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Uppland Runic Inscription 171
Uppland Runic Inscription 171 or U 171 is the Rundata catalog listing for a Viking Age memorial runestone that is located in Söderby, which is four kilometers west of Vaxholm, Stockholm County, Sweden, and in the historic province of Uppland. Description The inscription on U 171 consists of runic text in the younger futhark that is carved on a serpent that follows the edge of the triangular-shaped granite stone. The inscription is classified as being carved in runestone style Pr4, which is also known as Urnes style. This runestone style is characterized by slim and stylized animals that are interwoven into tight patterns. The animal heads are typically seen in profile with slender almond-shaped eyes and upwardly curled appendages on the noses and the necks. The inscription was carved by a runemaster who used the signature Fasti, with the runes for his signature line fasti risti runaʀ or "Fasti carved the runes" located outside of the serpent near its leg. Based on stylistic ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
U171
German submarine ''U-171'' was a Type IXC U-boat of Germany's Kriegsmarine built for service during World War II. It was laid down on 1 December 1940 at the DeSchiMAG AG Weser yard at Bremen as yard number 1011, launched on 22 July 1941, and commissioned on 25 October 1941 under the command of Kapitänleutnant Günther Pfeffer. After training with the 4th U-boat Flotilla, ''U-171'' was transferred to the 10th U-boat Flotilla for front-line service on 1 July 1942. It was sent to patrol in the Gulf of Mexico. It was sunk by a naval mine in the Bay of Biscay 115 days into its first and only patrol, whilst returning to Lorient in occupied France, with the loss of 22 of its crew of 54. For many years it was believed was sunk by an American aircraft in what was, in reality, an unsuccessful attack on ''U-171'' in the Gulf of Mexico. Design German Type IXC submarines were slightly larger than the original Type IXBs. ''U-171'' had a displacement of when at the surface and while ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Urnes Style
Viking art, also known commonly as Norse art, is a term widely accepted for the art of Scandinavian Norsemen and Viking settlements further afield—particularly in the British Isles and Iceland—during the Viking Age of the 8th-11th centuries. Viking art has many design elements in common with Celtic, Germanic, the later Romanesque and Eastern European art, sharing many influences with each of these traditions. Generally speaking, the current knowledge of Viking art relies heavily upon more durable objects of metal and stone; wood, bone, ivory and textiles are more rarely preserved. The artistic record, therefore, as it has survived to the present day, remains significantly incomplete. Ongoing archaeological excavation and opportunistic finds, of course, may improve this situation in the future, as indeed they have in the recent past. Viking art is usually divided into a sequence of roughly chronological styles, although outside Scandinavia itself local influences are oft ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 1011
This runestone, listed in Rundata as runic inscription U 1011, was carved in the 11th century and was originally located at Örby, Rasbo, Sweden. Description This runestone consists of a runic inscription on two sides with the text within a serpent and a cross at the top. The runestone was moved from Rasbo to Uppsala in the 17th century. In 1867 this runestone, along with U 489 and U 896, was exhibited in the Exposition Universelle in Paris. It was dropped in Le Havre during its return. After having lain there for several decades, it was returned to Uppsala. It now stands in the ''Universitetsparken'' (the University Park) close to the main building of Uppsala University. This is an unusual runestone in that its sponsor, Vigmund, raised it in honor of himself. There are over twenty other runestones where the sponsor stated that the stone was raised in memory of himself, including Sö 55 in Bjudby, U 127 in Danderyds, the now-lost U 149 in Hagby, U 164 and U 165 in Täby, U ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Uppland Runic Inscription 308
Uppland Runic Inscription 308 or U 308 is the Rundata catalog designation for a memorial runestone that is located in Ekeby, Stockholm County, Sweden, which was in the historic province of Uppland. While the tradition of carving inscriptions into boulders began in the 4th century and lasted into the 12th century, most runestones date from the late Viking Age. Description This inscription is carved on a rock that is north-west of Skånela Church and consists of a Christian cross surrounded by a runic text within a serpent band. The inscription is about 1.2 meters tall by 1 meters wide. The runic text indicates that it was carved by Þorgautr, which is often normalized as Torgöt, and states that he is the son of the runemaster Fot, who was an active runemaster in southern Uppland during the late Viking Age.Project Sa ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jarlabanke Runestones
The Jarlabanke Runestones ( sv, Jarlabankestenarna) is the name of about 20 runestones written in Old Norse with the Younger Futhark rune script in the 11th century, in Uppland, Sweden. They were ordered by what appears to have been a chieftain named Jarlabanke Ingefastsson and his clan (Swedish: ''Jarlabankeätten''), in Täby.Hadenius, Nilsson & Åselius 53. Jarlabanke was probably a hersir (chieftain of a hundred) responsible for the local leidang organization and on several runestones he stated that he was a Christian and not a Pagan. Omeljan Pritsak has remarked that Jarlabanke's prominent position and property show that he and his clan profited from taking part in the Danegelds and from the services that men of his clan provided as mercenaries in the Varangian Guard and in Kievan Rus'.Pritsak 1981:389 Inscription Five of the runestones contain very much the same message: "Jarlabanke had these stones made after himself while he was alive. He made this bridge for his ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Punctuation Mark
Punctuation (or sometimes interpunction) is the use of spacing, conventional signs (called punctuation marks), and certain typographical devices as aids to the understanding and correct reading of written text, whether read silently or aloud. Another description is, "It is the practice, action, or system of inserting points or other small marks into texts in order to aid interpretation; division of text into sentences, clauses, etc., by means of such marks." In written English, punctuation is vital to disambiguate the meaning of sentences. For example: "woman, without her man, is nothing" (emphasizing the importance of men to women), and "woman: without her, man is nothing" (emphasizing the importance of women to men) have very different meanings; as do "eats shoots and leaves" (which means the subject consumes plant growths) and "eats, shoots, and leaves" (which means the subject eats first, then fires a weapon, and then leaves the scene). Truss, Lynne (2003). '' Eats, Shoots ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nickname
A nickname is a substitute for the proper name of a familiar person, place or thing. Commonly used to express affection, a form of endearment, and sometimes amusement, it can also be used to express defamation of character. As a concept, it is distinct from both pseudonym and stage name, and also from a title (for example, City of Fountains), although there may be overlap in these concepts. Etymology The compound word ''ekename'', literally meaning "additional name", was attested as early as 1303. This word was derived from the Old English phrase ''eac'' "also", related to ''eacian'' "to increase". By the 15th century, the rebracketing, misdivision of the syllables of the phrase "an ekename" led to its rephrasing as "a nekename". Though the spelling has changed, the pronunciation and meaning of the word have remained relatively stable ever since. Conventions in various languages English nicknames are generally represented in quotes between the bearer's first and last name ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runemaster
A runemaster or runecarver is a specialist in making runestones. Description More than 100 names of runemasters are known from Viking Age Sweden with most of them from 11th-century eastern Svealand.The article ''Runristare'' in ''Nationalencyklopedin'' (1995). Many anonymous runestones have more or less securely been attributed to these runemasters. During the 11th century, when most runestones were raised, there were a few professional runemasters. They and their apprentices were contracted to make runestones and when the work was finished, they sometimes signed the stone with the name of the runemaster. Many of the uncovered runic inscriptions have likely been completed by non-professional runecarvers for the practical purposes of burial rites or record-keeping. Due to the depictions of daily life, many of the nonprofessional runecarvers could have been anything from pirates to soldiers, merchants, or farmers. The layout of Scandinavian towns provided centers where craftspeople ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Runestone Style
:''The term "runestone style" in the singular may refer to the Urnes style.'' The style or design of runestones varied during the Viking Age. The early runestones were simple in design, but towards the end of the runestone era they became increasingly complex and made by travelling runemasters such as Öpir and Visäte. A categorization of the styles was developed by Anne-Sophie Gräslund in the 1990s. Her systematization is considered to have been a break-through and is today a standard. The styles are RAK, Fp, Pr1, Pr2, Pr3, Pr4 and Pr5, and they cover the period 980-1130, which was the period during which most runestones were made. The styles Pr1 and Pr2 correspond to the Ringerike style, whereas Pr3, Pr4 and Pr5 belong to what is more widely known as the Urnes style.Sawyer 2000:32 Below follows a brief presentation of the various styles by showing sample runestones according to Rundata's annotation. RAK RAK is the oldest style and covers the period 980-1015 AD, but the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rundata
The Scandinavian Runic-text Data Base ( sv, Samnordisk runtextdatabas) is a project involving the creation and maintenance of a database of runic inscriptions. The project's goal is to comprehensively catalog runestones in a machine-readable way for future research. The database is freely available via the Internet with a client program, called Rundata, for Microsoft Windows. For other operating systems, text files are provided or a web browser can be used to interact with the web applicatioRunor History The origin of the Rundata project was a 1986 database of Swedish inscriptions at Uppsala University for use in the Scandinavian Languages Department. At a seminar in 1990 it was proposed to expand the database to cover all Nordic runic inscriptions, but funding for the project was not available until a grant was received in 1992 from the ''Axel och Margaret Ax:son Johnsons'' foundation. The project officially started on January 1, 1993 at Uppsala University. After 1997, the proje ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Younger Futhark
The Younger Futhark, also called Scandinavian runes, is a runic alphabet and a reduced form of the Elder Futhark, with only 16 characters, in use from about the 9th century, after a "transitional period" during the 7th and 8th centuries. The reduction, somewhat paradoxically, happened at the same time as phonetic changes that led to a greater number of different phonemes in the spoken language, when Proto-Norse evolved into Old Norse. Also, the writing custom avoided carving the same rune consecutively for the same sound, so the spoken distinction between long and short vowels was lost in writing. Thus, the language included distinct sounds and minimal pairs that were written the same. The Younger Futhark is divided into long-branch (Danish) and short-twig (Swedish and Norwegian) runes; in the 10th century, it was further expanded by the "Hälsinge Runes" or staveless runes. The lifetime of the Younger Futhark corresponds roughly to the Viking Age. Their use declined after ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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