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Triple Stop
In music, a double stop is the technique of playing two notes simultaneously on a stringed instrument such as a violin, a viola, a cello, or a double bass. On instruments such as the Hardanger fiddle it is common and often employed. In performing a double stop, two separate strings are bowed or plucked simultaneously. Although the term itself suggests these strings are to be fingered (stopped), in practice one or both strings may be open. A triple stop is the same technique applied to three strings; a quadruple stop applies to four strings. Double, triple, and quadruple stopping are collectively known as multiple stopping. Early extensive examples of the double stop and string chords appear in Carlo Farina's ''Capriccio Stravagante'' from 1627, and in certain of the sonatas of Biagio Marini's Op. 8 of 1629. Bowing On instruments with a curved bridge, it is difficult to bow more than two strings simultaneously. Early treatises make it clear that composers did not expect thr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Jean-Baptiste Bréval
Jean-Baptiste Sebastien Bréval (6 November 1753 – 18 March 1823) was a French cellist and composer. He wrote mostly for his own instrument, including pedagogical works as well as virtuoso display pieces. Life Bréval was born in Paris, and went on to study with François Cupis (1735-1810) and Martin Berteau. By 1774, he was an active cello teacher. In 1775, he published his opus 1, six concertante quartets. In 1776, he became a member of the «Société Académique des Enfants d'Apollon». Kicking off his career by performing one of his sonatas at a Concert Spirituel in 1778, he became a member of their orchestra from 1781 to 1791, and from 1791 to 1800 he played in the orchestra of the Théâtre Feydeau. Later he became involved in the administration of the «Concerts de la rue de Cléry» and a member of the Paris Opera orchestra. He retired from the orchestra in 1816. The ''Allgemeine musikalische Zeitung'' states that Bréval taught at the Conservatoire altho ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cadenza
In music, a cadenza, (from , meaning cadence; plural, ''cadenze'' ) is, generically, an improvised or written-out ornamental passage played or sung by a soloist(s), usually in a "free" rhythmic style, and often allowing virtuosic display. During this time the accompaniment will rest, or sustain a note or chord. Thus an improvised cadenza is indicated in written notation by a fermata in all parts. A cadenza will usually occur over either the final or penultimate note in a piece, the lead-in (), or the final or penultimate note in an important subsection of a piece. A cadenza can also be found before a final coda or ritornello. Origin Initially, cadenzas were more simple and structured - a performer would add small embellishments such as trills to the end of cadences. These small embellishments of the early cadenza did not affect meter. However, as the improvised embellishments continued, they became longer and more thought out. This made way for the 'composed' cade ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
George Heussenstamm
George Heussenstamm (July 24, 1926 – April 8, 2024) was an American composer. His most well-known works include jazz-classical chamber styles, such as ''Etudes (7) for oboe, clarinet & bassoon, Op. 77'' (1964), ''Alchemy for solo oboe and tape, Op. 60'' (1976), and ''Ensembles, for brass quintet'' (1976). Recordings of his compositions include ''Woodwind Treasures'' by the West Wind Quintet and ''Alchemy: American Works for Oboe and English Horn CD'' by Mark Hill, and others. Heussenstamm was a professor of music at Cal State Dominguez Hills, Cal State Northridge, Cal State Los Angeles, and other colleges in Southern California. Heussenstamm is the author of several books pertaining to music theory, including ''The Norton Manual of Music Notation'', ''Hal Leonard Harmony & Theory – Part 1: Diatonic'', and ''Hal Leonard Harmony & Theory – Part 2: Chromatic''. ''The Norton Manual of Music Notation'' has become a standard of music notation. Heussenstamm received all of h ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Divisi
