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Vienna Secession
The Vienna Secession (; also known as the Union of Austrian Artists or ) is an art movement, closely related to Art Nouveau, that was formed in 1897 by a group of Austrian painters, graphic artists, sculptors and architects, including Josef Hoffman, Koloman Moser, Otto Wagner and Gustav Klimt. They resigned from the Association of Austrian Artists ( Vienna Künstlerhaus) in protest against its support for more traditional artistic styles. Their most influential architectural work was the Secession exhibitions hall designed by Joseph Maria Olbrich as a venue for expositions of the group. Their official magazine was called '' Ver Sacrum'' (''Sacred Spring'', in Latin), which published highly stylised and influential works of graphic art. In 1905 the group itself split, when some of the most prominent members, including Klimt, Wagner, and Hoffmann, resigned in a dispute over priorities, but it continued to function, and still functions today, from its headquarters in the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Secession Hall (Austria)
The Secession Building () is a contemporary art exhibition hall in Vienna, Austria. It was completed in 1898 by Joseph Maria Olbrich as an architectural manifesto for the Vienna Secession, a group of rebel artists that seceded from the long-established fine art institution. Description The building features the Beethoven Frieze by Gustav Klimt, one of the most widely recognized artworks of Secession style (a branch of Art Nouveau, also known as Jugendstil in Germany and Nordic countries). The building was financed by Karl Wittgenstein,Monk, ''Ludwig Wittgenstein: The Duty of Genius'': p.8 the father of Ludwig Wittgenstein. The motto of the Secessionist movement is written above the entrance of the pavilion: "To every age its art, to every art its freedom" (). Below this is a sculpture of three gorgons representing painting, sculpture, and architecture. The building has been selected to figure on the national side of the Austrian euro coins, €0.50 Austrian coin. It also appears ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hermann Bahr
Hermann Anastas Bahr (; 19 July 1863 – 15 January 1934) was an Austrian writer, playwright, director, and critic. Biography Born and raised in Linz, Bahr studied in Vienna, Graz, Czernowitz and Berlin, devoting special attention to philosophy, political economy, philology and law. During a prolonged stay in Paris, he discovered his interest in literature and art. He began working as an art critic, first in Berlin, then in Vienna. In 1890 he became associate editor of ''Berliner Freie Bühne'' (''Berlin Free Stage''), and later became associate editor and critic of the ''Deutsche Zeitung'' (''German Newspaper''). In 1894 he began publication of ''Die Zeit'' (''The Times''), and was also editor of the ''Neue Wiener Tagblatt'' (''New Vienna Daily Flyer'') and the ''Oesterreichische Volkszeitung'' (''Austrian Popular Newspaper''). In 1906–07, Bahr worked with Max Reinhardt as a director at the German Theater () in Berlin, and starting in 1918 he was a Dramaturg with the Vienna Bu ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Moll
Carl Julius Rudolf Moll (23 April 1861 – 12 April 1945) was an Austrian Art Nouveau painter active in Vienna at the start of the 20th century. He was one of the artists of the Vienna Secession who took inspiration from the pointillist techniques of French Impressionists.Edwin Lachnit. "Moll, Carl." Grove Art Online. Oxford Art Online. Oxford University Press. Web. 25 Feb. 2016 He was an early supporter of the Nazis and committed suicide as Soviet forces approached Vienna at the end of World War II. Life and career Moll was born in Vienna, Austria. He studied art at the Academy of Fine Arts Vienna. He was a student of Christian Griepenkerl and of Emil Jakob Schindler (the father of Alma Mahler-Werfel ''née'' Schindler). After his teacher's 1892 death, Moll married Schindler's widow, Anna (''née'' von Bergen); they had been lovers for some time. Moll was a founder-member of the Vienna Secession in 1897 and, in 1903 encouraged the use of the Belvedere Gallery to show ex ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galerie Miethke
Galerie Miethke (), also known as Galerie H. O. Miethke, was an Austrian art gallery established by Hugo Othmar Miethke in Vienna, Austria. History Miethke's Beginnings Originally known as Miethke & Wawra, the venture started as a collaboration between Miethke and Carl Josef Wawra, focusing on art publishing with an emphasis on editing photographs, reproductions, and printed works. Over time, they transitioned into hosting art auctions in Vienna, before eventually moving into art gallery management as the art market in Austria expanded. The art dealership, based in Vienna on Plankengasse 6, was granted by imperial decree in 1868 the exclusive rights to produce copies of the esteemed works from the Belvedere Gallery, planning to issue the best masterpieces in large volumes as photographic reproductions. Carl Josef Wawra and Miethke went their separate ways around 1874. In Vienna, Miethke, as the sole proprietor of the gallery, established the 'Galerie H.O. Miethke'. The gallery m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Deutscher Werkbund
The Deutscher Werkbund (; ) is a German association of artists, architects, designers and industrialists established in 1907. The ''Werkbund'' became an important element in the development of modern architecture and industrial design, particularly in the later creation of the Bauhaus school of design. Its initial purpose was to establish a partnership of product manufacturers with design professionals to improve the competitiveness of German companies in global markets. The Werkbund was less an artistic movement than a state-sponsored effort to integrate traditional crafts and industrial mass production techniques, to put Germany on a competitive footing with England and the United States. Its motto ''Vom Sofakissen zum Städtebau'' (from sofa cushions to city-building) indicates its range of interest. History The Deutscher Werkbund emerged when the architect Joseph Maria Olbrich left Vienna for Darmstadt, Germany, in 1899, to form an artists' colony at the invitation of Ern ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Wiener Werkstätte
The Wiener Werkstätte ("Vienna Workshop"), established in 1903 by the graphic designer and painter Koloman Moser, the architect Josef Hoffmann and the patron Fritz Waerndorfer, was a productive association in Vienna, Austria that brought together architects, artists, designers and artisans working in ceramics, fashion, silver, furniture and the graphic arts. The Workshop was "dedicated to the artistic production of utilitarian items in a wide range of media, including metalwork, leatherwork, bookbinding, woodworking, ceramics, postcards and graphic art, and jewelry." It is regarded as a pioneer of modern design, and its influence can be seen in later styles such as Bauhaus and Art Deco. Following World War I, the workshop was beset by financial troubles and material shortages. Attempts to expand the workshop's base were unsuccessful, as was a reorganization under the direction of Austrian artist Philipp Häusler. In 1926, Workshop financier Otto Primavesi's bank failed and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grand Duchy Of Hesse
The Grand Duchy of Hesse and by Rhine () was a grand duchy in western Germany that existed from 1806 to 1918. The grand duchy originally formed from the Landgraviate of Hesse-Darmstadt in 1806 as the Grand Duchy of Hesse (). It assumed the name Hesse und bei Rhein in 1816 to distinguish itself from the Electorate of Hesse, which had formed from the neighbouring Landgraviate of Hesse-Kassel. Colloquially, the grand duchy continued to be known by its former name of Hesse-Darmstadt. In 1806, the Landgraviate of Hesse-Darmstadt seceded from the Holy Roman Empire and joined Napoleon's new Confederation of the Rhine. The country was promoted to the status of grand duchy and received considerable new territories, principally the Duchy of Westphalia. After the French defeat in 1815, the grand duchy joined the new German Confederation. Westphalia was taken by Prussia, but Hesse received Rhenish Hesse in return. A constitution was proclaimed in 1820 and a long process of legal reforms was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathildenhöhe
The Darmstadt Artists' Colony refers both to a group of Jugendstil artists as well as to the buildings in Mathildenhöhe in Darmstadt in which these artists lived and worked in the late 19th and early 20th centuries, near to the Rosenhöhe Park. The artists were largely financed by patrons and worked together with other members of the group who ideally had concordant artistic tastes. UNESCO recognized the Mathildenhöhe artists' colony in Darmstadt as a List of World Heritage Sites in Germany, World Heritage Site in 2021, because of its testimony to early modern architecture and landscape design, and its influence in the reform movements of the early 20th century. Founding The artists' colony was founded in 1899 by Ernst Ludwig, Grand Duke of Hesse, Ernest Ludwig, Grand Duke of Hesse. His motto was: "" ("My Hessian land shall flourish and in it, the art"), and he expected the combination of art and trade to provide economic impulses for his land. The artists' goal was to be the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven Frieze
The ''Beethoven Frieze'' () is a painting by Gustav Klimt on display in the Secession Building, Vienna, Austria. Description In 1902, Klimt painted the ''Beethoven Frieze'' for the Fourteenth Vienna Secession exhibition in celebration of 75th anniversary of the composer Ludwig van Beethoven's death. It was featured alongside a monumental polychrome sculpture by Max Klinger. Meant for the exhibition only, the frieze was painted directly on the walls with light materials. The frieze is large, standing at high with a width of . The entire work weighs four tons. It is inspired by the composer Richard Wagner's interpretation of Beethoven's Ninth symphony. The frieze combined Ancient Greek, Byzantine, early medieval, and Japanese art styles, while incorporating Klimt's characteristic use of gold leaf. Its left side begins with genii floating toward a knight, driving him to champion the driving force: happiness. The middle panel displays personified threats to the striving (imag ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Max Klinger
Max Klinger (18 February 1857 – 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting. He is associated with Symbolism (arts), symbolism, the Vienna Secession, and Jugendstil (Youth Style), the German manifestation of Art Nouveau. He is best known today for his many prints, particularly a series entitled ''Paraphrase on the Finding of a Glove'' and his monumental sculptural installation in homage to Beethoven at the Vienna Secession in 1902.Delevoy, Robert L. (1978) ''Symbolists and Symbolism''. Skira/Rizzoli International Publications, Inc., New York, 247 pp. Cassou, Jean (1979) ''The Concise Encyclopedia of Symbolism''. Chartwell Books, Inc., Secaucus, New Jersey, 292 pp Life Klinger was born in Leipzig, Kingdom of Saxony to a wealthy and prominent family. He enrolled in the Academy of Fine A ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludwig Van Beethoven
Ludwig van Beethoven (baptised 17 December 177026 March 1827) was a German composer and pianist. He is one of the most revered figures in the history of Western music; his works rank among the most performed of the classical music repertoire and span the Transition from Classical to Romantic music, transition from the Classical period (music), Classical period to the Romantic music, Romantic era. His early period, during which he forged his craft, is typically considered to have lasted until 1802. From 1802 to around 1812, his middle period showed an individual development from the styles of Joseph Haydn and Wolfgang Amadeus Mozart, and is sometimes characterised as heroic. During this time, Beethoven began to grow increasingly Hearing loss, deaf. In his late period, from 1812 to 1827, he extended his innovations in musical form and expression. Born in Bonn, Beethoven displayed his musical talent at a young age. He was initially taught intensively by his father, Johann van Bee ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
French Impressionists
Impressionism was a 19th-century art movement characterized by visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical 1874 review of the First Impressionist Exhibition published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in othe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
