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Upfront (David Sanborn Album)
''Upfront'' is the sixteenth album recorded by jazz musician David Sanborn, released in 1992. This album focused on other soloists, instead of Sanborn’s alto saxophone being the primary instrument. Some key musicians on this album include guitarists Eric Clapton, Cornell Dupree and Hiram Bullock, tenor saxophonist John Purcell, bassist/keyboardist Marcus Miller, percussionist Don Alias and drummer Steve Jordan. Track listing Personnel * David Sanborn – alto saxophone, sopranino saxophone (1, 8) * Marcus Miller – keyboards (1–4, 6, 8), lead guitar (1), bass guitar, bass clarinet (1, 3, 4, 6, 8), horn arrangements (2–4, 6), acoustic guitar (8), arrangements (8) * Ricky Peterson – Hammond B3 organ (1–4, 6, 8, 9), acoustic piano (7) * Jason Miller – synthesizer sound programming (1–3, 6, 8) * Richard Tee – Hammond B3 organ (5) * William "Spaceman" Patterson – rhythm guitar (1, 3, 4), wah-wah guitar (6), guitars (7–9) * Chris Bruce – lead guitar (3 ...
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David Sanborn
David William Sanborn (July 30, 1945 – May 12, 2024) was an American alto saxophonist. He worked in many musical genres; his solo recordings typically blended jazz with instrumental pop and R&B. He began playing the saxophone at the age of 11 and released his first solo album, ''Taking Off,'' in 1975. He was active as a session musician and played on numerous albums by artists including Stevie Wonder, Bruce Springsteen, Aretha Franklin, Sting, the Eagles, Rickie Lee Jones, James Brown, George Benson, Carly Simon, Elton John, Bryan Ferry, Ween, and The Rolling Stones. Sanborn released more than 20 albums and won six Grammy awards. In 2012, Sanborn was described by critic Scott Yanow as "the most influential saxophonist on pop, R&B and crossover players of the past 20 years." He became identified with radio-friendly smooth jazz, although he disliked the term and said he was not a jazz musician. Early life Sanborn was born in 1945 in Tampa, Florida, where his father wa ...
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Ornette Coleman
Randolph Denard Ornette Coleman (March 9, 1930 – June 11, 2015) was an American jazz saxophonist, trumpeter, violinist, and composer. He is best known as a principal founder of the free jazz genre, a term derived from his 1960 album '' Free Jazz: A Collective Improvisation''. His pioneering works often abandoned the harmony-based composition, tonality, chord changes, and fixed rhythm found in earlier jazz idioms. Instead, Coleman emphasized an experimental approach to improvisation rooted in ensemble playing and blues phrasing. Thom Jurek of AllMusic called him "one of the most beloved and polarizing figures in jazz history," noting that while "now celebrated as a fearless innovator and a genius, he was initially regarded by peers and critics as rebellious, disruptive, and even a fraud." Born and raised in Fort Worth, Texas, Coleman taught himself to play the saxophone when he was a teenager. He began his musical career playing in local R&B and bebop groups, and eventually fo ...
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Tuba
The tuba (; ) is the largest and lowest-pitched musical instrument in the brass instrument, brass family. As with all brass instruments, the sound is produced by lip vibrationa buzzinto a mouthpiece (brass), mouthpiece. It first appeared in the mid-19th century, making it one of the newer instruments in the modern orchestra and concert band, and largely replaced the ophicleide. ''Tuba'' is Latin for "trumpet". A person who plays the tuba is called a tubaist, a tubist, or simply a tuba player. In a British Brass band (British style), brass band or military band, they are known as bass players. History Prussian Patent No. 19 was granted to Wilhelm Friedrich Wieprecht and Johann Gottfried Moritz on 12 September 1835 for a "bass tuba" in F1. The original Wieprecht and Moritz instrument used five valves of the Brass instrument valve#Double-piston valve, Berlinerpumpen type that was the forerunner of the modern piston valve. The first tenor tuba was invented in 1838 by Moritz's ...
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Dave Bargeron
David Wayne Bargeron (September 6, 1942 – January 18, 2025) was an American trombonist and tuba player who was a member of the jazz-rock group Blood, Sweat & Tears. Life and career Bargeron was born on September 6, 1942. He was lead trombonist with Clark Terry's Big Band and played bass trombone and tuba with Doc Severinsen's Band between 1968 and 1970. He joined Blood, Sweat, and Tears in 1970 after Jerry Hyman departed and first appeared on the album '' B, S & T; 4''. With this group, he recorded the jazz-rock solo on the tuba in "And When I Die/One Room Country Shack" on the album '' Live and Improvised''. His recording credits with BS&T include eleven albums. A break in their schedule allowed him to join the Gil Evans Orchestra in 1972. He became a freelance musician after leaving Blood, Sweat & Tears. He recorded with Billy Joel, Paul Simon, Mick Jagger, James Taylor, Eric Clapton, David Sanborn, Carla Bley, and Pat Metheny. He performed with the George Gruntz Concert J ...
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Stan Harrison
Stan Harrison (born December 8, 1953) is an American saxophonist who is also accomplished in playing other woodwind instruments, namely the French horn, flute and clarinet. He has also written music for television. Harrison released his first solo album ''The Ties That Blind'' in 2000 on his own record label. In 2007 he released ''The Optimist'', an album which was produced by G TOM MAC, on the EdgeArtists record label. In 2024, he released his third solo album ''Some Poor Soul Has a Fire'' on ADHAYAROPA Records on Bandcamp. The following are some of the many prominent artists with whom Harrison has played and/or recorded: * Bruce Springsteen * Southside Johnny * Diana Ross * Lee Palmer * Little Steven * Serge Gainsbourg * David Bowie * Radiohead * Duran Duran * Jonathan Coulton * Stevie Ray Vaughan * Mick Jagger * Talking Heads * They Might Be Giants * Najma Akhtar (Musician) * Gary Private * Jewel Discography *''The Ties That Blind'' (2000) *''The Optimist'' (2007) *''So ...
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Lenny Pickett
Lenny Pickett (born April 10, 1954) is an American saxophonist and musical director of the ''Saturday Night Live'' band.
enny Pickett Is a Sax Machine by Devon Ivie, New York Magazine, Vulture
From 1973 to 1981 he was a member of the band . Pickett has worked extensively as a for a wide range of performers and genres.


Career

In the 1970s and early 1980s, Pickett led the horn section for

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Alto Flute
The alto flute is an instrument in the Western concert flute family, pitched below the standard C flute and the uncommon flûte d'amour. It is the third most common member of its family after the standard C flute and the piccolo. It is characterized by its rich, mellow tone in the lower portion of its range. The bore of the alto flute is considerably larger in diameter and longer than the C flute and requires a larger column of air (volume of air) from the player, though it also requires a slower airspeed. This gives it a greater dynamic presence in the bottom octave and a half of its range. Its range is from G3 (the G below middle C) to G6 (4 ledger lines above the treble clef staff) plus an altissimo register stretching to D♭7. It uses the same fingerings as the C flute and piccolo, but is a transposing instrument in G (sounding a perfect fourth lower than written). British music that uses this instrument often refers to it as a bass flute, which can be confusing since ...
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Saxello
The saxophone (often referred to colloquially as the sax) is a type of single-reed woodwind instrument with a conical body, usually made of brass. As with all single-reed instruments, sound is produced when a reed on a mouthpiece vibrates to produce a sound wave inside the instrument's body. The pitch is controlled by opening and closing holes in the body to change the effective length of the tube. The holes are closed by leather pads attached to keys operated by the player. Saxophones are made in various sizes and are almost always treated as transposing instruments. A person who plays the saxophone is called a ''saxophonist'' or ''saxist''. The saxophone is used in a wide range of musical styles including classical music (such as concert bands, chamber music, solo repertoire, and occasionally orchestras), military bands, marching bands, jazz (such as big bands and jazz combos), and contemporary music. The saxophone is also used as a solo and melody instrument or as ...
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Naná Vasconcelos
Juvenal de Holanda Vasconcelos, known as Naná Vasconcelos (2 August 1944 – 9 March 2016), was a Brazilian percussionist, vocalist and berimbau player, notable for his work as a solo artist on over two dozen albums, and as a backing musician with Pat Metheny, Don Cherry, Jan Garbarek, Egberto Gismonti, Gato Barbieri, and Milton Nascimento. Life and career Vasconcelos was born in Recife, Brazil. Beginning from 1967 he joined many artists' works as a percussionist. Among his many collaborations, he contributed to four Jon Hassell albums from 1976 to 1980 (including '' Possible Musics'' by Brian Eno and Hassell), and later to several Pat Metheny Group works and Jan Garbarek concerts from early 1980s to early 1990s. In 1984 he appeared on the Pierre Favre album ''Singing Drums'' along with Paul Motian. He also appears on Arild Andersen's album ''If You Look Far Enough'' with Ralph Towner. He formed a group named Codona with Don Cherry and Collin Walcott, which released three ...
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Conga
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ...
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Timbales
Timbales () or pailas are shallow single-headed drums with metal casing. They are shallower than single-headed tom-toms and usually tuned much higher, especially for their size.Orovio, Helio 1981. ''Diccionario de la música cubana: biográfico y técnico''. Entries for ''Paila criolla''; ''Timbal criollo''. They were developed as an alternative to classical timpani in Cuba in the early 20th century and later spread across Latin America and the United States. Timbales are struck with wooden sticks on the heads and shells, although bare hands are sometimes used. The player (called a ''timbalero'') uses a variety of stick strokes, rim shots, and rolls to produce a wide range of percussive expression during solos and at transitional sections of music, and usually plays the shells (or auxiliary percussion such as a cowbell or cymbal) to keep time in other parts of the song. The shells and the typical pattern played on them are referred to as ''cáscara''. Common stroke patterns in ...
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Wah-wah Pedal
A wah-wah pedal, or simply wah pedal, is a type of effects pedal designed for electric guitar that alters the timbre of the input signal to create a distinctive sound, mimicking the human voice saying the onomatopoeic name "wah-wah". The pedal sweeps a band-pass filter up and down in frequency to create a spectral glide. The wah-wah effect originated in the 1920s, with trumpet or trombone players finding they could produce an expressive crying tone by moving a mute in, and out of the instrument's bell. This was later simulated with electronic circuitry for the electric guitar when the wah-wah pedal was invented. It is controlled by movement of the player's foot on a rocking pedal connected to a potentiometer. Wah-wah effects may be used without moving the treadle as a fixed filter to alter an instrument’s timbre (known as a "cocked-wah"), or to create a "wacka-wacka" funk-styled rhythm for rhythm guitar playing. An auto-wah pedal uses an envelope follower to control th ...
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