Voloska
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Voloska
Voloska, sometimes dubbed Vlasta, is a Croatian and Slavic hearth pseudo-deity that has not been attested in historical sources on Slavic paganism. The first known published source that attests to Voloska is the 1943 book ''Hrvatska narodna mitologija'' ("Croatian National Mythology") by psychiatrist Nikola Sučić, which has been criticized by Croatian ethnologists as "incorrectly assessing" pagan myths and as unreliable due to a lack of sources. According to Sučić, Voloska was the spouse of Veles and the protector of agricultural workers, symbolized by a cow and a swallow. He claims that all Slavic homes featured an alcove ("mirište") where a small flame would be lit in Voloska's honor. This alcove would allegedly also include statuettes of Voloska made from wood, wax or amber. In popular culture After the publishing of Sučić's book, Voloska was mentioned in the poems of Vladimir Nazor ("Miti i legende", 1948) and Boro Pavlović ("Slavenska lipa", 1960). Commonly cited ...
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List Of Slavic Pseudo-deities
Slavic pseudo-deities (pseudo-gods, pseudo-goddesses) are Slavic deities described in popular and sometimes even scientific literature, whose historicity is not recognized by the vast majority of scholars, i.e. the deities in question are not deemed actually to have been objects of worship among pagan Slavs. The pseudo-deities of the Slavs, like those of other ethnic groups, were created as a result of mistakes (e.g., by understanding the given name as a theonym, unfamiliarity with the Slavic languages, misunderstanding of pagan ritual, or uncritical use of sources), as a result of the creation and falsification of Slavic Romantics, or even as a result of falsification for political motives. Much of them are originated from the works described as " pseudo-mythology" (''kabinetnaya mifologiya'', "office mythology", in Russian sources). The reason for the last two may be that, unlike, for example, those of Greek mythology, the sources on Slavic mythology are severely limited. The ...
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Slavic Pseudo-deities
Slavic pseudo-Deity, deities (pseudo-gods, pseudo-goddesses) are Slavic deities described in Popular literature, popular and sometimes even scientific literature, whose historicity is not recognized by the vast majority of scholars, i.e. the deities in question are not deemed actually to have been objects of worship among Slavic paganism, pagan Slavs. The pseudo-deities of the Slavs, like those of other ethnic groups, were created as a result of mistakes (e.g., by understanding the given name as a theonym, unfamiliarity with the Slavic languages, misunderstanding of pagan ritual, or uncritical use of sources), as a result of the creation and falsification of Slavic Romantics, or even as a result of falsification for political motives. Much of them are originated from the works described as "pseudo-mythology" (''kabinetnaya mifologiya'', "office mythology", in Russian sources). The reason for the last two may be that, unlike, for example, those of Greek mythology, the sources on Sl ...
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Veles (god)
Veles, also known as Volos, is a major List of Slavic deities, god of earth, waters, livestock, and the underworld in Slavic paganism. His mythology and powers are similar, though not identical, to those of (among other deities) Odin, Loki, and Hermes. According to reconstruction by some researchers, he is the opponent of the supreme thunder god Perun. As such, he has probably been imagined as a Slavic dragon, dragon, which in the belief of the pagan Slavs is a Chimera (mythology), chimeric being resembling a cross between a bear and a snake that devours livestock. His tree is the willow, while that of Perun is the oak. No direct accounts survive, but reconstructionists speculate that he may directly continue aspects of the Proto-Indo-European pantheon with the original deity Welnos.Jaan Puhvel, ''Analecta Indoeuropaea,'' (a collection of articles), publ. by Innsbrucker Beitrage zur Sprachwissenschaft, Innsbruck, 1981 Sources Veles is one of few Slavic gods for which eviden ...
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Hearth
A hearth () is the place in a home where a fire is or was traditionally kept for home heating and for cooking, usually constituted by a horizontal hearthstone and often enclosed to varying degrees by any combination of reredos (a low, partial wall behind a hearth), fireplace, oven, smoke hood, or chimney. Hearths are usually composed of masonry such as brick or rock (geology), stone. For millennia, the hearth was such an integral part of a home, usually its central and most important feature, that the concept has been metonym, generalized to refer to a homeplace or household, as in the terms "hearth and home" and "keep the home fires burning". In the modern era, since the advent of central heating, hearths are usually less central to most people's daily life because the heating of the home is instead done by a Furnace (house heating), furnace or a heating stove, and cooking is instead done with a kitchen stove/range (combination cooktop and oven) alongside other home appliances ...
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Slavic Paganism
Slavic paganism, Slavic mythology, or Slavic religion refer to the religious beliefs, myths, and ritual practices of the Slavs before Christianisation, which occurred at various stages between the 8th and the 13th century. The South Slavs, who likely settled in the Balkans during the 6th–7th centuries AD, bordering with the Byzantine Empire to the south, came under the sphere of influence of Eastern Christianity relatively early, beginning with the creation of writing systems for Slavic languages (first Glagolitic, and then Cyrillic script) in 855 by the brothers Saints Cyril and Methodius and the adoption of Christianity in Bulgaria in 864 and 863 in Great Moravia. The East Slavs followed with the official adoption in 988 by Vladimir the Great of Kievan Rus'. The process of Christianising the West Slavs was more gradual and complicated compared to their eastern counterparts. The Moravians accepted Christianity as early as 831, the Bohemian dukes followed in 845, and the ...
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Zagreb Ethnographic Museum
The Ethnographic Museum Zagreb is ethnography museum which is located at 14 Ivan Mažuranić Square in Zagreb, Croatia. It was founded in 1919 by Salamon Berger. It lies in the Secession building of the one-time Trades Hall of 1903, designed by the architect Vjekoslav Bastl. The statues in the central part of the façade are the work of Rudolf Valdec. The frescoes on the interior part of the cupola were painted by Oton Iveković. The holdings of about 80,000 items cover the ethnographic heritage of Croatia, classified in three cultural zones: the Pannonian, Dinaric and Adriatic. Only about 2,800 items are on display. The exhibits richly illustrate the traditional way of life in Croatia, with a display of gold embroidered costumes and ceremonial dresses, music instruments, furniture, cooking utensils and tools. The reconstruction of farms and rooms gives an insight in the traditional life of farmers and fishermen. The Ljeposav Perinić collection consists of a number of doll ...
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Swallow
The swallows, martins, and saw-wings, or Hirundinidae are a family of passerine songbirds found around the world on all continents, including occasionally in Antarctica. Highly adapted to aerial feeding, they have a distinctive appearance. The term "swallow" is used as the common name for '' Hirundo rustica'' in the UK and Ireland. Around 90 species of Hirundinidae are known, divided into 21 genera, with the greatest diversity found in Africa, which is also thought to be where they evolved as hole-nesters. They also occur on a number of oceanic islands. A number of European and North American species are long-distance migrants; by contrast, the West and South African swallows are nonmigratory. This family comprises two subfamilies: Pseudochelidoninae (the river martins of the genus ''Pseudochelidon'') and Hirundininae (all other swallows, martins, and saw-wings). In the Old World, the name "martin" tends to be used for the squarer-tailed species, and the name "swallow" for ...
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Alcove (architecture)
In architecture, an alcove is a small recessed section of a room or an arched opening (as in a wall). The section is partially enclosed by such vertical elements as walls, pillars and balustrades. Etymology The word alcove originates from Arabic (), 'the' and 'vault' (through the Spanish ). See also * Niche (architecture) * Mihrab * Box-bed * Tokonoma * Setback (architecture) A setback, in the specific sense of a step-back, is a step-like form of a wall or other building frontage, also termed a recession or recessed story. Step-backs lower the building's center of mass, making it more stable. A setback as a minimum ... References External links * {{Commons category-inline, Alcoves Architectural elements ...
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Figurine
A figurine (a diminutive form of the word ''figure'') or statuette is a small, three-dimensional sculpture that represents a human, deity or animal, or, in practice, a pair or small group of them. Figurines have been made in many media, with clay, metal, wood, glass, and today plastic or resin the most significant. Ceramic figurines not made of porcelain are called terracottas in historical contexts. Figures with movable parts, allowing limbs to be posed, are more likely to be called dolls, mannequins, or action figures; or robots or automata, if they can move on their own. Figurines and miniatures are sometimes used in board games, such as chess, and tabletop role playing games. The main difference between a figurine and a statue is size. There is no agreed limit, but typically objects are called "figurines" up to a height of perhaps , though most types are less than high. Prehistory In China, there are extant Neolithic figurines. European prehistoric figurines of wo ...
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Amber
Amber is fossilized tree resin. Examples of it have been appreciated for its color and natural beauty since the Neolithic times, and worked as a gemstone since antiquity."Amber" (2004). In Maxine N. Lurie and Marc Mappen (eds.) ''Encyclopedia of New Jersey'', Rutgers University Press, . Amber is used in jewelry and as a healing agent in Traditional medicine, folk medicine. There are five classes of amber, defined on the basis of their chemical constituents. Because it originates as a soft, sticky tree resin, amber sometimes contains animal and plant material as Inclusion (mineral), inclusions. Amber occurring in coal seams is also called resinite, and the term ''ambrite'' is applied to that found specifically within New Zealand coal seams. Etymology The English word ''amber'' derives from Arabic from Middle Persian 𐭠𐭭𐭡𐭫 (''ʾnbl'' /⁠ambar⁠/, “ambergris”) via Medieval Latin, Middle Latin ''ambar'' and Middle French ''ambre''. The word referred to what is n ...
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Vladimir Nazor
Vladimir Nazor (30 May 1876 – 19 June 1949) was a Croatian poet and politician. During and after World War II in Yugoslavia, he served as the first President of the Presidency of the Croatian Parliament (Croatian head of state), and first Speaker of the Croatian Parliament. Nazor is a well-known poet, writer, translator, and humanist. He was not an active politician until 1941, but had a significant political influence through ethical aspects of his work during prewar Kingdom of Yugoslavia. Early career Nazor's early work paralleled the rise of the Young Croatian literary movement. He acquired much literary popularity in Croatia writing about folk legends and stories, including ''Big Joseph'' ('' Veli Jože'') (1908), which features a helpful and kind hearted giant named Jože living in the town of Motovun (Inner Istria). His verses in ''Hrvatski kraljevi'' (''Croatian Kings'') (1912) established him as a prominent patriot poet. ''Istrian Tales'' (''Istarske priče'') ...
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Franjo Ledić
Franjo Ledić (; 12 March 1892 – 26 September 1981) was a Yugoslav expressionist film director, producer and screenwriter from Derventa, one of the first notable Croatian film authors and self-proclaimed "first Yugoslav film director". He is best known for founding "Ocean-film" (later known as Jadran film), the first film studio in Croatia, and attempting to build the "Yugoslav Hollywood" in Zagreb in the 1920s. He published the first Croatian book and journal about film. Ledić also received attention as a Croatian mythologist, authoring a total of three popular self-published works on Slavic paganism. These works were later highly criticized by Croatian ethnologists, who judged Ledić's reconstructions of the 'Croatian pantheon' to be "romanticized", "uncritical" and "arbitrary", pointing also to a lack of verifiable sources in his works. Biography Early life and Berlin Ledić was born in Derventa, Austria-Hungary, in 1892. He graduated from a public school and travelled ...
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