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Tujuh Rupa (batik)
Tujuh rupa batik () is one of the Indonesian batik motifs originating from Pekalongan, Central Java. This tujuh rupa batik motif is very thick with natural nuances. In general, tujuh rupa batik displays animal or plant motifs. The motifs are taken from various mixtures of local culture and Chinese ethnicity. Because, in the past, Pekalongan was a transit point for traders from various countries. Thus, it is this cultural acculturation that makes Pekalongan batik unique to nature, especially the ''jlamprang motif'', the ''bouquetan motif'', the ''moonlight motif'', the ''cement motif'', the ''pisan bali motif'' and the ''lung-lungan motif''. Overview Batik tujuh rupa is known to be very rich in color, describing the characteristics of coastal community life which are easy to adapt to outside cultural influences, and are also able to adapt to the influence of inland batik. Tujuh rupa batik craftsmen have placed Chinese ceramic ornaments as a manifestation of ancestral cultural ti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik
Batik is a dyeing technique using wax Resist dyeing, resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some patterns hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends. Resist dyeing using wax has been practised since ancient times, and it is attested in several world cultures, such as Egypt, southern China (especially among hilltribes like the Miao people, Miao, Bouyei people, Bouyei, and Gejia peoples), India, Indonesia, Malaysia, Nigeria, and Sri Lanka. The technique developed Batik in Indonesia, in Indonesia (es ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Culture Of Indonesia
The culture of Indonesia () has been shaped by the interplay of indigenous customs and diverse foreign influences. As the world’s largest archipelagic country, it is home to over Ethnic groups in Indonesia, 600 ethnic groups, including Austronesian people, Austronesian and Melanesians, Melanesian cultures, contributing to its rich traditions, Languages of Indonesia, languages, and customs. Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism in Indonesia, Hinduism, Buddhism in Indonesia, Buddhism, Confucianism, Islam in Indonesia, Islam, and Christianity in Indonesia, Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures. Examples of the fusion of Islam with Hinduism include Javanese people, Javanese Abangan belief. Balinese dances have stories about ancien ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
National Symbols Of Indonesia
National symbols of Indonesia are symbols that represent Republic of Indonesia. It can represent Indonesia as a nation, Ethnic groups of Indonesia, Indonesian people, Culture of Indonesia, culture, arts, and its Environment of Indonesia, biodiversity. The official symbols of Indonesia are officially recognise symbols that represent Indonesia and enforced through Indonesian laws. These symbols of the state that represent Indonesian nationhood are Garuda Pancasila, Flag of Indonesia, Merah-Putih flag, Indonesia Raya national anthem, and Indonesian language. Other than these official national symbols of Indonesia, there are also other symbols that widely recognise and accepted to represent Indonesia, yet does not necessarily being enforced by Indonesian laws. However some symbols that previously unofficially recognised and had not enforced by law finally gain official recognition through law edict, such as Indonesian national flora and fauna that enforced by law in 1993. Official n ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Masterpieces Of The Oral And Intangible Heritage Of Humanity
The Proclamation of Masterpieces of the Oral and Intangible Heritage of Humanity was made by the Director-General of UNESCO starting in 2001 to raise awareness of intangible cultural heritage—such traditions, rituals, dance, and knowledge—and urge the protection of the communities that create them. Several manifestations of intangible heritage around the world were awarded the status of ''Masterpieces;'' further proclamations occurred biennially. The status exists to recognize the value of non-material culture, as well as to commit states to promote and safeguard the Masterpieces. In 2008, the 90 declared Masterpieces were incorporated into the new Representative List of the Intangible Cultural Heritage of Humanity as its first entries. Background UNESCO defines oral and intangible heritage as "the totality of tradition-based creations of a cultural community expressed by a group or individuals and recognized as reflecting the expectations of a community in so far as they refl ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textile Arts Of Indonesia
Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, and different types of fabric. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns. Textiles are divided into two groups: consumer textiles for domestic purposes and technical textiles. In consumer textiles, aesthetics and comfort are the most important factors, while in technical textiles, functional properties are the priority. The durability of textiles is an important property, with common cotton or blend garments (such as t-shirts) able to last ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Indonesian Clothing
The culture of Indonesia () has been shaped by the interplay of indigenous customs and diverse foreign influences. As the world’s largest archipelagic country, it is home to over 600 ethnic groups, including Austronesian and Melanesian cultures, contributing to its rich traditions, languages, and customs. Indonesia is a melting pot of diversity. Positioned along ancient trade routes between the Far East, South Asia, and the Middle East, the country has absorbed cultural practices influenced by Hinduism, Buddhism, Confucianism, Islam, and Christianity. These influences have created a complex cultural tapestry that often differs from the original indigenous cultures. Examples of the fusion of Islam with Hinduism include Javanese Abangan belief. Balinese dances have stories about ancient Buddhist and Hindu kingdoms, while Islamic art forms and architecture are present in Sumatra, especially in the Minangkabau and Aceh regions. Traditional art, music and sport are combined in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Textile Techniques
Textile is an umbrella term that includes various fiber-based materials, including fibers, yarns, filaments, threads, and different types of fabric. At first, the word "textiles" only referred to woven fabrics. However, weaving is not the only manufacturing method, and many other methods were later developed to form textile structures based on their intended use. Knitting and non-woven are other popular types of fabric manufacturing. In the contemporary world, textiles satisfy the material needs for versatile applications, from simple daily clothing to bulletproof jackets, spacesuits, and doctor's gowns. Textiles are divided into two groups: consumer textiles for domestic purposes and technical textiles. In consumer textiles, aesthetics and comfort are the most important factors, while in technical textiles, functional properties are the priority. The durability of textiles is an important property, with common cotton or blend garments (such as t-shirts) able to last ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Art Of Indonesia
It is quite difficult to define Indonesian art, since the country is immensely diverse. The sprawling archipelago nation consists of 17,000 islands. Around 922 of those permanently inhabited, by over 600 ethnic groups, which speak more than 700 living languages. Indonesia also has experienced a long history, with each period leaves distinctive art. From prehistoric cave paintings and megalithic ancestral statues of Central Sulawesi, tribal wooden carving traditions of Toraja and Asmat people, graceful Hindu-Buddhist art of classical Javanese civilization which produced Borobudur and Prambanan, vivid Balinese paintings and performing arts, Islamic arts of Aceh, to contemporary arts of modern Indonesian artists. Both Indonesian diversity and history add to the complexity of defining and identifying what is Indonesian art. Visual art Painting Prehistoric cave paintings were discovered in numbers of sites in Indonesia. The notable ones are those in caves of Maros Regency in Sou ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik Megamendung
Batik is a dyeing technique using wax resist. The term is also used to describe patterned textiles created with that technique. Batik is made by drawing or stamping wax on a cloth to prevent colour absorption during the dyeing process. This creates a patterned negative when the wax is removed from the dyed cloth. Artisans may create intricate coloured patterns with multiple cycles of wax application and dyeing. Patterns and motifs vary widely even within countries. Some patterns hold symbolic significance and are used only in certain occasions, while others were created to satisfy market demand and fashion trends. Resist dyeing using wax has been practised since ancient times, and it is attested in several world cultures, such as Egypt, southern China (especially among hilltribes like the Miao, Bouyei, and Gejia peoples), India, Indonesia, Malaysia, Nigeria, and Sri Lanka. The technique developed in Indonesia (especially in Java) is among the most sophisticated, although i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik Kawung
Kawung batik () is an Culture of Indonesia, Indonesian batik motif whose shape is in the form of a circle similar to a kawung fruit (a type of coconut or sometimes also considered as sugar palm or palm fruit) which is neatly arranged geometrically. Sometimes, this motif is also interpreted as an image of a lotus flower with four flower crowns that are open. Lotus is a flower that symbolizes longevity and purity. Etymology There are several opinions regarding the origin of the word kawung, including the following: * Kawung in Javanese language, Javanese means the fruit of the palm tree. * Kawung in Javanese means palm tree leaves, generally used for rolling cigarettes. * Kawung comes from the Javanese word, kwangwung or in Indonesian known as the Dynastinae, horn beetle. History Batik kawung is one of the oldest batik motifs in Indonesia. Its existence is often mentioned and appears in various written historical sources and oral culture since the days of the Mataram Sultanate ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Batik Parang
Parang batik (, ) is one of the oldest Culture of Indonesia, Indonesian batik motifs. Parang comes from the Javanese language, Javanese word ''Pereng'' which means slope. Parang depicts a diagonal line descending from high to low. The arrangement of the S motifs intertwining unbroken symbolizes continuity. The basic shape of the letter S is taken from the ocean waves which depict a spirit that never goes out. Parang batik is an original Indonesian batik motif that has existed since the time of the Kartasura (Surakarta, Solo), Mataram sultanate, Mataram palace (Present day Central Java). The Parang batik motif is credited to be created by Sultan Agung of Mataram during his visit to the southern coast of Java (). The Sultan got his inspiration from the waves rolling in the Parangtritis sea. The Meaning and Philosophy of Parang Batik Parang batik has a high meaning and has a high philosophical value, this batik motif is one of the oldest basic batik motifs in Indonesia. Parang ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
