Umasashi
Umasashi (1915 – 6 December 2000) was an Indian Bengali film actress who appeared in many roles from 1929 to 1951. Her on-screen pairings with actors such as Durgadas Bannerjee, K. L. Saigal, Pahari Sanyal and Prithviraj Kapoor were popular in those days. Early life Umasashi was born on 1915 in a poor Brahmin family of Calcutta. Her father Nilmani Chattopadhyay's ancient home was in Dhaka, East Bengal, British India but he later settled in Calcutta. He was a Kirtan artist and sometimes act as a Jatra artist in a local Jatra group. As a child Uma received a very little formal education in a local school due to poverty. She received dance and music training from the age of four. Miss Satkari Ganguly was her first music and dance teacher. As Satkari Ganguly was an actor she took her on stage where she started work as a group dancer in theatre like Minerva, Alfred and Russa. Soon she played minor roles in the stage and became a part of a touring Jatra group from Kolkata to ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Kapalkundala (1933 Film)
''Kapalkundala'' is a 1933 Bengali social family film directed by Premankur Atorthy for New Theatres Ltd. Calcutta. The film starred Umasashi, Durgadas Bannerjee, Manoranjan Bhattacharya and Molina Devi. It based on Kapalkundala, a famous Bengali novel written by Bankimchandra Chattopadhyay in 1866. This was the second remake of Kapalakundala, the first being made in 1929 by Priyanath Ganguly. The film was made three more times: 1939, 1952, 1981. The film did well celebrating a run of twenty-five weeks. Plot The film is about a girl named Kapalkundala (Uma Sashi), who is brought up in a forest by the sage Kapalik (Manoranjan Bhattacharya). She meets a young man, Nabakumar (Durgadas Bannerjee), who loses his way in the forest, and she falls in love with him. They elope and marry. She relocates to the city with her husband but finds herself unable to adapt to city life. Kapalik with the help of Shyama (Molina Devi) tries to malign her wanting her to return. The story ends with Kapa ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dharti Mata (film)
''Dharti Mata'' is a 1938 Hindi social film directed by Nitin Bose. The film was also made and in Bengali as '' Desher Mati'' in the same year by New Theatres. It starred K.L. Saigal, Uma Shashi (aka Umasashi), Jagdish Sethi, Kamlesh Kumari, and K. C. Dey. The music was by Pankaj Mullick and lyricist and dialogue writer was Pandit Sudarshan. The story, screenplay and cinematography was by Nitin Bose. The story is about two friends Ashok and Ajay, one interested in agriculture and the other in technology. Ashok goes to the village to help the farmers while Ajay goes to UK for higher studies in engineering. The film highlights the need of technology and new concepts for effective farming. Plot Ashok (K. L. Saigal) and Ajay (Jagdish Sethi) have different notions about the progress of the country. Ashok supports agriculture and going back to the villages while Ajay is in favour of industrialisation and technology. Ajay is from a rich family and has to go to UK for further studies in ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Chandidas (film)
''Chandidas'' is a 1934 Hindi social drama film directed by Nitin Bose. The film was produced by New Theatres Calcutta and was their first big success. It was remake of the 1932 Bengali film of the same name directed by Debaki Bose. This 1934 Hindi version starred K. L. Saigal, Uma Sashi, Pahari Sanyal, Nawab and H. Siddiqui. The music direction was by R. C. Boral with the lyrics written by Agha Hashar Kashmiri. The credit roll of the film states that the film is "Based on the life problems of the poet Chandidas –A problem India has not been able to solve", which involved the caste schism in India. The story revolves around the 15th century poet-saint Chandidas who acts out against the deep-rooted bigotry against caste, untouchoubility and the hypocrisy of society, and a washer woman with whom he falls in love. Plot Chandidas (K. L. Saigal), a lover of truth and humanity is the disciple of Acharya (M. Ansari), a priest in the temple. Baiju (Pahari Sanyal), a washer-man lives w ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Bhagya Chakra
''Bhagya Chakra'' (''Wheel of Fate'') is a 1935 Indian Bengali-language film directed by Nitin Bose. The film was remade in Hindi in the same year, titled '' Dhoop Chhaon''. Cast * Biswanath Bhadhuri as Shamlal * Haricharan Bandyopadhyay as Hiralal * K.C.Dey as Surdas * Nivanani Debi as Paanchir Ma * Amar Mullick as Theatre Manager * Keshto Das as Assistant Manager * Pahari Sanyal as Dipak * Durgadas Bannerjee as Mr.Ray * Umasashi as Mira * Debabala as Mira's mother * Indu Mukherjee as Detective * Shyam Law as Detective * Pramathesh Barua Pramathesh Chandra Barua (24 October 1903 – 29 November 1951) was an Indian actor, director, and screenwriter of Indian films in the pre-independence era, born in Gauripur, Dhubri, Assam. Early life Barua was the son of the royal family of ... as guest at party * Vikram Nahar as guest#2 * Nagendrabala as Nurse * Sailen Pal as 'Stage'- Dipak * Ahi Sanyal as bad singer References External links * Bengali-language Indian films ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Daku Mansoor
''Daku Mansoor'' (Mansoor The Dacoit) also called ''Karishma-E-Kudrat'' is a 1934 Hindi/Urdu costume action drama film directed by Nitin Bose. The film was produced by New Theatres Ltd. Calcutta and the music director was R. C. Boral. The cast of the film included K. L. Saigal, Uma Shashi, Prithviraj Kapoor, Husnbanu, Pahari Sanyal and Nemo. Daku Mansoor was actress Husn Banu’s debut film. The film was based on a Bengali folktale and involves the dacoit Mansoor (K. L. Saigal) and his love first for Paribanu (Husn Banu), and then for Meher (Uma Sashi), and ultimately the rejection of his way of life. Plot Mansoor ( K. L. Saigal) is a dacoit who falls in love with Husn Pari (Husn Banu), the sister of the evil caliph. His escapades bring him notoriety and Mansoor moves to a new place where he stays as a guest at the merchant Ali's house. Ali and his family have no knowledge of Mansoor's past. Ali's daughter, Meher (Uma Sashi), starts loving Mansoor but he rebuffs her as he is st ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Puran Bhagat (film)
''Puran Bhagat'' (Puran Bhakt) is a 1933 Hindi devotional biopic film from New Theatres Ltd. Calcutta. The film was Debaki Bose's debut direction in Hindi. The film starred K. L. Saigal, Uma Shashi, Kumar, Molina Devi, K. C. Dey and Tarabai. The film was based on a popular Punjabi devotional story of Puran Bhagat, which was a change for New Theatres from their regular films based on traditional Bengali stories, saints and novels. It was a "great success all over India". Synopsis After several years of penance and prayers a male child is born to King Silwan of Sialkot and his wife Queen Ichhara. However the Raj Guru predicts that they must not see their son till he's 16 years old or the child will die. The child, Puran, is given to Raj Guru to be fostered. Mahipat the Senapati (king's general), has looked forward to becoming the king for a long time as the king had no son. But the birth of Puran thwarts his desires and over the years he spreads rumours about Puran's wild antic ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Dena Paona
''Dena Paona'' ( bn, দেনা পাওনা) () is a 1931 Bengali film directed by Premankur Atorthy, starring Amar Mullick, Durgadas Bannerjee, Jahar Ganguly, Nibhanani Devi, and Bhanu Bandopadhyay. Based on a novel by Sarat Chandra Chattopadhyay and produced by New Theatres, it is credited as the one of first Bengali talkies, and along with Alam Ara, was one of the first sound films produced in India. The film explored the ills of the dowry system and touched on the problems of female oppression in 19th century Bengal. Plot Jibananda is a drunkard Zamindar. Ekkari is his companion in all his sinful deeds and greed for money. Sorashi is the priestess in the local Chandi Temple and the estranged wife of Jibananda. She is adamant and stubborn, but responsible and honest. She has immense influence in certain sections of local society. When Sorashi was young, she was known as Alaka. Circumstances force Sorashi to stay whole night in the drunk Jibananda's house. This creat ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Shobhabazar Rajbari
Shobhabazar Rajbari (Shobhabazar Royal Palace) is the palace of the Shobhabazar royal family located in the Indian city of Kolkata. History Maharaja Nabakrishna Deb (1737–97), founder of the Shobhabazar Rajbari (at 35), started life as a modest aristocrat but soon amassed considerable wealth in his service to the British, in particular by his role in assisting to topple Siraj ud-Daulah. During his lifetime Raja Nabakrishna Deb built two houses. The building at 35 Raja Nabakrishna Street (known as ''Shobhabazar Rajbari'' or "Baag ola Bari - House with the lions"), on the northern side of the road, was the one first constructed by him, subsequently inherited by his adopted son from his elder brother Gopimohan and his descendants including his son Radhakanta Deb. The house at 33 Raja Nabakrishna Street (known as ''Choto Rajbari'') was built by him when a son was born to him later in life, and was left to his biological son Rajkrishna and his descendants. Presently Surotamo Kri ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Calcutta
Kolkata (, or , ; also known as Calcutta , the official name until 2001) is the capital of the Indian state of West Bengal, on the eastern bank of the Hooghly River west of the border with Bangladesh. It is the primary business, commercial, and financial hub of Eastern India and the main port of communication for North-East India. According to the 2011 Indian census, Kolkata is the seventh-most populous city in India, with a population of 45 lakh (4.5 million) residents within the city limits, and a population of over 1.41 crore (14.1 million) residents in the Kolkata Metropolitan Area. It is the third-most populous metropolitan area in India. In 2021, the Kolkata metropolitan area crossed 1.5 crore (15 million) registered voters. The Port of Kolkata is India's oldest operating port and its sole major riverine port. Kolkata is regarded as the cultural capital of India. Kolkata is the second largest Bengali-speaking city after Dhaka ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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New Theatres
New Theatres is an Indian film studio. It was formed in Calcutta by producer B. N. Sircar (Birendranath Sircar, the recipient of Dadasaheb Phalke Award of 1970). It was formed on 10 February 1931. Motto of this company was– ''Jivatang Jyotiretu Chhayam'' (Light infusing shadows with life). Sircar preferred to function roughly analogous to what in USA was known as an executive producer. He built a processing laboratory... and got around him a devoted band of people.... Having decided on or approved a story or a subject for a film and the team to make it ircarensured that adequate funds were provided... but refrained from interfering with its execution. He made New Theatres a symbol of Bengali cinema's artistic good taste and technical excellence. Dena Paona, a Bengali talkie, was produced by New Theatres and released in 1931. It was directed by Premankur Atarthi, with music composed by Raichand Boral. According to Kironmoy Raha, "New Theatres made its reputation secure ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Actresses In Hindi Cinema
An actor or actress is a person who portrays a character in a performance. The actor performs "in the flesh" in the traditional medium of the theatre or in modern media such as film, radio, and television. The analogous Greek term is (), literally "one who answers".''Hypokrites'' (related to our word for hypocrite) also means, less often, "to answer" the tragic chorus. See Weimann (1978, 2); see also Csapo and Slater, who offer translations of classical source material using the term ''hypocrisis'' ( acting) (1994, 257, 265–267). The actor's interpretation of a rolethe art of actingpertains to the role played, whether based on a real person or fictional character. This can also be considered an "actor's role," which was called this due to scrolls being used in the theaters. Interpretation occurs even when the actor is "playing themselves", as in some forms of experimental performance art. Formerly, in ancient Greece and the medieval world, and in England at the time o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Indian Film Actresses
Indian or Indians may refer to: Peoples South Asia * Indian people, people of Indian nationality, or people who have an Indian ancestor ** Non-resident Indian, a citizen of India who has temporarily emigrated to another country * South Asian ethnic groups, referring to people of the Indian subcontinent, as well as the greater South Asia region prior to the 1947 partition of India * Anglo-Indians, people with mixed Indian and British ancestry, or people of British descent born or living in the Indian subcontinent * East Indians, a Christian community in India Europe * British Indians, British people of Indian origin The Americas * Indo-Canadians, Canadian people of Indian origin * Indian Americans, American people of Indian origin * Indigenous peoples of the Americas, the pre-Columbian inhabitants of the Americas and their descendants ** Plains Indians, the common name for the Native Americans who lived on the Great Plains of North America ** Native Americans in th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |