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Victory O Lord!
''Victory O Lord!'' is an 1871 painting by John Everett Millais depicting Moses, Aaron and Hur during the Battle of Rephidim against the Amalekites. Along with his landscape '' Chill October'' it represented a major turning point in Millais's career. The painting illustrates a passage in the Book of Exodus, chapter 17, which describes how Moses and his two companions watched the battle from the hill. Moses holds the Rod of God in his right hand. And Moses said unto Joshua, Choose us out men, and go out, fight with Amalek: tomorrow I will stand on the top of the hill with the rod of God in mine hand. So Joshua did as Moses had said to him, and fought with Amalek: and Moses, Aaron, and Hur went up to the top of the hill. And it came to pass, when Moses held up his hand, that Israel prevailed: and when he let down his hand, Amalek prevailed. But Moses hands were heavy; and they took a stone, and put it under him, and he sat thereon; and Aaron and Hur stayed up his hands, the one ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Everett Millais
Sir John Everett Millais, 1st Baronet ( , ; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting '' Christ in the House of His Parents'' (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, ''Ophelia'', in 1851–52. By the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Book Of Exodus
The Book of Exodus (from ; ''Šəmōṯ'', 'Names'; ) is the second book of the Bible. It is the first part of the narrative of the Exodus, the origin myth of the Israelites, in which they leave slavery in Biblical Egypt through the strength of Yahweh, their deity, who according to the story Chosen people, chose them as his people. The Israelites then journey with the prophet Moses to biblical Mount Sinai, Mount Sinai, where Yahweh gives the Ten Commandments and they enter into a Mosaic covenant, covenant with Yahweh, who promises to make them a "holy nation, and a kingdom of priests" on condition of their faithfulness. He gives them laws and instructions to build the Tabernacle, the means by which he will come from heaven and dwell with them and lead them in a holy war to conquer Canaan (the "Promised Land"), which has earlier, according to the Book of Genesis, been promised to the "seed" of Abraham, the patriarch of the Israelites. Though traditionally Mosaic authorship, ascri ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
1871 Paintings
Events January–March * January 3 – Franco-Prussian War: Battle of Bapaume – Prussians win a strategic victory. * January 18 – Proclamation of the German Empire: The member states of the North German Confederation and the south German states unite into a single nation state, known as the German Empire. The King of Prussia is declared the first German Emperor as Wilhelm I of Germany, in the Hall of Mirrors at the Palace of Versailles. The Constitution of the German Confederation comes into effect. It abolishes all restrictions on Jewish marriage, choice of occupation, place of residence, and property ownership, but exclusion from government employment and discrimination in social relations remain in effect. * January 21 – Battle of Dijon: Giuseppe Garibaldi's group of French and Italian volunteer troops, in support of the French Third Republic, win a battle against the Prussians. * February 8 – 1871 French legislative election elects the first legislature of ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By John Everett Millais
Painting is a Visual arts, visual art, which is characterized by the practice of applying paint, pigment, color or other medium to a solid surface (called "matrix" or "Support (art), support"). The medium is commonly applied to the base with a brush. Other implements, such as palette knives, sponges, airbrushes, the artist's fingers, or even a dripping technique that uses gravity may be used. One who produces paintings is called a painter. In art, the term "painting" describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate other materials, in single or multiple form, including sand, clay, paper, cardboard, newspaper, plaster, gold leaf, and even entire objects. Painting is an important form of visual arts, visual art, bringing in elements such as drawing, Composition (visual art ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
List Of Paintings By John Everett Millais
This work in progress is a list of all paintings by John Everett Millais. Youthworks *''Emily Millais''. Ca. 1843. Oil on canvas, 59.7 x 49.5 cm. Geoffrey Richard Everett Millais Collection. *''Pizarro Seizing the Inca of Peru''. 1846. Oil on canvas, 128,3 x 172,1 cm. Victoria & Albert Museum, London, United Kingdom. *''Self Portrait''. 1847. Oil on millboard, 27,3 x 22,2 cm. *''The Artist Attending the Mourning of a Young Girl''. Ca. 1847. Oil on board, 18,7 x 25,7 cm. Pre-Raphaelite Brotherhood *''Isabella''. 1848–49. Oil on canvas, 102,9 x 142,9 cm. Walker Art Gallery, Liverpool, United Kingdom. *''The Death of Romeo and Juliet'' *''Cymon and Iphigeneia'' *''Ralph Thomas'' *''William Hugh Fenn'' *'' Ferdinand Lured by Ariel'' *'' 'Christ in the House of His Parents' or 'The Carpenter's Shop''' *''Portrait of a Gentleman and his Grandchild (James Wyatt and his Granddaughter, Mary Wyatt)'' *''Portrait of Four Children of the Wyatt Family'' *''The Woodm ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Shadow Of Death
''The Shadow of Death'' is a religious painting by the English painter William Holman Hunt, on which he worked from 1870 to 1873, during his second trip to the Holy Land. It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. The arch of the window also creates a natural halo around the head of Christ. His mother Mary is depicted from behind, gazing up at the shadow, having been looking into a box in which she has kept the gifts given by the Magi. Background and interpretation In 1850 Hunt's colleague John Everett Millais had already portrayed Jesus as a budding carpenter, helping his father as a young boy. Millais' painting, '' Christ in the House of his Parents'', had been viciously attacked by critics because of the alleged squalour of the workshop. Hunt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
William Holman Hunt
William Holman Hunt (2 April 1827 – 7 September 1910) was an English painter and one of the founders of the Pre-Raphaelite Brotherhood. His paintings were notable for their great attention to detail, vivid colour, and elaborate symbolism. These features were influenced by the writings of John Ruskin and Thomas Carlyle, according to whom the world itself should be read as a system of visual signs. For Hunt it was the duty of the artist to reveal the correspondence between sign and fact. Of all the members of the Pre-Raphaelite Brotherhood, Hunt remained most true to their ideals throughout his career. He was always keen to maximise the popular appeal and public visibility of his works. Biography Born at Cheapside, City of London, as William Hobman Hunt, to warehouse manager William Hunt (1800–1856) and Sarah (–1884), daughter of William Hobman, of Rotherhithe Hunt adopted the name "Holman" instead of "Hobman" when he discovered that a clerk had misspelled the name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Frederic George Stephens
Frederic George Stephens (10 October 1827 – 9 March 1907) was a British art critic, and one of the two 'non-artistic' members of the Pre-Raphaelite Brotherhood. Life Stephens was born to Septimus Stephens of Aberdeen and Ann (née Cook) in Walworth, London and grew up in nearby Lambeth. Because of an accident in 1837, he was physically disabled and was educated privately. He later attended University College School, London. In 1844 he entered the Royal Academy Schools where he first met John Everett Millais and William Holman Hunt. He joined their Pre-Raphaelite Brotherhood in 1848, often modelling for them in pictures including Millais's '' Ferdinand Lured by Ariel'' (1849) and Ford Madox Brown's ''Jesus Washing Peter's Feet'' (1852–1856; Tate, London). There is a pencil portrait of Stephens by Millais dated 1853 in the collection of the National Portrait Gallery. Stephens was so disappointed by his own artistic talent that he took up art criticism and stopped pai ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rod Of God
The Staff of Moses, also known as the Rod of Moses or Staff of God, is mentioned in the Bible and Quran as a walking stick used by Moses. According to the Book of Exodus, the staff (, translated "rod" in the King James Bible) was used to produce water from a rock, was transformed into a snake and back, and was used at the parting of the Red Sea. Whether the staff of Moses was the same as the staff used by his brother Aaron has been debated by rabbinical scholars. Biblical references to the staff The staff is first mentioned in the Exodus 4:2, when God appears to Moses in the burning bush. God asks what Moses has in his hand, and Moses answers, "a staff" ("a rod" in the King James Version). The staff is miraculously transformed into a snake and then back into a staff. The staff is thereafter referred to as the "rod of God" or "staff of God" (depending on the translation). Moses and Aaron appear before the pharaoh, and Aaron's rod is transformed into a serpent. Pharaoh's sorcere ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Chill October
''Chill October'' is an 1870 oil painting by John Everett Millais which depicts a bleak Scottish landscape in autumn. The painting measures . It was the first large-scale Scottish landscape painted by Millais. The work was painted ''en plein air'', near the railway line from Perth to Dundee, close to the family home of Millais' wife Effie Gray at Bowerswell House in Perth. Millais first noticed the scene when passing by train, and returned to paint it. The right foreground is dominated by long grasses, with the landscape stretching out to the left past a river bank with wind-blown willows and reeds to a distant hill beside the Firth of Tay. The scene is dominated by muted greens, yellows and browns of autumn, under a sombre grey sky. It was exhibited at the Royal Academy in 1871, and won a prize at the Paris Exposition Universelle in 1878. It was bought in 1871 for £1,000 by Samuel Mendel for his house at Manley Hall. It was sold at auction in 1875 for 3,100 guineas (£3,25 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oil Painting
Oil painting is a painting method involving the procedure of painting with pigments combined with a drying oil as the Binder (material), binder. It has been the most common technique for artistic painting on canvas, wood panel, or oil on copper, copper for several centuries. The advantages of oil for painting images include "greater flexibility, richer and denser color, the use of layers, and a wider range from light to dark". The oldest known oil paintings were created by Buddhism, Buddhist artists in Afghanistan, and date back to the 7th century AD. Oil paint was later developed by Europeans for painting statues and woodwork from at least the 12th century, but its common use for painted images began with Early Netherlandish painting in Northern Europe, and by the height of the Renaissance, oil painting techniques had almost completely replaced the use of egg tempera paints for panel paintings in most of Europe, though not for Orthodox icons or wall paintings, where tempera a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Amalek
Amalek (; ) is described in the Hebrew Bible as the enemy of the nation of the Israelites. The name "Amalek" can refer to the descendants of Amalek, the grandson of Esau, or anyone who lived in their territories in Canaan, or North African descendants of Ham, the son of Noah. Etymology Most scholars regard the origin of the term, "Amalek" to be unknown but in some rabbinical interpretations, it is etymologized as , 'a people who lick (blood)'. Richard C. Steiner has suggested that the name is derived from the Egyptian term ''*ꜥꜣm rqj'' "hostile Asiatic", possibly referring to Shasu tribesmen from around Edom. In the Hebrew Bible According to the Hebrew Bible, Amalek was the son of Eliphaz (himself the son of Esau, ancestor of the Edomites and the brother of Israel) and Eliphaz's concubine Timna. Timna was a Horite and sister of Lotan.; According to a midrash, Timna was a princess who tried to convert. However, she was rejected by Abraham, Isaac and Jacob. She replied ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
