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UPIC
UPIC (Unité Polyagogique Informatique CEMAMu) is a computerised musical composition tool, devised by the composer Iannis Xenakis. It was developed at the ''Centre d'Etudes de Mathématique et Automatique Musicales'' ( CEMAMu) in Paris, and was completed in 1977. Xenakis used it on his subsequent piece ''Mycènes Alpha'' (1978) and two other works. It has also been used by composers such as Julio Estrada, (''Eua´on'' (1980)), Jean-Claude Risset (on ''Saxatile'' (1992)), Jorge Antunes (''Interlude de l'opéra Olga'' (1992)), François-Bernard Mâche (''Hypérion'' (1981), ''Nocturne'' (1981), ''Tithon'' (1989), ''Moires'' (1994), ''Canopée'' (2003)), Takehito Shimazu (''Illusions in Desolate Fields'' (1994)), Gérard Pape (''Le Fleuve du Désir III'' (1994)), and Curtis Roads (''Purity'' (1994) and ''Sonal Atoms'' (1998)). Aphex Twin implies that he uses UPIC in an interview where he is asked what software he uses and he replies that, "UPIC by Xenakis puts almost everything ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Iannis Xenakis
Giannis Klearchou Xenakis (also spelled for professional purposes as Yannis or Iannis Xenakis; el, Γιάννης "Ιωάννης" Κλέαρχου Ξενάκης, ; 29 May 1922 – 4 February 2001) was a Romanian-born Greek-French avant-garde composer, music theorist, architect, performance director and engineer. After 1947, he fled Greece, becoming a naturalised citizen of France eighteen years later. Xenakis pioneered the use of mathematical models in music such as applications of set theory, stochastic processes and game theory and was also an important influence on the development of electronic and computer music. He integrated music with architecture, designing music for pre-existing spaces, and designing spaces to be integrated with specific music compositions and performances. Among his most important works are '' Metastaseis'' (1953–54) for orchestra, which introduced independent parts for every musician of the orchestra; percussion works such as '' Psappha'' (1 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
CCMIX
CCMIX (Center for the Composition of Music Iannis Xenakis, 2000), formerly Les Ateliers UPIC PIC workshops CEMAMu (Centre d'Etudes de Mathématique et Automatique Musicales, 1972), and EMAMu (Equipe de Mathématique et Automatique Musicales), was a research institute and a center for contemporary music. It was established by composer Iannis Xenakis with the support of the French Ministry of Culture in 1966 to encourage interdisciplinary research between arts and sciences. The center is best known for producing UPIC (Unité Polyagogique Informatique CEMAMu, 1977). Following an audit by the French Ministry of Culture in late 2006, CCMIX was reorganized as the Centre Iannis Xenakis (CIX) with a narrower focus on the safeguarding, development, and dissemination of the intellectual heritage of the work of Iannis Xenakis. Since December 2010, it has been located at the University of Rouen. [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Julio Estrada (musicologist)
Julio Estrada Velasco (born 10 April 1943) is a composer, theoretician, historian, pedagogue, and interpreter. Life Estrada was born in Mexico City, where his family had been exiled from Spain since 1941. He began his musical studies in Mexico from 1953–65, where he studied composition with Julián Orbón. In Paris from 1965-69 he studied with Nadia Boulanger, Olivier Messiaen and attended courses and lectures of Iannis Xenakis. In Germany he studied with Karlheinz Stockhausen in 1968 and with György Ligeti in 1972. He completed a Ph.D in Musicology at Strasbourg University from 1990–1994. Since 1974 he became researcher in music at the UNAM ''Instituto de Investigaciones Estéticas'', where he was appointed as the Chair of a project on Mexican Music History and as the head of "Música, Sistema Interactivo de Investigación y Composición", a musical system designed by himself. He is the first music scholar to be honored as member of the Science Academy of Mexico, and by ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gérard Pape
Gérard Pape (born April 22, 1955 in Brooklyn, New York) is a composer of electronic music, author, and Lacanian psychologist. He is a former student of David Winkler, George Cacioppo, William Albright, and George Balch Wilson. He became the director of Les Ateliers UPIC (now CCMIX) in 1991 and in 2015 authored a French-English bi-lingual book ''Musipoesc: Writings About Music'' that was published by Éditions Michel de Maule. ''Musipoesc: Writings About Music'' by Gérard Pape Pape has lived and worked in France since the early 1990s. Biography Gérard Pape studied and music simultaneously at the |
Curtis Roads
Curtis Roads (born May 9, 1951) is an American composer, author and computer programmer. He composes electronic and electroacoustic music, specializing in granular and pulsar synthesis. Career and music Born in Cleveland, Ohio, Roads studied composition at the California Institute of the Arts and the University of California San Diego. He is former chair and current vice chair of the Media Arts and Technology Program at the University of California, Santa Barbara.MAT: Faculty and Researchers ", ''Mat.UCSB.edu''. He has previously taught at the "Federico II", |
Computer Music
Computer music is the application of computing technology in music composition, to help human composers create new music or to have computers independently create music, such as with algorithmic composition programs. It includes the theory and application of new and existing computer software technologies and basic aspects of music, such as sound synthesis, digital signal processing, sound design, sonic diffusion, acoustics, electrical engineering and psychoacoustics. The field of computer music can trace its roots back to the origins of electronic music, and the first experiments and innovations with electronic instruments at the turn of the 20th century. History Much of the work on computer music has drawn on the relationship between music and mathematics, a relationship which has been noted since the Ancient Greeks described the " harmony of the spheres". Musical melodies were first generated by the computer originally named the CSIR Mark 1 (later renamed CSIRAC) in Au ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
MaxMSP
Max, also known as Max/MSP/Jitter, is a visual programming language for music and multimedia developed and maintained by San Francisco-based software company Cycling '74. Over its more than thirty-year history, it has been used by composers, performers, software designers, researchers, and artists to create recordings, performances, and installations. The Max program is modular, with most routines existing as shared library, shared libraries. An application programming interface (API) allows third-party development of new routines (named ''external objects''). Thus, Max has a large user base of programmers unaffiliated with Cycling '74 who enhance the software with commercial and non-commercial Software extension, extensions to the program. Because of this Extensibility, extensible design, which simultaneously represents both the Computer program, program's structure and its graphical user interface (GUI), Max has been described as the lingua franca for developing interactive mus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Csound
Csound is a domain-specific computer programming language for audio programming. It is called Csound because it is written in C, as opposed to some of its predecessors. It is free software, available under the LGPL-2.1-or-later. Csound was originally written at MIT by Barry Vercoe in 1985, based on his earlier system called Music 11, which in its turn followed the MUSIC-N model initiated by Max Mathews at the Bell Labs. Its development continued throughout the 1990s and 2000s, led by John Fitch at the University of Bath. The first documented version 5 release is version 5.01 on March 18, 2006. Many developers have contributed to it, most notably Istvan Varga, Gabriel Maldonado, Robin Whittle, Richard Karpen, Iain McCurdy, Michael Gogins, Matt Ingalls, Steven Yi, Richard Boulanger, Victor Lazzarini and Joachim Heintz. Developed over many years, it currently has nearly 1700 unit generators. One of its greatest strengths is that it is completely modular and extens ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SuperCollider
A particle accelerator is a machine that uses electromagnetic fields to propel charged particles to very high speeds and energies, and to contain them in well-defined beams. Large accelerators are used for fundamental research in particle physics. The largest accelerator currently active is the Large Hadron Collider (LHC) near Geneva, Switzerland, operated by the CERN. It is a collider accelerator, which can accelerate two beams of protons to an energy of 6.5 TeV and cause them to collide head-on, creating center-of-mass energies of 13 TeV. Other powerful accelerators are, RHIC at Brookhaven National Laboratory in New York and, formerly, the Tevatron at Fermilab, Batavia, Illinois. Accelerators are also used as synchrotron light sources for the study of condensed matter physics. Smaller particle accelerators are used in a wide variety of applications, including particle therapy for oncological purposes, radioisotope production for medical diagnostics, ion impl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Pure Data
Pure Data (Pd) is a visual programming language developed by Miller Puckette in the 1990s for creating interactive computer music and multimedia works. While Puckette is the main author of the program, Pd is an open-source software, open-source project with a large developer base working on new extensions. It is released under BSD licenses, BSD-3-Clause. It runs on Linux, MacOS, iOS, Android (operating system), Android and Windows. Ports exist for FreeBSD and IRIX. Pd is very similar in scope and design to Puckette's original Max (software), Max program, developed while he was at IRCAM, and is to some degree interoperable with Max/MSP, the commercial predecessor to the Max language. They may be collectively discussed as members of the Patcher family of languages. With the addition of the Graphics Environment for Multimedia (GEM) external, and externals designed to work with it (like Pure Data Packet / PiDiP for Linux, ), framestein for Windows, GridFlow (as n-dimensional matrix ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Open Sound Control
Open Sound Control (OSC) is a protocol for networking sound synthesizers, computers, and other multimedia devices for purposes such as musical performance or show control. OSC's advantages include interoperability, accuracy, flexibility and enhanced organization and documentation. The first specification was released in March 2002. Motivation OSC is a content format developed at CNMAT by Adrian Freed and Matt Wright comparable to XML, WDDX, or JSON. It was originally intended for sharing music performance data (gestures, parameters and note sequences) between musical instruments (especially electronic musical instruments such as synthesizers), computers, and other multimedia devices. OSC is sometimes used as an alternative to the 1983 MIDI standard, when higher resolution and a richer parameter space is desired. OSC messages are transported across the internet and within local subnets using UDP/IP and Ethernet. OSC messages between gestural controllers are usually transmit ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
