomplished drummer who grounded his technical fundamentals and gave him lessons that stuck for life. He refers to the early influence of hearing jazz, especially big bands on the radio. His main influence was Philly Joe Jones and he was mentored by Jo Jones. His three main associations were with Horace Silver's Quinte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sam Jones (musician)
Samuel Jones (November 12, 1924 – December 15, 1981) was an American jazz double bassist, cellist, and composer. Background Sam Jones was born in Jacksonville, Florida, United States, to a musical family. His father played piano and drums and his aunt played organ in church. In 1955, he moved to New York City and began his recording career with Tiny Bradshaw, before working with Bill Evans, Bobby Timmons, Les Jazz Modes, Kenny Dorham, Illinois Jacquet, Freddie Hubbard, Dizzy Gillespie (1958–59), and Thelonious Monk. He is probably best known for his work with Cannonball Adderley, performing in his quintet from 1955 to 1956 and then again from 1959 to 1964, and recording extensively for Riverside Records as both a leader and sideman. He later spent several years working with Oscar Peterson (1966-1970) and Cedar Walton (1972-1977). In the 1970s, Jones recorded several albums as a bandleader for the Xanadu and SteepleChase labels. Jones wrote the jazz standards "Del Sas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Harris
Barry Doyle Harris (December 15, 1929 – December 8, 2021) was an American jazz pianist, bandleader, composer, arranger, and educator. He was an exponent of the bebop style. Influenced by Thelonious Monk and Bud Powell, Harris in turn influenced and mentored bebop musicians including Donald Byrd, Paul Chambers, Curtis Fuller, Joe Henderson, Charles McPherson, and Michael Weiss. Early life Harris was born on December 15, 1929, in Detroit, Michigan, to Melvin Harris and Bessie as the fourth of their five children. Harris took piano lessons from his mother at the age of four. His mother, a church pianist, asked him if he was interested in playing church music or jazz, and he chose the latter. In his teens, he performed for dances at his high school, local clubs and ballrooms. Harris' family home became a popular jam session destination for young jazz musicians including Roland Hanna, Sonny Red, Donald Byrd, and Harold McKenny. Many Motown pioneers, including Barry Gordy, we ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Gordon (musician)
Joseph Henry Gordon (May 15, 1928 – November 4, 1963) was an American jazz Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, h ... trumpeter. He was born in Boston, Massachusetts. H is first professional gigs were in Boston in 1947; he played with Georgie Auld, Charlie Mariano, Lionel Hampton, Charlie Parker (1952–55 intermittently), Art Blakey (1954), and Don Redman. In 1956 he toured the Middle East with Dizzy Gillespie's big band; he was a soloist on "A Night in Tunisia". Following this he played with Horace Silver. After moving to Los Angeles, he recorded with Barney Kessel, Benny Carter, Harold Land, Shelly Manne (1958–60) and Dexter Gordon. He recorded as a bandleader for two sessions, and appeared on one recording with Thelonious Monk. He has an uncredited role ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wes Montgomery
John Leslie "Wes" Montgomery (March 6, 1923 – June 15, 1968) was an American jazz guitarist. Montgomery was known for his unusual technique of plucking the strings with the side of his thumb and for his extensive use of octaves, which gave him a distinctive sound. Montgomery often worked with his brothers Buddy Montgomery, Buddy (Charles F.) and Monk Montgomery, Monk (William H.), as well as organist Melvin Rhyne. His recordings up to 1965 were oriented toward hard bop, soul jazz, and post bop, but around 1965 he began recording more pop-oriented instrumental albums that found mainstream success. His later guitar style influenced jazz fusion and smooth jazz. Early life and education Montgomery was born in Indianapolis, Indiana, Indianapolis, Indiana. According to NPR, the nickname "Wes" was a child's abbreviation of his middle name, Leslie. The family was large, and the parents split up early in the lives of the children. Montgomery and his brothers moved to Columbus, Ohio, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Billie Holiday
Billie Holiday (born Eleanora Fagan; April 7, 1915 – July 17, 1959) was an American jazz and swing music singer. Nicknamed "Lady Day" by her friend and music partner, Lester Young, Holiday made significant contributions to jazz music and pop music, pop singing. Her vocal style, strongly influenced by jazz instrumentalists, inspired a new way of manipulating Phrase (music), phrasing and tempo. Holiday was known for her vocal delivery and Jazz improvisation, improvisational skills. After a turbulent childhood, Holiday began singing in nightclubs in Harlem where she was heard by producer John Hammond (record producer), John Hammond, who liked her voice. Holiday signed a recording contract with Brunswick Records, Brunswick in 1935. Her collaboration with Teddy Wilson produced the hit "What a Little Moonlight Can Do", which became a jazz standard. Throughout the 1930s and 1940s, Holiday had mainstream success on labels such as Columbia Records, Columbia and Decca Records, Decca. H ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Arthur Herzog Jr
Arthur is a masculine given name of uncertain etymology. Its popularity derives from it being the name of the legendary hero King Arthur. A common spelling variant used in many Slavic, Romance, and Germanic languages is Artur. In Spanish and Italian it is Arturo. Etymology The earliest attestation of the name Arthur is in the early 9th century Welsh-Latin text ''Historia Brittonum'', where it refers to a circa 5th century Romano-British general who fought against the invading Saxons, and who later gave rise to the famous King Arthur of medieval legend and literature. A possible earlier mention of the same man is to be found in the epic Welsh poem ''Y Gododdin'' by Aneirin, which some scholars assign to the late 6th century, though this is still a matter of debate and the poem only survives in a late 13th century manuscript entitled the Book of Aneirin. A 9th-century Breton landowner named Arthur witnessed several charters collected in the '' Cartulary of Redon''. The Irish borrow ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz Saxophone, saxophonist, bandleader, and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, Virtuoso, virtuosic technique, and advanced harmonies. He was a virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid Passing chord, passing chords, new variants of Altered chord, altered chords, and Chord substitution, chord substitutions. Parker was primarily a player of the alto saxophone. Parker was an icon for the hipster (1940s subculture), hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer. Early life Charles Parker Jr. was born in Kansas City, Kansas, to Charles Parker Sr. and Adelaide "Addie" Bailey, who was of mixed Choctaw and African-A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
