Videophile
A videophile is one who is concerned with achieving high-quality results in the recording and playback of movies, TV programs, and other means of visual media. Criteria Similar to audiophile values, videophile values may be applied at all stages of the chain: the initial audio-visual recording, the video production process, and the playback (usually in a home setting). Some of the aspects of video that most videophiles are concerned with include frame rate, color system, Image resolution, resolution, compression artifacts, motion artifacts, video noise, screen size, poor upscaling, etc. Origin The term "videophile" was popularized by Tallahassee, Florida-based attorney and writer Jim Lowe, editor and publisher of ''The Videophile, The Videophile's Newsletter'', the first issue of which appeared in the summer of 1976. This was the first publication to unite fans of the Sony Betamax home video recorder (and later VHS, introduced in 1977). The newsletter later became ''The Videophile ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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The Videophile
''The Videophile'' was a bimonthly magazine targeted to enthusiasts and aficionados of home video taping and trading (so-dubbed ''videophiles'') active from the mid-1970s to the mid-1980s. The magazine was established after the success of ''The Videophile's Newsletter'', a newsletter oriented at enthusiasts of Sony's Betamax home video format. ''The Videophile's Newsletter'' was founded by Jim Lowe of Tallahassee, Florida, and ran from 1976 to 1978. ''The Videophile'' magazine ran from 1978 to 1983. History As ''The Videophile's Newsletter'' (1976–1978) ''The Videophile's Newsletter'' was founded in 1976 by Jim Lowe (born 1940), a collector and lawyer who had worked as the staff director at the Florida House of Representatives when he started the newsletter. Lowe established a start-up company, the Small Potatoes Publishing Company, out of his house in Tallahassee, Florida, to publish the newsletter. The inaugural issue of ''The Videophile's Newsletter'', comprising four loose ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Audiophile
An audiophile (from + ) is a person who is enthusiastic about high-fidelity sound reproduction. The audiophile seeks to achieve high sound quality in the audio reproduction of recorded music, typically in a quiet listening space in a room with good acoustics. Audiophile values may be applied at all stages of music reproduction—the initial audio recording, the production process, the storage of sound data, and the playback (usually in a home setting). In general, the values of an audiophile are seen to be antithetical to the growing popularity of more convenient but lower-quality music, especially lossy digital file types like MP3, lower-definition music streaming services, laptop or cell phone speakers, and low-cost headphones. The term '' high-end audio'' refers to playback equipment used by audiophiles, which may be bought at specialist shops and websites. High-end components include turntables, digital-to-analog converters, equalization devices, preamplifiers and ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Broadcast Quality
Broadcast quality is a term to denote the quality achieved by professional video cameras and time base correctors (TBC) used for broadcast television, usually in standard definition. As the standards for commercial television broadcasts have changed from analog television using analog video to digital television using digital video, the term has generally fallen out of use.Broadcast Engineering - Broadcast quality /ref> Manufacturers have used it to describe both and " [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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TV Program
A television show, TV program (), or simply a TV show, is the general reference to any content produced for viewing on a television set that is broadcast via over-the-air, satellite, and cable, or distributed digitally on streaming platforms. This generally excludes breaking news or advertisements that are aired between shows or between segments of a show. A regularly recurring show is called a television series, and an individual segment of such a series is called an episode. Content is produced either in-house on a television stage with multiple cameras or produced by contract with film production companies. Episodes are usually broadcast in annual sets, which are called seasons in North America and series in other regions. A one-off television show may be called a television special, while a short series of episodes is a miniseries. A television film, or telefilm, is a feature film created for transmitting on television. Television shows are most often scheduled f ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Video Production
Video production is the process of producing video content. It is the equivalent of filmmaking, but with video recorded either as analog signals on videotape, digitally in video tape or as computer files stored on optical discs, hard drives, SSDs, magnetic tape or memory cards instead of film stock. Television broadcast Two styles of producing video are ''ENG'' (Electronic news gathering) and ''EFP'' (Electronic field production). Video production for distance education Video production for distance education is the process of capturing, editing, and presenting educational material specifically for use in on-line education. Teachers integrate best practice teaching techniques to create scripts, organize content, capture video footage, edit footage using computer based video editing software to deliver final educational material over the Internet. It differs from other types of video production in at least three ways:Moore, M. G., & Kearsley, M. G. (2012). 'Distance education: ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Frame Rate
