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Villa Duodo
Villa Duodo, also known as the Villa Valier, is a villa situated at Monselice near Padua in the Veneto, northern Italy. It is attributed to the architect Vincenzo Scamozzi although some later parts are known to have been designed by Andrea Tirali. The villa was built for a Venetian patrician, Francesco Duodo, circa 1592. Sited high on the ''rocca'' of Monselice, the villa, which shows Palladian influences, is not so much a villa as a religious complex. Two L-shaped blocks form a rectangular courtyard. Attached to the villa is a church dedicated to San Giorgio which is the final and largest church completing a "sacred route" of pilgrimage. Architecture Scamozzi, the villa's principal architect, had been a pupil of Palladio and was largely responsible for carrying Palladio's classicising style into the 17th century. His ''L'idea dell'architettura universale'', published in 1615, coupled with Palladio's ''I quattro libri dell'architettura'' (1570) were to spread their cla ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Monselice San Giorgio
Monselice (; vec, Monséłexe ) is a town and municipality (comune) located in northeastern Italy, in the Veneto region, in the province of Padua about southwest of the city of Padua, at the southern edge of the Euganean Hills (''Colli Euganei''). ''Monselice is the most picturesque town I have seen in Italy. It has an old ruin of a castle upon the hill and thence commands a beautiful and extraordinary view. It lies in the wide plain – a dead level – whereon Ferrara, Bologna, Rovigo, Este, Padua stand and even Venice we could dimly see in the horizon rising with her tiara of proud towers. What a walk and what a wide delightful picture. To Venice 38 miles.'' Ralph Waldo Emerson ''Journals'' (31 May 1833) History The town's mythological foundation is attributed to the Trojan hero Opsicella. The area shows evidence of human settlement since the Bronze Age. In Roman times it was known as ''Mons Silicis'', meaning "mountain of flintstone", possibly due to the local quarries ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venetian Window
A Venetian window (also known as a Serlian window) is a large tripartite window which is a key element in Palladian architecture. Although Sebastiano Serlio (1475–1554) did not invent it, the window features largely in the work of the Italian architect Andrea Palladio (1508–1580) and is almost a trademark of his early career. The true Palladian window is an elaborated version. Overview The Venetian window consists of an arched central light, symmetrically flanked by two shorter sidelights. Each sidelight is flanked by two columns or pilasters and topped by a small entablature. The entablatures serve as imposts supporting the semicircular arch that tops the central light. In the library at Venice, Sansovino varied the design by substituting columns for the two inner pilasters. To describe its origin as being either Palladian or Venetian is not accurate; the motif was first used by Donato Bramante and later mentioned by Serlio in his seven-volume architectural book ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Terrace (building)
A terrace is an external, raised, open, flat area in either a landscape (such as a park or garden) near a building, or as a roof terrace on a flat roof. Ground terraces Terraces are used primarily for leisure activity such as sitting, strolling, or resting.Davies, Nicholas and Jokiniemi, Erkki. ''Dictionary of Architecture and Building Construction''. New York: Routledge, 2008, p. 379. The term often applies to a raised area in front of a monumental building or structure, which is usually reached by a grand staircase and surrounded by a balustrade. A terrace may be supported by an embankment or solid foundation, either natural or man-made.Harris, Cyril M. ''Illustrated Dictionary of Historic Architecture''. New York: Dover Publications, 1977, p. 529. Terraces may also be platforms, supported by columns but without the space below filled in, but terraces are always open to the sky and may or may not be paved.Ching, Frank. ''A Visual Dictionary of Architecture''. Hoboken, N.J. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Exedra
An exedra (plural: exedras or exedrae) is a semicircular architectural recess or platform, sometimes crowned by a semi-dome, and either set into a building's façade or free-standing. The original Greek sense (''ἐξέδρα'', a seat out of doors) was applied to a room that opened onto a stoa, ringed with curved high-backed stone benches, a suitable place for conversation. An exedra may also be expressed by a curved break in a colonnade, perhaps with a semicircular seat. The exedra would typically have an apsidal podium that supported the stone bench. The free-standing (open air) exedra, often supporting bronze portrait sculpture, is a familiar Hellenistic structure, characteristically sited along sacred ways or in open places in sanctuaries, such as at Delos or Epidaurus. Some Hellenistic exedras were built in relation to a city's agora, as in Priene. Monument architects have also used this free-standing style in modern times. Rise The exedra achieved particular popula ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Renaissance
The Renaissance ( , ) , from , with the same meanings. is a period in European history marking the transition from the Middle Ages to modernity and covering the 15th and 16th centuries, characterized by an effort to revive and surpass ideas and achievements of classical antiquity. It occurred after the Crisis of the Late Middle Ages and was associated with great social change. In addition to the standard periodization, proponents of a "long Renaissance" may put its beginning in the 14th century and its end in the 17th century. The traditional view focuses more on the early modern aspects of the Renaissance and argues that it was a break from the past, but many historians today focus more on its medieval aspects and argue that it was an extension of the Middle Ages. However, the beginnings of the period – the early Renaissance of the 15th century and the Italian Proto-Renaissance from around 1250 or 1300 – overlap considerably with the Late Middle Ages, conventi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Formal Garden
A formal garden is a garden with a clear structure, geometric shapes and in most cases a symmetrical layout. Its origin goes back to the gardens which are located in the desert areas of Western Asia and are protected by walls. The style of a formal garden is reflected in the Persian gardens of Iran, and the monastic gardens from the Late Middle Ages. It has found its continuation in the Italian Renaissance gardens and has culminated in the French formal gardens from the Baroque period. Through its design, the garden conveys a sense of established order and transparency to the observer. In garden design, the formal garden is said to be the opposite to the landscape garden, which follows nature and which came into fashion in the 18th century. Distinguishing features A typical feature of formal gardens is the axial and symmetrical arrangement of pathways and beds. Both of these elements are typically enclosed, for example with low box hedges or flower borders. The garden i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pediment
Pediments are gables, usually of a triangular shape. Pediments are placed above the horizontal structure of the lintel, or entablature, if supported by columns. Pediments can contain an overdoor and are usually topped by hood moulds. A pediment is sometimes the top element of a portico. For symmetric designs, it provides a center point and is often used to add grandness to entrances. The tympanum, the triangular area within the pediment, is often decorated with a pedimental sculpture which may be freestanding or a relief sculpture. The tympanum may hold an inscription, or in modern times, a clock face. Pediments are found in ancient Greek architecture as early as 600 BC (e.g. the archaic Temple of Artemis). Variations of the pediment occur in later architectural styles such as Classical, Neoclassical and Baroque. Gable roofs were common in ancient Greek temples with a low pitch (angle of 12.5° to 16°). History The pediment is found in classical Greek templ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Portico
A portico is a porch leading to the entrance of a building, or extended as a colonnade, with a roof structure over a walkway, supported by columns or enclosed by walls. This idea was widely used in ancient Greece and has influenced many cultures, including most Western cultures. Some noteworthy examples of porticos are the East Portico of the United States Capitol, the portico adorning the Pantheon in Rome and the portico of University College London. Porticos are sometimes topped with pediments. Palladio was a pioneer of using temple-fronts for secular buildings. In the UK, the temple-front applied to The Vyne, Hampshire, was the first portico applied to an English country house. A pronaos ( or ) is the inner area of the portico of a Greek or Roman temple, situated between the portico's colonnade or walls and the entrance to the '' cella'', or shrine. Roman temples commonly had an open pronaos, usually with only columns and no walls, and the pronaos could be as lon ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Campanile
A bell tower is a tower that contains one or more bells, or that is designed to hold bells even if it has none. Such a tower commonly serves as part of a Christian church (building), church, and will contain church bells, but there are also many secular bell towers, often part of a municipal building, an educational establishment, or a tower built specifically to house a carillon. Church bell towers often incorporate clocks, and secular towers usually do, as a public service. The term campanile (, also , ), deriving from the Italian ''campanile'', which in turn derives from ''campana'', meaning "bell", is synonymous with ''bell tower''; though in English usage campanile tends to be used to refer to a free standing bell tower. A bell tower may also in some traditions be called a Belfry (architecture), belfry, though this term may also refer specifically to the substructure that houses the bells and the ringers rather than the complete tower. The tallest free-standing bell tower i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cupola
In architecture, a cupola () is a relatively small, most often dome-like, tall structure on top of a building. Often used to provide a lookout or to admit light and air, it usually crowns a larger roof or dome. The word derives, via Italian, from lower Latin ''cupula'' (classical Latin ''cupella''), (Latin ''cupa''), indicating a vault resembling an upside-down cup. Background The cupola evolved during the Renaissance from the older oculus. Being weatherproof, the cupola was better suited to the wetter climates of northern Europe. The chhatri, seen in Indian architecture, fits the definition of a cupola when it is used atop a larger structure. Cupolas often serve as a belfry, belvedere, or roof lantern above a main roof. In other cases they may crown a spire, tower, or turret. Barns often have cupolas for ventilation. Cupolas can also appear as small buildings in their own right. The square, dome-like segment of a North American railroad train caboose that contains ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dome
A dome () is an architectural element similar to the hollow upper half of a sphere. There is significant overlap with the term cupola, which may also refer to a dome or a structure on top of a dome. The precise definition of a dome has been a matter of controversy and there are a wide variety of forms and specialized terms to describe them. A dome can rest directly upon a rotunda wall, a drum, or a system of squinches or pendentives used to accommodate the transition in shape from a rectangular or square space to the round or polygonal base of the dome. The dome's apex may be closed or may be open in the form of an oculus, which may itself be covered with a roof lantern and cupola. Domes have a long architectural lineage that extends back into prehistory. Domes were built in ancient Mesopotamia, and they have been found in Persian, Hellenistic, Roman, and Chinese architecture in the ancient world, as well as among a number of indigenous building traditions throughout ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nicolò Duodo
Nicolò () is an Italian male given name. Another variation is Niccolò, most common in Tuscany. It may refer to: * Nicolò Albertini, statesman * Nicolò Amati, luthier * Nicolò Barella, Italian footballer * Nicolò Barattieri, Italian engineer * Nicolò Brancaleon, artist * Nicolò Egidi, chemist * Nicolò Fagioli, Italian footballer * Nicolò Gabrielli, composer * Nicolò Gagliano, violin-maker * Nicolò Isouard (1773-1818), French composer * Nicolò Melli, Italian basketball player * Nicolò Minato, poet * Nicolò Pacassi, architect * Nicolò Pollari, general * Nicolo Rizzuto (1924–2010), Italian-Canadian mobster * Nicolo Schiro, mobster * Nicolò Zanon, judge * Nicolò Zaniolo, italian footballer See also * Niccolò (other) * Nicolao *San Nicolò (other) San Nicolò may refer to: * San Nicolò a Tordino, frazione in the Province of Teramo in the Abruzzo region of Italy * San Nicolò dei Mendicoli, church, which is located in the sestiere of Dorsoduro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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