In musical terminology, ''divisi'', or as typically printed ''“div.,”'' is an instruction to divide a single section of instruments into multiple subsections. This usually applies to the violins of the string section in an orchestra, although violas, cellos, and double basses can also be divided. Typically, 4-part French Horn sections include divided sections if Horns 1/2 and/or 3/4 are not playing the same music (" a2"). Other brass instruments can also be divided but it is not as frequent as with the Horn section. Woodwinds - especially Flutes and Clarinets - also utilize "divisi" to divide music between parts and even between players of the same part. After a divisi section, it may be cancelled by the instructions ''tutti'', ''all'unisono''.{{Cite Grove , first=David , last=Fallows , date=2001 , title=Divisi (It.: 'divided') , doi=10.1093/gmo/9781561592630.article.07869 or ''unison'' (abbreviated ''unis.''). The German equivalents for ''divisi'' and ''tutti'', often used in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Elliot Forbes
Elliot Forbes (August 20, 1917, Cambridge, Massachusetts – January 9, 2006, in Cambridge), known as "El", was an American conductor and musicologist noted for his Beethoven scholarship. Life and career Forbes came from a Boston Brahmin family; his father, Edward W. Forbes, was the director of Harvard's Fogg Art Museum. He attended Harvard, receiving a BA in 1941 and an MA in 1947, both in music; he studied with Walter Piston, and while he was a graduate student, he was assistant conductor of the Harvard Glee Club. From 1947 to 58, he taught at Princeton University, but in 1958 he returned to Harvard and remained there for the rest of his life as Fanny Peabody Professor of Music (and, after 1984, Professor Emeritus.) He was the chief conductor of the Harvard Glee Club and Radcliffe Choral Society from 1958 to 1970; his students included Isaiah Jackson, now director of the Pro Arte Chamber Orchestra of Boston, and William Christie, founder and director of the European ba ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Beethoven's Fifth Symphony
The Symphony No. 5 in C minor, Op. 67, also known as the ''Fate Symphony'' (), is a symphony composed by Ludwig van Beethoven between 1804 and 1808. It is one of the best-known compositions in classical music and one of the most frequently played symphonies, and it is widely considered one of the cornerstones of western music. First performed in Vienna's Theater an der Wien in 1808, the work achieved its prodigious reputation soon afterward. E. T. A. Hoffmann described the symphony as "one of the most important works of the time". As is typical of symphonies during the Classical period, Beethoven's Fifth Symphony has four movements. It begins with a distinctive four-note "short-short-short-long" motif, often characterized as "fate knocking at the door", the ( fate motif): : The symphony, and the four-note opening motif in particular, are known worldwide, with the motif appearing frequently in popular culture, from disco versions to rock and roll covers, to uses in fil ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Walter Piston
Walter Hamor Piston, Jr. (January 20, 1894 – November 12, 1976), was an American composer of classical music, music theorist, and professor of music at Harvard University. Life Piston was born in Rockland, Maine at 15 Ocean Street to Walter Hamor Piston, a bookkeeper, and Leona Stover. He was the second of four children. His paternal grandfather was a sailor named Antonio Pistone, who changed his name to Anthony Piston when he came to Maine from Genoa, Italy. In 1905 the composer's father, Walter Piston Sr, moved with his family to Boston, Massachusetts. Walter Jr first trained as an engineer at the Mechanical Arts High School in Boston, but was artistically inclined. After graduating in 1912, he enrolled in the Massachusetts Normal Art School, where he completed a four-year program in fine art in 1916. During the 1910s, Piston made a living playing piano and violin in dance bands and later playing violin in orchestras led by Georges Longy. During World War I, he joined ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Michael Bach (musician)
Michael Bach (born 17 April 1958 in Worms, Germany), also known as Michael Bach Bachtischa, is a German cellist, composer, and visual artist. Biography He studied cello with Gerhard Mantel, Boris Pergamenschikow, Pierre Fournier, and János Starker, then embarked on a career of international concert activity as well as performances on radio, recordings, and television. He made numerous significant contributions to the art of contemporary cello performance; his publication ''Fingerboards & Overtones'' proposes new ideas concerning overtones and harmonics and is considered a pioneering work in the literature on contemporary technique. In 1990, he developed the curved bow (''BACH.Bogen'') for the cello, violin, viola and bass, which, in polyphonic playing, permits the simultaneous sounding of multiple strings, with the high arch of the bow allowing for full, sustained chords. During the years 1997 to 2001, Mstislav Rostropovich has been intimately involved in its development. In 2001 ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque Music
Baroque music ( or ) refers to the period or dominant style of Classical music, Western classical music composed from about 1600 to 1750. The Baroque style followed the Renaissance music, Renaissance period, and was followed in turn by the Classical period (music), Classical period after a short transition (the Galant music, galant style). The Baroque period is divided into three major phases: early, middle, and late. Overlapping in time, they are conventionally dated from 1580 to 1650, from 1630 to 1700, and from 1680 to 1750. Baroque music forms a major portion of the "Western art music, classical music" Western canon, canon, and continues to be widely studied, performed, and listened to. The term "baroque" comes from the Portuguese word ''barroco'', meaning "baroque pearl, misshapen pearl". Key List of Baroque composers, composers of the Baroque era include Johann Sebastian Bach, Antonio Vivaldi, George Frideric Handel, Georg Philipp Telemann, Domenico Scarlatti, Claudio Monte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Emil Telmányi
Emil Telmányi (22 June 1892 – 13 June 1988) was a Hungarian violinist. Telmányi was born in Arad, Partium, Transylvania, then in the Kingdom of Hungary. Telmányi began playing the violin at the age of six and made his public debut at thirteen. His evident talent earned him entry into the soloist classes at the Budapest Academy of Music under the tutelage of the renowned Jenö Hubay. Additionally, he studied composition with Hans Koessler and received conducting instruction. In 1906, he won the Reményi Prize and graduated in 1911 from the academy with both artistic and teaching diplomas, also completing his high school exams the same year. His artistic career began in 1911 with a debut in Berlin, where he performed Sie Edward Elgar's newly composed Violin Concerto for the first time in Germany.Allan Evans, ''Ignaz Friedman: Romantic Master Pianist'', p. 70 It was attended by the pianist Ignaz Friedman, who befriended him and arranged some of his early concerts in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Stanley Sadie
Stanley John Sadie (; 30 October 1930 – 21 March 2005) was a British musicologist, music critic, and editor. He was editor of the sixth edition of the '' Grove Dictionary of Music and Musicians'' (1980), which was published as the first edition of ''The New Grove Dictionary of Music and Musicians''. Along with Thurston Dart, Nigel Fortune and Oliver Neighbour he was one of Britain's leading musicologists of the post-World War II generation. Career Born in Wembley, Sadie was educated at St Paul's School, London, and studied music privately for three years with Bernard Stevens. At Gonville and Caius College, Cambridge he read music under Thurston Dart. Sadie earned Bachelor of Arts and Bachelor of Music degrees in 1953, a Master of Arts degree in 1957, and a PhD in 1958. His doctoral dissertation was on mid-eighteenth-century British chamber music. After Cambridge, he taught at Trinity College of Music, London (1957–1965). Sadie then turned to music journalism, beco ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
New Grove Dictionary Of Music
''The New Grove Dictionary of Music and Musicians'' is an encyclopedic dictionary of music and musicians. Along with the German-language ''Die Musik in Geschichte und Gegenwart'', it is one of the largest reference works on the history and theory of music. Earlier editions were published under the titles ''A Dictionary of Music and Musicians'', and ''Grove's Dictionary of Music and Musicians''; the work has gone through several editions since the 19th century and is widely used. In recent years it has been made available as an electronic resource called ''Grove Music Online'', which is now an important part of ''Oxford Music Online''. ''A Dictionary of Music and Musicians'' ''A Dictionary of Music and Musicians'' was first published in London by Macmillan and Co. in four volumes (1879, 1880, 1883, 1889) edited by George Grove with an Appendix edited by J. A. Fuller Maitland in the fourth volume. An Index edited by Mrs. E. Wodehouse was issued as a separate volume in 1890. In ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
