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Walter Of Durham
Walter of Durham (died c. 1305) was a thirteenth-century painter and craftsman who was in service to Henry III and his son Edward I. Details of his life have been ascertained from records in royal ledgers, which show that his son Thomas of Westminster followed the same career. Walter's work, principally in Westminster Palace and Westminster Abbey, included the decoration of the walls and ceiling of the Painted Chamber, the painting and gilding of royal tombs, and the construction of the Coronation Chair to house the Stone of Scone. Under Henry III Walter of Durham was already established as a master painter by 1265, when he is known to have painted statues in Westminster Palace for Henry III. The following year he restored murals destroyed by the palace fire of 1263, in what later became known as the Painted Chamber. In 1270 he was appointed to a royal serjeanty with the unofficial role of ''pictor regis''. He performed the normal duties of a medieval painter, which included ca ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Panel Painted Chamber Westminster
Panel may refer to: Arts and media Visual arts *Panel (comics), a single image in a comic book, comic strip or cartoon; also, a comic strip containing one such image *Panel painting, in art, either one element of a multi-element piece of art, such as a triptych, a piece of sequential art such as a graphic novel or comic strip, or a wooden panel used to paint a picture on *Groupings of rock art, pictographs or petroglyphs Television * ''The Panel'' (Australian TV series), an Australian talk show * ''The Panel'' (Irish TV series), an Irish talk show * Panel game, a form of game show involving a group of celebrities Law * Judicial panel, set of judges who sit to hear a cause of action * Jury panel, body of people convened to render a judicial verdict * ''Panel'', or ''pannel'', in Scotland, formal term in solemn proceedings for an accused person; see Indictment People *Brice Panel (born 1983), French sprinter *Caroline Giron-Panel (born 1979), French historian and musico ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
British Museum
The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is among the largest and most comprehensive in existence. It documents the story of human culture from its beginnings to the present.Among the national museums in London, sculpture and decorative and applied art are in the Victoria and Albert Museum; the British Museum houses earlier art, non-Western art, prints and drawings. The National Gallery holds the national collection of Western European art to about 1900, while art of the 20th century on is at Tate Modern. Tate Britain holds British Art from 1500 onwards. Books, manuscripts and many works on paper are in the British Library. There are significant overlaps between the coverage of the various collections. The British Museum was the first public national museum to cover all fields of knowledge. The museum was established in 1753, largely ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
13th-century English Artists
The 13th century was the century which lasted from January 1, 1201 ( MCCI) through December 31, 1300 ( MCCC) in accordance with the Julian calendar. The Mongol Empire was founded by Genghis Khan, which stretched from Eastern Asia to Eastern Europe. The conquests of Hulagu Khan and other Mongol invasions changed the course of the Muslim world, most notably the Siege of Baghdad (1258), the destruction of the House of Wisdom and the weakening of the Mamluks and Rums which, according to historians, caused the decline of the Islamic Golden Age. Other Muslim powers such as the Mali Empire and Delhi Sultanate conquered large parts of West Africa and the Indian subcontinent, while Buddhism witnessed a decline through the conquest led by Bakhtiyar Khilji. The Southern Song dynasty would begin the century as a prosperous kingdom but would eventually be invaded and annexed into the Yuan dynasty of the Mongols. The Kamakura Shogunate of Japan would be invaded by the Mongols. Goryeo resiste ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernest William Tristram
Ernest William Tristram (1882–1952) was a British art historian, artist and conservator, and Professor of Design at the Royal College of Art (1926–1948). Life Tristram was born in Carmarthen, the son of Francis William Tristram, a railway inspector, and Sarah Harverson. After leaving Carmarthen Grammar School he studied at the Royal College of Art. In 1906 he joined the teaching staff, becoming professor of design in 1926. He published on English medieval wall painting, and worked on the conservation of medieval murals with mixed results. He also wrote on the conservation of medieval monuments for ''The Times'' and the ''Burlington Magazine''. His conservation included work on King Edward's Chair (the coronation chair) in Westminster Abbey. ''Dictionary of Art Historians''. Accessed 18 January 2015. A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ashmolean Museum
The Ashmolean Museum of Art and Archaeology () on Beaumont Street, Oxford, England, is Britain's first public museum. Its first building was erected in 1678–1683 to house the cabinet of curiosities that Elias Ashmole gave to the University of Oxford in 1677. It is also the world's second university museum, after the establishment of the Kunstmuseum Basel in 1661 by the University of Basel. The present building was built between 1841 and 1845. The museum reopened in 2009 after a major redevelopment, and in November 2011, new galleries focusing on Egypt and Nubia were unveiled. In May 2016, the museum also opened redisplayed galleries of 19th-century art. History Broad Street The museum opened on 24 May 1683, with naturalist Robert Plot as the first keeper. The building on Broad Street (later known as the Old Ashmolean) is sometimes attributed to Sir Christopher Wren or Thomas Wood. Elias Ashmole had acquired the collection from the gardeners, travellers, and col ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Victoria And Albert Museum
The Victoria and Albert Museum (often abbreviated as the V&A) in London is the world's largest museum of applied arts, decorative arts and design, housing a permanent collection of over 2.27 million objects. It was founded in 1852 and named after Queen Victoria and Prince Albert. The V&A is located in the Royal Borough of Kensington and Chelsea, in an area known as " Albertopolis" because of its association with Prince Albert, the Albert Memorial and the major cultural institutions with which he was associated. These include the Natural History Museum, the Science Museum, the Royal Albert Hall and Imperial College London. The museum is a non-departmental public body sponsored by the Department for Digital, Culture, Media and Sport. As with other national British museums, entrance is free. The V&A covers and 145 galleries. Its collection spans 5,000 years of art, from ancient times to the present day, from the cultures of Europe, North America, Asia and North ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Crofton Croker
Thomas Crofton Croker (15 January 1798 – 8 August 1854) was an Irish antiquary, best known for his ''Fairy Legends and Traditions of the South of Ireland'' (1825–1828), and who also showed considerable interest in Irish song and music. Although ''Fairy Legends'' purported to be an anthology of tales Croker had collected on his field trips, he had lost his manuscript notes and the work had to be reconstructed with the help of friends. He did not acknowledge his debt satisfactorily in the estimation of Thomas Keightley, who voiced his complaint publicly, and soon published his own rival work. The other collaborators generally allowed Croker to take credit, notably William Maginn, though after his death his kinsmen insisted Maginn had written four or more of the tales. Croker retracted ten tales in his third edition of (1834), and after his death, a fourth edition (1859) appeared which was prefaced with a memoir written by his son. William Butler Yeats, who appropriat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Society Of Antiquaries Of London
A society is a group of individuals involved in persistent social interaction, or a large social group sharing the same spatial or social territory, typically subject to the same political authority and dominant cultural expectations. Societies are characterized by patterns of relationships ( social relations) between individuals who share a distinctive culture and institutions; a given society may be described as the sum total of such relationships among its constituent of members. In the social sciences, a larger society often exhibits stratification or dominance patterns in subgroups. Societies construct patterns of behavior by deeming certain actions or concepts as acceptable or unacceptable. These patterns of behavior within a given society are known as societal norms. Societies, and their norms, undergo gradual and perpetual changes. Insofar as it is collaborative, a society can enable its members to benefit in ways that would otherwise be difficult on an individ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vetusta Monumenta
''Vetusta Monumenta'' is the title of a published series of illustrated antiquarian papers on ancient buildings, sites and artefacts, mostly those of Britain, published at irregular intervals between 1718 and 1906 by the Society of Antiquaries of London. The folio-sized papers, usually written by members of the society, were first published individually, and then later in collected volumes. Publication The full title is ''Vetusta monumenta quae ad Rerum Britanicarum memoriam conservandam Societas Antiquariorum Londini sumptu suo edenda curavit'', but the volumes are normally simply cited as ''Vetusta Monumenta''. There were various reprints of both individual papers and collected volumes, and the plates were often published separately from the text. According to the HOLLIS database at Harvard: "The seven volumes are dated 1747, 1789, 1796, 1815, 1835, 1883 and 1906 (for the fourth part of vol. 7). The plates for vol. 1 were published between 1718 and 1747; plates for vol. 2 wer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Charles Stothard
Charles Alfred Stothard (5 July 1786 – 28 May 1821) was an English antiquarian draughtsman, with a special interest in monumental effigies. Life Stothard was born in London, the son of the painter, Thomas Stothard. He was educated at a school run by a Mr Dearne, and then became a private pupil of the Rev Robert Burnside. He studied at the Royal Academy from 1807, and began his first historical picture, the ''Death of Richard II in Pomfret Castle'' three years later. His depiction of the king was based closely on the effigy on his tomb in Westminster Abbey. He soon abandoned the historical painting for a project which he hoped would be more remunerative, ''The Monumental Effigies of Great Britain''. He published the first part in 1811; an accompanying advertisement explained that its purpose was to supply historical painters with accurate details of costume up to the reign of Henry VIII, to illustrate history and biography, and to provide accurate information on dress for pro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir John Soane's Museum
Sir John Soane's Museum is a house museum, located next to Lincoln's Inn Fields in Holborn, London, which was formerly the home of neo-classical architect, John Soane. It holds many drawings and architectural models of Soane's projects, and a large collection of paintings, sculptures, drawings and antiquities that he acquired over many years. The museum was established during Soane's own lifetime by a Private Act of Parliament in 1833, which took effect on his death in 1837. Soane engaged in this lengthy parliamentary campaign in order to disinherit his son, whom he disliked intensely. The act stipulated that on Soane's death his house and collections would pass into the care of a Board of Trustees, acting on behalf of the nation, and that they would be preserved as nearly as possible exactly in the state they were at his death. The museum's trustees remained completely independent, relying only on Soane's original endowment, until 1947. Since then, the museum has received a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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