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Viola Bartlette
Viola Bartlette was an American blues singer and actress, who recorded on Black Swan Records and Paramount Records. She was from Baltimore. Bartlette recorded under the pseudonym Ida Lewis for Silvertone Records. She often was a backup singer for Lovie Austin and accompanied Lovie Austin's Blue Serenaders band and Blythe's Sinful Five on records. Johnny Dodds accompanied Bartlette on recordings made in the 1920s. Clarinetist Jimmy O'Bryant backed her on session recordings during 1923 to 1926. She also recorded with Kid Ory. Discography *"Tennessee Blues" (1925) *"Go Back Where You Stayed Last Night" (1925) by Lovie Austin's Blue Serenaders *"Walk Easy 'Cause My Papa's Here" (1926), by Viola Bartlette with Cobb's Paramount Syncopators, Paramount *" Shake That Thing" (1926) written by Papa Charlie Jackson *"Anna Mina Forty And St. Louis Shorty" (1926) by Jimmy Blythe / Blythe's Sinful Five *"Quit Knocking on My Door" (1926) by Blythe's Sinful Five *"Sunday Morning Blues" (1926) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Black Swan Records
Black Swan Records was an American jazz and blues record label founded in 1921 in Harlem, New York. It was the first widely distributed label to be owned, operated, and marketed to African Americans. Founded by Harry Pace with W.C. Handy, Black Swan Records was established to give African Americans more creative liberties. Black Swan was revived in the 1990s for CD reissues of its historic jazz and blues recordings. History Black Swan's parent company, Pace Phonograph Corporation, was founded in March 1921 by Harry Pace and was based in Harlem. The new production company was formed after Pace's music publishing partnership with W. C. Handy, Pace & Handy, had dissolved. Black Swan, which sought to specialize in classical recordings, served as an investment opportunity for the Talented Tenth. As recognized by Thomas Brothers, "luminaries like Jack Nail and James Weldon Johnson served on the Black Swan board of directors", and ''The Crisis'', the journal then edited by W.E.B. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jimmy O'Bryant
J. A. "Jimmy" O'Bryant (c. 1896 – June 24, 1928) was an American jazz clarinetist. Career O'Bryant played with the Tennessee Ten in 1920 and 1921, then in a group with Jelly Roll Morton and W. C. Handy in 1923. In 1924, he played with King Oliver. From 1923 to 1926, he recorded extensively with Lovie Austin's Blues Serenaders and also did sessions with his own Washboard Band. His entire output as a leader was reissued on two compact discs by RST Records in 2000 and 2001. References ;Footnotes ;General references *Leonard Feather and Ira Gitler Ira Gitler (December 18, 1928 – February 23, 2019) was an American jazz historian and journalist. The co-author of ''The Biographical Encyclopedia of Jazz'' with Leonard Feather—the most recent edition appeared in 1999—he wrote hundreds of ..., ''The Biographical Encyclopedia of Jazz''. Oxford, 1999, pp. 502–503. {{DEFAULTSORT:Obryant, Jimmy 1890s births 1928 deaths American jazz clarinetists Jazz-blues musi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Singers From Baltimore
Singing is the art of creating music with the voice. It is the oldest form of musical expression, and the human voice can be considered the first musical instrument. The definition of singing varies across sources. Some sources define singing as the act of creating musical sounds with the voice. Other common definitions include "the utterance of words or sounds in tuneful succession" or "the production of musical tones by means of the human voice". A person whose profession is singing is called a singer or a vocalist (in jazz or popular music). Singers perform music (arias, recitatives, songs, etc.) that can be sung with or without accompaniment by musical instruments. Singing is often done in an ensemble of musicians, such as a choir. Singers may perform as soloists or accompanied by anything from a single instrument (as in art songs or some jazz styles) up to a symphony orchestra or big band. Many styles of singing exist throughout the world. Singing can be formal or ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Actresses From Baltimore
An actor (masculine/gender-neutral), or actress (feminine), is a person who portrays a character in a production. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of acting pertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role", which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieva ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Year Of Death Missing
A year is a unit of time based on how long it takes the Earth to orbit the Sun. In scientific use, the tropical year (approximately 365 solar days, 5 hours, 48 minutes, 45 seconds) and the sidereal year (about 20 minutes longer) are more exact. The modern calendar year, as reckoned according to the Gregorian calendar, approximates the tropical year by using a system of leap years. The term 'year' is also used to indicate other periods of roughly similar duration, such as the lunar year (a roughly 354-day cycle of twelve of the Moon's phasessee lunar calendar), as well as periods loosely associated with the calendar or astronomical year, such as the seasonal year, the fiscal year, the academic year, etc. Due to the Earth's axial tilt, the course of a year sees the passing of the seasons, marked by changes in weather, the hours of daylight, and, consequently, vegetation and soil fertility. In temperate and subpolar regions around the planet, four seasons are ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punch Miller
Ernest Miller, also known as Punch Miller or Kid Punch Miller (June 10, 1894 – December 2, 1971), was an American traditional jazz trumpeter. Miller was born in Raceland, Louisiana, United States. He was known in New Orleans, Louisiana, where he was based from 1919 to 1927, when he moved to Chicago. In Chicago he worked with various bands, including those of Jelly Roll Morton and Tiny Parham, and appeared on a number of recordings. He is also confirmed to be the cornettist on the Gennett recordings of the obscure ensemble King Mutt and his Tennessee Thumpers. His lifestyle and the decline of Dixieland Jazz led to his falling out of the limelight. This changed with the rising importance of the Preservation Hall Jazz Band and he returned to national attention. He returned to New Orleans, playing at Preservation Hall and leading a band under his own name, in addition to playing with other groups. In 1963, he toured Japan Japan is an island country in East Asia. Locate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Papa Charlie Jackson
William Henry "Papa Charlie" Jackson (November 10, 1887 – May 7, 1938) was an early African American bluesman and songster who accompanied himself with a banjo guitar, a guitar, or a ukulele. His recording career began in 1924. Much of his life remains a mystery, but his draft card lists his birthplace as New Orleans, Louisiana, and his death certificate states that he died in Chicago, Illinois, on May 7, 1938. Career Jackson began his career playing in minstrel shows and medicine shows. Harris, Sheldon (1994). ''Blues Who's Who'' (rev. ed.). New York: Da Capo Press. p. 263. . From the early 1920s into the 1930s, he played frequent club dates in Chicago and was noted for busking at Chicago's Maxwell Street Market. In August 1924, he recorded the commercially successful "Airy Man Blues" and "Papa's Lawdy Lawdy Blues" for Paramount Records. In April 1925, Jackson released his version of " Shave 'Em Dry". One of his subsequent tracks, " Salty Dog Blues", became his most famous ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shake That Thing
"Shake That Thing" is a song recorded by Papa Charlie Jackson in 1925, one of the earliest blues standards and a forerunner of hokum. Paramount Records issued it on the B-side of the then standard 10-inch 78 rpm shellac record on July 11, 1925. The song is also known as a first hit record where the male singer accompanies himself. The title of the song (oft-repeated in the lyrics) contains double entendre: at the time "shake it" was a vulgar euphemism for coitus (on the innocent side, it was quite likely a directive for female dancers to shake their hips, the author Stephen Calt thinks that the expression became indecent as a result of the success of the song). Song The song is written in a twelve-bar verse-and-refrain format with two-line, four-bar verse and three-line, eight-bar chorus (song is similar to Jackson's earlier eight-bar "Salty Dog Blues" recorded in September 1924). Like the other best Jackson's songs, "Shake That Thing" is an uptempo dance blues. The lyric ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kid Ory
Edward "Kid" Ory (December 25, 1886 – January 23, 1973) was an American jazz composer, Trombone, trombonist and bandleader. One of the early users of the glissando technique, he helped establish it as a central element of Music of New Orleans#Jazz, New Orleans jazz. He was born near LaPlace, Louisiana and moved to New Orleans on his 21st birthday, to Los Angeles in 1910 and to Chicago in 1925. The Ory band later was an important force in reviving interest in New Orleans jazz, making radio broadcasts on ''The Orson Welles Almanac'' program in 1944, among other shows. In 1944–45, the group made a series of recordings for the Crescent Records, Crescent label, which was founded by Nesuhi Ertegun for the express purpose of recording Ory's band. Ory retired from music in 1966 and spent his last years in Hawaii where he died from a heart attack. Biography Ory was born in 1886 to a Louisiana French-speaking family of Creoles of color, Black Creole descent, on Woodland Plantatio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Johnny Dodds
Johnny Dodds (; April 12, 1892 – August 8, 1940) was an American jazz clarinetist and alto saxophonist based in New Orleans, best known for his recordings under his own name and with bands such as those of Joe "King" Oliver, Jelly Roll Morton, Lovie Austin and Louis Armstrong. Dodds was the older brother of drummer Warren "Baby" Dodds, one of the first important jazz drummers. They worked together in the New Orleans Wanderers, New Orleans Bootblacks in 1926. Dodds is an important figure in jazz history. He was the premier clarinetist of his era and, in recognition of his artistic contributions, he was posthumously inducted into the Down Beat, Jazz Hall of Fame. He has been described as "a prime architect in the creation of the Jazz Age." Biography Dodds was born in Waveland, Mississippi. His childhood environment was a musical one. His father and uncle were violinists, his sister played a Diatonic button accordion, melodeon, and in adolescence Johnny sang high tenor in the fami ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paramount Records
Paramount Records was an American record label known for its recordings of jazz and blues in the 1920s and early 1930s, including such artists as Ma Rainey, Tommy Johnson (guitarist), Tommy Johnson and Blind Lemon Jefferson. Early years Paramount Records was founded in 1918 by United Phonographs, a subsidiary of the Wisconsin Chair Company, which trademarked its record brand from Port Washington and began issuing records the following year on the Puritan and Paramount labels. Puritan lasted only until 1927, but Paramount, based in the factory of its parent company in Grafton, Wisconsin, published some of the nation's most important early blues recordings between 1929 and 1932. The label's offices were located in Port Washington, Wisconsin and the pressing plant was located at 1819 S. Green Bay Road in Grafton. The label was managed by Fred Dennett Key. Recordings often occurred at studios in Chicago. The Wisconsin Chair Company made wooden phonograph cabinets for Edison Records. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
