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Unreleased 1974–2016
''Unreleased 1974–2016'' is an album by drummer and electronic musician Tony Oxley. The first three tracks were recorded in 1974, and feature Oxley with trumpeter Dave Holdsworth, trombonist Paul Rutherford, pianist Howard Riley, and bassist Barry Guy. These tracks were remastered and edited into their final form in 2005, 2019, and 2020. Track four, recorded in 1981, is performed by Oxley, saxophonist Larry Stabbins, violinist Phil Wachsmann, pianist Howard Riley, and guitarist Hugh Metcalfe, while the fifth and final track, recorded in 2016, pairs Oxley with percussionist Stefan Hölker. Drawn from Oxley's personal archive of recordings, the album was released in 2022 by Discus Music. Reception In a review for ''Jazz Journal'', Peter Gamble wrote: "The kind of presentations we are faced with here are typical of so much of his output from the 1970s onwards, abandoning accepted form and structure, asking questions of the listener and taking no prisoners in the process... The e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Oxley
Tony Oxley (15 June 1938 – 26 December 2023) was an English free improvisation, free improvising drummer and electronic musician. Born in Sheffield, Oxley moved to London in 1966 and became house drummer at Ronnie Scott's Jazz Club where he accompanied visiting musicians such as Joe Henderson, Lee Konitz, Charlie Mariano, Stan Getz, Sonny Rollins, and Bill Evans until the early 1970s. Each year between 1969 and 1972 he topped the ''Melody Maker'' annual jazz readers poll for drummers. In 1970 Oxley helped found Incus Records, with Derek Bailey (guitarist), Derek Bailey and others; the label would go on to release more than 50 albums. In 1993 he joined a quartet with Tomasz Stańko, Bobo Stenson and Anders Jormin, and regularly released albums under his own name throughout the 2000s. His last albums were ''Unreleased 1974–2016'' (2022) and ''The New World (Tony Oxley album), The New World'' (2023), both released on the Discus label. Biography Tony Oxley was born in Sheffiel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Free Improvisation
Free improvisation or free music is improvised music without any general rules, instead following the intuition of its performers. The term can refer to both a technique—employed by any musician in any genre—and as a recognizable genre of experimental music in its own right. Free improvisation, as a genre of music, developed primarily in the U.K. as well as the U.S. and Europe in the mid to late 1960s, largely as an outgrowth of free jazz and contemporary classical music. Exponents of free improvised music include saxophonists Evan Parker, Anthony Braxton, Peter Brötzmann, and John Zorn, composer Pauline Oliveros, trombonist George E. Lewis, guitarists Derek Bailey, Henry Kaiser and Fred Frith, bassists Damon Smith and Jair-Rohm Parker Wells and the improvising groups Spontaneous Music Ensemble and AMM. Characteristics In the context of music theory, free improvisation denotes the shift from a focus on harmony and structure to other dimensions of music, su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elaboration Of Particulars
''Elaboration of Particulars'' is an album by percussionist Tony Oxley and multi-instrumentalist Alan Davie. It was recorded during 1977 and 1978 at Gamels Studio in Rush Green, Hertford, United Kingdom, and was released by Confront Recordings in 2021. Reception In a review for '' Jazzwise'', Kevin Whitlock wrote: "the empathy between the pair is palpable, and unusually for this kind of improv, they sound as if they're having a whale of a time... this music is about texture and space rather than tunes and narrative, but it's surprisingly accessible, and a compelling, valuable record of an intriguing collaboration between two like-minded explorers of the musical margins." ''JazzWords Ken Waxman stated: "the CD's eight tracks evoke a preoccupation with tone and timbre extensions rather than concentrating on raw intensity. Partially because of the electronics, sound convergence squealing metallic crunches and pulsating wooden echoes as well as more expected percussion slaps and keyb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The New World (Tony Oxley Album)
