|
Tumbadora
The conga, also known as tumbadora, is a tall, narrow, single-headed drum from Cuba. Congas are staved like barrels and classified into three types: quinto (lead drum, highest), tres dos or tres golpes (middle), and tumba or salidor (lowest). Congas were originally used in Afro-Cuban music genres such as conga (hence their name) and rumba, where each drummer would play a single drum. Following numerous innovations in conga drumming and construction during the mid-20th century, as well as its internationalization, it became increasingly common for drummers to play two or three drums. Congas have become a popular instrument in many forms of Latin music such as son (when played by conjuntos), descarga, Afro-Cuban jazz, salsa, songo, merengue and Latin rock. Although the exact origins of the conga drum are unknown, researchers agree that it was developed by Cuban people of African descent during the late 19th century or early 20th century. Its direct ancestors are thou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Salsa Music
Salsa music is a style of Latin American music, combining elements of Cuban and Puerto Rican influences. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Most songs considered as salsa are primarily based on son montuno and son cubano, with elements of cha-cha-chá, bolero, rumba, mambo, jazz, R&B, bomba, and plena. All of these elements are adapted to fit the basic Son montuno template when performed within the context of salsa. Originally the name salsa was used to label commercially several styles of Hispanic Caribbean music, but nowadays it is considered a musical style on its own and one of the staples of Hispanic American culture. The first self-identified salsa band is Cheo Marquetti y su Conjunto - Los Salseros which was formed in 1955. The first album to mention Salsa on its cover was titled “Salsa” which was released by La Sonora Habanera in 1957. Later on self-identified ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Songo Music
Songo is a genre of popular Cuban music, created by the group Los Van Van in the early 1970s. Songo incorporated rhythmic elements from folkloric rumba into popular dance music, and was a significant departure from the son montuno/ mambo-based structure which had dominated popular music in Cuba since the 1940s. Blas Egües was the first drummer in Los Van Van, but it was the band's second drummer, José Luis Quintana " Changuito", who developed songo into the world-wide phenomenon it is today. Songo is the most famous of the post-Revolution Cuban rhythms, beginning with the mozambique, which drew from the deep well of Afro-Cuban folkloric rhythms (mainly rumba). During the 1970s, many Cuban bands created their own original rhythms: Los Van Van invented songo; Orquesta Ritmo Oriental—''nueva onda''; Orquesta Tipica Juventud—''bata cinco'', and Orquesta Revé named their invention—'' changüí'', after the "funky," folkloric proto-son music of the 19th century. Songo is a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conga (music)
The term conga refers to the music groups within Cuban comparsas and the music they play. Comparsas are large ensembles of musicians, singers and dancers with a specific costume and choreography which perform in the street carnivals of Santiago de Cuba, Camaguey, and Havana.Millet, José and Brea Rafael 1989. Del carnival santiaguero: congas y paseos. In Oscar Ruiz Miyares (ed) ''Guía cultural de Santiago de Cuba''. The instrumentation differs between ''congas santiagueras'' and ''congas habaneras''. ''Congas santiagueras'' include the ''Trompeta china, corneta china'' (Chinese cornet), which is an adaptation of the Cantonese suona introduced in Oriente Province, Oriente in 1915, and its percussion section comprises bocúes (similar to African ashiko drums), the quinto (drum), quinto (highest pitched conga drum), galletas and the pilón, as well as brakes which are struck with metal sticks. ''Congas habaneras'' lack the ''corneta china'' but include trumpets, trombones and saxoph ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Makuta (drum)
''Makuta'' drums are tall cylindrical or barrel-shaped Afro-Cuban drums, often cited as an important influence on the development of the ''tumbadora'' or conga drum. They are used in sacred dance-Sacred drum, drumming ceremonies associated with the descendants of slaves brought to Cuba from Central Africa. The word ''makuta'' is also used to refer to the dancing and rhythms associated with these drums. Construction Makuta drum construction has a number of regional variations, but the ensemble usually consists of only two drums. Generally, all are created from wooden staves, similar to the way a barrel would be constructed. Both sizes have a goat skin head at the top of the drum and are open on the opposite end. They are commonly around 1 meter in height and their heads vary from approximately 30 cm to 40 cm in diameter. The large lead drum is known variously as ''caja'', ''nsumbi'', or ''ngoma'' and is usually barrel shaped. Its head is attached with a tensioning syst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cuban Rumba
Rumba is a secular genre of Cuban music involving dance, percussion, and song. It originated in the northern regions of Cuba, mainly in urban Havana and Matanzas, during the late 19th century. It is based on African music and dance traditions, namely Abakuá and yuka (music), yuka, as well as the Spanish-based ''coros de clave''. According to Argeliers León, rumba is one of the major "genre complexes" of Cuban music, and the term rumba complex is now commonly used by musicologists. This complex encompasses the three traditional forms of rumba (yambú, guaguancó and columbia), as well as their contemporary derivatives and other minor styles. Traditionally performed by poor workers of African descent in streets and ''solares'' (courtyards), rumba remains one of Cuba's most characteristic forms of music and dance. Vocal improvisation, elaborate dancing and polyrhythmic drumming are the key components of all rumba styles. ''Cajón de rumba, Cajones'' (wooden boxes) were used as dru ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Descarga
A descarga (literally ''discharge'' in Spanish) is an improvised jam session consisting of variations on Cuban music themes, primarily son montuno, but also guajira, bolero, guaracha and rumba. The genre is strongly influenced by jazz and it was developed in Havana during the 1950s. Important figures in the emergence of the genre were Cachao, Julio Gutiérrez, Bebo Valdés, Peruchín and Niño Rivera in Cuba, and Tito Puente, Machito and Mario Bauzá in New York. Originally, descargas were promoted by record companies such as Panart, Maype and Gema under the label Cuban jam sessions. From the 1960s, the descarga format was usually adapted by large salsa ensembles, most notably the Fania All-Stars. History Origins: son, filin and jazz During the 1940s, the term ''descarga'' was commonly used in the music scenes of Cuba to refer to performances of jazz-influenced boleros in an improvised manner. This was part of the so-called filin (''feeling'') movement spearheaded ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Conjunto
The term ''conjunto'' (, literally 'group', 'ensemble') refers to several types of small musical ensembles present in different Latin American musical traditions, mainly in Mexico and Cuba. While Mexican conjuntos play styles such as '' norteño'' and ''tejano'', Cuban ''conjuntos'' specialize in the '' son'', as well as its derivations such as '' salsa''. Mexican Mexican conjunto music, also known as ''conjunto tejano'', was born in south Texas at the end of the 19th century, after German settlers introduced the button accordion. The '' bajo sexto'' has come to accompany the button accordion and is integral to the ''conjunto'' sound. Many ''conjuntos'' are concentrated in the Southwestern portion of the United States, primarily in Texas and California. In Mexico, the term ''conjunto'' is associated with '' norteño'' and ''tejano'' music. Since ''tejano'' was bred out of ''norteño'' music originally, this association is not entirely false. However, due to various cultural an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cuban Jazz
Afro-Cuban jazz is the earliest form of Latin jazz. It mixes Afro-Cuban clave-based rhythms with jazz harmonies and techniques of improvisation. Afro-Cuban music has deep roots in African ritual and rhythm. The genre emerged in the early 1940s with the Cuban musicians Mario Bauzá and Frank Grillo "Machito" in the band Machito and his Afro-Cubans in New York City. In 1947, the collaborations of bebop trumpeter Dizzy Gillespie and percussionist Chano Pozo brought Afro-Cuban rhythms and instruments, such as the tumbadora and the bongo, into the East Coast jazz scene. Early combinations of jazz with Cuban music, such as " Manteca" and "Mangó Mangüé", were commonly referred to as "Cubop" for Cuban bebop. During its first decades, the Afro-Cuban jazz movement was stronger in the United States than in Cuba. In the early 1970s, Kenny Dorham and his Orquesta Cubana de Música Moderna, and later Irakere, brought Afro-Cuban jazz into the Cuban music scene, influencing styles su ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Yuka (music)
Yuka is a secular Afro-Cuban musical tradition which involves drumming, singing and dancing. It was developed in western Cuba by Kongo slaves during colonial times. Yuka predates other Afro-Cuban genres of dance music like rumba and has survived in Kongo communities of Pinar del Río, specifically in El Guayabo and Barbacoa, San Luis. Since the 1940s, yuka performances have been recorded by researchers such as Harold Courlander and María Teresa Linares.Linares, María Teresa. 1981. Liner notes to ''Antología de la música afrocubana Vol. 5: Tambor yuka'' ecorded in 1978 EGREM: Havana, Cuba. Music Drumming The Bantu word ''yuka'' means "to beat" and is also used to refer to the drums used in yuka performances. According to Fernando Ortiz, yuka drums were known in the Kongo language as ''ngóma bobóla mámbu'', where ''ngóma'' means "drum", ''bobóla'' "deep sound" and ''mámbu'' "collective business". These drums are made from hollowed-out trunks of the avocado tree. Lea ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Afro-Cubans
Afro-Cubans () or Black Cubans are Cubans of full or partial sub-Saharan African ancestry. The term ''Afro-Cuban'' can also refer to historical or cultural elements in Cuba associated with this community, and the combining of native African and other cultural elements found in Cuban society, such as race, religion, music, language, the arts and class culture. Demographics According to the 2002 national census that surveyed 11.2 million Cubans, 1 million or 11% of Cubans identified as Afro-Cuban or Black. Some 3 million identified as "mulatto" or "mestizo", meaning of mixed race, primarily a combination of African and European. Thus more than 40% of the population on the island affirm some African ancestry. The Cuban Revolution brought to power Fidel Castro, who promised a communist society without racism. His government promised equal opportunities for education, health care and work. There has been much scholarly discussion about the demographic composition of the island ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
