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Valentine Simmes
Valentine Simmes ( 1585 – 1622) was an English printer of the Elizabethan and Jacobean eras. He did business in London, "on Adling Hill near Bainard's Castle at the sign of the White Swan." Simmes has a reputation as one of the better printers of his generation, and was responsible for several quartos of Shakespeare's plays. ee: Early texts of Shakespeare's works. Nothing is known of Simmes's early life or personal history. He was active as a printer starting in 1585. Shakespeare In an eight-year period from 1604, Simmes printed nine Shakespearean quartos for various London Worshipful Company of Stationers and Newspaper Makers">stationers or booksellers. For the bookseller Andrew Wise, Simmes printed: *''Richard III (play), Richard III,'' Q1 (1597) *''Richard II (play), Richard II,'' Q1 (1597) *''Richard II,'' Q2 (1598) *''Richard II,'' Q3 (1598) For Wise and William Aspley, Simmes printed: *'' Henry IV, Part 2,'' Q (1600) *''Much Ado About Nothing,'' Q (1600) For Thomas ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elizabethan Era
The Elizabethan era is the epoch in the Tudor period of the history of England during the reign of Queen Elizabeth I (1558–1603). Historians often depict it as the golden age in English history. The Roman symbol of Britannia (a female personification of Great Britain) was revived in 1572, and often thereafter, to mark the Elizabethan age as a renaissance that inspired national pride through classical ideals, international expansion, and naval triumph over Spain. This "golden age" represented the apogee of the English Renaissance and saw the flowering of poetry, music, and literature. The era is most famous for its theatre, as William Shakespeare and many others composed plays that broke free of England's past style of theatre. It was an age of exploration and expansion abroad, while back at home, the Protestant Reformation became more acceptable to the people, most certainly after the Spanish Armada was repelled. It was also the end of the period when England was a sep ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry VI, Part 2
''Henry VI, Part 2'' (1591) is a Shakespearean history play about King Henry VI of England's inability to quell the bickering of his noblemen, the death of his trusted advisor Humphrey, Duke of Gloucester, and the political rise of Richard of York, 3rd Duke of York; it culminates with the First Battle of St Albans (1455), the initial battle of the Wars of the Roses, which were civil wars between the House of Lancaster and the House of York. In the early historical narrative of '' Henry VI, Part 1'' (1591) Shakespeare dealt with the low morale consequent to the loss of England's French territories (1429–1453) during the Hundred Years' War (1337–1453) and the political machinations that precipitated the Wars of the Roses (1455–1487). In the concluding history of ''Henry VI, Part 3'' (1591), the English playwright William Shakespeare deals with the fraternal horrors of civil war amongst Englishmen. In English literature, '' The Tragedy of Richard III'' (1594) is included ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
John Day (dramatist)
John Day (1574–1638?) was an English dramatist of the Elizabethan and Jacobean periods. Life He was born at Cawston, Norfolk, and educated at Ely. He became a sizar of Caius College, Cambridge, in 1592, but was expelled in the next year for stealing a book. He became one of Philip Henslowe's playwrights, collaborating with Henry Chettle, William Haughton, Thomas Dekker, Richard Hathwaye and Wentworth Smith. There are 22 plays to which he is linked. However his almost incessant activity does not seem to have paid, to judge by the small loans, of five shillings and even two shillings, that he obtained from Henslowe. Little is known of his life beyond these small details, and disparaging references by Ben Jonson in 1618/19, describing him, (with Dekker and Edward Sharpham) as a "rogue" and (with Thomas Middleton and Gervase Markham) as a "base fellow". It may be indicative of his abilities that of all the writers who did a substantial amount of work for Henslowe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
English Renaissance Theatre
The English Renaissance theatre or Elizabethan theatre was the theatre of England from 1558 to 1642. Its most prominent playwrights were William Shakespeare, Christopher Marlowe and Ben Jonson. Background The term ''English Renaissance theatre'' encompasses the period between 1562—following a performance of ''Gorboduc'', the first English play using blank verse, at the Inner Temple during the Christmas season of 1561—and the ban on theatrical plays enacted by the English Parliament in 1642. In a strict sense "Elizabethan" only refers to the period of Queen Elizabeth's reign (1558–1603). ''English Renaissance theatre'' may be said to encompass ''Elizabethan theatre'' from 1562 to 1603, '' Jacobean theatre'' from 1603 to 1625, and '' Caroline theatre'' from 1625 to 1642. Along with the economics of the profession, the character of the drama changed towards the end of the period. Under Elizabeth, the drama was a unified expression as far as social class was concerned: th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pericles, Prince Of Tyre
''Pericles, Prince of Tyre'' is a Jacobean play written at least in part by William Shakespeare and included in modern editions of his collected works despite questions over its authorship, as it was not included in the First Folio. It was published in 1609 as a quarto, was not included in Shakespeare's collections of works until the third folio, and the main inspiration for the play was Gower's '' Confessio Amantis''. Various arguments support the theory that Shakespeare was the sole author of the play, notably in DelVecchio and Hammond's Cambridge edition of the play, but modern editors generally agree that Shakespeare was responsible for almost exactly half the play — 827 lines — the main portion after scene 9 that follows the story of Pericles and Marina. Modern textual studies suggest that the first two acts, 835 lines detailing the many voyages of Pericles, were written by a collaborator, who may well have been the victualler, panderer, dramatist and pamphleteer ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Pattern Of Painful Adventures
''The Pattern of Painful Adventures'' (1576) is a prose novel. A later edition, printed in 1607 by Valentine Simmes and published by Nathaniel Butter, was a source for William Shakespeare's play ''Pericles, Prince of Tyre''. There was at least one intermediate edition, around 1595. It was a translation by Lawrence Twine of the tale of Apollonius of Tyre from John Gower's ''Confessio Amantis ''Confessio Amantis'' ("The Lover's Confession") is a 33,000-line Middle English poem by John Gower, which uses the confession made by an ageing lover to the chaplain of Venus as a frame story for a collection of shorter narrative poems. Accor ...'' (in Middle English verse). It is also said to be translated from a French version. William Henry Schofield stated that Shakespeare used both sources. William Henry Schofield, ''English Literature from the Norman Conquest to Chaucer'', p. 306. Notes External linksBritish Library - Shakespeare Quartos William Shakespeare 1576 novels ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sir John Oldcastle
''Sir John Oldcastle'' is an Elizabethan play about John Oldcastle, a controversial 14th-/15th-century rebel and Lollard who was seen by some of Shakespeare's contemporaries as a proto-Protestant martyr. Publication The play was originally published anonymously in 1600 (Q1), printed by Valentine Simmes for the bookseller Thomas Pavier. In 1619, a new edition (Q2) carried an attribution to William Shakespeare. The diary of Philip Henslowe records that the play was written by Anthony Munday, Michael Drayton, Richard Hathwaye and Robert Wilson. (An entry in Henslowe's Diary records a later payment to Drayton for a second part to the play, which has not survived; because of this fact, the extant play has sometimes been called ''Sir John Oldcastle, Part I'' or ''1 Sir John Oldcastle''.) In 1664, the play was one of the seven dramas added to the second impression of the Shakespeare Third Folio by publisher Philip Chetwinde. Historical figure Like other subjects of Elizabe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Thomas Pavier
Thomas Pavier (died 1625) was a London publisher and bookseller of the early seventeenth century. His complex involvement in the publication of early editions of some of Shakespeare's plays, as well as plays of the Shakespeare Apocrypha, has left him with a "dubious reputation." Life and work Pavier came to the business of publishing in an unusual way: instead of serving the normal apprenticeship in the Stationers Company, he was one of several young men who transferred to the Stationers from the Drapers Company on 3 June 1600. Pavier had served an apprenticeship under William Barley, a draper who doubled as a bookseller. Pavier was able to set himself up in business that year; his shop was located at the sign of the Cat and Parrots, "over against Pope's Head Alley" in Cornhill. Early in his career Pavier was found guilty of various misdemeanours by the Court of Stationers. One conviction was 'for printing certain books and ballads without a licence' or 'without authority o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Taming Of The Shrew
''The Taming of the Shrew'' is a comedy by William Shakespeare, believed to have been written between 1590 and 1592. The play begins with a framing device, often referred to as the induction, in which a mischievous nobleman tricks a drunken tinker named Christopher Sly into believing he is actually a nobleman himself. The nobleman then has the play performed for Sly's diversion. The main plot depicts the courtship of Petruchio and Katherina, the headstrong, obdurate shrew. Initially, Katherina is an unwilling participant in the relationship; however, Petruchio "tames" her with various psychological and physical torments, such as keeping her from eating and drinking, until she becomes a desirable, compliant, and obedient bride. The subplot features a competition between the suitors of Katherina's younger sister, Bianca, who is seen as the "ideal" woman. The question of whether the play is misogynistic has become the subject of considerable controversy. ''The Taming o ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Henry IV, Part 1
''Henry IV, Part 1'' (often written as ''1 Henry IV'') is a history play by William Shakespeare, believed to have been written no later than 1597. The play dramatises part of the reign of King Henry IV of England, beginning with the Battle of Homildon Hill, battle at Homildon Hill late in 1402, and ending with King Henry's victory in the Battle of Shrewsbury in mid-1403. In parallel to the political conflict between King Henry and a rebellious faction of nobles, the play depicts the escapades of King Henry's son, Prince Hal (the future King Henry V of England, Henry V), and his eventual return to court and favour. ''Henry IV, Part 1'' is the first of Shakespeare's two plays that deal with the reign of Henry IV (the other being ''Henry IV, Part 2''), and the second play in the Henriad, a modern designation for the tetralogy of plays that deal with the successive reigns of Richard II of England, Richard II, Henry IV of England, Henry IV, and Henry V of England, Henry V. From its f ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bad Quarto
A bad quarto, in Shakespearean scholarship, is a quarto-sized printed edition of one of Shakespeare's plays that is considered to be unauthorised, and is theorised to have been pirated from a theatrical performance without permission by someone in the audience writing it down as it was spoken or, alternatively, written down later from memory by an actor or group of actors in the cast – the latter process has been termed "memorial reconstruction". Since the quarto derives from a performance, hence lacks a direct link to the author's original manuscript, the text would be expected to be bad, i.e. to contain corruptions, abridgements and paraphrasings.Duthie, George Ian. "Introduction; the good and bad quartos". ''The Bad Quarto of Hamlet''. CUP Archive (1941). pp. 1-4 In contrast, a good quarto is considered to be a text that is authorised and which may have been printed from the author's manuscript (or a working draft thereof, known as his '' foul papers''), or from a scribal c ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
