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Vertov
Dziga Vertov (russian: Дзига Вертов, born David Abelevich Kaufman, russian: Дави́д А́белевич Ка́уфман, and also known as Denis Kaufman; – 12 February 1954) was a Soviet pioneer documentary film and newsreel director, as well as a cinema theorist. His filming practices and theories influenced the cinéma vérité style of documentary movie-making and the Dziga Vertov Group, a radical film-making cooperative which was active from 1968 to 1972. He was a member of the Kinoks collective, with Elizaveta Svilova and Mikhail Kaufman. In the 2012 ''Sight & Sound'' poll, critics voted Vertov's ''Man with a Movie Camera'' (1929) the eighth-greatest film ever made. Vertov's younger brothers Boris Kaufman and Mikhail Kaufman were also noted filmmakers, as was his wife, Yelizaveta Svilova. Biography Early years Vertov was born David Abelevich Kaufman into a Jewish family in Białystok, Poland, then a part of the Russian Empire. He Russified his Jewish ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kino-Eye (film)
Kino-Eye (Anglophonic: Cine-Eye) is a film technique developed in Soviet Russia by Dziga Vertov. It was also the name of the movement and group that was defined by this technique. Kino-Eye was Vertov's means of capturing what he believed to be "inaccessible to the human eye";Bulgakowa, Oksana. 2008. "The Ear against the Eye: Vertov's symphony." ''Kieler Beiträge zur Filmmusikforschung'' (2): 142-158. p. 142 that is, Kino-Eye films would not attempt to imitate how the human eye saw things. Rather, by assembling film fragments and editing them together in a form of montage, Kino-Eye hoped to activate a new type of perception by creating "a new filmic, i.e., media shaped, reality and a message or an illusion of a message - a semantic field." Distinct from narrative entertainment cinema forms or otherwise "acted" films, Kino-Eye sought to capture "life unawares" and edit it together in such a way that it would form a new, previously unseen truth. History In the early 1920s, cinem ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Man With A Movie Camera
''Man with a Movie Camera'' (russian: Человек с киноаппаратом, translit=Chelovek s kinoapparatom) is an experimental 1929 Soviet silent documentary film, directed by Dziga Vertov, filmed by his brother Mikhail Kaufman, and edited by Vertov's wife Yelizaveta Svilova. Kaufman also appears as the eponymous Man of the film. Vertov's feature film, produced by the film studio All-Ukrainian Photo Cinema Administration (VUFKU), presents urban life in Moscow, Kyiv and Odesa during the late-1920s.facsimile It has no actors. From dawn to dusk Soviet citizens are shown at work and at play, and interacting with the machinery of modern life. To the extent that it can be said to have "characters", they are the cameramen of the title, the film editor, and the modern Soviet Union they discover and present in the film. ''Man with a Movie Camera'' is famous for the range of cinematic techniques Vertov invented, employed or developed, such as multiple exposure, fast mot ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Enthusiasm (film)
''Enthusiasm: The Symphony of Donbas'' (Ukrainian: Ентузіязм: Симфонія Донбасу or Entuziiazm: Symfoniia Donbasu, Russian: Энтузиазм: Симфония Донбасса), also referred to as ''Donbas Symphony'' or ''The Symphony of the Donbas Basin'', is a 1931 sound film directed by Soviet filmmaker Dziga Vertov. The film was the director's first sound film and also the first of the Soviet production company . The film's score is considered experimental and avant-garde because of its incorporation of factory, industrial, and other machine sounds; human speech plays only a small role in the film's sounds. Vertov himself described ''Enthusiasm'' as "the lead icebreaker in the column of sound newsreels." He considered the film's "complex interaction of sound with image" to be the work's most significant achievement. The director viewed the film as an extended experiment in which the juxtaposition and misalignment of sound were completely intentional. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
A Sixth Part Of The World
''A Sixth Part of the World'' (russian: Шестая часть мира, ), sometimes referred to as ''The Sixth Part of the World'', is a 1926 silent film directed by Dziga Vertov and produced by Kultkino (part of Sovkino). Through the travelogue format, it depicted the multitude of Soviet peoples in remote areas of USSR and detailed the entirety of the wealth of the Soviet land. Focusing on cultural and economic diversity, the film is in fact a call for unification in order to build a "complete socialist society". A mix between newsreel and found footage, Vertov edited sequences filmed by eight teams of kinoks (''kinoki'') during their trips. According to Vertov, the film anticipates the coming of sound films by using a constant "''word-radio-theme''" in the intertitles. Thanks to ''A Sixth Part of the World'' and his following feature ''The Eleventh Year'' (1928), Vertov matures his style in which he will excel in his most famous film ''Man with a Movie Camera'' (1929). Pl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dziga Vertov Group
The Dziga Vertov Group (french: Groupe Dziga Vertov) was formed around 1969 by politically active filmmakers including Jean-Luc Godard and Jean-Pierre Gorin. Their films are defined primarily for Brechtian forms, Marxist ideology, and a lack of personal authorship. History The roots of the project began with Godard's increased collaboration with other politically-motivated filmmakers, such as the group project ''Cinetracts'', the incomplete 1968 film ''One A.M.'' shot with D.A. Pennebaker, and the 1970 film '' British Sounds/See You at Mao'' made with Jean-Henri Roger. Eventually Godard and Gorin officially started creating films under the name Dziga Vertov Group, named after 1920s-'30s Soviet filmmaker Dziga Vertov (1896-1954). They are generally credited with having made four films: *1970 ''Pravda'' *1970 '' Le Vent d'est'' (''Wind from the East'') *1971 ''Luttes en Italie'' (''Struggles in Italy''), originally ''Lotte in Italia'' *1971 ''Vladimir et Rosa'' (''Vladimir and Rosa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Documentary Film
A documentary film or documentary is a non-fictional motion-picture intended to "document reality, primarily for the purposes of instruction, education or maintaining a historical record". Bill Nichols has characterized the documentary in terms of "a filmmaking practice, a cinematic tradition, and mode of audience reception hat remainsa practice without clear boundaries". Early documentary films, originally called " actuality films", lasted one minute or less. Over time, documentaries have evolved to become longer in length, and to include more categories. Some examples are educational, observational and docufiction. Documentaries are very informative, and are often used within schools as a resource to teach various principles. Documentary filmmakers have a responsibility to be truthful to their vision of the world without intentionally misrepresenting a topic. Social-media platforms (such as YouTube) have provided an avenue for the growth of the documentary- film genre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yelizaveta Svilova
Yelizaveta Ignatevna Svilova (russian: Елизаве́та Игна́тьевна Сви́лова, rendered in Latin as Elizaveta Svilova) (5 September 1900, Moscow – 11 November 1975, Moscow) was a Russian filmmaker and film editor. She is perhaps best known for making films with her husband Dziga Vertov and her brother-in-law Mikhail Kaufman. She is also known for her documentaries about World War II and for appearing in and editing ''Man with a Movie Camera'' (1929).Ebert, Roger (December 4, 2009)Man with camera invents new style.''Chicago Sun-Times'' Biography Yelizaveta Ignatevna Svilova (born Elizaveta Schnitt) was born on September 5, 1900, in Moscow. Starting at age 14, she began film editing for Pathé. She worked with Vladimir Gardin and with Vsevolod Meyerhold. From 1918 to 1922, she worked at Narkompros. From 1922, she worked at Goskino. She met Dziga Vertov while working as a film editor. They married in 1923. After her husband fell out of favor in the Soviet f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Kinoks
The Kinoks (russian: Киноки, kino-oki, cinema-eyes) were a collective of Soviet filmmakers in the 1920s, consisting of Dziga Vertov, Elizaveta Svilova and Mikhail Kaufman. According to Annette Michelson, Georges Sadoul states the collective was founded in 1922 by Svilova, Vertov and Kaufman, and the painter Belyaev was a fourth member. However, in 1923 Svilova wrote an open letter to the journal LEF applying for admission to the Council of Three. Scholars have interpreted this as a publicity stunt "to provide exposure of their work and to raise awareness of their commitment to documentary cinema" rather than an actual application, since Svilova had already been working with Vertov and Kaufman for several years. From 1922 to 1923 Vertov, Kaufman, and Svilova published a number of manifestos in avant-garde journals which clarified the Kinoks' positions vis-à-vis other leftist groups. The Kinoks argued strongly for documentary cinema and the use of candid cameras and filmin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mikhail Kaufman
Mikhail Abelovich Kaufman (russian: Михаи́л А́белевич Ка́уфман; 1897 – March 11, 1980) was a Russian cinematographer and photographer. He was the younger brother of filmmaker Dziga Vertov (Denis Kaufman) and the older brother of cinematographer Boris Kaufman.Petric, Vlada. ''Constructivism in Film: The Man with a Movie Camera.'' NY: Cambridge UP, 1987. He was born into a family of Jewish intellectuals living in Białystok in Grodno Governorate, at the time when the Białystok region was a part of the Russian Empire. In the 1920s, after Mikhail Kaufman returned from the Russian Civil War, Vertov offered him the opportunity to participate in his newsreel series ''Kino-Pravda'' as a cameraman. Mikhail Kaufman directed photography for several films, including Vertov's '' Man with the Movie Camera'' (1929). The film is built around meta-reference and is full of innovative visual effects: in it, Kaufman acts as a cameraman and is seen shooting the film whi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boris Kaufman
Boris Abelevich Kaufman, A.S.C. (russian: Бори́с А́белевич Ка́уфман; August 24, 1906 – June 24, 1980) was a Russian-born American cinematographer and the younger brother of Soviet filmmakers Dziga Vertov and Mikhail Kaufman. Life and career Kaufman was born into a family of Jewish intellectuals in Białystok when Congress Poland was part of the Russian Empire. After the Bolshevik Revolution of 1917, Poland regained its independence, and Boris moved there with his parents. Mikhail and Denis, better known as Dziga Vertov, stayed in the Soviet Union and became important filmmakers, producing avant-garde and agitprop films. The brothers later stayed in touch primarily by letters; Vertov visited Boris Kaufman in Paris twice, in 1929 and 1931. After graduating from the University of Paris, Kaufman turned to cinematography, collaborating with Jean Vigo and Dimitri Kirsanoff. During World War II, he served in the French Army against the Nazis; when France fe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Russia
Russia (, , ), or the Russian Federation, is a transcontinental country spanning Eastern Europe and Northern Asia. It is the largest country in the world, with its internationally recognised territory covering , and encompassing one-eighth of Earth's inhabitable landmass. Russia extends across eleven time zones and shares land boundaries with fourteen countries, more than any other country but China. It is the world's ninth-most populous country and Europe's most populous country, with a population of 146 million people. The country's capital and largest city is Moscow, the largest city entirely within Europe. Saint Petersburg is Russia's cultural centre and second-largest city. Other major urban areas include Novosibirsk, Yekaterinburg, Nizhny Novgorod, and Kazan. The East Slavs emerged as a recognisable group in Europe between the 3rd and 8th centuries CE. Kievan Rus' arose as a state in the 9th century, and in 988, it adopted Orthodox Christianity from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
