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Turkish Culture
The culture of Turkey () or the Turkish culture () includes both the national culture and local cultures. Currently, Turkey has various local cultures. Things such as music, folk dance, or kebap variety may be used to identify a local area. Turkey also has a national culture, such as national sports leagues, music bands, film stars, and trends in fashion. After the establishment of the republic, Kemalism emphasized Turkish culture, attempted to make "Islam a matter of personal conviction", and pursued modernization. Literature Turkish literature is the collection of written and oral texts composed in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. Traditional examples for Turkish folk literature include stories of Karagöz and Hacivat, Keloğlan, İncili Çavuş and Nasreddin Hoca, as well as the works of folk poets such as Yunus Emre and Aşık Veysel. The ''Book of Dede ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ottoman Literature
Turkish literature () comprises oral compositions and written texts in the Turkish language. The Ottoman Turkish, Ottoman form of Turkish, which forms the basis of much of the written corpus, was highly influenced by Persian literature, Persian and Arabic literature,Bertold Spuler''Persian Historiography & Geography''Pustaka Nasional Pte Ltd p 69 and used the Ottoman Turkish alphabet. The history of the broader Turkic literature (other), Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic languages, Turkic are the Orkhon script, Orhon inscriptions, found in the Orkhon Valley, Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of Oral literature, oral Epic poetry, epics, such as the ''Book of Dede Korkut'' of the Oghuz Turks— ancestors of the modern Turkish people— ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
İbrahim Şinasi
İbrahim Şinasi Efendi (; 5 August 1826 – 13 September 1871) was a pioneering Ottoman Empire, Ottoman intellectual, founder of Turkish dramaturgy, author, journalist, translator, playwright, linguist and newspaper editor. He was the innovator of several fields: he wrote one of the earliest examples of an Ottoman play, he encouraged the trend of translating poetry from French into Turkish, he simplified the Ottoman Turkish script, script used for writing the Ottoman Turkish language, and he was one of the first of the Ottoman writers to write specifically for the broader public. Şinasi used his newspapers, ''Tercüman-ı Ahvâl'' and ''Tasvîr-i Efkâr'', to promote the proliferation of European Age of Enlightenment, Enlightenment ideals during the Tanzimat, Tanzimat period, and he made the education of the literate Ottoman public his personal vocation. Though many of Şinasi's projects were incomplete at the time of his death, "he was at the forefront of a number of fields an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Namık Kemal
Namık Kemal (, ; ; 21 December 1840 – 2 December 1888) was an Ottoman writer, poet, democrat, intellectual, reformer, journalist, playwright, and political activist who was influential in the formation of the Young Ottomans and their struggle for governmental reform in the Ottoman Empire during the late Tanzimat period, which would lead to the First Constitutional Era in the Empire in 1876. Kemal was particularly significant for championing the notions of freedom and fatherland in his numerous plays and poems, and his works would have a powerful impact on the establishment of and future reform movements in Turkey, as well as other former Ottoman territories. He is often regarded as being instrumental in redefining Western concepts like natural rights and constitutional government. Early years An Ottoman subject, Namık Kemal was born in Tekirdağ (present-day Turkey, then part of the Ottoman Empire) on 21 December 1840, to mother Fatma Zehra Hanım and father Mustafa As ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tanzimat
The (, , lit. 'Reorganization') was a period of liberal reforms in the Ottoman Empire that began with the Edict of Gülhane of 1839 and ended with the First Constitutional Era in 1876. Driven by reformist statesmen such as Mustafa Reşid Pasha, Mehmed Emin Âli Pasha, and Fuad Pasha, under Sultans Abdülmecid I and Abdülaziz, the Tanzimat sought to reverse the empire's decline by modernizing legal, military, and administrative systems while promoting Ottomanism (equality for all subjects). Though it introduced secular courts, modern education, and infrastructure like railways, the reforms faced resistance from conservative clerics, exacerbated ethnic tensions in the Balkans, and saddled the empire with crippling foreign debt. The Tanzimat’s legacy remains contested: some historians credit it with establishing a powerful national government, while others argue it accelerated imperial fragmentation. Different functions of government received reform, were completely reor ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sami Frasheri With His Wife Emine
Acronyms * SAMI, ''Synchronized Accessible Media Interchange'', a closed-captioning format developed by Microsoft * Saudi Arabian Military Industries, a government-owned defence company * South African Malaria Initiative, a virtual expertise network of malaria researchers People * Sami (name), including lists of people with the given name or surname * Sámi people, the indigenous people of Norway, Sweden, the Kola Peninsula and Finland * Samantha Shapiro (born 1993), American gymnast nicknamed "Sami" Places * Sami (ancient city), an ancient Greek city in the Peloponnese * Sami, Burkina Faso, a district * Sämi, a village in Lääne-Viru County in northeastern Estonia * Sami District, Gambia * Sami, Cephalonia, Greece, a municipality ** Sami Bay, east of Sami, Cephalonia * Sami, Gujarat, India, a town * Sami, Paletwa, Myanmar, a town Other uses * Sámi languages, languages spoken by the Sámi * Sami (chimpanzee), kept at the Belgrade Zoo * Sami, a common name for ''P ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Non-fiction
Non-fiction (or nonfiction) is any document or content (media), media content that attempts, in good faith, to convey information only about the real life, real world, rather than being grounded in imagination. Non-fiction typically aims to present topics Objectivity (philosophy), objectively based on historical, scientific, and empirical information. However, some non-fiction ranges into more subjective territory, including sincerely held opinions on real-world topics. Often referring specifically to prose writing, non-fiction is one of the two fundamental approaches to narrative, story and storytelling, in contrast to narrative fiction, which is largely populated by imaginary characters and events. Non-fiction writers can show the reasons and consequences of events, they can compare, contrast, classify, categorise and summarise information, put the facts in a logical or chronological order, infer and reach conclusions about facts, etc. They can use graphic, structural and prin ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Prose Of The Ottoman Empire
Roughly speaking, the prose of the Ottoman Empire can be divided along the lines of two broad periods: early Ottoman prose, written prior to the 19th century CE and exclusively nonfictional in nature; and later Ottoman prose, which extended from the mid-19th century Tanzimat period of reform to the final fall of the Ottoman Empire in 1922, and in which prose fiction was first introduced. Early Ottoman prose Early Ottoman prose, before the 19th century CE, never developed to the extent that the contemporary Divan poetry did. A large part of the reason for this was that much prose of the time was expected to adhere to the rules of '' seci'', or rhymed prose, a type of writing descended from Arabic literature (''saj''') and which prescribed that between each adjective and noun in a sentence, there must be a rhyme. Nevertheless, there was a long tradition of prose in the Ottoman Empire. This tradition was, for centuries, exclusively nonfictional in nature—the fiction tradition w ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Narrative Poetry
Narrative poetry is a form of poetry that tells a story, often using the voices of both a narrator and characters; the entire story is usually written in metered verse. Narrative poems do not need to rhyme. The poems that make up this genre may be short or long, and the story it relates to may be complex. It is normally dramatic, with various characters. Narrative poems include all epic poetry, and the various types of "lay", most ballads, and some idylls, as well as many poems not falling into a distinct type. Some narrative poetry takes the form of a novel in verse. An example of this is '' The Ring and the Book'' by Robert Browning. In terms of narrative poetry, romance is a narrative poem that tells a story of chivalry. Examples include the '' Romance of the Rose'' or Tennyson's '' Idylls of the King''. Although those examples use medieval and Arthurian materials, romances may also tell stories from classical mythology. Sometimes, these short narratives are collected i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Courtly Romance
Courtesy (from the word , from the 12th century) is gentle politeness and courtly manners. In the Middle Ages in Europe, the behaviour expected of the nobility was compiled in courtesy books. History The apex of European courtly culture was reached in the Late Middle Ages and the Baroque period (i.e. roughly the four centuries spanning 1300–1700). The oldest courtesy books date to the 13th century, but they become an influential genre in the 16th, with the most influential of them being '' Il Cortegiano'' (1508), which not only covered basic etiquette and decorum but also provided models of sophisticated conversation and intellectual skill. The royal courts of Europe persisted well into the 18th century (and to some limited extent to the present day), but in the 18th century, the notion of ''courtesy'' was replaced by that of '' gallantry'', referring to an ideal emphasizing the display of affected sensitivity in direct contrast with the ideals of self-denial and dignif ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mathnawi
Mathnawi ( ), also spelled masnavi, mesnevi or masnawi, is a kind of poem written in rhyming couplets, or more specifically "a poem based on independent, internally rhyming lines". Most mathnawi poems follow a Meter (poetry), meter of eleven, or occasionally ten, syllables, but had no limit in their length. Typical mathnawi poems consist of an indefinite number of couplets, with the rhyme scheme aa/bb/cc. Mathnawi poems have been written in Persian language, Persian, Arabic, Turkish language, Turkish, Kurdish language, Kurdish and Urdu cultures. Certain Persian mathnawi poems, such as Rumi's ''Masnavi, Masnavi-e Ma’navi'', have had a special religious significance in Sufism. Other influential writings include the poems of Ghazali and ibn Arabi. Mathnawi's are closely tied to Islamic theology, philosophy, and legends, and cannot be understood properly without knowledge about it. Arabic mathnawi Arabic mathnawi poetry, also known as ''muzdawij'' ( – , referring to the internal r ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Qasida
The qaṣīda (also spelled ''qaṣīdah''; plural ''qaṣā’id'') is an ancient Arabic word and form of poetry, often translated as ode. The qasida originated in pre-Islamic Arabic poetry and passed into non-Arabic cultures after the Arab Muslim expansion. The word ''qasida'' is originally an Arabic word (, plural ''qaṣā’id'', ), and is still used throughout the Arabic-speaking world; it was borrowed into some other languages such as (alongside , ''chakameh''), and . The classic form of qasida maintains both monometer, a single elaborate meter throughout the poem, and monorhyme, where every line rhymes on the same soundAkiko Motoyoshi Sumi, ''Description in Classical Arabic Poetry: ''Waṣf'', Ekphrasis, and Interarts Theory'', Brill Studies in Middle Eastern literatures, 25 (Leiden: Brill, 2004), p. 1. It typically runs from fifteen to eighty lines, and sometimes more than a hundred. Well-known examples of this genre include the poems of the Mu'allaqat (a collectio ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
