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Turn The Beat Around
"Turn the Beat Around" is a disco song written by Gerald Jackson and Peter Jackson, and performed by American actress and singer Vicki Sue Robinson in 1976 (see 1976 in music), originally appearing on her debut album, '' Never Gonna Let You Go'' (1976). Released as a single in February 1976 by RCA Victor, the song went to number ten on the US ''Billboard'' pop charts, and number 73 on the ''Billboard'' soul chart. The song earned Robinson a Grammy nomination for Best Female Pop Vocal Performance. The track also went to number one on the ''Billboard'' disco chart for four weeks. "Turn the Beat Around" is considered a disco classic and is featured on many compilation albums. In 2000, VH1 ranked it number 30 in their list of "100 Greatest Dance Songs". Background "Turn the Beat Around" was written by brothers Gerald and Peter Jackson of the R&B outfit Touch of Class. Peter Jackson knew Al Garrison, an engineer at Associated Studios in New York, through Jackson's work as a session ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Vicki Sue Robinson
Vicki Sue Robinson (May 31, 1954 – April 27, 2000) was an American singer closely associated with the disco era of late 1970s pop music; she is most famous for her 1976 hit, " Turn the Beat Around". Early life Born in Harlem, New York, to African American Shakespearean actor Bill Robinson and his European American wife Marianne, a folk singer, Vicki Sue Robinson was reared in Philadelphia, Pennsylvania, for most of her early years. She returned to New York City with her family when she was a teen. Career She gave her first public performance in 1960 at the age of six, when she accompanied her mother on stage at the Philadelphia Folk Festival. Ten years later, at the age of 16, while a student at the New Lincoln School, Robinson made her professional performing debut when she joined the Broadway cast of the musical ''Hair''. Robinson remained with ''Hair'' for six weeks before moving to a new Broadway production, ''Soon'', whose cast included Peter Allen, Barry Bostwick, Nell ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
SNEP
SNEP (, in English National Syndicate of Phonographic Publishing) is the inter-professional organisation that protects the interests of the French record industry. Originally known under the acronym SNICOP, the organisation was established in 1922 and has 48 member companies. SNEP's responsibilities include collecting and distributing royalty payments for broadcast and performance, preventing copyright infringement of its members' works (including music piracy), and sales certification of silver, gold, platinum and diamond records and videos. SNEP also compiles weekly official charts of France's top-selling music, including singles and albums. Official charts History The first attempt at a French national chart of best-selling records originated from a request by the American music industry magazine '' Billboard''. The magazine's French correspondent, Eddie Adamis, compiled a top 10 list of the country's preferred format, the extended play (EP), for ''Billboard''s "Hits of t ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hi-NRG
Hi-NRG (pronounced "high energy") is a genre of uptempo disco or electronic dance music (EDM) that originated during the late 1970s and early 1980s. As a music genre, typified by its fast tempo, staccato hi-hat rhythms (and the four-on-the-floor pattern), reverberated "intense" vocals and "pulsating" octave basslines, it was particularly influential on the disco scene. Characteristics Whether hi-NRG is more rock-oriented than standard disco music is a matter of opinion. Hi-NRG can be heavily synthesized but it is not a prerequisite, and whether it is devoid of "funkiness" is, again, in the ear of the beholder. Certainly, many artists perform their vocals in R&B and soul styles on hi-NRG tracks. The genre's tempo ranges between 120 and 140 beats per minute. The tempos cited here do not represent the full range of beats (BPM) of hi-NRG tracks; rather the tempos are retrieved from one source which is not an expert musical reference, but a sociological study of dance culture ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Dance-pop
Dance-pop is a Music genre, genre of electronic dance music that originated in the late 1970s to early 1980s. It is generally uptempo music intended for nightclubs with the intention of being danceable but also suitable for contemporary hit radio. Developing from a combination of Dance music, dance and Pop music, pop with influences of disco, post-discoSmay, David & Cooper, Kim (2001). ''Bubblegum Music Is the Naked Truth: The Dark History of Prepubescent Pop, from the Banana Splits to Britney Spears'': "... think about Stock-Aitken-Waterman and Kylie Minogue. Dance pop, that's what they call it now — Post-Disco, post-new wave and incorporating elements of both." Feral House: Publisher, p. 327. . and synth-pop, it is generally characterised by strong beats with easy, uncomplicated song structures which are generally more similar to pop music than the more free-form dance genre, with an emphasis on melody as well as catchy tunes. The genre, on the whole, tends to be Record prod ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Branigan (album)
''Laura Branigan'' is the sixth studio album by American singer Laura Branigan, released on March 21, 1990, by Atlantic Records. The album's lead single, " Moonlight on Water", reached number 59 on the ''Billboard'' Hot 100, while the second single, " Never in a Million Years", peaked at number 22 on ''Billboard'' Adult Contemporary chart. The third and final single, a cover version of Vicki Sue Robinson's 1976 song " Turn the Beat Around", failed to chart. The song "Unison" was recorded by Celine Dion the same year. Critical reception ''Billboard Magazine'' praised the album for its "jaunty, up-tempo dance tunes" but noted that "Branigan still excels at shimmering tear jerker ballads like 'Never in a Million Years' and 'No Promise, No Guarantee'." In their review of the album, '' Cashbox'' noted that "Branigan rolled out some heavyweight producers who are known for delivering the goods," and that "this is one of the most solid efforts she has produced, ranging from the ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Laura Branigan
Laura Ann Branigan (July 3, 1952 – August 26, 2004) was an American singer. Her signature song, the platinum-certified 1982 single " Gloria", stayed on the U.S. ''Billboard'' Hot 100 for 36 weeks, then a record for a female artist, peaking at No. 2. It also reached number one in Australia and Canada. Branigan's "Gloria" was a cover of a song written by Italian singer-songwriters Giancarlo Bigazzi and Umberto Tozzi. In 1984, she reached number one in Canada and Germany and No. 4 in the U.S. with "Self Control" a cover of Italian singer and songwriter Raf from the same year. Both "Gloria" and "Self Control" were successful in the United Kingdom, making the Top 10 in the UK Singles Chart. Seeing her greatest level of success in the 1980s, Branigan's other singles included the Top 10 hit "Solitaire" (1983), the U.S. Adult Contemporary Chart number one " How Am I Supposed to Live Without You" (1983), the Australian No. 2 hit "Ti amo" (1984) a cover of 1977 single by Umberto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cash Box Top 100 Pop Singles
The ''Cash Box'' Top 100 Pop Singles (also known as the ''Cash Box'' Top 100) was a record chart in the United States for songs, published weekly by ''Cash Box'' magazine, which began publication in 1942. As a close competitor to ''Billboard A billboard (also called a hoarding in the UK and many other parts of the world) is a large outdoor advertising structure (a billing board), typically found in high-traffic areas such as alongside busy roads. Billboards present large advertis ...'' magazine, it was first issued for the September 13, 1958 issue when they expanded their top 75 chart to one hundred positions. The original version of the magazine lasted through November 16, 1996. While ''Billboard'' ranked singles weekly mixing the total airplay on radio stations and singles sales from all across North America, ''Cash Box'' presented their rankings via all sales and airplay of songs without splitting up genres in order to formulate the generalized popularity of a single's ove ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot R&B/Hip-Hop Songs
The Hot R&B/Hip-Hop Songs chart ranks the most popular R&B and hip hop songs in the United States and is published weekly by '' Billboard''. Rankings are based on a measure of radio airplay, sales data, and streaming activity. The chart had 100 positions but was shortened to 50 positions in October 2012. The chart is used to track the success of popular music songs in urban, or primarily African-American, venues. Dominated over the years at various times by jazz, rhythm and blues, doo-wop, rock and roll, soul, and funk, it is today dominated by contemporary R&B and hip hop. Since its inception, the chart has changed its name many times in order to accurately reflect the industry at the time. History Beginning in 1942, ''Billboard'' published a chart of bestselling African-American music, first as the Harlem Hit Parade, then as Race Records. Then in 1949, ''Billboard'' began publishing a Rhythm and Blues chart, which entered "R&B" into mainstream lexicon. These three ch ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hot Dance/Disco
The Dance Club Songs (also known as National Disco Action, Hot Dance/Disco Club Play, and Hot Dance Club Play) was a chart published weekly between 1976 and 2020 by ''Billboard'' magazine. It used club disc jockeys set lists to determine the most popular songs being played in nightclubs across the United States. History The Dance Club Songs chart underwent several incarnations since its inception in 1974. Originally a top-10 list of tracks that garnered the largest audience response in New York City discothèques, the chart began on October 26, 1974, under the title ''Disco Action''. The chart went on to feature playlists from various cities around the country from week to week. ''Billboard'' continued to run regional and city-specific charts throughout 1975 and 1976 until the issue dated August 28, 1976, when a 30-position ''National Disco Action Top 30'' premiered. The first number-one song on the chart for the issue dated August 28, 1976, was "You Should Be Dancing" by the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Adult Contemporary (chart)
The Adult Contemporary chart is published weekly by '' Billboard'' magazine and lists the most popular songs on adult contemporary radio stations in the United States. The chart is compiled based on airplay data submitted to ''Billboard'' by stations that are members of the Adult Contemporary radio panel. The chart debuted in ''Billboard'' magazine on July 17, 1961.Hyatt, Wesley (1999). ''The Billboard Book of Number One Adult Contemporary Hits''. New York City: Billboard Books. . Over the years, the chart has undergone a series of name changes, being called Easy Listening (1961–1962; 1965–1979), Middle-Road Singles (1962–1964), Pop-Standard Singles (1964–1965), Hot Adult Contemporary (1984–1996) and Adult Contemporary (1979–1984, 1996–present). The current number-one song on the chart, as of the issue of ''Billboard'' dated June 14, 2025, is " Beautiful Things" by Benson Boone. Chart history The ''Billboard'' Easy listening chart, as it was first known, was ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Official Charts Company
The Official UK Charts Company Limited (formerly Music Industry Chart Services Limited), trading as the Official Charts Company (OCC) or the Official Charts (formerly the Chart Information Network), is a British inter-professional organisation that compiles various official record charts in the United Kingdom, Ireland and France. In the United Kingdom, its charts include ones for singles, albums and films, with the data compiled from a mixture of downloads, purchases (of physical media) and streaming. The OCC produces its charts by gathering and combining sales data from retailers through market researchers Kantar, and claims to cover 99% of the singles market and 95% of the album market, and aims to collect data from any retailer who sells more than 100 chart items per week. The OCC is operated jointly by the British Phonographic Industry and the Entertainment Retailers Association (ERA) (formerly the British Association of Record Dealers (BARD)) and is incorporated as a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
