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Uppland Runic Inscription 210
Uppland Runic Inscription 210 or U 210 is the Rundata catalog listing for a Viking Age memorial runic inscription which is carved on a rock-face that is located in Åsta, which is three kilometers east of Vallentuna, Stockholm County, Sweden, and in the historic province of Uppland. The inscription is signed by the runemaster Öpir. Description The inscription on U 210 consists of runic text in the younger futhark that is carved on a serpent that makes three loops and with a cross located in the upper loop. The inscription, which measures 1.5 meters tall by 1.3 meters broad, is classified as being carved in runestone style Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. U 210 was described by one runic scholar as being a "good example" of a Pr4 st ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U210
U or u, is the twenty-first and sixth-to-last letter and fifth vowel letter of the Latin alphabet, used in the modern English alphabet, the alphabets of other western European languages and others worldwide. Its name in English is ''u'' (pronounced ), plural ''ues''. History U derives from the Semitic waw, as does F, and later, Y, W, and V. Its oldest ancestor goes to Egyptian hieroglyphics, and is probably from a hieroglyph of a mace or fowl, representing the sound Voiced_labiodental_fricative.html" ;"title="nowiki/> vor the sound [Voiced labial–velar approximant">w">Voiced labiodental fricative">vor the sound [Voiced labial–velar approximant">w This was borrowed to Phoenician, where it represented the sound [w], and seldom the vowel [Close back rounded vowel, u]. In Greek language, Greek, two letters were adapted from the Phoenician waw. The letter was adapted, but split in two, with the Digamma, first one of the same name (Ϝ) being adapted to represent w">now ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Younger Futhark
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use declined after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Richard Dybeck
Richard Dybeck (1 September 1811 – 28 July 1877) was a Swedish jurist, antiquarian, and lyricist. He is mainly remembered as the author of the lyrics to what is now the de facto Swedish national anthem, '' Du gamla, Du fria''. Biography Dybeck was born in the rectory of Odensvi parish, just outside the town of Köping in Västmanland, Sweden. He was the son of a clergyman, went to gymnasium in Västerås, and later matriculated at Uppsala University in 1831 with a law degree. He completed his civil service degree in law () in 1834 and entered the Svea Court of Appeal (). He held a number of positions in the court system during the following years, but eventually began to spend all his time on his antiquarian and historical research, not least in the field of runestones. Dybeck wrote many poems. He was also known to be keenly interested in Asian culture, as was seen by his collection of historic prints and lithographs which originated from places like Myanmar and China. Dybeck ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vaksala Runestone
The Vaksala Runestone, designated as U 961 under the Rundata catalog, is a Viking Age memorial runestone that is located close to Vaksala Church, near Uppsala, Sweden. Description The Vaksala Runestone is one of the approximately forty runestones made by the successful runemaster Öpir, who signed this inscription and was active in the late eleventh and early twelfth century in Uppland. The inscription is classified as being in runestone style Pr4, which is also known as the Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The runic inscription states that Ígulfastr arranged and Öpir carved the runestone on the behest of the widow and the daughter of the deceased. Ígulfastr is otherwise known from his signature on inscription U Fv1953;263 in Helenelund. Öpir was known ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarlabanke Runestones
The Jarlabanke Runestones ( sv, Jarlabankestenarna) is the name of about 20 runestones written in Old Norse with the Younger Futhark rune script in the 11th century, in Uppland, Sweden. They were ordered by what appears to have been a chieftain named Jarlabanke Ingefastsson and his clan (Swedish: ''Jarlabankeätten''), in Täby.Hadenius, Nilsson & Åselius 53. Jarlabanke was probably a hersir (chieftain of a hundred) responsible for the local leidang organization and on several runestones he stated that he was a Christian and not a Pagan. Omeljan Pritsak has remarked that Jarlabanke's prominent position and property show that he and his clan profited from taking part in the Danegelds and from the services that men of his clan provided as mercenaries in the Varangian Guard and in Kievan Rus'.Pritsak 1981:389 Inscription Five of the runestones contain very much the same message: "Jarlabanke had these stones made after himself while he was alive. He made this bridge for his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Old Norse Orthography
The orthography of the Old Norse language was diverse, being written in both Runic and Latin alphabets, with many spelling conventions, variant letterforms, and unique letters and signs. In modern times, scholars established a standardized spelling for the language. When Old Norse names are used in texts in other languages, modifications to this spelling are often made. In particular, the names of Old Norse mythological figures often have several different spellings. The appearance of Old Norse in a written runic form first dates back to approximately AD 200–300. While there are remains of Viking runestones from the Viking Age today they are rare, and vary in use of orthography depending on when they were created. Rune stones created near the end of the Viking Age tend to have a greater influence from Old English runes. An understanding of the writing system of Old Norse is crucial for fully understanding the Old Norse language. Studies of remaining rune stones from the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Style
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Öpir
Öpir or ''Öper'' (Old Norse: ''Øpiʀ''/''Œpir'', meaning "shouter") was a runemaster who flourished during the late 11th century and early 12th century in Uppland, Sweden.The article ''Öpir'' in ''Nationalencyklopedin'' (1996). He was the most productive of all the old runemasters''Runristaren Öpir begåvad konstnär'', an announcement on the new dissertation by Marit Åhlén at Uppsala University. retrieved January 14, 2007. and his art is classified as being in the highly refined Urnes style. p. 197. Work During the 11th century, when most runestones were raised, the small number ...[...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rundata
The Scandinavian Runic-text Data Base ( sv, Samnordisk runtextdatabas) is a project involving the creation and maintenance of a database of runic inscriptions. The project's goal is to comprehensively catalog runestones in a machine-readable way for future research. The database is freely available via the Internet with a client program, called Rundata, for Microsoft Windows. For other operating systems, text files are provided or a web browser can be used to interact with the web applicatioRunor History The origin of the Rundata project was a 1986 database of Swedish inscriptions at Uppsala University for use in the Scandinavian Languages Department. At a seminar in 1990 it was proposed to expand the database to cover all Nordic runic inscriptions, but funding for the project was not available until a grant was received in 1992 from the ''Axel och Margaret Ax:son Johnsons'' foundation. The project officially started on January 1, 1993 at Uppsala University. After 1997, the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
