Vajrayogini
Vajrayoginī (; , Dorjé Naljorma) is an important figure in Buddhism, especially revered in Tibetan Buddhism. In Vajrayana she is considered a female Buddhahood, Buddha and a . Vajrayoginī is often described with the epithet ''sarvabuddhaḍākiṇī'', meaning "the [who is the Essence] of all Buddhas". She is an Anuttarayoga Tantra meditational deity (Iṣṭadevatā (Buddhism), iṣṭadevatā) and her practice includes methods for preventing ordinary death, intermediate state (bardo) and rebirth (Saṃsāra, samsara) by transforming them into paths to enlightenment, and for transforming all mundane daily experiences into higher spiritual paths. The origins of Vajrayoginī teachings date from between the 10th and 12th centuries, and draw inspiration from Hindu Tantra#Śaiva and Śākta tantra, Shaiva tantras. She appears as the consort of Padma Thotreng Tsal, and of Cakrasaṃvara, while in Vajrayoginī standalone practice, her inseparable consorts are represented by the kh ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vajrayogini From Thangka
Vajrayoginī (; , Dorjé Naljorma) is an important figure in Buddhism, especially revered in Tibetan Buddhism. In Vajrayana she is considered a female Buddha and a . Vajrayoginī is often described with the epithet ''sarvabuddhaḍākiṇī'', meaning "the ho is the Essenceof all Buddhas". She is an Anuttarayoga Tantra meditational deity ( iṣṭadevatā) and her practice includes methods for preventing ordinary death, intermediate state (bardo) and rebirth ( samsara) by transforming them into paths to enlightenment, and for transforming all mundane daily experiences into higher spiritual paths. The origins of Vajrayoginī teachings date from between the 10th and 12th centuries, and draw inspiration from Hindu Shaiva tantras. She appears as the consort of Padma Thotreng Tsal, and of Cakrasaṃvara, while in Vajrayoginī standalone practice, her inseparable consorts are represented by the khatvanga (staff) on her left shoulder. The lineage of Vajrayoginī practice can be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Vajravārāhī
In Tibetan Buddhism, Vajravārāhī ("The Indestructible Sow", Dorje Pakmo) is considered a female buddha and "the root of all emanations of dakinis". As such, Vajravarahi manifests in the colors of white, yellow, red, green, blue, and black. She is a popular deity in Tibetan Buddhism, and in the Nyingma school she is the consort of Hayagriva, the wrathful form of Avalokiteshvara. She is also associated with the ''Cakrasaṃvara Tantra'', where she is paired in yab-yum with the Heruka Cakrasaṃvara. The Vajravarahi tulku lineage is the Samding Dorje Phagmo, who are associated with the Bodongpa, a little-known school of Tibetan Buddhism. There are practices of Vajravārāhī in all schools of Tibetan Buddhism, and in the Kagyu school Vajravarahi is one of its main yidam practices. Vajravarahi is depicted as a naked, often red-skinned maiden in a dancing posture, with a kapala (skull cup) in her left hand and a khatvanga on her left shoulder, while her right hand holds ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Chöd
Chöd ( lit. 'to sever') is a spiritual practice found primarily in the Yundrung Bön tradition as well as in the Nyingma and Kagyu schools of Tibetan Buddhism (where it is classed as Anuttarayoga Tantra in Kagyu and Anuyoga in Nyingma). Also known as "cutting through the ego," the practices are based on the Prajñāpāramitā or "Perfection of Wisdom" sutras, which expound the "emptiness" concept of Buddhist philosophy. According to Mahayana Buddhists, emptiness is the ultimate wisdom of understanding that all things lack inherent existence. Chöd combines prajñāpāramitā philosophy with specific meditation methods and tantric ritual. The chod practitioner seeks to tap the power of fear through activities such as rituals set in graveyards, and visualisation of offering their bodies in a tantric feast in order to put their understanding of emptiness to the ultimate test. Definition and Sanskrit ''chedasādhanā'' both literally mean "cutting practice". In Standard Tibet ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Dakini
A ḍākinī (; ; ; ; alternatively 荼枳尼, ; 荼吉尼, ; or 吒枳尼, ; Japanese: 荼枳尼 / 吒枳尼 / 荼吉尼, ''dakini'') is a type of goddess in Hinduism and Buddhism. The concept of the ḍākinī somewhat differs depending on the context and the tradition. For example, in earlier Hindu texts and East Asian esoteric Buddhism, the term denotes a race of demonesses who ate the flesh and/or vital essence of humans. In Hindu Tantric literature, Ḍākinī is the name of a goddess often associated with one of the six chakras or the seven fundamental elements ('' dhātu'') of the human body. In Nepalese and Tibetan Buddhism, meanwhile, 'ḍākinī' (also wisdom ḍākinī) can refer to both what can be best described as fierce-looking female embodiments of enlightened energy, and to human women with a certain amount of spiritual development, both of whom can help Tantric initiates in attaining enlightenment. In Japan, the ḍākinīs – held in the East Asian Bud ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Kartika (knife)
A kartika or drigug (; , or ''kartrika'' in Nepal) is a small, crescent-shaped, hand-held ritual flaying knife used in the tantra techniques (Vajrayana), tantric ceremonies of Vajrayana, Vajrayana Buddhism. The kartari is said to be "one of the quintessential attributes of the fierce deities, wrathful Tantric deities." It is commonly known as the "knife of the dakinis." Its shape is similar to the Inuit ulu or woman's knife, which is used for many things including cleaning skins. While the kartika is normally held in the right hand of a dakini in Vajrayana iconography and spiritual practice, occasionally it can be seen being held by esoteric male deities, such as certain forms of Yamantaka. It is also found frequently in the iconography of the Tibetan Buddhism, Tibetan Buddhist spiritual practice of Chöd. Iconography In terms of iconography, The same way that the Ghanta, bell and vajra are usually paired ritual items in Vajrayana spiritual practice and iconography (one is he ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Buddhahood
In Buddhism, Buddha (, which in classic Indo-Aryan languages, Indic languages means "awakened one") is a title for those who are Enlightenment in Buddhism, spiritually awake or enlightened, and have thus attained the Buddhist paths to liberation, supreme goal of Buddhism, variously described as Enlightenment in Buddhism, awakening or enlightenment (''bodhi''), ''Nirvana (Buddhism), Nirvāṇa'' ("blowing out"), and Moksha, liberation (''vimokṣa''). A Buddha is also someone who fully understands the ''Dharma, Dhārma'', the true nature of all things or Phenomenon, phenomena (''Abhidharma, dhārmata''), the Two truths doctrine, ultimate truth. Buddhahood (Sanskrit: ''buddhatva''; or ; zh, c=成佛) is the condition and state of being a Buddha. This highest spiritual state of being is also termed ''sammā-sambodhi'' (Sanskrit: ''samyaksaṃbodhi''; "full, complete awakening") and is interpreted in many different ways across schools of Buddhism. The title of "Buddha" is most c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Anuttarayoga Tantra
Classes of Tantra in Tibetan Buddhism refers to the categorization of Buddhist tantric scriptures in Indo-Tibetan Buddhism. Tibetan Buddhism inherited numerous tantras and forms of tantric practice from medieval Indian Buddhist Tantra. There were various ways of categorizing these tantras in India. In Tibet, the Sarma (New Translation) schools categorize tantric scriptures into four classes, while the Nyingma (Ancients) school use six classes of tantra. Sarma ("New Translation") classification The Sarma, "New Translation" schools of Tibetan Buddhism (Gelug, Sakya, Kagyu, Jonang) classify tantric practices and texts into four classes. In this, they follow Indian Tantric Buddhists such as Abhayākara, who makes this distinction in his ''Clusters of Quintessential Instructions''. Tantras are classified according to the capacity of persons, the deities they use, the specific types of methods they employ and how they use desire (''kama'').Tsong-kha-pa, ''The Great Exposition of ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tantra
