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Vivid (song)
"Vivid" is a song by Electronic, the eighth single released by the group. It was released in April 1999 by Parlophone in Britain and by Virgin in Germany. "Vivid" reached #17 on the UK Singles Chart. Recording The song was recorded by full-time members Sumner and Marr with Doves bassist Jimi Goodwin and Black Grape drummer Jed Lynch. An early version of the song was written by Marr, before Sumner altered some of the words and the melody. The finished album version is in fact the demo, although subsequent production by Arthur Baker and his programming collaborator Merv de Peyer included a sampled loop which runs throughout the track in tandem with the kit drums.''Sound On Sound'', June 1999link Formats Like their last two singles (" For You" and " Second Nature"), "Vivid" was issued on two Compact Discs, and also on 12" vinyl in the UK. The principal B-side was "Radiation", a seven-minute instrumental co-credited to Arthur Baker. B-sides In addition to a single mix of the A-si ...
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Electronic (band)
Electronic were an English alternative dance supergroup formed by singer/guitarist Bernard Sumner (of New Order) and guitarist Johnny Marr (of the Smiths). They co-wrote the majority of their output between 1989 and 1998, collaborating with Neil Tennant and Chris Lowe of the Pet Shop Boys on three tracks in their early years, and former Kraftwerk member Karl Bartos on nine songs in 1995. History The two first met in 1984 when the Smiths guitarist contributed to a Quando Quango track that Sumner was producing. Later in 1988, Sumner was frustrated because his New Order bandmates were not receptive to his desire to add synth programming to their music. He decided to produce a solo album but found that he did not enjoy working alone, so he called Marr for help.''Q'', July 1991 Inspired by contemporary dance music like Italo house and acts such as Technotronic, their initial concept was to release white label records on Factory and remain an anonymous entity, in contra ...
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Jed Lynch
Ged Lynch (born 19 July 1968, Blackburn, England) is an English percussionist and composer. Lynch had early commercial success drumming with the Ruthless Rap Assassins. In 1989 he joined The Icicle Works. He joined Shaun Ryder Shaun William George Ryder (born 23 August 1962) is an English singer, songwriter and poet. As lead singer of Happy Mondays, he was a leading figure in the Madchester cultural scene during the late 1980s and early 1990s. In 1993, he formed Bl ... and Bez in Black Grape in 1993. They had a series of hit singles and a No.1 UK hit album with ''It's Great When You're Straight... Yeah''. They split in 1998. Lynch has worked/recorded with Peter Gabriel, Space (English band), Space, Michael Hutchence, The Charlatans (UK band), The Charlatans, Agent Provocateur (band), Agent Provocateur, Joe Strummer, Zucchero, David Sylvian, Vittorio Cosma, Dr. John, Electronic (band), Electronic and Joseph Arthur, Natalie Imbruglia, Chrissie Hynde, Eliza Carthy, Eliza ...
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Electronic (band) Songs
Electronic may refer to: *Electronics, the science of how to control electric energy in semiconductors * ''Electronics'' (magazine), a defunct American trade journal *Electronic storage, the storage of data using an electronic device *Electronic commerce or e-commerce, the trading in products or services using computer networks, such as the Internet *Electronic publishing or e-publishing, the digital publication of books and magazines using computer networks, such as the Internet *Electronic engineering, an electrical engineering discipline Entertainment *Electronic (band), an English alternative dance band ** ''Electronic'' (album), the self-titled debut album by British band Electronic *Electronic music, a music genre *Electronic musical instrument *Electronic game, a game that employs electronics See also *Electronica, an electronic music genre *Consumer electronics Consumer electronics, also known as home electronics, are electronic devices intended for everyday household ...
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Get The Message - The Best Of Electronic
Get or GET may refer to: Businesses and brands * GetTV, an American television network * Get AS, a Norwegian cable and Internet provider * GET-ligaen, a Norwegian ice hockey league (now ''Eliteserien'') * Get 27, a French mint liqueur Education * Groupe des Écoles des Télécommunications, a French collegiate university * Guaranteed Education Tuition Program, Washington, United States Other uses * Get (animal), in livestock breeding * Get (divorce document), in Jewish religious law * GET (HTTP), in Internet protocols * "Get" (song), 2010, by the Groggers * Georgia Time * Gets (people), an ancient Thracian tribe * Graded exercise therapy, for chronic fatigue syndrome * Geraldton Airport, Western Australia * GET (posting), a tradition of venerating special post numbers like 99999, 100000, or 123456 on imageboards See also * * * Geats The Geats ( ; ; ; ), sometimes called ''Geats#Goths, Goths'', were a large North Germanic peoples, North Germanic tribe who inhabit ...
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Two Lone Swordsmen
Two Lone Swordsmen were a British electronic music duo from London, consisting of Andrew Weatherall and Keith Tenniswood. History Formed by Andrew Weatherall and Keith Tenniswood in 1996, following the dissolution of Weatherall's the Sabres of Paradise, Two Lone Swordsmen released material on the record label Emissions Audio Output, run by Weatherall. However, the small nature of the operation limited the duo's success and they subsequently signed to Warp. Two Lone Swordsmen's debut studio album, ''The Fifth Mission (Return to Flightpath Estate)'', was released in 1996. 1998's ''Stay Down'' was placed at number 22 on ''Pitchfork''s "50 Best IDM Albums of All Time" list. ''Tiny Reminders'' (2000) was placed at number 19 on ''Pitchfork''s "Top 20 Albums of 2000" list. The duo released '' From the Double Gone Chapel'' in 2004. On 17 February 2020, Weatherall died due to a pulmonary embolism at the age of 56. Weatherall's death marked the end of Two Lone Swordsmen, as Tenniswood ...
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Prodigal Son (Electronic Song)
The Parable of the Prodigal Son (also known as the parable of the Two Brothers, Lost Son, Loving Father, or of the Forgiving Father; ) is one of the parables of Jesus in the Bible, appearing in Luke 15:11–32. In Luke 15, Jesus tells this story, along with those of a man with 100 sheep and a woman with ten coins, to a group of Pharisees and religious leaders who criticized him for welcoming and eating with tax collectors and others seen as sinners. The Prodigal Son is the third and final parable of a cycle on redemption, following the parables of the Lost Sheep and the Lost Coin. In the Revised Common Lectionary and Roman Rite Catholic Lectionary, this parable is read on the fourth Sunday of Lent (in Year C); in the latter it is also included in the long form of the Gospel on the 24th Sunday of Ordinary Time in Year C, along with the preceding two parables of the cycle. In the Eastern Orthodox Church it is read on the Sunday of the Prodigal Son. Narrative The parable begins ...
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Remix
A remix, also sometimes called reorchestration or rework, is a piece of media which has been altered or contorted from its original state by adding, removing, or changing pieces of the item. A song, piece of artwork, book, poem, or photograph can be remixes. The only characteristic of a remix is that it appropriates and changes other materials to create something new. Most commonly, remixes are a subset of audio mixing (recorded music), audio mixing in music and song recordings. Songs may be remixed for a variety of reasons: * to adapt or revise a song for radio or nightclub play * to create a stereophonic sound, stereo or surround sound version of a song where none was previously available * to improve the fidelity of an older song for which the original audio mastering, master has been lost or degraded * to alter a song to suit a specific music genre or radio format * to use some of the original song's materials in a new context, allowing the original song to reach a different ...
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Instrumental
An instrumental or instrumental song is music without any vocals, although it might include some inarticulate vocals, such as shouted backup vocals in a big band setting. Through Semantic change, semantic widening, a broader sense of the word song may refer to instrumentals. The music is primarily or exclusively produced using musical instruments. An instrumental can exist in music notation, after it is written by a composer; in the mind of the composer (especially in cases where the composer themselves will perform the piece, as in the case of a blues solo guitarist or a folk music fiddle player); as a piece that is performed live by a single instrumentalist or a musical ensemble, which could range in components from a duet, duo or trio (music), trio to a large big band, concert band or orchestra. In a song that is otherwise sung, a section that is not sung but which is played by instruments can be called an instrumental interlude, or, if it occurs at the beginning of the song, ...
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A-side And B-side
The A-side and B-side are the two sides of vinyl records and cassettes, and the terms have often been printed on the labels of two-sided music recordings. The A-side of a single usually features a recording that its artist, producer, or record company intends to be the initial focus of promotional efforts and radio airplay, with the aim of it becoming a hit record. The B-side (or "flip-side") is a secondary recording that typically receives less attention, although some B-sides have been as successful as, or more so than, their A-sides. Use of this language has largely declined in the 21st century as the music industry has transitioned away from analog recordings towards digital formats without physical sides, such as downloads and streaming. Nevertheless, some artists and labels continue to employ the terms ''A-side'' and ''B-side'' metaphorically to describe the type of content a particular release features, with ''B-side'' sometimes representing a "bonus" track or ...
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Vinyl Record
A phonograph record (also known as a gramophone record, especially in British English) or a vinyl record (for later varieties only) is an analog signal, analog sound Recording medium, storage medium in the form of a flat disc with an inscribed, modulated spiral groove. The groove usually starts near the outside edge and ends near the center of the disc. The stored sound information is made audible by playing the record on a phonograph (or "gramophone", "turntable", or "record player"). Records have been produced in different formats with playing times ranging from a few minutes to around 30 minutes per side. For about half a century, the discs were commonly made from shellac and these records typically ran at a rotational speed of 78 rpm, giving it the nickname "78s" ("seventy-eights"). After the 1940s, "vinyl" records made from polyvinyl chloride (PVC) became standard replacing the old 78s and remain so to this day; they have since been produced in various sizes and speeds, mos ...
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Compact Disc
The compact disc (CD) is a Digital media, digital optical disc data storage format co-developed by Philips and Sony to store and play digital audio recordings. It employs the Compact Disc Digital Audio (CD-DA) standard and was capable of holding of uncompressed stereo audio. First released in Japan in October 1982, the CD was the second optical disc format to reach the market, following the larger LaserDisc (LD). In later years, the technology was adapted for computer data storage as CD-ROM and subsequently expanded into various writable and multimedia formats. , over 200 billion CDs (including audio CDs, CD-ROMs, and CD-Rs) had been sold worldwide. Standard CDs have a diameter of and typically hold up to 74 minutes of audio or approximately of data. This was later regularly extended to 80 minutes or by reducing the spacing between data tracks, with some discs unofficially reaching up to 99 minutes or which falls outside established specifications. Smaller variants, such ...
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Second Nature (Electronic Song)
"Second Nature" is a song by Electronic, released as the group's seventh single. It has an autobiographical lyric by Sumner''Blah Blah Blah'', July 1996 which concerns his youth and growing up, while the music has a groovy shuffle which contrasts with the stricter dance tracks on its parent album '' Raise the Pressure''. "Second Nature" reached #35 on the UK Singles Chart. Releases "Second Nature" was first released in the United States as a CD maxi single of DJ remixes in October 1996, then issued commercially by Parlophone in the UK and by Virgin Records in Germany the following February on two CDs and cassette. Each format had a different photograph on its cover. Unlike every other commercial Electronic single, no music video was made for "Second Nature", although it was promoted by live performances on ''TFI Friday'' and '' Later... with Jools Holland''. Its primary B-side "Turning Point" is an instrumental dance track that includes drum loops and sampled vocals. The other ...
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