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Umetada
''Umetada'' is a Japanese style of decoration for metal work. It may have been used by silversmiths since the Muromachi period. But in the Momoyama period, a certain Umetada Myoju (1558–1631) emerged to become the founder of the manufacture of so-called "new swords," or ''shinto'', and to rank with Kaneie and Nobuie as a great designer and maker of sword guards. Although he is said to have done metal carving for sword mounts, not a single sword guard that can safely be said to have been carved by him remains. Most of the things that do remain are works in inlay, (zogan) in copper, brass, and ''shakudo'' using designs that recall the colorful pictures of the Ogata Kōrin school. Umetada Myoju established the style and the fame of the Umetada name, which flourished greatly after his time. But he was not the first to make sword guards in the Umetada style. Both nameless craftsmen and a certain Mitsutada are known to have done this kind of work before Myoju. It seems likely that was ...
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Japanese Swords
A is one of several types of traditionally made swords from Japan. Bronze swords were made as early as the Yayoi period (1,000 BC – 300 AD), though most people generally refer to the curved blades made from the Heian period (794–1185) to the present day when speaking of "Japanese swords". There are many types of Japanese swords that differ by size, shape, field of application, and method of manufacture. Some of the more commonly known types of Japanese swords are the ''uchigatana'', ''tachi'', ''ōdachi'', ''wakizashi'', and ''tantō''. Etymology The word ''katana'' was used in ancient Japan and is still used today, whereas the old usage of the word ''nihontō'' is found in the poem the Song of ''Nihontō'', by the Song dynasty poet Ouyang Xiu. The word ''nihontō'' became more common in Japan in the late Tokugawa shogunate. Due to importation of Western swords, the word ''nihontō'' was adopted to distinguish it from the . ''Meibutsu'' (noted swords) is a special designat ...
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Katana
A is a Japanese sword characterized by a curved, single-edged blade with a circular or squared guard and long grip to accommodate two hands. Developed later than the ''tachi'', it was used by samurai in feudal Japan and worn with the edge facing upward. Since the Muromachi period, many old ''tachi'' were cut from the root and shortened, and the blade at the root was crushed and converted into a ''katana''. The specific term for ''katana'' in Japan is and the term ''katana'' (刀) often refers to single-edged swords from around the world. Etymology and loanwords The word ''katana'' first appears in Japanese in the ''Nihon Shoki'' of 720. The term is a compound of ''kata'' ("one side, one-sided") + ''na'' ("blade"),1995, (''w:Daijisen, Daijisen'') (in Japanese), w:Tōkyō, Tōkyō: w:Shogakukan, Shogakukan, , entry available onlinhere/span> in contrast to the double-sided ''Tsurugi (sword), tsurugi''. The ''katana'' belongs to the ''nihontō'' family of swords, and is ...
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Shoami
''Shoami'' (and ''Ko-Shoami'') is a name of an artistic school (style) for making sword-guards (tsuba), mounted on a Japanese sword ('' uchi-gatana'' or just katana). The sword-guard is one of the most important symbols of the samurai. Etymology The "ami" part of this name, which derives from the name of the Amida Buddha, was once used to indicate a rank among priests of a branch of Buddhism called Jishu. Later, after the founding of the Ashikaga shogunate, a number of men engaged in serving the shogunal house in artistic or technical capacities included this word in their names. History In the Muromachi period, samurai of high standing began to use the ''uchi-gatana''; and as a result, outstanding guards for these weapons came into demand. Possibly the elevation of the status of the silver-smith to a position where he was entitled to use a name like Shoami dates from the time when craftsmen began producing fine sword guards of this kind. Naturally, as the popularity of the ''u ...
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Toreutics
The term ''toreutics'', relatively rarely used in English, refers to artistic metalworking – hammering gold or silver (or other materials), engraving, or using repoussé and chasing to form minute detailed reliefs or small engraved patterns. Toreutics can include metal-engraving – forward-pressure linear metal removal with a burin. Toreutics is extremely ancient, and depending on the metal used will survive burial for periods of centuries better than art in many other materials. Conversely if above ground it was likely to be melted down and the metal reused. Until the Middle Ages it was also among the art forms with the highest prestige. Archeological background It was practised in the Bronze Age and was well established centuries before the shaft graves. Toureutic items of special quality from the Iron Age are the Certosa situla from Italy and from Slovenia the Vače situla and the Vače belt-plate. Toreutics flourished to an unusual degree among the peoples of Asia Mi ...
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:Category:Japanese Words And Phrases
{{Commons Words and phrases by language Words Words Words A word is a basic element of language that carries meaning, can be used on its own, and is uninterruptible. Despite the fact that language speakers often have an intuitive grasp of what a word is, there is no consensus among linguists on its ...
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Muromachi
The , also known as the , is a division of History of Japan, Japanese history running from approximately 1336 to 1573. The period marks the governance of the Ashikaga shogunate, Muromachi or Ashikaga shogunate ( or ), which was officially established in 1338 by the first Muromachi ''shōgun'', Ashikaga Takauji, two years after the brief Kenmu Restoration (1333–1336) of imperial rule was brought to a close. The period ended in 1573 when the 15th and last shogun of this line, Ashikaga Yoshiaki, was driven out of the capital in Kyoto by Oda Nobunaga. From a cultural perspective, the period can be divided into the Kitayama and Higashiyama cultures (later 15th – early 16th centuries). The early years from 1336 to 1392 of the Muromachi period are known as the or Northern and Southern Court period. This period is marked by the continued resistance of the supporters of Emperor Go-Daigo, the emperor behind the Kenmu Restoration. The Sengoku period or Warring States period, which beg ...
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Momoyama Period
Momoyama may refer to: History *Azuchi–Momoyama period, the final phase of the Sengoku period in Japanese history 1568–1600 People * Ion Momoyama, Japanese singer and voice actor * Momoyama Kenichi (1909–1991), Korean prince and cavalry officer in the Japanese Imperial Army Places * Momoyama Castle, a castle in Fushimi Ward, Kyoto, Japan *Momoyama Gakuin University , also known as Saint Andrew's University, is a private university, established under Anglican Christianity, Christian auspices, in Izumi, Osaka, Izumi, Osaka. History The university was granted its charter in 1959. Organization Faculties * I ..., an Anglican university in Osaka, Japan * Momoyama Station, railway station in Fushimi-ku, Kyoto, Kyoto Prefecture, Japan * Momoyama, Wakayama, a town in Naga District, Nakayama Prefecture, Japan {{Disambiguation ...
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Tomoko Miho
Tomoko Miho (September 2, 1931 - February 10, 2012) was a Japanese-American graphic designer and recipient of the 1993 AIGA Medal. She is known for her understanding of the relationship between space and object. Biography Tomoko Miho (née Kawakami) was born in Los Angeles in 1931 and spent her early days in the Gila River War Relocation Center in Arizona. She attended the Minneapolis School of Art and the Art Center School in Los Angeles where she earned a degree in industrial design. She and her husband and fellow designer, James Miho, went traveling through Europe where she met Giovanni Pintori (director of Olivetti), Hans Erni, and Herbert Leupin, and visited the renowned Ulm School of Design. After her return to the United States, she worked at George Nelson Associates, Inc. under Creative Director Irving Harper and became his successor. She worked for Herman Miller furniture and the Center for Advanced Research in Design (for Container Corporation of America and Atl ...
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Ogata Kōrin
Ogata Kōrin (; 1658 – June 2, 1716) was a Japanese landscape illustrator, lacquerer, painter, and textile designer of the Rinpa School. Kōrin is best known for his ''byōbu'' folding screens, such as '' Irises'' and '' Red and White Plum Blossoms'' (both registered National Treasures), and his paintings on ceramics and lacquerware produced by his brother Kenzan (1663–1743). Also a prolific designer, he worked with a variety of decorative and practical objects, such as round fans, writing boxes (''suzuribako'') executed in relief (''makie'') or ''inrō'' (medicine cases). He is also credited with reviving and consolidating the Rinpa school of Japanese painting, fifty years after its foundation by Hon'ami Kōetsu (1558–1637) and Tawaraya Sōtatsu (c. 1570 – c. 1640). In fact the term "Rinpa", coined in the Meiji period, means "school of ōin". In particular he had a lasting influence on Sakai Hōitsu (1761–1828), who replicated many of his paintings and ...
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Scabbard
A scabbard is a sheath for holding a sword, dagger, knife, or similar edged weapons. Rifles and other long guns may also be stored in scabbards by horse riders for transportation. Military cavalry and cowboys had scabbards for their saddle ring carbines and rifles for transportation and protection. Scabbards have been made of many materials over the millennia, including leather, wood, and metal such as brass or steel. Most commonly, sword scabbards were worn suspended from a sword belt or shoulder belt called a baldric. Antiquity Scabbards have at least been around since the Bronze Age, and are thought to have existed as long as the blade has. Wooden scabbards were typically covered in fabric or leather; the leather versions also usually bore metal or leather fittings for added protection and carrying ease. All-metal scabbards were popular items for a display of wealth among elites in the European Iron Age, and often intricately decorated. Little is known about the scabbards ...
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Aesthetics
Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and taste (sociology), taste, which in a broad sense incorporates the philosophy of art.Slater, B. H.Aesthetics ''Internet Encyclopedia of Philosophy,'' , accessed on 15 September 2024. Aesthetics examines values about, and Critical thinking, critical judgments of, artistic taste and preference. It thus studies how Artist, artists imagine, create, and perform works of art, as well as how people use, enjoy, and criticize art. Aesthetics considers why people consider certain things beautiful and not others, as well as how objects of beauty and art can affect our moods and our beliefs. Aesthetics tries to find answers to what exactly is art and what makes good art. It considers what happens in our minds when we view Visual arts, visual art, listen to music, read poetry, enjoy delicious food, and engage in large artistic projects like creating and experiencing plays, fashion shows ...
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History Of Decorative Arts
History is the systematic study of the past, focusing primarily on the human past. As an academic discipline, it analyses and interprets evidence to construct narratives about what happened and explain why it happened. Some theorists categorize history as a social science, while others see it as part of the humanities or consider it a hybrid discipline. Similar debates surround the purpose of history—for example, whether its main aim is theoretical, to uncover the truth, or practical, to learn lessons from the past. In a more general sense, the term ''history'' refers not to an academic field but to the past itself, times in the past, or to individual texts about the past. Historical research relies on primary and secondary sources to reconstruct past events and validate interpretations. Source criticism is used to evaluate these sources, assessing their authenticity, content, and reliability. Historians strive to integrate the perspectives of several sources to devel ...
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