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WPPY
WPPY (92.7 FM, "Happy 92.7") is a commercial radio station licensed to serve Starview, Pennsylvania. The station is owned by Forever Media. WPPY's studios and offices are located at 275 Radio Road, Hanover, Pennsylvania. Its broadcast tower is located near Copenhaffer Road in Conewago Township, York County at (). The station's service contour covers the cities of York and Harrisburg. History On June 23, 1971, the Federal Communications Commission granted Capital Media, Inc., a construction permit for a new station on 92.7 MHz. The station was assigned the WRHY call sign on September 7, 1971, and signed on for the first time on November 22, 1971. WRHY was granted its first license by the FCC on January 20, 1972. By 1974, the station was airing a progressive rock format. On May 13, 1976, the FCC granted a voluntary assignment of the station's license from Capital Media, Inc., to Harrea Broadcasters, Inc. By 1980, the station's format had shifted to AOR. In 1982, the form ...
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York, Pennsylvania
York (Pennsylvania Dutch: ''Yarrick''), known as the White Rose City (after the symbol of the House of York), is the county seat of York County, Pennsylvania, United States. It is located in the south-central region of the state. The population within York's city limits was 43,718 at the 2010 census, a 7.0% increase from the 2000 census count of 40,862. When combined with the adjacent boroughs of West York and North York and surrounding Spring Garden, West Manchester, and Springettsbury townships, the population of Greater York was 108,386. York is the 11th largest city in Pennsylvania. History 18th century York, also known as Yorktown in the mid 18th to early 19th centuries, was founded in 1741 by settlers from the Philadelphia region and named for the English city of the same name. By 1777, most of the area residents were of either German or Scots-Irish descent. York was incorporated as a borough on September 24, 1787, and as a city on January 11, 1887. York served ...
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York County, Pennsylvania
York County (Pennsylvania Dutch: Yarrick Kaundi) is a county in the Commonwealth of Pennsylvania. As of the 2020 census, the population was 456,438. Its county seat is York. The county was created on August 19, 1749, from part of Lancaster County and named either after the Duke of York, an early patron of the Penn family, or for the city and county of York in England. York County comprises the York-Hanover, Pennsylvania Metropolitan Statistical Area, which is also included in the Harrisburg-York-Lebanon, Pennsylvania Combined Statistical Area. It is in the Susquehanna Valley, a large fertile agricultural region in South Central Pennsylvania. Based on the Articles of Confederation having been adopted in York by the Second Continental Congress on November 15, 1777, the local government and business community began referring to York in the 1960s as the first capital of the United States of America. The designation has been debated by historians ever since. Congress conside ...
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Led Zeppelin
Led Zeppelin were an English rock band formed in London in 1968. The group comprised vocalist Robert Plant, guitarist Jimmy Page, bassist/keyboardist John Paul Jones, and drummer John Bonham. With a heavy, guitar-driven sound, they are cited as one of the progenitors of hard rock and heavy metal, although their style drew from a variety of influences, including blues and folk music. Led Zeppelin have been credited as significantly impacting the nature of the music industry, particularly in the development of album-oriented rock (AOR) and stadium rock. Originally named the New Yardbirds, Led Zeppelin signed a deal with Atlantic Records that gave them considerable artistic freedom. Initially unpopular with critics, they achieved significant commercial success with eight studio albums over ten years. Their 1969 debut, '' Led Zeppelin'', was a top-ten album in several countries and featured such tracks as " Good Times Bad Times", " Dazed and Confused" and " Communicatio ...
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Stunting (broadcasting)
Stunting is a type of publicity stunt in radio broadcasting, where a station—abruptly and often without advance announcement—begins to air content that is seemingly uncharacteristic compared to what is normally played. Stunting is typically used to generate publicity and audience attention for upcoming changes to a station's programming, such as new branding, format, or as a soft launch for a newly-established station. Occasionally, a stunt may be purely intended as publicity or a protest, and not actually result in a major programming change. Stunts often involve a loop of a single song, or an interim format (such as the discography of a specific artist, Christmas music, a specific theme, or novelty songs), which may sometimes include hints towards the station's new format or branding. To a lesser extent, stunting has also been seen on television, most commonly in conjunction with April Fool's Day, or to emphasize a major programming event being held by a channel. Types of ...
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Smooth Jazz
Smooth jazz is a genre of commercially-oriented crossover jazz and easy listening music that became dominant in the mid 1970s to the early 1990s. History Smooth jazz is a commercially oriented, crossover jazz which came to prominence in the 1980s, displacing the more venturesome jazz fusion from which it emerged. It avoids the improvisational "risk-taking" of jazz fusion, emphasizing melodic form and much of the music was initially "a combination of jazz with easy-listening pop music and lightweight R&B". During the mid-1970s in the United States it was known as "smooth radio", and was not termed "smooth jazz" until the 1980s. Notable artists The mid- to late-1970s included songs “ Breezin'" as performed by another smooth jazz pioneer, guitarist George Benson in 1976, the instrumental composition " Feels So Good" by flugelhorn player Chuck Mangione, in 1978, " What You Won't Do for Love" by Bobby Caldwell along with his debut album was released the same year, jazz fusi ...
