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Vlieger (cape)
A vlieger is a type of sleeveless over-gown or cape worn by women in the late 16th and early 17th centuries. Variations with short sleeves or high shoulder rolls are known. Sometimes sleeves were attached with aiglets, and often slits were made to allow belts or the hands to pass through. In the Netherlands the vlieger was often worn with a millstone collar (a wide starched ruff). The vlieger was always worn with a skirt with a fardegalijn. In cold weather it could be buttoned shut, though the Spanish version, called a "ropa" could only be closed at the neck. The Spanish version was called a "ropa" and the French version was called a "marlotte".20,000 Years of Fashion: The History of Costume and Personal Adornment, by Francois Boucher (art historian) & Yvonne Deslandres Yvonne Deslandres (1923–1986) was a French writer, curator, archivist, and art historian. She specialized in costume and adornment. She studied at École Nationale des Chartes. She worked for François Bouche ...
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Frans Hals - Portrait Of Aletta Hanemans - Mauritshuis 460
Frans is an Afrikaans, Danish, Dutch, Finnish, Icelandic, Norwegian, and Swedish given name, sometimes as a short form of ''François''. One cognate of Frans in English is ''Francis''. Given name * Frans van Aarssens (1572–1641), Dutch diplomat and statesman * Frans Ackerman (1330–1387), Flemish statesman * Frans Adelaar (born 1960), Dutch football player and manager * Frans Alphons Maria Alting von Geusau (born 1933), Dutch legal scholar and diplomat * Frans Aerenhouts (born 1937), Belgian cyclist * Frans Ananias (born 1972), Namibian footballer * Frans Andersson (1911–1988), Danish bass-baritone * Frans Andriessen (1929–2019), Dutch politician * Frans Anneessens (1660–1719), Flemish protest leader * Frans van Anraat (born 1942), Dutch businessman and convicted war criminal * Frans Badens (fl. 1571–1618), Flemish painter * Frans Bak (born 1958), Danish composer, choral conductor, saxophonist, and pianist * Frans Decker (1684–1751), 18th-century painter from the North ...
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Ruff (clothing)
A ruff is an item of clothing worn in Western, Central, and Northern Europe and Spanish America from the mid-16th century to the mid-17th century. The round and flat variation is often called a millstone collar after its resemblance to millstones for grinding grain. History The ruff, which was worn by men, women and children, evolved from the small fabric ruffle at the neck of the shirt or chemise. Ruffs served as changeable pieces of cloth that could themselves be laundered separately while keeping the wearer's doublet or gown from becoming soiled at the neckline. The stiffness of the garment forced upright posture, and their impracticality led them to become a symbol of wealth and status. Ruffs were primarily made from linen cambric, stiffened with starch imported from the Low Countries. Later ruffs were sometimes made entirely from lace, an expensive embellishment developed in the early sixteenth century. The size of the ruff increased as the century went on. "Ten ...
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Farthingale
A farthingale is one of several structures used under Western European women's clothing in the 16th and 17th centuries to support the skirts in the desired shape and enlarge the lower half of the body. It originated in Spain in the fifteenth century. Farthingales served important social and cultural functions for women in Renaissance Europe as they were used, primarily by court women, to show their high social position and wealth. Spanish farthingale The Spanish ''verdugado'', from which "farthingale" derives, was a hoop skirt originally stiffened with esparto grass; later designs in the temperate climate zone were stiffened with osiers ( willow withies), rope, or (from about 1580) whalebone. The name ''verdugado'' comes from the Spanish ''verdugo'' ("green wood", or the more modern meaning of "executioner"). The earliest sources indicate that Joan of Portugal started to use verdugados with hoops in Spain. Joan had provoked much criticism as she allegedly wore dresses t ...
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20,000 Years Of Fashion
''20,000 Years of Fashion: The History of Costume and Personal Adornment'' is a dictionary of western fashion from ancient times up to the 1960s, edited by Francois Boucher and his longtime assistant Yvonne Deslandres. The book is widely cited as a reference for fashion trends in paintings and has 1150 illustrations which are mostly paintings, etchings and engravings from Western museums and collections. The book includes a glossary of terms and a bibliography of sources. It was originally published in French in 1965 as ''Histoire du Costume en Occident de l’antiquité à nos jours'' and was translated into English the next year, but was published after Boucher's death. In 1987 Deslandres updated a new edition with a section on modern fashion. References Book reviewin ''Publishers Weekly ''Publishers Weekly'' (''PW'') is an American weekly trade news magazine targeted at publishers, librarians, booksellers, and literary agents. Published continuously since 1872, it has ...
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Francois Boucher (art Historian)
François Leon Louis Boucher (1885–1966) was a French museum curator and writer. Boucher was born in Paris and became curator at the Musée Carnavalet, Paris. He founded the Union française des arts du costume (UFAC) that later merged with the costume museum Musée de la mode et du textile of the Louvre under the guidance of his assistant Yvonne Deslandres.Library of Congress
entry for Boucher, François, 1885–1966 Boucher died in .


Works

* ''Tableau de la France par les écrivains illustres'', 1948 * ''Histoire du Costume en Occident de l’antiquité à nos jours'', 1963-5 * ''

Yvonne Deslandres
Yvonne Deslandres (1923–1986) was a French writer, curator, archivist, and art historian. She specialized in costume and adornment. She studied at École Nationale des Chartes. She worked for François Boucher as his assistant at the Carnavalet Museum, and later for his Union Française des Arts du Costume (UFAC), which she took over after his death in 1966. She became curator for the Musée de la mode et du textile from 1983 after the UFAC merged with it. Works * ''20,000 Years of Fashion ''20,000 Years of Fashion: The History of Costume and Personal Adornment'' is a dictionary of western fashion from ancient times up to the 1960s, edited by Francois Boucher and his longtime assistant Yvonne Deslandres. The book is widely cited a ...: The History of Costume and Personal Adornment,'' together with Francois Boucher, 1963-1966, and updated in 1987 * ''Le Costume, image de l'homme'', 1976 * ''l'Histoire de la Mode au XXe Siecle'', 1986 * ''Poiret: Paul Poiret 1879-1944'', 198 ...
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Robes And Cloaks
A robe is a loose-fitting outer garment. Unlike garments described as capes or cloaks, robes usually have sleeves. The English word ''robe'' derives from Middle English ''robe'' ("garment"), borrowed from Old French ''robe'' ("booty, spoils"), itself taken from the Frankish word *''rouba'' ("spoils, things stolen, clothes"), and is related to the word ''rob''. Types There are various types of robes, including: * A gown worn as part of the academic regalia of faculty or students, especially for ceremonial occasions, such as a convocations, congregations or graduations. * A gown worn as part of the attire of a judge or barrister. * A wide variety of long, flowing religious dress including pulpit robes and the robes worn by various types of monks. * A gown worn as part of the official dress of a peer or royalty. * Any of several women's fashions of French origin, as '' robe à l'anglaise'' (18th century), ''robe de style'' (1920s). * A gown worn in fantasy literature ...
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16th-century Fashion
The 16th century begins with the Julian year 1501 ( MDI) and ends with either the Julian or the Gregorian year 1600 ( MDC) (depending on the reckoning used; the Gregorian calendar introduced a lapse of 10 days in October 1582). The 16th century is regarded by historians as the century which saw the rise of Western civilization and the Islamic gunpowder empires. The Renaissance in Italy and Europe saw the emergence of important artists, authors and scientists, and led to the foundation of important subjects which include accounting and political science. Copernicus proposed the heliocentric universe, which was met with strong resistance, and Tycho Brahe refuted the theory of celestial spheres through observational measurement of the 1572 appearance of a Milky Way supernova. These events directly challenged the long-held notion of an immutable universe supported by Ptolemy and Aristotle, and led to major revolutions in astronomy and science. Galileo Galilei became a champion ...
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