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Waterfalls (album)
''Waterfalls'' is a live album by American saxophonist and composer John Klemmer featuring studio enhanced live performances recorded in Los Angeles for the Impulse! Records, Impulse! label.Impulse! Records discography accessed January 4, 2012 Reception The Allmusic review by Scott Yanow awarded the album 4 stars stating it is "Worth investigating by open-eared listeners".Yanow, SAllmusic Review accessed January 4, 2012 Track listing :''All compositions by John Klemmer'' # "Prelude I" – 3:33 # "Waterfall I" – 4:19 # "Utopia: Man's Dream, Part 1" – 8:47 # "Utopia: Man's ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Klemmer
John T. Klemmer (born July 3, 1946) is an American saxophonist, composer, songwriter, and arranger. He was born in Chicago, Illinois, United States, and began playing guitar at the age of five and alto saxophone at the age of 11. His other early interests included graphics and visual art, writing, dance, puppetry, painting, sculpting, and poetry. He studied at the Art Institute of Chicago and began touring with midwestern "ghost big bands" ( Les Elgart, Woody Herman) as well as playing with small local jazz and rock groups. After switching to tenor saxophone in high school, Klemmer played with commercial small groups and big bands in Chicago while leading his own groups and touring. Biography Klemmer had extensive studies in music, taking private lessons as a youth and in college in piano, conducting, harmony, theory, composition, arranging, clarinet, flute and classical and jazz saxophone. He studied saxophone and jazz improvisation with noted Chicago saxophonist and teache ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Echoplex
The Echoplex is a tape delay effects unit, first made in 1959. Designed by engineer Mike Battle, the Echoplex set a standard for the effect in the 1960s; according to Michael Dregni, it is still regarded as "the standard by which everything else is measured." The Echoplex was widely used in the 1960s and 1970s, mainly by guitarists but also by other performers, and original Echoplexes are highly sought after. Background Tape echoes work by recording sound on a magnetic tape, which is then played back; the tape speed and distance between the recording and playback heads determine the delay time, while a feedback variable (where the delayed sound is fed back into the input) allows for multiple echoes. The predecessor of the Echoplex was a tape echo designed by Ray Butts in the 1950s, who built it into a guitar amplifier called the EchoSonic. Butts built fewer than seventy EchoSonics for guitarists including Chet Atkins, Scotty Moore, and Carl Perkins. Mike Battle later copied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impulse! Records Live Albums
Impulse! Records (occasionally styled as "¡mpulse! Records" and "¡!") is an American jazz record label established by Creed Taylor in 1960. John Coltrane was among Impulse!'s earliest signings. Thanks to consistent sales and positive critiques of his recordings, the label came to be known as "the house that Trane built". History Impulse!'s parent company, ABC-Paramount Records, was established in 1955 as the recording division of the American Broadcasting Company ( ABC). In the 1940s and 1950s, ABC benefitted from the U.S. government's antitrust actions against broadcasters and film studios who were forced to divest parts of their companies. In the early 1950s, ABC acquired the Blue Network of radio stations from NBC and later merged with the newly independent Paramount Theaters chain, formerly owned by Paramount Pictures. The new recording division was located at 1501 Broadway, above the Paramount Theatre in Times Square. Under the leadership of Leonard Goldenson, the for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victor Feldman
Victor Stanley Feldman (7 April 1934 – 12 May 1987) was an English jazz musician who played mainly piano, vibraphone, and percussion. He began performing professionally during childhood, eventually earning acclaim in the UK jazz scene as an adult. Feldman emigrated to the United States in the mid-1950s, where he continued working in jazz and also as a session musician with a variety of pop and rock performers. Early life Feldman was born in Edgware on 7 April 1934. He caused a sensation as a musical prodigy when he was "discovered", aged seven. His family were all musical and his father founded the Feldman Swing Club in London in 1942 to showcase his talented sons. Feldman performed from a young age: "from 1941 to 1947 he played drums in a trio with his brothers; when he was nine he took up piano and when he was 14 started playing vibraphone". He featured in the films '' King Arthur Was a Gentleman'' (1942) and '' Theatre Royal'' (1943). In 1944, he was featured at a co ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Eddie Marshall
Edwin "Eddie" Marshall (April 13, 1938 – September 7, 2011 ) was an American drummer. Biography Marshall was born in . He played in his father's swing group and in R&B bands while in high school. He moved to New York City in 1956, developing his percussion style under the influence of |
Wilton Felder
