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Verdi Requiem
The ''Messa da Requiem'' is a musical setting of the Catholic funeral mass (Requiem) for four soloists, double choir and orchestra by Giuseppe Verdi. It was composed in memory of Alessandro Manzoni, whom Verdi admired, and therefore also referred to as the ''Manzoni Requiem''. The first performance, at the San Marco church in Milan on 22 May 1874, conducted by the composer, marked the first anniversary of Manzoni's death. It was followed three days later by the same performers at La Scala. Verdi conducted his work at major venues in Europe. Verdi composed the last part of the text, ''Libera me'', first, as his contribution to the '' Messa per Rossini'' that he had begun after Gioachino Rossini had died, already contained the music that later begins the ''Dies irae'' sequence. Considered too operatic to be performed in a liturgical setting, the Requiem is usually given in concert form; it takes around 90 minutes to perform. Musicologist David Rosen calls it "probably the most fre ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Music For The Requiem Mass
Music for the Requiem Mass is any music that accompanies the Requiem, or Mass for the Dead, in the Mass in the Catholic Church, Catholic Church. This church service has inspired hundreds of compositions, including settings by Officium Defunctorum (Victoria), Victoria, Requiem (Mozart), Mozart, Requiem (Berlioz), Berlioz, Requiem (Verdi), Verdi, Requiem (Fauré), Fauré, Requiem (Dvořák), Dvořák, Requiem (Duruflé), Duruflé and War Requiem, Britten. For centuries settings of the Mass for the Dead were to be chanted in Catholic liturgy, liturgical service Monophony, monophonically. Later the settings became Polyphony, polyphonic, Victoria's famous 1605 ''a cappella'' work being an example. By Mozart's time (1791) it was standard to embed the dramatic and long Dies irae, Day of Wrath sequence, and to score with orchestra. Eventually many settings of the Requiem, not least Verdi's (1874), were essentially concert pieces unsuitable for church service. Common texts The following ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gramophone (magazine)
''Gramophone'' (known as ''The Gramophone'' prior to 1970) is a magazine published monthly in London, devoted to classical music, particularly to reviews of recordings. It was founded in 1923 by the Scottish author Compton Mackenzie who continued to edit the magazine until 1961. It was acquired by Haymarket in 1999. In 2013 the Mark Allen Group became the publisher. The magazine presents the Gramophone Awards each year to the classical recordings which it considers the finest in a variety of categories. On its website ''Gramophone'' claims to be: "The world's authority on classical music since 1923." This used to appear on the front cover of every issue; recent editions have changed the wording to "The world's best classical music reviews." Its circulation, including digital subscribers, was 24,380 in 2014. Listings and the ''Gramophone'' Hall of Fame Apart from the annual Gramophone Classical Music Awards, each month features a dozen recordings as Gramophone Editor's Ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rafael Schächter
Rafael Schächter (born 25 May 1905, died on the death march during the evacuation of Auschwitz in 1945), was a Czechoslovak composer, pianist and conductor of Jewish origin, organizer of cultural life in Terezín concentration camp. Life He came from Romanian town Brăila, but after World War I he came to Brno, where he studied piano at Vilém Kurz. He moved to Prague with Kurz and started to study piano at master school with Karel Hoffmeister, and composition and conducting at Prague Conservatory. After he finished studies, he was engaged (in 1934) to avant-garde theatre ''Déčko'' by E. F. Burian. In 1937 he established own ensemble—''Komorní opera'', where he performed lesser-known chamber and also baroque music. After the German occupation of Czechoslovakia in 1939, the Nazi administration began a program of mass incarceration, deportation, and genocide of the 100,000+ Jewish people there, including the establishment of the Theresienstadt Ghetto, Theresienstad ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theresienstadt
Theresienstadt Ghetto was established by the SS during World War II in the fortress town of Terezín, in the Protectorate of Bohemia and Moravia ( German-occupied Czechoslovakia). Theresienstadt served as a waystation to the extermination camps. Its conditions were deliberately engineered to hasten the death of its prisoners, and the ghetto also served a propaganda role. Unlike other ghettos, the use of slavery was not economically significant. The ghetto was established by the transportation of Czech Jews in November 1941. The first German and Austrian Jews arrived in June 1942; Dutch and Danish Jews came in 1943, and prisoners of a wide variety of nationalities were sent to Theresienstadt in the last months of the war. About 33,000 people died at Theresienstadt, mostly from malnutrition and disease. More than 88,000 people were held there for months or years before being deported to extermination camps and other killing sites; the role of the Jewish Council ('' Juden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Handel And Haydn Society
The Handel and Haydn Society is an American chorus and period instrument orchestra based in Boston, Massachusetts. Known colloquially as 'H+H', the organization has been in continual performance since its founding in 1815, the longest serving such performing arts organization in the United States. Early history The Handel and Haydn Society was founded as an oratorio society in Boston on March 24, 1815, by a group of Boston merchants and musicians, "to promote the love of good music and a better performance of it". The founders, Gottlieb Graupner, Thomas Smith Webb, Amasa Winchester, and Matthew S. Parker, described their aims as "cultivating and improving a correct taste in the performance of Sacred Music, and also to introduce into more general practice, the works of George Frideric Handel, Handel, Joseph Haydn, Haydn, and other eminent composers." The society made its debut on Christmas Day, December 25, 1815, at King's Chapel (then Stone Chapel), with a chorus of 90 men and 10 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Royal Albert Hall
The Royal Albert Hall is a concert hall on the northern edge of South Kensington, London, England. It has a seating capacity of 5,272. Since the hall's opening by Queen Victoria in 1871, the world's leading artists from many performance genres have appeared on its stage. It is the venue for the BBC Proms concerts, which have been held there every summer since 1941. It is host to more than 390 shows in the main auditorium annually, including classical, rock and pop concerts, ballet, opera, film screenings with live orchestral accompaniment, sports, awards ceremonies, school and community events, and charity performances and banquets. A further 400 events are held each year in the non-auditorium spaces. Over its 153-year history, the hall has hosted people from various fields, including meetings held by suffragettes, speeches from Winston Churchill, Charles de Gaulle, and Albert Einstein, fights by Lennox Lewis, exhibition bouts by Muhammad Ali, and concerts from regular performer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Opéra-Comique
The Opéra-Comique () is a Paris opera company which was founded around 1714 by some of the popular Théâtre de la foire, theatres of the Parisian fairs. In 1762 the company was merged with – and for a time took the name of – its chief rival, the Comédie-Italienne at the Hôtel de Bourgogne (theatre), Hôtel de Bourgogne. It was also called the Théâtre-Italien up to about 1793, when it again became most commonly known as the Opéra-Comique. Today the company's official name is Théâtre national de l'Opéra-Comique, and its theatre, with a capacity of around 1,248 seats, sometimes referred to as the Salle Favart (the third on this site), is located at Place Boïeldieu in the 2nd arrondissement of Paris, not far from the Palais Garnier, one of the theatres of the Paris Opéra. The musicians and others associated with the Opéra-Comique have made important contributions to operatic history and tradition in France and to French opera. Its current mission is to reconnect with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aida
''Aida'' (or ''Aïda'', ) is a tragic opera in four acts by Giuseppe Verdi to an Italian libretto by Antonio Ghislanzoni. Set in the Old Kingdom of Egypt, it was commissioned by Cairo's Khedivial Opera House and had its première there on 24 December 1871, in a performance conducted by Giovanni Bottesini. Today the work holds a central place in the operatic canon, receiving performances every year around the world. At New York's Metropolitan Opera alone, ''Aida'' has been sung more than 1,100 times since 1886. Ghislanzoni's scheme follows a scenario often attributed to the French Egyptologist Auguste Mariette, but Verdi biographer Mary Jane Phillips-Matz argues that the source is actually Temistocle Solera. Elements of the opera's genesis and sources Isma'il Pasha, Khedive of Egypt, commissioned Verdi to write an opera to celebrate the opening of the Suez Canal, but Verdi declined. However, Auguste Mariette, a French Egyptologist, proposed to Khedive Pasha a plot for a cele ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giuseppe Capponi
Giuseppe Capponi (14 September 1832 – 6 August 1889) was an Italian operatic tenor who sang leading roles both in Italy and Europe. He is most remembered today as the tenor soloist in the world premiere of the Verdi Requiem. Capponi was born in Cantiano near Pesaro and studied music there with the composer and Cantiano's maestro di cappella, Natale Pellicci. From 1857 he was the ''primo tenore'' in the choir of the Basilica della Santa Casa in Loreto, a post he held to the end of his life. He made his stage debut in 1858 at the Teatro Valle in Rome where he sang comprimario roles. His debut in a leading tenor role came in 1860, when he sang Pollione in ''Norma'' at Pesaro.Resigno (2001) p. 126 He was heard in Paris at the Théâtre-Italien in 1863 in the relatively minor role of Barbarino in ''Alessandro Stradella''. However, by the 1865–1866 season, he was singing major roles at the Teatro Regio in Parma, including Vasco da Gama in Meyerbeer's ''L'Africaine'', Lamberto in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Maria Waldmann
Maria Waldmann (19 November 1845 – 6 November 1920) was an Austrian mezzo-soprano who had a noted association with Giuseppe Verdi. She was born in Vienna, then part of the Austrian Empire in 1845 and studied with Francesco Lamperti. She dedicated herself to the Italian mezzo-soprano repertoire. She was heard with Teresa Stolz in September 1869 in a production of ''Don Carlos, Don Carlo'' in Trieste. Thereafter she sang in Moscow and at La Scala, Milan where, in 1871-2, she appeared in both ''La forza del destino, La forza del destino'' and as Amneris in the European premiere of ''Aida'' (8 February 1872). Despite Verdi's initial reluctance to engage Waldmann for that premiere, she became his favorite Amneris. In 1874, he again used her for the mezzo-soprano role in his ''Requiem (Verdi), Requiem'', for which he wrote the ''Liber scriptus'' with her voice in mind. Verdi particularly valued her for the rich, dark color of her lower, contralto register. Verdi exploits t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Teresa Stolz
Teresa Stolz (born Tereza Stolzová; 2 June 1834 – 23 August 1902) was a spinto soprano from Bohemia, for long a resident in Italy, who was associated with significant performances of the works of Giuseppe Verdi, some with his supervision including '' Aida'' in the first performance in Italy, and the soprano part in his Requiem. She was his companion from 1897. Stolz has been described as "the Verdian dramatic soprano par excellence, powerful, passionate in utterance, but dignified in manner and secure in tone and control". Life and career Tereza Stolzová was born in Kostelec nad Labem in the Austrian Empire (now in the Czech Republic) on 2 June 1834, or 5 June. She grew up in a musical, with eight siblings. She studied voice with Josef Neruda (1804-1876), a cellist in her hometown, and further at the Prague Conservatory with Giovanni Battista Gardigiani from 1849. She was expelled from the Conservatoire in October 1851 but continued her studies with Vojtěch Čaboun. ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Verdi Requiem La Scala Premiere By Tofani
Giuseppe Fortunino Francesco Verdi ( ; ; 9 or 10 October 1813 – 27 January 1901) was an Italian composer best known for his operas. He was born near Busseto, a small town in the province of Parma, to a family of moderate means, receiving a musical education with the help of a local patron, Antonio Barezzi. Verdi came to dominate the Italian opera scene after the era of Gioachino Rossini, Vincenzo Bellini, and Gaetano Donizetti, whose works significantly influenced him. In his early operas, Verdi demonstrated sympathy with the Risorgimento movement which sought the unification of Italy. He also served briefly as an elected politician. The chorus "Va, pensiero" from his early opera ''Nabucco'' (1842), and similar choruses in later operas, were much in the spirit of the unification movement, and the composer himself became esteemed as a representative of these ideals. An intensely private person, Verdi did not seek to ingratiate himself with popular movements. As he becam ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