Frame rate, most commonly expressed in frame/s, or FPS, is typically the frequency (rate) at which consecutive images (Film frame, frames) are captured or displayed. This definition applies to film and video cameras, computer animation, and motion capture systems. In these contexts, frame rate may be used interchangeably with and refresh rate, which are expressed in hertz. Additionally, in the context of computer graphics performance, FPS is the rate at which a system, particularly a GPU, is able to generate frames, and refresh rate is the frequency at which a display shows completed frames. In electronic camera specifications frame rate refers to the maximum possible rate frames could be captured, but in practice, other settings (such as exposure time) may reduce the actual frequency to a lower number than the frame rate. Human vision The temporal sensitivity and resolution of human vision varies depending on the type and characteristics of visual stimulus, and it differs betw ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Color System
In color science, a color model is an abstract mathematical model describing the way colors can be represented as tuples of numbers, typically as three or four values or color components. When this model is associated with a precise description of how the components are to be interpreted (viewing conditions, etc.), taking account of visual perception, the resulting set of colors is called "color space." This article describes ways in which human color vision can be modeled, and discusses some of the models in common use. Tristimulus color space One can picture this space as a region in three-dimensional Euclidean space if one identifies the ''x'', ''y'', and ''z'' axes with the stimuli for the long-wavelength (''L''), medium-wavelength (''M''), and short-wavelength (''S'') light receptors. This is called the LMS color space. The origin, (''S'',''M'',''L'') = (0,0,0), corresponds to black. White has no definite position in this diagram; rather it is defined according to the ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Image Resolution
Image resolution is the level of detail of an image. The term applies to digital images, film images, and other types of images. "Higher resolution" means more image detail. Image resolution can be measured in various ways. Resolution quantifies how close lines can be to each other and still be visibly ''resolved''. Resolution units can be tied to physical sizes (e.g. lines per mm, lines per inch), to the overall size of a picture (lines per picture height, also known simply as lines, TV lines, or TVL), or to angular subtense. Instead of single lines, line pairs are often used, composed of a dark line and an adjacent light line; for example, a resolution of 10 lines per millimeter means 5 dark lines alternating with 5 light lines, or 5 line pairs per millimeter (5 LP/mm). Photographic lens are most often quoted in line pairs per millimeter. Types The resolution of digital cameras can be described in many different ways. Pixel count The term ''resolution'' is often considered eq ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Compression Artifacts
A compression artifact (or artefact) is a noticeable distortion of media (including Image, images, Sound recording, audio, and video) caused by the application of lossy compression. Lossy data compression involves discarding some of the media's data so that it becomes small enough to be stored within the desired File size, disk space or Data stream, transmitted (''streamed'') within the available Bandwidth (computing), bandwidth (known as the data rate or bit rate). If the compressor cannot store enough data in the compressed version, the result is a loss of quality, or introduction of artifacts. The compression algorithm may not be intelligent enough to discriminate between distortions of little subjective importance and those objectionable to the user. The most common digital compression artifacts are DCT blocks, caused by the discrete cosine transform (DCT) compression algorithm used in many digital media standards, such as JPEG, MP3, and MPEG video file formats. These com ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Sony Betamax
Betamax (also known as Beta, and stylized as the Greek letter β in its logo) is a discontinued consumer analog video cassette recording format developed by Sony. It was one of the main competitors in the videotape format war against its primary rival, VHS. Betamax was introduced in Japan on May 10, 1975, and launched in the United States later that year. Betamax was widely regarded, in part due to Sony's marketing, as offering superior picture quality compared to VHS. Its initial β1 speed provided 250 horizontal lines of resolution, compared to VHS's 240 lines, but early Beta tapes were limited to 60 minutes of recording time, making them impractical for recording movies or sporting events. To address this, Sony introduced the β2 speed, which doubled recording time to two hours but reduced resolution, negating its technical advantage. VHS's commercial success over Betamax was also driven by JVC's strategy of licensing the format broadly, spurring competition and lowering p ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Professional Audio
Professional audio, abbreviated as pro audio, refers to both an activity and a category of high-quality, studio-grade audio equipment. Typically it encompasses sound recording, sound reinforcement system setup and audio mixing, and studio music production by trained sound engineers, audio engineers, record producers, and audio technicians who work in live event support and recording using mixing consoles, recording equipment and sound reinforcement systems. Professional audio is differentiated from consumer- or home-oriented audio, which are typically geared toward listening in a non-commercial environment. Professional audio can include, but is not limited to broadcast radio, audio mastering in a recording studio, television studio, and sound reinforcement such as a live concert, DJ performances, audio sampling, public address system set up, sound reinforcement in movie theatres, and design and setup of piped music in hotels and restaurants. Professional audio equipment ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |