Video Anthology (video)
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Video Anthology (video)
''Video Anthology'' is the fourth video album by American recording group Destiny's Child. It is a sixteen-music video collection, filmed by the group with various directors during their music career (1997 – 2005). The album was produced by Akil Brown with members Beyoncé, Kelly Rowland and Michelle Williams and their manager Mathew Knowles also serving as executive producers. To promote the album, Destiny's Child collaborated with several publications which offered copies to their readers through their websites. The album was first released on May 31, 2013 through Columbia Records. Upon its release, it received positive reviews from music critics who praised the visuals included complete with the accompanying choreography. However, one writer felt the album was incomplete and argued that many videos were omitted from the track listing. Background and release The album was announced via a press release on Destiny's Child's website on April 16, 2013. It was released throu ...
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Destiny's Child
Destiny's Child was an American girl group whose final lineup comprised Beyoncé, Beyoncé Knowles, Kelly Rowland, and Michelle Williams (singer), Michelle Williams. The group began their musical career as Girl's Tyme, formed in 1990 in Houston, Texas. After years of limited success, the original quartet comprising Knowles, Rowland, LaTavia Roberson, and LeToya Luckett were signed in 1997 to Columbia Records as Destiny's Child. The group was launched into mainstream recognition following the release of the song "No, No, No (Destiny's Child song), No, No, No" and their best-selling second album, ''The Writing's on the Wall'' (1999), which contained the number-one singles "Bills, Bills, Bills" and "Say My Name", alongside successful singles "Bug a Boo (song), Bug a Boo" and "Jumpin', Jumpin'". Despite critical and commercial success, the group was plagued by internal conflict and legal turmoil, as Roberson and Luckett attempted to split from the group's manager Mathew Knowles ...
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Mathew Knowles
Mathew Knowles (born January 9, 1952)Knowles in is an American record executive, businessman and university lecturer. He is best known for being the manager of Destiny's Child. He also once managed the solo careers of his daughters Beyoncé and Solange Knowles. Knowles is the founder of Music World Entertainment, which embraces country, gospel and children's music. Early life and education Knowles was born in Gadsden, Alabama, the son of Lou Helen (''née'' Hogue) and Matthew Q. Knowles. He is a 1974 graduate of Fisk University in Nashville, Tennessee, where he earned both a Bachelor of Arts degree in Economics and a Bachelor of Science degree in Business Administration. He has an MBA in Strategic Planning and Organizational Culture from Cornerstone Christian Bible College. Career Knowles began his business career in the sales of office and medical equipment. He moved to Houston in 1976 and worked for the Xerox Corporation for 10 years, primarily in the medical systems ...
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Wyclef Jean
Nel Ust Wyclef Jean ( ; born October 17, 1969) is a Haitian rapper, singer, and record producer. Born in Haiti, Jean emigrated to the Northeastern United States, United States as a child. He gained fame as a founding member of the Fugees, a New Jersey–based hip hop music, hip hop trio he formed in 1990 with Lauryn Hill and Pras Michel, serving as the group's lead producer and guitarist. Their second album The Score (Fugees album), ''The Score'' (1996) became one of the List of best-selling albums, best-selling albums of all time. Following the Fugees' success, Jean launched a solo career with ''Wyclef Jean Presents The Carnival'' (1997), which featured the Billboard Hot 100, ''Billboard'' Hot 100-top ten hit "Gone till November". Also in 1997, Jean guest appeared on Destiny's Child, Destiny Child's breakout single "No, No, No (Destiny's Child song), No, No, No". Afterwards, he co-wrote the 1999 singles "My Love Is Your Love (song), My Love Is Your Love" for Whitney Houston, a ...
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Hip Hop
Hip-hop or hip hop (originally disco rap) is a popular music genre that emerged in the early 1970s from the African-American community of New York City. The style is characterized by its synthesis of a wide range of musical techniques. Hip-hop includes rapping often enough that the terms can be used synonymously. However, "hip-hop" more properly denotes an entire subculture. Other key markers of the genre are the disc jockey, turntablism, scratching, beatboxing, and instrumental tracks. Cultural interchange has always been central to the hip-hop genre. It simultaneously borrows from its social environment while commenting on it. The hip-hop genre and culture emerged from block parties in ethnic minority neighborhoods of New York City, particularly Bronx. DJs began expanding the instrumental breaks of popular records when they noticed how excited it would make the crowds. The extended instrumental breaks provided a platform for break dancers and rappers. These breakbeats ...
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No, No, No (Destiny's Child Song)
"No, No, No" is a song recorded by American girl group Destiny's Child for their eponymous debut studio album (1998). It was written by Calvin Gaines, Mary Brown, Rob Fusari and Vincent Herbert, with production helmed by Fusari und Herbert. A sensual mid-tempo ballad blending contemporary R&B with "lush" 1970s soul, it was renamed "No, No, No (Part 1)" after musician Wyclef Jean was consulted to produce and appear on a remix of the song. Built around a hard-sliding bassline and sung in a staccato, rhythmic style, featuring co-production from Che Greene and Jerry Duplessis, it was titled "No, No, No (Part 2)". "No, No, No" was released as Destiny's Child debut single on October 27, 1997, by Columbia Records, with both versions serviced to radio stations and music video networks. In the United States, the song reached number three on the US ''Billboard'' Hot 100 and was eventually certified platinum by the Recording Industry Association of America (RIAA). Elsewhere, "No, No, ...
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Missy Elliott
Melissa Arnette "Missy" Elliott (born July 1, 1971), also known as Misdemeanor, is an American rapper, singer, songwriter, and record producer. She began her musical career as a member of the Contemporary R&B, R&B girl group 4 All the Sistas Around da World, Sista during the 1990s, who were part of the larger musical collective Swing Mob—led by DeVante Swing of Jodeci. The former group's commercially unsuccessful debut album, ''4 All the Sistas Around da World'' (1994), was released by Elektra Records and met with positive critical reception. She collaborated with album's producer and Swing Mob cohort Timbaland to work in Missy Elliott production discography, songwriting and production for other acts, yielding commercially successful releases for 702 (group), 702, Aaliyah, SWV, and Total (group), Total. Elliott re-emerged as a solo act with numerous collaborations and guest appearances by 1996, and in July of the following year, she released her debut studio album, ''Supa Dupa ...
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Rapping
Rapping (also rhyming, flowing, spitting, emceeing, or MCing) is an artistic form of vocal delivery and emotive expression that incorporates " rhyme, rhythmic speech, and ommonlystreet vernacular". It is usually performed over a backing beat or musical accompaniment. The components of rap include "content" (what is being said, e.g., lyrics), "flow" ( rhythm, rhyme), and "delivery" ( cadence, tone). Rap differs from spoken-word poetry in that it is usually performed off-time to musical accompaniment. It also differs from singing, which varies in pitch and does not always include words. Because they do not rely on pitch inflection, some rap artists may play with timbre or other vocal qualities. Rap is a primary ingredient of hip-hop music, and so commonly associated with the genre that it is sometimes called "rap music". Precursors to modern rap music include the West African griot tradition, certain vocal styles of blues and jazz, an African-American insult ga ...
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Bootylicious
"Bootylicious" is a song recorded by American group Destiny's Child for their third studio album '' Survivor'' (2001). It was written and produced by Rob Fusari, Beyoncé and Falonte Moore. The song contains a prominent sample from Stevie Nicks' song " Edge of Seventeen". It was released as the second single from ''Survivor'' on May 22, 2001, by Columbia Records. "Bootylicious" was a commercial success, becoming the group's fourth and final US ''Billboard'' Hot 100 number-one single. It also reached the top five in Australia, Canada, the Netherlands and the United Kingdom. A Rockwilder remix of the song featured Missy "Misdemeanor" Elliott and appeared on the soundtrack of the 2001 musical '' Carmen: A Hip Hopera'' and the group's remix album '' This Is the Remix'' (2002). Although the term "bootylicious" had already been used by rapper Snoop Dogg in Dr. Dre's song " Fuck wit Dre Day (And Everybody's Celebratin')" (1992), the popularity of "Bootylicious" caused the slang ...
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Music Journalism
Music journalism (or music criticism) is media criticism and reporting about music topics, including popular music, classical music, and traditional music. Journalists began writing about music in the eighteenth century, providing commentary on what is now regarded as classical music. In the 1960s, music journalism began more prominently covering popular music like rock and pop after the breakthrough of the Beatles. With the rise of the internet in the 2000s, music criticism developed an increasingly large online presence with music bloggers, aspiring music critics, and established critics supplementing print media online. Music journalism today includes reviews of songs, albums and live concerts, profiles of recording artists, and reporting of artist news and music events. Origins in classical music criticism Music journalism has its roots in classical music criticism, which has traditionally comprised the study, discussion, evaluation, and interpretation of music that ...
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Executive Producer
Executive producer (EP) is one of the top positions in the production of media. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project, with some simply securing funds and others being involved in the filmmaking process. Motion pictures In films, executive producers may finance the film, participate in the creative effort, or work on set. Their responsibilities vary from funding or attracting investors into the movie project to legal, scripting, marketing, advisory and supervising capacities. Executive producers vary in involvement, responsibility and power. Some executive producers have hands-on control over every aspect of production, some supervise the producers of a project, while others are involved in name only. The crediting of executive produce ...
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Music Manager
A talent manager (also known as an artist manager, band manager, or music manager) is an individual who guides the professional career of Entertainer, artists within the entertainment industry. The responsibility of a talent manager is to oversee the day-to-day business affairs of an artist. This frequently involves how they advise and counsel talent concerning professional matters alongside the making of long-term plans and other personal decisions that may affect the entertainer's career.MusicBizAdvice Q&A
January 2008
An artist manager is also a person responsible for hiring and managing the employees in a company. Depending on the nature of the organization that the individual administers, they may play a comparatively active role in bo ...
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Music Video
A music video is a video that integrates a song or an album with imagery that is produced for promotion (marketing), promotional or musical artistic purposes. Modern music videos are primarily made and used as a music marketing device intended to promote the sale of music recordings. These videos are typically shown on music television and on streaming video sites like YouTube, or more rarely shown theatrically. They can be commercially issued on home video, either as video albums or video singles. The format has been described by various terms including "illustrated song", "filmed insert", "promotional (promo) film", "promotional clip", "promotional video", "song video", "song clip", "film clip", "video clip", or simply "video". While musical short, musical short films were popular as soon as recorded sound was introduced to theatrical film screenings in the 1920s, the music video rose to prominence in the 1980s when American TV channel MTV based its format around the medium. Mus ...
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