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Triptych Of The Madonna
The Triptych of the Madonna is a 1464–1470 tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of a standing Madonna and Child measures 127 by 48 cm, its lunette of the Man of Sorrows flanked by angels 59 by 170 cm and its side panels of Jerome and Louis of Toulouse 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice. It is one of four triptychs produced between 1464 and 1470 for Santa Maria della Carità, Venice, which had been rebuilt in the 1450s and whose altars were built between 1460 and 1464. The other three are the San Lorenzo, Nativity and San Sebastiano Triptychs. They were probably all planned by Giovanni's father Jacopo. By the time of the Fall of the Republic of Venice The fall of the Republic of Venice was a series of events that culminated on 12 May 1797 in the dissolution and dismemberment of the Republic of Venice at the hands of Napoleon Bonaparte and Habsburg Austria. In 1796, the y ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giovanni Bellini
Giovanni Bellini (; c. 1430 – 26 November 1516) was an Italian Renaissance painter, probably the best known of the Bellini family of Venetian painters. He was raised in the household of Jacopo Bellini, formerly thought to have been his father, but now that familial generational relationship is questioned.; “Giovanni Bellini: Birth, Parentage, and Independence" in ''Renaissance Quarterly'' An older brother, Gentile Bellini was more highly regarded than Giovanni during his lifetime, but the reverse is true today. His brother-in-law was Andrea Mantegna. Giovanni Bellini was considered to have revolutionized Venetian painting, moving it toward a more sensuous and colouristic style. Through the use of clear, slow-drying oil paints, Giovanni created deep, rich tints and detailed shadings. His sumptuous coloring and fluent, atmospheric landscapes had a great effect on the Venetian painting school, especially on his pupils Giorgione and Titian. Life Early career Giovanni ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Lorenzo Triptych
The San Lorenzo Triptych is a tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of Saint Lawrence measures 127 by 48 cm, its lunette of the Madonna and Child 59 by 170 cm and its side panels of John the Baptist and Antony of Padua 103 by 45 cm each. It is now in the Gallerie dell'Accademia in Venice. It is one of four triptychs produced between 1464 and 1470 for Santa Maria della Carità, Venice, which had been rebuilt in the 1450s, and whose altars were built between 1460 and 1464. The other three are the San Sebastiano, Madonna and Nativity Triptychs. They were probably all planned by Giovanni's father Jacopo. By the time of the Fall of the Republic of Venice all four works had been attributed to Vivarini Vivarini is the surname of a family of painters from Murano (Venice), who produced a great quantity of work in Venice and its neighborhood in the 15th century, leading on to that phase of the school which is repres ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings In The Gallerie Dell'Accademia
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract, narrat ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Paintings By Giovanni Bellini
Painting is the practice of applying paint, pigment, color or other medium to a solid surface (called the "matrix" or "support"). The medium is commonly applied to the base with a brush, but other implements, such as knives, sponges, and airbrushes, can be used. In art, the term ''painting ''describes both the act and the result of the action (the final work is called "a painting"). The support for paintings includes such surfaces as walls, paper, canvas, wood, glass, lacquer, pottery, leaf, copper and concrete, and the painting may incorporate multiple other materials, including sand, clay, paper, plaster, gold leaf, and even whole objects. Painting is an important form in the visual arts, bringing in elements such as drawing, composition, gesture (as in gestural painting), narration (as in narrative art), and abstraction (as in abstract art). Paintings can be naturalistic and representational (as in still life and landscape painting), photographic, abstract ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Fall Of The Republic Of Venice
The fall of the Republic of Venice was a series of events that culminated on 12 May 1797 in the dissolution and dismemberment of the Republic of Venice at the hands of Napoleon Bonaparte and Habsburg Austria. In 1796, the young general Napoleon had been sent by the newly-formed French Republic to confront Austria, as part of the French Revolutionary Wars. He chose to go through Venice, which was officially neutral. Reluctantly, the Venetians allowed the formidable French army to enter their country so that it might confront Austria. However, the French covertly began supporting Jacobin revolutionaries within Venice, and the Venetian senate began quietly preparing for war. The Venetian armed forces were depleted and hardly a match for the battle-hardened French or even a local uprising. After the capture of Mantua on 2 February 1797, the French dropped any pretext and overtly called for revolution among the territories of Venice. By 13 March, there was open revolt, with Bresci ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jacopo Bellini
Jacopo Bellini (c. 1400 – c. 1470) was one of the founders of the Renaissance style of painting in Venice and northern Italy. His sons Gentile and Giovanni Bellini, and his son-in-law Andrea Mantegna, were also famous painters. Few of Bellini's paintings still exist, but his surviving sketch-books (one in the British Museum and one in the Louvre) show an interest in landscape and elaborate architectural design and are his most important legacy. His surviving works show how he accommodated linear perspective to the decorative patterns and rich colors of Venetian painting. Biography Born in Venice, Jacopo had probably been a pupil of Gentile da Fabriano, who was then in Venice. In 1411–1412 he was in Foligno, where with Gentile he worked at the Palazzo Trinci frescoes. In 1423 Bellini was in Florence, where he knew the new works by Brunelleschi, Donatello, Masolino da Panicale and Masaccio. In 1424 he opened a workshop in Venice, which he ran right up until his death, and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Sebastiano Triptych
The San Sebastiano Triptych is a 1464–1470 tempera-on-panel altarpiece by the Italian Renaissance artist Giovanni Bellini and others. Its central panel of saint Sebastian measures 127 by 48 cm, its lunette of God the Father and the Annunciation 59 by 170 cm and its side panels of John the Baptist and Antony the Great 103 by 45 cm. It is now in the Gallerie dell'Accademia in Venice. It is one of four triptychs produced between 1464 and 1470 for Santa Maria della Carità, Venice, which had been rebuilt in the 1450s and whose altars were built between 1460 and 1464. The other three are the San Lorenzo, Madonna and Nativity Triptychs. They were probably all planned by Giovanni's father Jacopo. Giovanni's contribution to the actual painting was mainly to the saints on the ''San Sebastiano'', setting an important precedent for his first major solo work, the San Vincenzo Ferrer Altarpiece. By the time of the Fall of the Republic of Venice all four works had been attributed to Barto ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Nativity Triptych (Bellini)
The Nativity Triptych is a 1464–1470 tempera-on-panel altarpiece by the Italian Renaissance painter Giovanni Bellini and others, now in the Gallerie dell'Accademia in Venice. Its central panel of the Nativity measures 127 by 48 cm, its lunette of the Holy Trinity flanked by Augustine and Dominic 59 by 170 cm and its side panels of Francis of Assisi and Victor 103 by 45 cm. It is one of four triptychs produced between 1464 and 1470 for Santa Maria della Carità, Venice, which had been rebuilt in the 1450s and whose altars were built between 1460 and 1464. The other three are the San Lorenzo, Madonna and San Sebastiano Triptychs. They were probably all planned by Giovanni's father Jacopo. The lunette was influenced by Donatello and Andrea Mantegna, whilst the central panel is not thought to be by Giovanni and is similar to a work by Vivarini in the Narodni Gallery in Prague. By the time of the Fall of the Republic of Venice all four triptychs had been attributed to Vivarini � ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Santa Maria Della Carità, Venice
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the ''vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian). Ac ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tempera
Tempera (), also known as egg tempera, is a permanent, fast-drying painting medium consisting of colored pigments mixed with a water-soluble binder medium, usually glutinous material such as egg yolk. Tempera also refers to the paintings done in this medium. Tempera paintings are very long-lasting, and examples from the first century AD still exist. Egg tempera was a primary method of painting until after 1500 when it was superseded by oil painting. A paint consisting of pigment and binder commonly used in the United States as poster paint is also often referred to as "tempera paint", although the binders in this paint are different from traditional tempera paint. Etymology The term ''tempera'' is derived from the Italian ''dipingere a tempera'' ("paint in distemper"), from the Late Latin ''distemperare'' ("mix thoroughly"). History Tempera painting has been found on early Egyptian sarcophagus decorations. Many of the Fayum mummy portraits use tempera, sometimes in comb ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Venice
Venice ( ; it, Venezia ; vec, Venesia or ) is a city in northeastern Italy and the capital of the Veneto region. It is built on a group of 118 small islands that are separated by canals and linked by over 400 bridges. The islands are in the shallow Venetian Lagoon, an enclosed bay lying between the mouths of the Po and the Piave rivers (more exactly between the Brenta and the Sile). In 2020, around 258,685 people resided in greater Venice or the ''Comune di Venezia'', of whom around 55,000 live in the historical island city of Venice (''centro storico'') and the rest on the mainland (''terraferma''). Together with the cities of Padua and Treviso, Venice is included in the Padua-Treviso-Venice Metropolitan Area (PATREVE), which is considered a statistical metropolitan area, with a total population of 2.6 million. The name is derived from the ancient Veneti people who inhabited the region by the 10th century BC. The city was historica ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Gallerie Dell'Accademia
The Gallerie dell'Accademia is a museum gallery of pre-19th-century art in Venice, northern Italy. It is housed in the Scuola della Carità on the south bank of the Grand Canal, within the sestiere of Dorsoduro. It was originally the gallery of the Accademia di Belle Arti di Venezia, the art academy of Venice, from which it became independent in 1879, and for which the Ponte dell'Accademia and the Accademia boat landing station for the '' vaporetto'' water bus are named. The two institutions remained in the same building until 2004, when the art school moved to the Ospedale degli Incurabili. History Early history The Accademia di Belle Arti di Venezia was founded on 24 September 1750; the statute dates from 1756.Accademia di belle arti di Venezia, 1750–2010. Cenni storici (in Italian). ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
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