Wilton Lewis Felder (August 31, 1940 – September 27, 2015) was an American saxophone and bass player, and is best known as a founding member of the Jazz Crusaders, later known as the Crusaders. Felder played bass on the Jackson 5's hits "I Want You Back"(1969) and "ABC" (1970) and on Marvin Gaye's "Let's Get It On"(1973). Biography Felder was born on August 31, 1940, in Houston, Texas and studied music at Texas Southern University. Felder, Wayne Henderson, Joe Sample, and Stix Hooper founded their group while in high school in Houston. The Jazz Crusaders evolved from a straight-ahead jazz combo into a pioneering jazz-rock fusion group, with a definite soul music influence. Felder worked with the original group for over thirty years, and continued to work in its later versions, which often featured other founding members. Felder also worked as a West Coast studio musician, mostly playing electric bass, for various soul and R&B musicians, and was one of the in-house bass play ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Electric Piano
An electric piano is a musical instrument that has a piano-style musical keyboard, where sound is produced by means of mechanical hammers striking metal strings or reeds or wire tines, which leads to vibrations which are then converted into electrical signals by pickups (either magnetic, electrostatic, or piezoelectric). The pickups are connected to an instrument amplifier and loudspeaker to reinforce the sound sufficiently for the performer and audience to hear. Unlike a synthesizer, the electric piano is not an electronic instrument. Instead, it is an electro-mechanical instrument. Some early electric pianos used lengths of wire to produce the tone, like a traditional piano. Smaller electric pianos used short slivers of steel to produce the tone (a lamellophone with a keyboard & pickups). The earliest electric pianos were invented in the late 1920s; the 1929 ''Neo- Bechstein'' electric grand piano was among the first. Probably the earliest stringless model was Lloyd Loar's ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mike Nock
Michael Anthony Nock (born 27 September 1940) is a New Zealand jazz pianist, who lives and works in Australia. Biography Nock was born in Christchurch, New Zealand, but spent his childhood in Ngāruawāhia. Nock began studying piano at 11. He attended Nelson College for one term in 1955.''Nelson College Old Boys' Register, 1856–2006'', 6th edition By the age of 18, he was performing in Australia. In Sydney he played in The Three Out trio with Freddy Logan and Chris Karan who toured England in 1961 before Nock left to attend Berklee College of Music. He was a member of Yusef Lateef's group from 1963 to 1965. During 1968–1970, Nock was involved with fusion, leading the The Fourth Way (band), Fourth Way band. From 1975 to 1985 he was a studio musician in New York after which he returned to Australia. In 1987 the Best Jazz Album in the New Zealand Music Awards was Nock's ''Open Door'' with drummer Frank Gibson, Jr. In the 2003 New Year Honours (New Zealand), 2003 New Year ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Soprano Saxophone
The soprano saxophone is a small, high-pitched member of the saxophone family of woodwind instruments invented in the 1840s by Belgian instrument maker Adolphe Sax. Built in B♭ an octave above the tenor saxophone (or rarely, slightly smaller in C), the soprano is the third-smallest member of the saxophone family, which consists (from smallest to largest) of the soprillo, sopranino, soprano, alto, tenor, baritone, bass, contrabass, and subcontrabass. The soprillo and sopranino are rare instruments, making the soprano the smallest saxophone in common use. The instrument A transposing instrument pitched in the key of B, the modern soprano saxophone with a high F key has a range from concert A3 to E6 (written low B to high F) and is therefore pitched one octave above the tenor saxophone. There is also a soprano saxophone pitched in C, which is uncommon; most examples were produced in America in the 1920s. The soprano has all the keys of other saxophone models (with the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz
Jazz is a music genre that originated in the African-American communities of New Orleans, Louisiana, in the late 19th and early 20th centuries. Its roots are in blues, ragtime, European harmony, African rhythmic rituals, spirituals, hymns, marches, vaudeville song, and dance music. Since the 1920s Jazz Age, it has been recognized as a major form of musical expression in traditional and popular music. Jazz is characterized by swing and blue notes, complex chords, call and response vocals, polyrhythms and improvisation. As jazz spread around the world, it drew on national, regional, and local musical cultures, which gave rise to different styles. New Orleans jazz began in the early 1910s, combining earlier brass band marches, French quadrilles, biguine, ragtime and blues with collective polyphonic improvisation. However, jazz did not begin as a single musical tradition in New Orleans or elsewhere. In the 1930s, arranged dance-oriented swing big bands, ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Rolling Stone Jazz Record Guide
''The Rolling Stone Album Guide'', previously known as ''The Rolling Stone Record Guide'', is a book that contains professional music reviews written and edited by staff members from ''Rolling Stone'' magazine. Its first edition was published in 1979 and its last in 2004. First edition (1979) ''The Rolling Stone Record Guide'' was the first edition of what would later become ''The Rolling Stone Album Guide''. It was edited by Dave Marsh (who wrote a large majority of the reviews) and John Swenson, and included contributions from 34 other music critics. It is divided into sections by musical genre and then lists artists alphabetically within their respective genres. Albums are also listed alphabetically by artist although some of the artists have their careers divided into chronological periods. Dave Marsh, in his Introduction, cites as precedents Leonard Maltin's book '' TV movies'' and Robert Christgau's review column in the '' Village Voice''. He gives '' Phonolog'' and ''Schwan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
