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Up With Donald Byrd
''Up with Donald Byrd'' is an album by American trumpeter Donald Byrd featuring performances by Byrd with Jimmy Heath, Stanley Turrentine, Herbie Hancock and Kenny Burrell recorded in 1964. It was released on the Verve label in 1965 as V/V6 8609.Donald Byrd discography accessed September 2, 2010 Reception The review by awarded the album 2 stars and stated "The music is mostly pretty forgettable despite such top sidemen... A lesser effort".Yanow, S. |
Donald Byrd
Donaldson Toussaint L'Ouverture Byrd II (December 9, 1932 – February 4, 2013) was an American jazz and rhythm & blues trumpeter, composer and vocalist. A sideman for many other jazz musicians of his generation, Byrd was one of the few hard bop musicians who successfully explored funk and soul while remaining a jazz artist. As a bandleader, Byrd was an influence on the early career of Herbie Hancock and many others. Biography Early life and career Byrd was born in 1932 in Detroit, Detroit, Michigan. His family came from the African-American middle class, African-American middle-class. His father, Elijah Thomas Byrd, was a Methodism, Methodist minister who greatly valued education and oversaw his son's schooling. His mother, Cornelia Taylor, introduced Byrd to jazz music and it was her brother who gave Byrd his first trumpet. He attended Cass Technical High School. He performed with Lionel Hampton before finishing high school. During this period, his first professional rec ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Boom Boom (John Lee Hooker Song)
"Boom Boom" is a song written by American blues singer and guitarist John Lee Hooker and first recorded October 26, 1961. Although it became a blues standard, music critic Charles Shaar Murray calls it "the greatest pop song he ever wrote". "Boom Boom" was both an American R&B and pop chart success in 1962 and a UK top-twenty hit in 1992. The song is one of Hooker's most identifiable and enduring songs and "among the tunes that every band on the arly 1960s UKR&B circuit simply ''had'' to play". It has been recorded by numerous blues and other artists, including a 1965 North American hit by the Animals. Recording and composition Prior to recording for Vee-Jay Records, John Lee Hooker was primarily a solo performer or accompanied by a second guitarist, such as early collaborators Eddie Burns or Eddie Kirkland. However, with Vee-Jay, he usually recorded with a small backing band, as heard on the singles " Dimples", "I Love You Honey", and "No Shoes". Detroit keyboardist Joe ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Grady Tate
Grady Tate (January 14, 1932 – October 8, 2017) was an American jazz and soul-jazz drummer and baritone vocalist. In addition to his work as sideman, Tate released many albums as leader and lent his voice to songs in the animated ''Schoolhouse Rock!'' series. He received two Grammy nominations. Biography Tate was born in Hayti, Durham, North Carolina, United States. In 1963 he moved to New York City, where he became the drummer in Quincy Jones's band. Grady Tate's drumming helped to define a particular hard bop, soul jazz and organ trio sound during the mid-1960s and beyond. His slick, layered and intense sound is instantly recognizable for its understated style in which he integrates his trademark subtle nuances with sharp, crisp "on top of the beat" timing (in comparison to playing slightly before, or slightly after the beat). The Grady Tate sound can be heard prominently on many of the classic Jimmy Smith and Wes Montgomery albums recorded on the Verve label in the 196 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Double Bass
The double bass (), also known as the upright bass, the acoustic bass, the bull fiddle, or simply the bass, is the largest and lowest-pitched string instrument, chordophone in the modern orchestra, symphony orchestra (excluding rare additions such as the octobass). It has four or five strings, and its construction is in between that of the gamba and the violin family. The bass is a standard member of the orchestra's string section, along with violins, violas, and cellos,''The Orchestra: A User's Manual'' , Andrew Hugill with the Philharmonia Orchestra as well as the concert band, and is featured in Double bass concerto, concertos, solo, and chamber music in European classical music, Western classical music.Alfred Planyavsky [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ron Carter
Ronald Levin Carter (born May 4, 1937) is an American jazz double bassist. His appearances on 2,221 recording sessions make him the most-recorded jazz bassist in history. He has won three Grammy Awards, and is also a Cello, cellist who has recorded numerous times on the instrument. In addition to a solo career of more than 60 years, Carter is well-known for playing on numerous iconic Blue Note albums in the 1960s, as well as being the anchor of trumpeter Miles Davis's "Miles Davis Quintet#Second Great Quintet, Second Great Quintet" from 1963-1968. Beginning with ''Where? (album), Where?'' in 1961, Carter's studio albums as leader also include ''Uptown Conversation'' (1969), ''Blues Farm'' (1973), ''All Blues (Ron Carter album), All Blues'' (1973), ''Spanish Blue (album), Spanish Blue'' (1974), ''Anything Goes (Ron Carter album), Anything Goes'' (1975), ''Yellow & Green (Ron Carter album), Yellow & Green'' (1976), ''Pastels (album), Pastels'' (1976), ''Piccolo (album), Piccolo'' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Bob Cranshaw
Melbourne Robert Cranshaw (December 3, 1932 – November 2, 2016) was an American jazz bassist. His career spanned the heyday of Blue Note Records as a house bassist to his later involvement with the Musicians Union. He is perhaps best known for his long association with Sonny Rollins. Cranshaw performed in Rollins's working band on and off for over five decades, starting with a live appearance at the 1959 Playboy jazz festival in Chicago and on record with the 1962 album '' The Bridge''. Cranshaw died at the age of 83 on November 2, 2016, in Manhattan, New York, from Stage IV cancer. Discography As sideman With Pepper Adams *'' Pepper Adams Plays the Compositions of Charlie Mingus'' (Workshop Jazz, 1964) With Nat Adderley *'' Little Big Horn!'' ( Riverside, 1963) *'' Sayin' Somethin''' (Atlantic, 1966) With Eric Alexander *'' Second Impression'' ( HighNote, 2016) With Mose Allison *'' Hello There, Universe'' (Atlantic, 1970) With Gene Ammons *'' Gene Ammons and Friends ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tenor Saxophone
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B (while the alto is pitched in the key of E), and is a transposing instrument in the treble clef, sounding an octave and a major second lower than the written pitch. Modern tenor saxophones which have a high F key have a range from A2 to E5 (concert) and are therefore pitched one octave below the soprano saxophone. People who play the tenor saxophone are known as "tenor saxophonists", "tenor sax players", or "saxophonists". The tenor saxophone uses a larger mouthpiece, reed and ligature than the alto and soprano saxophones. Visually, it is easily distinguished by the curve in its neck, or its crook, near the mouthpiece. The alto saxophone lacks this and its neck goes straight to the mouthpiece. The tenor saxophone is most recognized for ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sometimes I Feel Like A Motherless Child
"Sometimes I Feel Like a Motherless Child", also "Motherless Child", is a traditional spiritual. It dates back to the era of slavery in the United States. An early performance of the song was in the 1870s by the Fisk Jubilee Singers. "Blue Gene" Tyranny, "Sometimes I Feel Like a Motherless Child" article ''AllMusic'' Commonly heard during the Civil rights movement in the United States, it has many variations and has been recorded widely. Description The song is an expression of pain and despair as the singer compares their hopelessness to that of a child who has been torn from its parents. Under one interpretation, the repetition of the word "sometimes" offers a measure of hope, as it suggests that at least "sometimes" the singer ''does not'' feel like a motherless child."Sweet Chariot: the story of the spirituals" [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cantaloupe Island
"Cantaloupe Island" is a jazz standard composed by Herbie Hancock and recorded for his 1964 album ''Empyrean Isles'' during his early years as one of the members of Miles Davis' 1960s quintet. Hancock later recorded a version mixing reggae and jazz fusion of the track, as Cantelope Island, on his 1976 album ''Secrets''. Musicians The musicians for the original 1964 recording were: Hancock (piano), Freddie Hubbard (cornet), Ron Carter (bass) and Tony Williams (drums). The 1976 recording featured Bennie Maupin (saxophone), Wah Wah Watson (guitar), Paul Jackson (bass), and James Levi (drums). Samples The jazz rap group Us3 sampled "Cantaloupe Island" in their song " Cantaloop (Flip Fantasia)", from their album '' Hand On the Torch'' (1993). "Cantaloop (Flip Fantasia)" was recorded as a demo a year before the group's first release. In the US, "Cantaloop (Flip Fantasia)" reached No. 21 on the R&B Single Sales chart No. 9 on the ''Billboard'' Hot 100, becoming the group's on ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
House Of The Rising Sun
"The House of the Rising Sun" is an American traditional folk song, sometimes called "Rising Sun Blues". It tells of a person's life gone wrong in the city of New Orleans. Many versions also urge a sibling or parents and children to avoid the same fate. The most successful commercial version, recorded in 1964 by the British rock band The Animals, was a number one hit on the UK Singles Chart and in the US and Canada. As a traditional folk song recorded by an electric rock band, it has been described as the "first folk rock hit". The song was first collected in Appalachia in the 1930s, but probably has its roots in traditional English folk song. It is listed as number 6393 in the Roud Folk Song Index. Origin and early versions Origin Like many folk songs, "The House of the Rising Sun" is of uncertain authorship. Musicologists say that it is based on the tradition of broadside ballads, and thematically it has some resemblance to the 16th-century ballad " The Unfortunate Rake" ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ma Rainey
Gertrude "Ma" Rainey ( Pridgett; April 26, 1886 – December 22, 1939) was an American blues singer and influential early-blues recording artist. Dubbed the " Mother of the Blues", she bridged earlier vaudeville and the authentic expression of southern blues, influencing a generation of blues singers. Rainey was known for her powerful vocal abilities, energetic disposition, majestic phrasing, and a "moaning" style of singing. Her qualities are present and most evident in her early recordings "Bo-Weevil Blues" and "Moonshine Blues". Gertrude Pridgett began performing as a teenager and became known as "Ma" Rainey after her marriage to Will "Pa" Rainey in 1904. They toured with the Rabbit Foot Minstrels and later formed their own group, ''Rainey and Rainey, Assassinators of the Blues''. Her first recording was made in 1923. In the following five years, she made over 100 recordings, including " Bo-Weevil Blues" (1923), "Moonshine Blues" (1923), " See See Rider Blues" (1925), the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
See See Rider
"See See Rider", also known as "C.C. Rider", "See See Rider Blues" or "Easy Rider", is a popular American 12-bar blues song that became a standard in several genres. Gertrude "Ma" Rainey was the first to record it on October 16, 1924, at Paramount Records in New York. The song uses mostly traditional blues lyrics to tell the story of an unfaithful lover, commonly called an "easy rider": "See see rider, see what you have done", making a play on the word "see" and the sound of "easy". Background "See See Rider" is a traditional song that may have originated on the black vaudeville circuit. It is similar to " Poor Boy Blues" as performed by Ramblin' Thomas. Jelly Roll Morton recollected hearing the song as a young boy sometime after 1901 in New Orleans, Louisiana, when he performed with a spiritual quartet that played at funerals. Older band members played "See See Rider" during get-togethers with their "sweet mamas" or as Morton called them "fifth-class whores". Big Bill Bro ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