Tantra (; ) is an esoteric yogic tradition that developed on the India, Indian subcontinent beginning in the middle of the 1st millennium CE, first within Shaivism and later in Buddhism. The term ''tantra'', in the Greater India, Indian traditions, also means any systematic broadly applicable "text, theory, system, method, instrument, technique or practice". A key feature of these traditions is the use of mantras, and thus they are commonly referred to as Mantramārga ("Path of Mantra") in Hinduism or Mantrayāna ("Mantra Vehicle") and Guhyamantra ("Secret Mantra") in Buddhism. In Buddhism, the Vajrayana traditions are known for tantric ideas and practices, which are based on Indian Tantras (Buddhism), Buddhist Tantras. They include Tibetan Buddhism, Indo-Tibetan Buddhism, Chinese Esoteric Buddhism, Japanese Shingon Buddhism and Nepalese Newar Buddhism. Although Southern Esoteric Buddhism does not directly reference the tantras, its practices and ideas parallel them. In Bud ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Heruka
:''Heruka is also a name for the deity of the Cakrasaṃvara Tantra.'' ''Heruka'' (; ) is the name of a category of wrathful deities, enlightened beings in Vajrayana Buddhism that adopt a fierce countenance to benefit sentient beings. In East Asia, these are called Wisdom Kings. ''Herukas'' represent the embodiment of indivisible bliss and emptiness. They appear as '' Iṣṭha-devatā'' (Tibetan: ཡི་དམ་ ) or meditational deities for tantric sādhanā, usually placed in a ''mandala'' and often appearing in '' Yab-Yum''. Derivation and meaning of the term Heruka represents wrathful imagery with indivisible emptiness (śūnyatā), bliss, peace, wisdom, compassion (bodhicitta), and love. Herukas represent unified consciousness, with emptiness being a reflection of "non-phenomena" or emptiness which is "all love," or removal of imagery to reach universal love, mercy, and compassion-mind. :Heruka means hetu-rūpa-kâya, krodha-form vajradhara's:: Interpretation of Heru ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Tulku
A ''tulku'' (, also ''tülku'', ''trulku'') is an individual recognized as the reincarnation of a previous spiritual master (lama), and expected to be reincarnated, in turn, after death. The tulku is a distinctive and significant aspect of Tibetan Buddhism, embodying the concept of enlightened beings taking corporeal forms to continue the lineage of specific teachings. The term "tulku" is a loanword from Tibetan སྤྲུལ་སྐུ ("sprul sku"), which originally referred to an emperor or ruler taking human form on Earth, signifying a divine incarnation. Over time, it evolved within Tibetan Buddhism to denote the corporeal existence of certain highly accomplished Buddhist masters whose purpose was to ensure the preservation and transmission of a particular lineage. The tulku system originated in Tibet, particularly associated with the recognition of the second Karmapa in the 13th century. Since then, numerous tulku lineages have been established, with each tulku having a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
|
Iṣṭadevatā (Buddhism)
A ''yidam'' or ''iṣṭadevatā'' is a meditational deity that serves as a focus for meditation and spiritual practice, said to be manifestations of Buddhahood or enlightened mind. Yidams are an integral part of Vajrayana, including Tibetan Buddhism, Chinese Esoteric Buddhism and Shingon, which emphasize the use of esoteric practices and rituals to attain enlightenment more swiftly. The yidam is one of the three roots of the inner refuge formula and is also the key element of deity yoga. Yidam is sometimes translated by the term "tutelary deity". A yidam is considered to be a manifestation of enlightened qualities and a means to connect with specific aspects of the enlightened mind. The yidam is visualized during meditation in intricate detail, with the aim of internalizing its qualities and attributes. This practice is intended to facilitate the practitioner's transformation and realization of their own innate enlightened nature. It is believed to help purify the mind, a ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |