V. R. Athavale
Vinayak Ramchandra Athavale (marathi: विनायक रामचंद्र आठवले) (1918 - 2011), better known as V. R. Athavale or Vi. Ra. Athavale, was a Hindustani classical vocalist and one of the foremost Hindustani classical musicologists of the 20th Century, alongside Vamanrao Deshpande and Sharadchandra Arolkar. He composed using the pen name "Naad Piya". He is known for his critique of traditional ideas and modern aesthetics. He was trained primarily by Vinayakrao Patwardhan and Vilayat Hussain Khan and is considered a representative of Gwalior and Agra traditions. Early life and background Athavale's father, R. B. Athavale, was a leading professor of Sanskrit. He grew up in an environment of scholarship with a love for art, literature, and culture. He developed a background in Sanskrit literature and ancient Indian culture. Graduating in 1939 with a degree in chemistry and physics, Athavale began learning music at the age of 21. He became involve ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Vile Parle, Mumbai
Vile may refer to: Characters * Vile (Mega Man X), a character from the Mega Man X game series * Doctor Vile (Dr. Weil), a character from the Mega Man Zero game series * V.I.L.E., a fictional villain group in the ''Carmen Sandiego'' franchise Mythology * An alternate spelling of Vili, the brother of Oden in Norse mythology * Vile, the plural of Vila (fairy) in south Slavic mythology Music * Vile (album), ''Vile'' (album), a 1996 album by the death metal band Cannibal Corpse * Vile (band), an American death metal band * "Vile", a Dave Grohl discography, song by Dave Grohl Places * Vile, Raigad, Raigad district, Maharashtra, India; on the Pune–Kolad road * Vile Parle, a suburb of Mumbai in India Other * Vile (film), ''Vile'' (film), a 2011 horror movie * Vile (surname) * Vile (text editor) See also * Vial, a small container * VIL (other) * Vill, historical English administrative unit for small land holdings * Viol, a musical instrument * Weil (disambigu ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Pandurang Sadashiv Sane
Pandurang Sadashiv Sane ( mar, पांडुरंग सदाशिव साने; ; 24 December 1899 – 11 June 1950), also known as ''Sane Guruji'' (Guruji meaning "respected teacher") by his students and followers, was a Marathi author, teacher, social activist and freedom fighter from Maharashtra, India. He is referred to as the National Teacher of India. Early life Sane was born on 24 December 1899 to Sadashivrao and Yashodabai Sane in Palgad village near Dapoli town, Bombay State in British India (in present-day Ratnagiri district of the Konkan region of Maharashtra state). He was their third child and second son. His father, Sadashivrao, was a revenue collector traditionally referred to as a ''khot'', who evaluated and collected village crops on behalf of the government, and was allowed to keep twenty-five percent of his collections as his own share. The family was relatively well off during Sane's early childhood, but their financial condition later deteriorated ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Taan
''Taan'' (Hindi: , ur, ) is a technique used in the vocal performance of a raga in Hindustani classical music. It involves the improvisation of very rapid melodic passages using vowels, often the long "a" as in the word "far", and it targets at improvising and to expand weaving together the notes in a fast tempo. It is similar to the technique ''ahaat'', used in Arabic music. The ''murki'', a type of ornamentation, is a swift, short and taan-like movement that is heavily used in thumri. Types Taans are clustered in different types: ''Bol Taan'' : Taan can be sung by utilizing the words of the bandish. This is a difficult type of a taan as in this correct pronunciation, meaning of the composition, everything has to be taken into consideration. ''Shuddha/Sapat (Straight) Taan'' : The notes are placed in an or ...[...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Alap
The Alap (; ) is the opening section of a typical North Indian classical performance. It is a form of melodic improvisation that introduces and develops a raga. In dhrupad singing the alap is unmetered, improvised (within the raga) and unaccompanied (except for the tanpura drone), and started at a slow tempo. For people unfamiliar with the raga form, it introduces the mode (the pattern of ascending and perhaps different descending scale) to the listener. It defines the raga, its mood, and the emphasized notes and notes with a secondary role. It's like an invocation. Instead of wholly free improvisation, many musicians perform alap schematically, for example by way of ''vistar'', where the notes of the raga are introduced one at a time, so that phrases never travel further than one note above or below what has been covered before. In such cases, the first reach into a new octave can be a powerful event. In instrumental music, when a steady pulse is introduced into the alap, it is c ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Naad
3-Fumarylpyruvate hydrolase (, ''nagK (gene)'', ''naaD (gene)'') is an enzyme with systematic name ''3-fumarylpyruvate hydrolyase''. This enzyme catalyses the following chemical reaction : 3-fumarylpyruvate + H2O \rightleftharpoons fumarate + pyruvate The enzyme is involved in bacterial degradation of 5-substituted salicylate Salicylic acid is an organic compound with the formula HOC6H4CO2H. A colorless, bitter-tasting solid, it is a precursor to and a metabolite of aspirin (acetylsalicylic acid). It is a plant hormone, and has been listed by the EPA Toxic Substanc ...s. References External links * {{Portal bar, Biology, border=no EC 3.7.1 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Thumri
Thumri () is a vocal genre or style of Indian music. The term "thumri" is derived from the Hindi verb ''thumuknaa'', which means "to walk with a dancing gait in such a way that the ankle-bells tinkle." The form is, thus, connected with dance, dramatic gestures, mild eroticism, evocative love poetry and folk songs, especially from Uttar Pradesh, though there are regional variations. The text is romantic or devotional in nature, the lyrics are usually in Uttar Pradesh dialects of Hindi called Awadhi and Brij Bhasha. Thumree is characterized by its sensuality, and by a greater flexibility with the '' raga''. ''Thumri'' is also used as a generic name for some other, even lighter, forms such as Dadra, Hori, Kajari, Sawani, Jhoola, and Chaiti, even though each of them have their own structure and content — either lyrical or musical or both—and so the exposition of these forms vary. Like Indian classical music itself, some of these forms have their origin in folk literature ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Gharana
In Hindustani music (North Indian classical music), a ''gharānā'' is a system of social organisation in the Indian subcontinent, linking musicians or dancers by lineage or apprenticeship, and more importantly by adherence to a particular musical style. The word gharana comes from the Hindi word 'ghar' which is derived from the Sanskrit Sanskrit (; attributively , ; nominalization, nominally , , ) is a classical language belonging to the Indo-Aryan languages, Indo-Aryan branch of the Indo-European languages. It arose in South Asia after its predecessor languages had Trans-cul ... word ''Griha'', which means 'house'. It typically refers to the place where the musical ideology originated; for example, some of the gharanas well known for singing khyals are: Dilli(Delhi), Agra, Gwalior, Indore, Atrauli-Jaipur, Kirana and Patiala. Four famous kathak gharanas are: Lucknow, Atrauli-Jaipur, Benares and Raigarh. Vocal gharanas Khyal gharanas The gharana system in khyal was r ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bandish
Bandish, cheez or gat is a fixed, melodic composition in Hindustani vocal or instrumental music. It is set in a specific raga, performed with rhythmic accompaniment by a tabla or pakhawaj, a steady drone, and melodic accompaniment by a sarangi, violin or harmonium. There are different ways of systematizing the parts of a composition. A bandish provides the literature element in the music, for standard structured singing. In the past many gharanas protected their bandishes from moving out of the family with gross incoherent vocal renditions. In the realm of vocal music, it is often known as ''cheez''. Etymology The word ''bandish'' is derived from the Hindi language Hindi (Devanāgarī: or , ), or more precisely Modern Standard Hindi (Devanagari: ), is an Indo-Aryan language spoken chiefly in the Hindi Belt region encompassing parts of northern, central, eastern, and western India. Hindi has bee ..., and literally means "binding together". Sections '' Sthāyī'' or ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Aesthetics
Aesthetics, or esthetics, is a branch of philosophy Philosophy (from , ) is the systematized study of general and fundamental questions, such as those about existence, reason, Epistemology, knowledge, Ethics, values, Philosophy of mind, mind, and Philosophy of language, language. Such quest ... that deals with the nature of beauty and taste (sociology), taste, as well as the philosophy of art (its own area of philosophy that comes out of aesthetics). It examines aesthetic values, often expressed through judgments of taste. Aesthetics covers both natural and artificial sources of experiences and how we form a judgment about those sources. It considers what happens in our minds when we engage with objects or environments such as viewing visual art, listening to music, reading poetry, experiencing a play, watching a fashion show, movie, sports or even exploring various aspects of nature. The philosophy of art specifically studies how artists imagine, create, and perfor ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Ramkrishnabuwa Vaze
Ramkrishnabuwa Vaze, also known as Vazebuwa, (28 November 1871 – 5 May 1945) was a Hindustani Classical musician of the Gwalior tradition known for his impact on popularizing classical music and its impression on Natyageet in the early half of the 20th century. Background Born in Vazare, Maharashtra in 1871, Vaze lost his father at an early age and was brought up by his mother. He studied briefly in school. With an interest in music surpassing academics, Vaze's mother helped him take lessons in music from several teachers, spending several years moving around. He learned from musicians like Balwantrai Pohre and Vitthoba Hadap of Malwan Aagar faliya (also known as Malvan aagar faliya) is a small Indus Valley civilisation site, located at Valsad district in Gujarat, India. This site is, sometimes, considered one of the southernmost limits of Indus Valley civilisation, the other o .... After being married and taking up household duties, Vaze set out to pursue music. Music ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |