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Vocal Concerts
The "Vocal Concerts" were subscription concerts in London, given from 1792 to 1794 and from 1801 to 1821. Leading singers of the day performed at the concerts. History Establishment The Vocal Concerts were established by Charles Knyvett and Samuel Harrison; they were singers who had both performed at the Concerts of Antient Music. The first concert was given on 11 February 1792 at Willis's Rooms. They were well received and became fashionable; a second series, as well attended as the first, took place during the same season. They were at that time "... entirely vocal, for neither overture nor concerto was played, and the whole instrumental band was limited to two violins, a tenor iola and a violoncello, with a pianoforte for the accompaniment of songs and glees. Mr and Mrs Harrison, and Mr Bartleman were the solo singers, and the rest of the entertainment consisted of glees and a few catches sung by the most celebrated English vocalists of the day.... Mr Knyvett presided at th ...
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Almack's Assembly Rooms
Almack's was the name of a number of establishments and social clubs in London between the 18th and 20th centuries. Two of the social clubs would go on to fame as Brooks's and Boodle's. Almack's most famous establishment was based in assembly rooms on King Street, St James's, and was one of a limited number of upper-class mixed-sex public social venues in the British capital in an era when the most important venues for the hectic social season were the grand houses of the aristocracy. The site of the club, Almack's Assembly Rooms or (from 1781) Willis's Rooms, has become retrospectively interchangeable with the club, though for much of the club's lifetime, the rooms offered a variety of other entertainments with no connection to the club. William Almack The history of Almack's begins with its founder William Almack (the elder). One popular theory, circulated since 1811, supposes him to have been Scottish, his real name 'M'Caul', and that he had changed it because he found that i ...
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The Harmonicon
''The Harmonicon'' was an influential monthly journal of music published in London from 1823 to 1833. It was edited at one period by William Ayrton (1777–1858.) Issues contained articles on diverse topics, including reviews of musical compositions, reviews of concert and opera Opera is a form of theatre in which music is a fundamental component and dramatic roles are taken by singers. Such a "work" (the literal translation of the Italian word "opera") is typically a collaboration between a composer and a libre ... performances, news of contemporary musicians and composers, features on music theory and the physics of sound, and biographical sketches of important musical figures. References The Harmonicon archive at HathiTrust 1823 establishments in the United Kingdom 1833 disestablishments in the United Kingdom Monthly magazines published in the United Kingdom Music magazines published in the United Kingdom Defunct magazines published in the United Kingdom ...
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British Music History
British may refer to: Peoples, culture, and language * British people, nationals or natives of the United Kingdom, British Overseas Territories, and Crown Dependencies. ** Britishness, the British identity and common culture * British English, the English language as spoken and written in the United Kingdom or, more broadly, throughout the British Isles * Celtic Britons, an ancient ethno-linguistic group * Brittonic languages, a branch of the Insular Celtic language family (formerly called British) ** Common Brittonic, an ancient language Other uses *'' Brit(ish)'', a 2018 memoir by Afua Hirsch *People or things associated with: ** Great Britain, an island ** United Kingdom, a sovereign state ** Kingdom of Great Britain (1707–1800) ** United Kingdom of Great Britain and Ireland (1801–1922) See also * Terminology of the British Isles * Alternative names for the British * English (other) * Britannic (other) * British Isles * Brit (other) * Br ...
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Professional Concerts
The "Professional Concerts" were subscription concerts established in 1783 and given at the Hanover Square Rooms in London. Leading musicians of the day performed at the concerts. History Background Other regular concerts began in London around this time: the subscription concerts established by Johann Christian Bach and Carl Friedrich Abel, which ran from 1764 to 1782, and the Concerts of Antient Music, which began in 1776. The prestigious Hanover Square Rooms, accommodating about 900 people, opened in 1775 with a concert given by Bach and Abel. Establishment The committee directing the Professional Concerts included Wilhelm Cramer, leader of the orchestra; William Dance, principal second violin; the cellist James Cervetto; and the composer and violinist William Shield. The subscription was five guineas for twelve weekly concerts. Performers at the Professional Concerts included the tenor Samuel Harrison from about 1783, the oboist Friedrich Ramm in 1784, the pianist and sin ...
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Royal Philharmonic Society
The Royal Philharmonic Society (RPS) is a British music society, formed in 1813. Its original purpose was to promote performances of instrumental music in London. Many composers and performers have taken part in its concerts. It is now a membership society, and while it no longer has its own orchestra, it continues a wide-ranging programme of activities which focus on composers and young musicians and aim to engage audiences so that future generations will enjoy a rich and vibrant musical life. Since 1989, the RPS has promoted the annual Royal Philharmonic Society Music Awards for live music-making in the United Kingdom. The RPS is a registered UK charity No. 213693, located at 48 Great Marlborough Street in London. The current chief executive of the RPS is James Murphy, and its current chairman is John Gilhooly. History In London, at a time when there were no permanent London orchestras, nor organised series of chamber music concerts, a group of thirty music profession ...
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Hanover Square Rooms
The Hanover Square Rooms or the Queen's Concert Rooms were assembly rooms established, principally for musical performances, on the corner of Hanover Square, London, by Sir John Gallini in partnership with Johann Christian Bach and Carl Friedrich Abel in 1774. For exactly one century this was the principal concert venue in London. The premises were demolished in 1900. History of the Rooms The site had previously been occupied by a mill, hence its previous name Mill Field and that of the currently adjoining Mill Street. Originally the property of Earl of Plymouth, leased out to Lord Dillon, in June 1774 it was sold for £5,000 to Viscount Wenman, who on the same day conveyed it to Gallini, Bach and Abel. Gallini owned half the freehold and each of the other two a quarter. On the site formerly occupied by a garden and office, they constructed, as extensions to the house, assembly rooms for concerts and public meetings. The main room on the first floor measured by , with a h ...
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Angelica Catalani
Angelica Catalani (10 May 178012 June 1849) was an Italian opera singer, the daughter of a tradesman. Her greatest gift was her voice, a soprano of nearly three octaves in range. Its unsurpassed power and flexibility made her one of the greatest bravura singers of all time. She also worked as a singing teacher. Her pupils included Laure Cinti-Damoreau and Fanny Corri-Paltoni. She was a close friend to both Beethoven and Rossini. Biography Catalani was born on 10 May 1780, at Sinigaglia, where her father was a tradesman. About the age of 12 she was sent to the convent of Santa Lucia at Gubbio, near Rome, where her beautiful voice soon became a great attraction. In its full freshness, according to Fétis and all other authorities, it must have been one of extraordinary purity, force, and compass, going as far as G in altissimo, with a sweet clear tone. This exquisite quality was allied to a marvellous truth and rapidity of execution. No singer has ever surpassed, or perhaps equ ...
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Elizabeth Billington
Elizabeth Billington (27 December 1765, in London25 August 1818, in Venice) was a British opera singer. Life She was born on 27 December 1765 in Litchfield Street, Soho, London. She was the daughter of Carl Weichsel, a native of Freiberg, in Saxony, principal oboist at the King's Theatre. Her mother, Frederika, née Weirman, an English vocalist of some distinction, was a pupil of Johann Christian Bach, and sang at Vauxhall with success between 1765 and 1775. Elizabeth Weichsel received her earliest musical instruction, in company with her brother Charles (who afterwards was known as a violinist) from her father, under whom she studied the pianoforte with such assiduity that on 10 March 1774 she played at a concert at the Haymarket for her mother's benefit. In addition to her father's instruction she studied under Johann Samuel Schroeter, and before she was twelve years old published two sets of pianoforte sonatas. She now began to turn her attention to the cultivation of her ...
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Elizabeth Billington By Masquerier, John James
Elizabeth or Elisabeth may refer to: People * Elizabeth (given name), a female given name (including people with that name) * Elizabeth (biblical figure), mother of John the Baptist Ships * HMS ''Elizabeth'', several ships * ''Elisabeth'' (schooner), several ships * ''Elizabeth'' (freighter), an American freighter that was wrecked off New York harbor in 1850; see Places Australia * City of Elizabeth ** Elizabeth, South Australia * Elizabeth Reef, a coral reef in the Tasman Sea United States * Elizabeth, Arkansas * Elizabeth, Colorado * Elizabeth, Georgia * Elizabeth, Illinois * Elizabeth, Indiana * Hopkinsville, Kentucky, originally known as Elizabeth * Elizabeth, Louisiana * Elizabeth Islands, Massachusetts * Elizabeth, Minnesota * Elizabeth, New Jersey, largest city with the name in the U.S. * Elizabeth City, North Carolina * Elizabeth (Charlotte neighborhood), North Carolina * Elizabeth, Pennsylvania * Elizabeth Township, Pennsylvania (other) * Elizabeth, West Vi ...
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Franz Kramer
Franz Kramer (January 20, 1865 – April 18, 1924) was a seaman serving in the United States Navy during the Spanish–American War who received the Medal of Honor for bravery. Biography Kramer was born January 20, 1865, in Germany and after entering the navy was sent to fight in the Spanish–American War aboard the U.S.S. Marblehead as a seaman. On May 11, 1898, the Marblehead was given the task of cutting the cable leading from Cienfuegos, Cuba. During the operation and facing heavy enemy fire, Kramer continued to perform his duties throughout this action. He died on April 18, 1924, in New York City and is buried in Calvary Cemetery, Woodside, New York. Medal of Honor citation Rank and organization: Seaman, U.S. Navy. Born. January 20, 1865, Germany. G.O. No.: 521, July 7, 1899. Citation: On board the U.S.S. Marblehead during the operation of cutting the cable leading from Cienfuegos, Cuba, May 11, 1898. Facing the heavy fire of the enemy, Kramer set an example of extra ...
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Thomas Greatorex
Thomas Greatorex (5 October 1758 – 18 July 1831) was an English composer, astronomer and mathematician. As well as being organist of Westminster Abbey, he was a Fellow of the Royal Society. Career Born in Wingfield near Chesterfield, Derbyshire, Greatorex as a youngster studied with Benjamin Cooke, organist of Westminster Abbey, and was a protégé of the Earl of Sandwich. For four years he was organist of Carlisle Cathedral and from there went to live and work in Italy, where he became a friend of Charles Edward Stuart, or "Bonnie Prince Charlie." When the Young Pretender died in 1788, he left some of his music books to Greatorex, who returned to London the same year. He was soon in much demand as a music teacher and succeeded Joah Bates as conductor of the '' Concerts of Ancient Music''. He also directed music festivals at Birmingham, York and Derby. In 1819, he succeeded George Ebenezer Williams as organist of Westminster Abbey. His works as a composer include the anthem ...
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Reginald Spofforth
Reginald Spofforth (1769 ( baptised 12 September) – 8 September 1827) was an English musician. He was born in Southwell, Nottinghamshire, but moved to London around 1790. He was active as an organist, conductor and music teacher, but he is best remembered as a composer. His best known works are the glees ''Hail Smiling Morn'' (which has been described as having been "possibly the most popular glee in the entire repertory") and ''Hark! the Lark at Heaven's Gate Sings'', which are included in a number of recent collections of part-songs. He composed about 75 glees, three books of nursery rhyme settings, and many songs and duets, including songs for various stage performances at Covent Garden in the 1790s. Two elaborate hymns (''To Thee, our Saviour and our King'', and ''I sing the almighty power of God'') were published in John Page's 'A Collection of Hymns', dated 21 and 28 October 1804 respectively. He is thought not to have composed any instrumental music. His brother, S ...
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