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Trionfo Di Afrodite
''Trionfo di Afrodite'' (Italian for ''Triumph of Aphrodite'') is a cantata written in 1951 by the German composer Carl Orff. It is the third and final installment in the '' Trionfi'' musical trilogy, which also includes ''Carmina Burana'' (1937) and ''Catulli Carmina'' (1943). Background Described by the composer himself as a ''concerto scenico'' (scenic concert), the ''Trionfo'' is a representation of a ritual for a Greco-Roman wedding, in a similar fashion to Igor Stravinsky's ''Les noces''. In this case, ''Trionfo'' refers to the Roman and Renaissance ''trionfo'', meaning "procession" or "festival". By using the word ''trionfo'', Orff specifically intended to identify the work as a successor to the Renaissance and baroque tradition of the masque and pageant, not as a formal borrowing but as a rather refreshed and extended look on it. Orff began working on the ''Trionfo'' as early as 1947, but could not fully concentrate on the piece until he completed his ''Antigonae'' in ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Carl Orff
Carl Orff (; 10 July 1895 – 29 March 1982) was a German composer and music educator, best known for his cantata '' Carmina Burana'' (1937). The concepts of his Schulwerk were influential for children's music education. Life Early life Carl Orff (full name Karl Heinrich Maria Orff) was born in Munich on 10 July 1895, the son of Paula Orff (née Köstler, 1872–1960) and Heinrich Orff (1869–1949). His family was Bavarian and was active in the Imperial German Army; his father was an army officer with strong musical interests, and his mother was a trained pianist. The composer's grandfathers, Carl von Orff (1828–1905) and Karl Köstler (1837–1924), were both major generals and also scholars. His paternal grandmother, Fanny Orff (née Kraft, 1833–1919), was Catholic of Jewish descent. His maternal grandmother was Maria Köstler (née Aschenbrenner, 1845–1906). Orff had one sibling, a younger sister named Maria ("Mia", 1898–1975), who married the architect Alwin S ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Baroque
The Baroque (, ; ) is a style of architecture, music, dance, painting, sculpture, poetry, and other arts that flourished in Europe from the early 17th century until the 1750s. In the territories of the Spanish and Portuguese empires including the Iberian Peninsula it continued, together with new styles, until the first decade of the 19th century. It followed Renaissance art and Mannerism and preceded the Rococo (in the past often referred to as "late Baroque") and Neoclassical styles. It was encouraged by the Catholic Church as a means to counter the simplicity and austerity of Protestant architecture, art, and music, though Lutheran Baroque art developed in parts of Europe as well. The Baroque style used contrast, movement, exuberant detail, deep colour, grandeur, and surprise to achieve a sense of awe. The style began at the start of the 17th century in Rome, then spread rapidly to France, northern Italy, Spain, and Portugal, then to Austria, southern Germany, and Rus ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Scene (performing Arts)
A scene is a dramatic part of a story, at a specific time and place, between specific characters. The term is used in both filmmaking and theatre, with some distinctions between the two. Theatre In drama, a scene is a unit of action, often a subdivision of an act. French scene A "French scene" is a scene in which the beginning and end are marked by a change in the presence of characters onstage, rather than by the lights going up or down or the set being changed.George, Kathleen (1994) ''Playwriting: The First Workshop'', Focal Press, , p. 154 Obligatory scene From the French ''scène à faire'', an obligatory scene is a scene (usually highly charged with emotion) which is anticipated by the audience and provided by an obliging playwright. An example is ''Hamlet'' 3.4, when Hamlet confronts his mother. Film In filmmaking and video production, a scene is generally thought of as a section of a motion picture in a single location and continuous time made up of a serie ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Hieros Gamos
''Hieros gamos'', hieros (ἱερός) meaning "holy" or "sacred" and gamos (γάμος) meaning marriage, or Hierogamy (Greek , "holy marriage"), is a sacred marriage that plays out between a god and a goddess, especially when enacted in a symbolic ritual where human participants represent the deities. The notion of ''hieros gamos'' does not always presuppose literal sexual intercourse in ritual, but is also used in purely symbolic or mythological context, notably in alchemy and hence in Jungian psychology. ''Hieros gamos'' is described as the prototype of fertility rituals. Ancient Near East Sacred sexual intercourse is thought to have been common in the Ancient Near East as a form of "Sacred Marriage" or hieros gamos between the kings of a Sumerian city-state and the High Priestesses of Inanna, the Sumerian goddess of love, fertility and warfare. Along the Tigris and Euphrates rivers there were many shrines and temples dedicated to Inanna. The temple of Eanna, meaning " ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Aphrodite
Aphrodite ( ; grc-gre, Ἀφροδίτη, Aphrodítē; , , ) is an ancient Greek religion, ancient Greek goddess associated with love, lust, beauty, pleasure, passion (emotion), passion, and procreation. She was syncretized with the Roman goddess . Aphrodite's major symbols include Myrtle (common), myrtles, roses, doves, Old World sparrow, sparrows, and swans. The cult of Aphrodite was largely derived from that of the Ancient Canaanite religion, Phoenician goddess Astarte, a cognate of the East Semitic goddess Ishtar, whose cult was based on the Sumerian religion, Sumerian cult of Inanna. Aphrodite's main cult centers were Kythira, Cythera, Cyprus, Corinth, and Athens. Her main festival was the Aphrodisia, which was celebrated annually in midsummer. In Laconia, Aphrodite was worshipped as a warrior goddess. She was also the patron goddess of Prostitution in ancient Greece, prostitutes, an association which led early scholars to propose the concept of "sacred prostitution" in Gr ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Patrician (ancient Rome)
The patricians (from la, patricius, Greek: πατρίκιος) were originally a group of ruling class families in ancient Rome In modern historiography, ancient Rome refers to Roman civilisation from the founding of the city of Rome in the 8th century BC to the collapse of the Western Roman Empire in the 5th century AD. It encompasses the Roman Kingdom (753–50 .... The distinction was highly significant in the Roman Kingdom, and the early Roman Republic, Republic, but its relevance waned after the Conflict of the Orders (494 BC to 287 BC). By the time of the late Republic and Roman Empire, Empire, membership in the patriciate was of only nominal significance. The social structure of Ancient Rome revolved around the distinction between the patricians and the plebeians. The status of patricians gave them more political power than the plebeians. The relationship between the patricians and the plebeians eventually caused the Conflict of the Orders. This time period ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sappho 31
Sappho 31 is an archaic Greek lyric poem by the ancient Greek poet Sappho of the island of Lesbos. The poem is also known as phainetai moi (φαίνεταί μοι) after the opening words of its first line. It is one of Sappho's most famous poems, describing her love for a young woman. Fragment 31 is one of Sappho's most famous works, and has been the subject of numerous translations and adaptations from ancient times to the present day. Celebrated for its portrayal of intense emotion, the poem has influenced modern conceptions of lyric poetry, and its depiction of desire continues to influence writers today. Preservation Fragment 31 was one of the few substantial fragments of Sappho to survive from ancient times, preserved in the first-century AD treatise on aesthetics ''On the Sublime''. Four stanzas are well-preserved, followed by part of one more line; this, as well as Catullus' adaptation of the poem, suggests that there was originally one more stanza of the poem, often ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Catullus 51
Catullus 51 is a poem by Roman love poet Gaius Valerius Catullus (''c''. 84 – ''c''. 54 BC). It is an adaptation of one of Sappho's fragmentary lyric poems, Sappho 31. Catullus replaces Sappho's beloved with his own beloved Lesbia. Unlike the majority of Catullus' poems, the meter of this poem is the sapphic meter. This meter is more musical, seeing as Sappho mainly sang her poetry. Catullus is not the only poet who translated Sappho’s poem to use for himself: Pierre de Ronsard and Salvatore Quasimodo are also known to have translated a version of it. The poem The following Latin text of Catullus 51 is taken from D.F.S. Thomson; the translation is literal, not literary. *Catullus here builds upon a common interpretation of the lost original verse from Sappho. For a reconstruction of the original Greek first verse, see Sappho 31. *Line 8 is missing from the original manuscript. Oxford Classical Texts (ed. R.A.B. Mynors) provides no substitution. Modern musical setting ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ernst Eulenburg (musical Editions)
Ernst Eulenburg the music publisher was established by Ernst Eulenburg in Leipzig in 1874. The firm started by publishing a series of studies by a Dresden piano teacher, and then expanded into light music and works for men's chorus, at first all non-copyright works. Origins of the miniature scores In 1891, Eulenburg acquired the company of Payne who had recently started to publish miniature scores of chamber works, thus effectively establishing the basis for the famous miniature scores which are what Eulenburg is famous for today. The catalogue was further expanded in 1908 by the acquisition of the catalogue of Donajowski, who published miniature scores of orchestral works in England. Later history of the company In 1905, Ernst's son Kurt began to work in the firm, a connection maintained until his retirement at age 90 in 1968. After Ernst died in 1926, Kurt took over and began to introduce important revisions of scores by leading musicologists such as Alfred Einstein (who ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Schott Music
Schott Music () is one of the oldest German music publishers. It is also one of the largest music publishing houses in Europe, and is the second oldest music publisher after Breitkopf & Härtel. The company headquarters of Schott Music were founded by Bernhard Schott in Mainz in 1770. Schott Music is one of the world's leading music publishers. It represents many important composers of the 20th and 21st centuries, and its publishing catalogue contains some 31,000 titles on sale and over 10,000 titles on hire. The repertoire ranges from complete editions, stage and concert works to general educational literature, fine sheet music editions and multimedia products. In addition to the publishing houses of Panton, Ars-Viva, Ernst Eulenburg, Fürstner, Cranz, Atlantis Musikbuch and Hohner-Verlag, the Schott group also includes two recording labels, Wergo (for new music) and Intuition (for Jazz), as well as eight specialist magazines. The Schott Music group also includes the printi ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
