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Touch Me When We're Dancing
"Touch Me When We're Dancing" is a song written by Terry Skinner, J. L. Wallace and Ken Bell. Skinner and Wallace headed the Muscle Shoals, Alabama session group Bama, who first recorded this song and released it as a single in 1979 reaching number 42 on the ''Billboard'' Easy Listening chart and number 86 on the ''Billboard'' Hot 100 chart. The song was later recorded by The Carpenters in 1981 for their '' Made in America'' album. In 1984, it was recorded by country music artists Mickey Gilley and Charly McClain for their 1984 duet album ''It Takes Believers'' and in 1986 by the country music group Alabama. Bama version The version by Bama was produced by Jim Vienneau and released on the Free Flight label. It received a positive review in ''Billboard'' which praised the "smooth production" and said that the song "allows the group to achieve a strong identity". Carpenters' version The Carpenters' version of "Touch Me When We're Dancing" was released on their '' Made in America ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Muscle Shoals, Alabama
Muscle Shoals is the largest city in Colbert County, Alabama, United States. It is located along the Tennessee River in the northern part of the state and, as of the 2010 census, the population of Muscle Shoals was 13,146. The estimated population in 2019 was 14,575. Both the city and the Florence-Muscle Shoals Metropolitan Area (including four cities in Colbert and Lauderdale counties) are commonly called "the Shoals". Northwest Alabama Regional Airport serves the Shoals region, located in the northwest section of the state. Due to its strategic location along the Tennessee River, Muscle Shoals had long been territory of Native American tribes. In the late 18th and early 19th centuries, as Europeans entered the area in greater number, it became a center of historic land disputes. The new state of Georgia had ambitions to anchor its western claims (to the Mississippi River) by encouraging European-American development here, but that project did not succeed. Under Presiden ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Greatest Hits (video)
A greatest hits album or best-of album is a type of compilation album that collects popular and commercially successful songs by a particular artist or band. While greatest hits albums are typically supported by the artist, they can also be created by record companies without express approval from the original artist as a means to generate sales. They are typically regarded as a good starting point for new fans of an artist, but are sometimes criticized by longtime fans as not inclusive enough or necessary at all. It is also common for greatest hits albums to include new recordings, remixes or unreleased alternate takes of the hit songs, plus other new material as bonus tracks to increase appeal for longtime fans (who might otherwise already own the recordings included). At times, a greatest hits compilation marks the first album appearance of a successful single that was never attached to a previous studio album. History The first greatest hits album was Johnny Mathis's ''Joh ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cowbell (instrument)
The cowbell is an idiophone hand percussion instrument used in various styles of music, such as Latin and rock. It is named after the similar bell used by herdsmen to keep track of the whereabouts of cows. The instrument initially and traditionally has been metallic; however, contemporarily, some variants are made of synthetic materials. Origins While the cowbell is commonly found in musical contexts, its origin can be traced to freely roaming animals. In order to help identify the herd to which these animals belonged, herdsmen placed these bells around the animal's neck. As the animals moved about the bell would ring, thus making it easier to know of the animal's whereabouts. Though the bells were used on various types of animals, they are typically referred to as "cowbells" due to their extensive use with cattle. Tuned cowbells Tuned cowbells or ''Almglocken'' (their German name, ‘Alm’ meaning a mountain meadow, and ‘Glocken’ bells), sometimes known by the En ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Shaker (musical Instrument)
The word shaker describes various percussive musical instruments used for creating rhythm in music. They are called shakers because the method of creating the sound involves shaking them – moving them back and forth in the air rather than striking them. Most may also be struck for a greater accent on certain beats. Shakers are often used in rock and other popular styles to provide the ride pattern along with or substituting for the ride cymbal. Types of shaker A shaker may comprise a container, partially full of small loose objects such as beans, which create the percussive sounds as they collide with each other, the inside surface, or other fixed objects inside the container – as in a rainstick, caxixi or egg shaker An egg shaker or ganzá is a hand percussion instrument, in the idiophone category, that makes a noise when shaken. Functionally it is similar to a maraca. Typically the outer casing or container is ovoidal or egg-shaped. It is partially .... See a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Cabasa
The cabasa, similar to the shekere, is a percussion instrument that is constructed with loops of steel ball chain wrapped around a wooden cylinder. The cylinder is fixed to a long, wooden or plastic handle. The metal cabasa was created by Martin Cohen, founder of Latin Percussion. This company has built a more durable cabasa that they call an afuche-cabasa (pictured). It provides a metallic, rattling sound when shaken or twisted, similar to the sound of a rattlesnake. It is often used in Latin jazz, especially in bossa nova Bossa nova () is a style of samba developed in the late 1950s and early 1960s in Rio de Janeiro, Brazil. It is mainly characterized by a "different beat" that altered the harmonies with the introduction of unconventional chords and an innovativ ... pieces. Precise rhythmic effects can be gained by the advanced player. The player places his non-dominant hand on the metal chain, to provide pressure, while holding the wooden handle with the other hand and ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Mark Tree
A mark tree (also known as a nail tree, chime tree, or set of bar chimes) is a percussion instrument used primarily for musical colour. It consists of many small chimes—typically cylinders of solid aluminium or hollow brass tubing 3/8" in diameter—of varying lengths, hung from a bar. They are played by sweeping a finger or stick through the length of the hanging chimes. They are mounted in pitch order to produce rising or falling glissandos. Unlike tubular bells, another form of chime, the chimes on a mark tree do not produce definite pitches, as they produce inharmonic (rather than harmonic) spectra. The mark tree is named after its inventor, studio percussionist Mark Stevens, who devised it in 1967. When he could not come up with a name, percussionist Emil Richards dubbed the instrument the "mark tree". The mark tree should not be confused with two similar instruments: * Wind chimes are mounted in a circle with a hanging striker strung in the center; they may be solid ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Larrie Londin
Ralph Gallant (October 15, 1943 − August 24, 1992), better known by the stage name Larrie Londin, was an American drummer and session musician. According to journalist James Byron Fox, "If not the best known, Larrie is one of the most listened to drummers in the world. He played on more hit records during his career than any other drummer, with the exception of the legendary session drummer Hal Blaine, and his work covers the complete musical spectrum." History Early life Larrie Londin began playing drums at the age of 15, and was largely self-taught. Londin initially planned to be a singer, and had an early recording contract with Atlantic Records, but decided to stay loyal to the band The Headliners and signed with Motown under the VIP label.UncreditedTCB Band - Larrie Londin; Elvis Presley Music. Retrieved August 14, 2012 and 2012-08-20. Londin's first professional drumming engagement was in Norfolk, Virginia, in a club where he was a cook and dishwasher. One night, the e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Tony Peluso
Anthony F. Peluso (March 28, 1950 – June 5, 2010) was an American guitarist and record producer. He was lead guitarist for pop duo Carpenters from 1972 to 1983. Peluso played the fuzz guitar solo on the Carpenters' song "Goodbye to Love". He also contributed a disc jockey impersonation that opens the duo's cover of " Calling Occupants of Interplanetary Craft" and was the deejay who links the medley of oldies tracks on Side 2 of the Carpenters album '' Now & Then''. Career Peluso came from a musical family, his mother being a successful opera singer and his father being the music director for NBC radio on the west coast. His mother was Emily Hardy (1908-1983), a soprano who performed most notably with The San Francisco Opera Company (debut 1933, Musetta, La Bohème) and the Metropolitan Opera (debut 1936, Gilda, Rigoletto). Tony's father was Thomas A. Peluso, composer and conductor (1899-1963). He began his own musical career in 1968, when he formed a band called The Abstracts ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Joe Osborn
Joseph Osborn (August 28, 1937 – December 14, 2018Joe Osborn, Wrecking Crew Bassist, Dies at 81 ''Billboard''. Retrieved January 8, 2019.) was an American player known for his work as a session musician in with the Wrecking Crew and in |
Orchestration
Orchestration is the study or practice of writing music for an orchestra (or, more loosely, for any musical ensemble, such as a concert band) or of adapting music composed for another medium for an orchestra. Also called "instrumentation", orchestration is the assignment of different instruments to play the different parts (e.g., melody, bassline, etc.) of a musical work. For example, a work for solo piano could be adapted and orchestrated so that an orchestra could perform the piece, or a concert band piece could be orchestrated for a symphony orchestra. In classical music, composers have historically orchestrated their own music. Only gradually over the course of music history did orchestration come to be regarded as a separate compositional art and profession in itself. In modern classical music, composers almost invariably orchestrate their own work. However, in musical theatre, film music and other commercial media, it is customary to use orchestrators and arranger ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Rhodes Piano
The Rhodes piano (also known as the Fender Rhodes piano) is an electric piano invented by Harold Rhodes, which became popular in the 1970s. Like a conventional piano, the Rhodes generates sound with keys and hammers, but instead of strings, the hammers strike thin metal tines, which vibrate next to an electromagnetic pickup. The signal is then sent through a cable to an external keyboard amplifier and speaker. The instrument evolved from Rhodes's attempt to manufacture pianos while teaching recovering soldiers during World War II. Development continued after the war and into the following decade. In 1959, Fender began marketing the Piano Bass, a cut-down version; the full-size instrument did not appear until after Fender's sale to CBS in 1965. CBS oversaw mass production of the Rhodes piano in the 1970s, and it was used extensively through the decade, particularly in jazz, pop, and soul music. It was less used in the 1980s because of competition with polyphonic and digital ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