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Oldies
Oldies is a term for musical genres such as pop music, rock and roll, doo-wop, surf music (broadly characterized as classic rock and pop rock) from the second half of the 20th century, specifically from around the mid-1950s to the 1980s, as well as for a radio format playing this music. After 2000, 1970s music was increasingly included. "Classic hits" has been seen as a successor to the oldies format on the radio, with music from the 1980s serving as the core format. Description This broad category includes styles as diverse as doo-wop, early rock and roll, novelty songs, bubblegum music, folk rock, psychedelic rock, baroque pop, surf music, soul music, rhythm and blues, classic rock, some blues, and some country music. Golden Oldies usually refers to music exclusively from the 1950s and 1960s. Oldies radio typically features artists such as Elvis Presley, Chuck Berry, The Beatles, Jerry Lee Lewis, The Beach Boys, Frankie Avalon, The Four Seasons, Paul Anka, Neil Sedaka, Litt ...
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Active Rock
Active rock is a radio format used by many commercial radio stations across the United States and Canada. Active rock stations play a balance of new hard rock songs with valued classic rock favorites, normally with an emphasis on the harder edge of mainstream rock and album-oriented rock. Format background There is no concrete definition of the active rock format. Sean Ross, editor of '' Airplay Monitor'', described active rock in the late 1990s as album-oriented rock (AOR) "with a greater emphasis on the harder end of the spectrum".Toby Eddings, "Active rock finds an Asylum at 93.5", ''The Sun News'', February 7, 1999 ''Radio & Records'' defined the format as based on current rock hits in frequent rotation and targeted to males ages 18–34, akin to the approach of contemporary hit radio (CHR) stations. An active rock station may include songs by classic hard rock artists whereas a modern rock or alternative station would not; such acts include AC/DC, Def Leppard, Guns N ...
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Classic Rock
Classic rock is a US radio format which developed from the album-oriented rock (AOR) format in the early 1980s. In the United States, the classic rock format comprises rock music ranging generally from the mid-1960s through the mid 1990s, primarily focusing on commercially successful blues rock and hard rock popularized in the 1970s AOR format.Pareles, Jon (June 18, 1986)"Oldies on Rise in Album-Rock Radio" '' The New York Times''. Retrieved April 19, 2019. The radio format became increasingly popular with the baby boomer demographic by the end of the 1990s. Although classic rock has mostly appealed to adult listeners, music associated with this format received more exposure with younger listeners with the presence of the Internet and digital downloading. Some classic rock stations also play a limited number of current releases which are stylistically consistent with the station's sound, or by heritage acts which are still active and producing new music."New York Radio Guide ...
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Contemporary Hit Radio
Contemporary hit radio (also known as CHR, contemporary hits, hit list, current hits, hit music, top 40, or pop radio) is a radio format that is common in many countries that focuses on playing current and recurrent popular music as determined by the Top 40 music charts. There are several subcategories, dominantly focusing on rock, pop, or urban music. Used alone, ''CHR'' most often refers to the CHR-pop format. The term ''contemporary hit radio'' was coined in the early 1980s by '' Radio & Records'' magazine to designate Top 40 stations which continued to play hits from all musical genres as pop music splintered into Adult contemporary, Urban contemporary, Contemporary Christian and other formats. The term "top 40" is also used to refer to the actual list of hit songs, and, by extension, to refer to pop music in general. The term has also been modified to describe top 50; top 30; top 20; top 10; hot 100 (each with its number of songs) and hot hits radio formats, but carry ...
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Call Sign
In broadcasting and radio communications, a call sign (also known as a call name or call letters—and historically as a call signal—or abbreviated as a call) is a unique identifier for a transmitter station. A call sign can be formally assigned by a government agency, informally adopted by individuals or organizations, or even cryptographically encoded to disguise a station's identity. The use of call signs as unique identifiers dates to the landline railroad telegraph system. Because there was only one telegraph line linking all railroad stations, there needed to be a way to address each one when sending a telegram. In order to save time, two-letter identifiers were adopted for this purpose. This pattern continued in radiotelegraph operation; radio companies initially assigned two-letter identifiers to coastal stations and stations onboard ships at sea. These were not globally unique, so a one-letter company identifier (for instance, 'M' and two letters as a Marcon ...
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Album-oriented Rock
Album-oriented rock (AOR, originally called album-oriented radio) is an FM radio format created in the United States in the 1970s that focuses on the full repertoire of rock albums and is currently associated with classic rock. Album-oriented radio was originally established by U.S. radio stations dedicated to playing album tracks by rock artists from the hard rock to progressive rock genres. In the mid-1970s, AOR was characterized by a layered, mellifluous sound and sophisticated production with considerable dependence on melodic hooks. Using research and formal programming to create an album rock format with greater commercial appeal, the AOR format achieved tremendous popularity in the late 1970s and early 1980s. From the early 1980s onward, the "album-oriented radio" term became normally used as the abbreviation of "album-oriented rock," meaning radio stations specialized in classic rock recorded during the late 1960s and 1970s. The term is also commonly conflated wi ...
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Progressive Rock (radio Format)
Progressive rock (sometimes known as underground rock) is a radio station programming format that emerged in the late 1960s,Thomas Staudter"On the Radio With a Mix Very Distinctly His Own" ''The New York Times'', March 24, 2002. Accessed March 23, 2008. in which disc jockeys are given wide latitude in what they may play, similar to the freeform format but with the proviso that some kind of rock music is almost always played.Fritz E. Froehlich, Allen S. Kent, Carolyn M. Hall (eds.), "FM Commercialization in the United States", ''The Froehlich/Kent Encyclopedia of Telecommunications'', CRC Press, 1991. . p. 179. It enjoyed the height of its popularity in the late 1960s and 1970s. The name for the format began being used circa 1968, when serious disc jockeys were playing "progressive 'music for the head and discussing social issues in between records.Mike Olszewski, ''Radio Daze: Stories from the Front in Cleveland's FM Air Wars'', Kent State University Press, 2003. . p. xi. ...
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