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Verismo (painting)
The Verismo (meaning "realism", from Italian ''vero'', meaning "true") refers to a 19th-century Italian painting style. This style was practiced most characteristically by the " Macchiaioli" group of painters, who were forerunners of the French Impressionists. In this regard, the Wikipedia article on "American verismo" is germane because it contains a long discussion of an instance of American verismo (Jerry Ross) in American painting. However, there is an extremely rich reservoir of American examples that include techniques for loose brushwork alongside social commentary such as in "The Ashcan School" and the work of John Singer Sargent John Singer Sargent (; January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more ... and the bold city and landscapes of George Bellows. The link pin between European verismo i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
American Verismo
American verismo describes an artistic style of American literature, music, or painting influenced and inspired by artistic ideas that began in 19th-century Italian culture, movements that used motifs from everyday life and working class persons from both urban and rural situations. American composers, writers, painters, and poets have used this genre to create works that contain socio-political as well as purely aesthetic statements. History In Italy, the term ''verismo'' is applied to the use of everyday life and characters in artistic works. It was introduced into opera in the early 1900s in reaction to contemporary conventions that were regarded as artificial and untruthful. Generally, ''verismo'' (meaning "realism," from Italian ''vero'', meaning "true") refers to a 19th-century Italian painting style. This style was practiced most characteristically by the '' I Macchiaioli'' a group of Tuscan painters, who were forerunners of the French Impressionists. The style and its un ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Friedrich Gauermann - Divji Petelin
Friedrich may refer to: Names *Friedrich (surname), people with the surname ''Friedrich'' *Friedrich (given name), people with the given name ''Friedrich'' Other *Friedrich (board game), a board game about Frederick the Great and the Seven Years' War * ''Friedrich'' (novel), a novel about anti-semitism written by Hans Peter Richter *Friedrich Air Conditioning, a company manufacturing air conditioning and purifying products *, a German cargo ship in service 1941-45 See also *Friedrichs (other) *Frederick (other) *Nikolaus Friedreich Nikolaus Friedreich (1 July 1825 in Würzburg – 6 July 1882 in Heidelberg) was a German pathologist and neurologist, and a third generation physician in the Friedreich family. His father was psychiatrist Johann Baptist Friedreich (1796–1862) ... {{disambig ja:フリードリヒ ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Painting Style
In the visual arts, style is a "...distinctive manner which permits the grouping of works into related categories" or "...any distinctive, and therefore recognizable, way in which an act is performed or an artifact made or ought to be performed and made". It refers to the visual appearance of a work of art that relates it to other works by the same artist or one from the same period, training, location, "school", art movement or archaeological culture: "The notion of style has long been the art historian's principal mode of classifying works of art. By style he selects and shapes the history of art". Style is often divided into the general style of a period, country or cultural group, group of artists or art movement, and the individual style of the artist within that group style. Divisions within both types of styles are often made, such as between "early", "middle" or "late". In some artists, such as Picasso for example, these divisions may be marked and easy to see; in others ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Macchiaioli
The Macchiaioli () were a group of Italian painters active in Tuscany in the second half of the nineteenth century. They strayed from antiquated conventions taught by the Italian art academies, and did much of their painting outdoors in order to capture natural light, shade, and colour. This practice relates the Macchiaioli to the French Impressionists who came to prominence a few years later, although the Macchiaioli pursued somewhat different purposes. The most notable artists of this movement were Giuseppe Abbati, Cristiano Banti, Odoardo Borrani, Vincenzo Cabianca, Adriano Cecioni, Vito D'Ancona, Serafino De Tivoli, Giovanni Fattori, Raffaello Sernesi, Silvestro Lega and Telemaco Signorini. The movement The movement originated with a small group of artists, many of whom had been revolutionaries in the uprisings of 1848. In the late 1850s, the artists met regularly at the Caffè Michelangiolo in Florence to discuss art and politics. These idealistic young men, di ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Impressionists
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' ('' Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media tha ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Singer Sargent
John Singer Sargent (; January 12, 1856 – April 14, 1925) was an American expatriate artist, considered the "leading portrait painter of his generation" for his evocations of Edwardian-era luxury. He created roughly 900 oil paintings and more than 2,000 watercolors, as well as countless sketches and charcoal drawings. His ''oeuvre'' documents worldwide travel, from Venice to the Tyrol, Corfu, Spain, the Middle East, Montana, Maine, and Florida. Born in Florence to American parents, he was trained in Paris before moving to London, living most of his life in Europe. He enjoyed international acclaim as a portrait painter. An early submission to the Paris Salon in the 1880s, his '' Portrait of Madame X'', was intended to consolidate his position as a society painter in Paris, but instead resulted in scandal. During the next year following the scandal, Sargent departed for England where he continued a successful career as a portrait artist. From the beginning, Sargent's work is ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo (literature)
''Verismo'' (, from , "true") was an Italian literary movement which peaked between approximately 1875 and the early 1900s. Giovanni Verga and Luigi Capuana were its main exponents and the authors of a ''verismo'' manifesto. Capuana published the novel ''Giacinta'', generally regarded as the "manifesto" of Italian ''verismo''. New York City Opera Project: ''Madame Butterfly'' Unlike French naturalism, which was based on positivistic ideals, Verga and Capuana rejected claims of the scientific nature and social usefulness of the movement. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verismo (music)
In opera, ''verismo'' (, from , meaning "true") was a post-Romantic operatic tradition associated with Italian composers such as Pietro Mascagni, Ruggero Leoncavallo, Umberto Giordano, Francesco Cilea and Giacomo Puccini. ''Verismo'' as an operatic genre had its origins in an Italian literary movement of the same name. This was in turn related to the international literary movement of naturalism as practised by Émile Zola and others. Like naturalism, the ''verismo'' literary movement sought to portray the world with greater realism. In so doing, Italian ''verismo'' authors such as Giovanni Verga wrote about subject matter, such as the lives of the poor, that had not generally been seen as a fit subject for literature. History A short story by Verga called ' (), then developed into a play by the same author, became the source for what is usually considered to be the first ''verismo'' opera: ''Cavalleria rusticana'' by Mascagni, which premiered on 17 May 1890 at the Teatr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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