''The New World'' is an album by Tony Oxley. His final release, it was recorded during 2022 in Viersen, Germany, and was issued on CD and as a digital download in 2023 by Discus Music. On the album, Oxley, who is heard on percussion and electronics, is joined by percussionist Stefan Hölker, who was previously heard on Oxley's ''Beaming (album), Beaming'' (2020) and ''Unreleased 1974–2016'' (2022). Reception In a review for ''Jazz Journal'', Michael Tucker called the album "a densely woven yet airy, self-defining abstract soundscape, rich in pointillist texture and abstracted, interlaced pulses but devoid of swing," and wrote: "A tough but engrossing listen, this, which may stand as a memorial to the drummer." ''The New York City Jazz Records Mike Shanley compared the music to "a visit to a Percussion Curiosity Shop," in which "low clattering sounds float in, only to disappear quickly." He commented: "The performance never rises to a frenetic level, and even when it flows rapidly ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paul Rutherford (trombonist)
Paul William Rutherford (29 February 1940 – 5 August 2007) was an English free improvisation, free improvising trombonist. Biography Born in Greenwich, South East (London sub region), South East London, England, Rutherford initially played saxophone but switched to trombone. During the 1960s, he taught at the Guildhall School of Music and Drama. In 1970, Rutherford, guitarist Derek Bailey (guitarist), Derek Bailey and bassist Barry Guy formed the improvising group Iskra 1903, which lasted until 1973. The formation was documented on a Iskra 1903, double album from Incus, later reissued with much bonus material on the three-CD set ''Chapter One'' (Emanem, 2000). A film soundtrack was separately released as ''Buzz Soundtrack''. Iskra 1903 was one of the earliest free improvising groups to omit a drummer/percussionist, permitting the players to explore a range of textures and dynamics which set it apart from such other contemporary improvising ensembles as Spontaneous Music Ense ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Howard Riley (musician)
John Howard Riley (16 February 1943 – 8 February 2025) was an English pianist and composer who worked in the jazz and experimental music idioms. Life and career Riley was born in Huddersfield, Yorkshire, England on 16 February 1943. He was the elder son of Marjorie (nee Emmott), a secretary, and her husband, John Riley, an engineer and part-time dance band leader. Like his brother Paul, Howard received piano lessons from his father. He began learning the piano at the age of six, and began playing jazz as early as the age of 13. He studied at the University of Wales (1961–66), Indiana University School of Music in America under David Baker (1966–67), and then at York University (1967–70). Alongside his studies he played jazz professionally, with Evan Parker (1966) and then with his own trio (1967–76), with Barry Guy on bass and Alan Jackson, Jon Hiseman, and Tony Oxley for periods on drums. Additionally he worked with John McLaughlin (1968), the London Jazz Compo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Barry Guy
Barry John Guy (born 22 April 1947, in London, England) is an English composer and double bass player. His range of interests encompasses early music, contemporary composition, jazz and improvisation, and he has worked with a wide variety of orchestras in the UK and Europe. He studied at the Guildhall School of Music under Buxton Orr, and later taught there. Guy came to the fore as an improvising bassist as a member of a trio with pianist Howard Riley (musician), Howard Riley and drummer Tony Oxley (Witherden, 1969). He also became an occasional member of John Stevens (drummer), John Stevens' ensembles in the 1960s and 1970s, including the Spontaneous Music Ensemble. In the early 1970s, he was a member of the influential free improvisation group Iskra 1903 with Derek Bailey (guitarist), Derek Bailey and trombonist Paul Rutherford (trombone player), Paul Rutherford (a project revived in the late 1970s, with violinist Philipp Wachsmann replacing Bailey). He also formed a long-stan ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larry Stabbins
Larry Stabbins (born 9 September 1949) is a British jazz saxophonist, flutist and composer. Biography Larry Stabbins learned clarinet at school from the age of eight, when his musical idol was Acker Bilk. He started playing saxophone at the age of eleven. He was soon playing in local dance bands, doing his first paid gig aged twelve, and later also playing in soul bands such as Bristol group The Strange Fruits, particularly the music of Junior Walker and James Brown. He started working with pianist Keith Tippett when he was sixteen and later contributed to various Tippett projects such as Centipede, Ark, Tapestry and the Keith Tippett Septet. In addition the two also worked for a time in a trio with South African percussionist Louis Moholo. In London in the early 1970s, after a brief period in the Chris McGregor’s Brotherhood of Breath, he played with John Stevens’ Spontaneous Music Orchestra, and occasionally with the Spontaneous Music Ensemble (SME). During this period he ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Phil Wachsmann
Philipp John Paul Wachsmann (born 5 August 1944) is an African avant-garde jazz/jazz fusion violinist born in Kampala, Uganda, probably better known for having founded his own group Chamberpot. He has worked with many musicians in the free jazz idiom, including Tony Oxley, Fred van Hove, Barry Guy, Derek Bailey and Paul Rutherford, among many others. Wachsmann is especially known for playing within the electronica idiom. Discography * ''Chamberpot'' with Richard Beswick, Simon Mayo, Tony Wren (Bead, 1976) * ''Sparks of the Desire Magneto'' with Richard Beswick, Tony Wren (Bead, 1977) * ''Improvisations Are Forever Now'' (Vinyl Records, 1978) * ''For Harm'' with Harry de Wit (Bead, 1979) * ''Hello Brenda!'' with Richard Beswick (Bead, 1981) * ''Writing in Water'' (Bead, 1985) * ''Ellispontos'' (J.n.d., 1986) * ''The Glider & The Grinder'' with Tony Oxley (Bead, 1987) * ''Eleven Years from Yesterday'' with Peter Jacobsen, Ian Brighton, Marcio Mattos, Trevor Taylor (Bead, 1988) * ' ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazzwise
''Jazzwise'' is a British monthly magazine focused on jazz, launched in 1997. The magazine covers a range of jazz sub-genres and provides news coverage, a national gig guide, a jazz-on-film page, feature articles, and a review section that evaluates new musical releases, DVDs, books, and live performances. News stories also feature on the ''Jazzwise'' magazine website. ''Jazzwise'' instructs new jazz writers through its ongoing intern scheme and '' The Write Stuff'' workshops held each November during the London Jazz Festival. Awards In 2006, ''Jazzwise'' editor Jon Newey won Journalist of the Year at the Parliamentary Jazz Awards. In 2007, ''Jazzwise'' won two awards – Best Jazz Publication at the Parliamentary Jazz Awards and Best Jazz Publication at the Ronnie Scott's awards. In 2009, ''Jazzwise'' writer Kevin Le Gendre won Journalist of the Year at the Parliamentary Jazz Awards. In 2010, ''Jazzwise'' won Best Jazz Publication for the second time, gig guide editor Mi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tom Hull – On The Web
Tom Hull is an American music critic, web designer, and former software developer. Hull began writing criticism for ''The Village Voice'' in the mid 1970s under the mentorship of its music editor Robert Christgau, but left the field to pursue a career in software design and engineering during the 1980s and 1990s, which earned him the majority of his life's income. In the 2000s, he returned to music reviewing and wrote a jazz column for ''The Village Voice'' in the manner of Christgau's "Consumer Guide", alongside contributions to ''Seattle Weekly'', '' The New Rolling Stone Album Guide'', NPR Music, and the webzine ''Static Multimedia''. Hull's jazz-focused database and blog ''Tom Hull – on the Web'' hosts his reviews and information on albums he has surveyed, as well as writings on books, politics, and movies. It shares a functional, low-graphic design with Christgau's website, which Hull also created and maintains as its webmaster. Education Hull attended Wichita State ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jazz Journal
''Jazz Journal'' is a British jazz magazine established in 1946 by Sinclair Traill (1904–1981). It was first published in London under the title ''Pick Up'', which Traill founded as a locus for serious jazz criticism in Britain.Roberta Freund Schwartz How Britain Got the Blues: The Transmission and Reception of American Blues', Ashgate Publishing, (1988), p.25, In May 1948, Traill, using his own money, relaunched it as ''Jazz Journal''. Traill, for the rest of his life, served as its editor-in-chief. ''Jazz Journal'' is Britain's longest published jazz magazine. Ownership overview In April 1977, Billboard Limited – then the publisher of ''Music Week'' and '' The Artist'' – acquired publishing rights to ''Jazz Journal'' (via lease agreement) from the magazine's owner, Novello & Company, Ltd. Cardfront Publishers Limited, a division of Billboard Limited, became the publisher; Mike Hennessey became director; Traill continued as editor-in-chief; and the publication ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |