Tonal Impressionism
{{nofootnotes, date=July 2010 Tonal Impressionism was an artistic style of "mood" paintings with simplified compositions, done in a limited range of colors, as with Tonalist works, but using the brighter, more chromatic palette of Impressionism. An exhibition titled "Tonal Impressionism" was curated by the art historian Harry Muir Kurtzworth for the Los Angeles Art Association Gallery at the Los Angeles Central Library in June 1937 with the works of a number of prominent California artists. In recent years, the term has also been used to describe a non-linear approach to painting where the subject is massed in with tonal values without the use of underdrawing. Tonal Impressionism Tonalism is usually characterized by art historians as paintings of simplified subjects, that are painted in a gauzy, indistinct way with a lack of detail, using a limited palette with variations of the same colors. American painters who are considered Tonalists are James Abbott McNeill Whistler (1834–19 ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Tonalism
Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominated compositions by artists associated with the style. During the late 1890s, American art critics began to use the term "tonal" to describe these works, as well as the lesser-known synonyms Quietism and Intimism. Two of the leading associated painters were George Inness and James McNeill Whistler. Tonalism is sometimes used to describe American landscapes derived from the French Barbizon style, which emphasized mood and shadow. Tonalism was eventually eclipsed by Impressionism and European modernism. Australian Tonalism emerged as an art movement in Melbourne during the 1910s. Associated artists * Willis Seaver Adams * Joseph Allworthy * Edward Mitchell Bannister * Clarice Beckett * Ralph Albert Blakelock * Emanuele Cavalli * Jean-C ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Anders Zorn
Anders Leonard Zorn (18 February 1860 – 22 August 1920) was a Swedish painter. He attained international success as a painter, sculptor, and etching artist. Among Zorn's portrait subjects include King Oscar II of Sweden and three American Presidents: Grover Cleveland, William H. Taft, and Theodore Roosevelt. At the end of his life, he established the Swedish literary Bellman Prize in 1920. Biography Zorn was born and raised on his grandparents' farm in Yvraden, a hamlet near the village of Utmeland in the parish of Mora, Dalarna. He studied until the age of twelve in the school at Mora Strand before progressing in the autumn of 1872 to a secondary grammar school in Enköping. From 1875 to 1880, Zorn studied at the Royal Swedish Academy of Arts in Stockholm, where he amazed his teachers with his talent. Members of the Stockholm Society approached him with commissions. In early 1881, Zorn met Emma Lamm, whose background was quite different from his. Emma Lamm was from ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Landscape Artists
Landscape painting, also known as landscape art, is the depiction of natural scenery such as mountains, valleys, trees, rivers, and forests, especially where the main subject is a wide view—with its elements arranged into a coherent composition. In other works, landscape backgrounds for figures can still form an important part of the work. Sky is almost always included in the view, and weather is often an element of the composition. Detailed landscapes as a distinct subject are not found in all artistic traditions, and develop when there is already a sophisticated tradition of representing other subjects. Two main traditions spring from Western painting and Chinese art, going back well over a thousand years in both cases. The recognition of a spiritual element in landscape art is present from its beginnings in East Asian art, drawing on Daoism and other philosophical traditions, but in the West only becomes explicit with Romanticism. Landscape views in art may be enti ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Art In California
Art is a diverse range of human activity, and resulting product, that involves creative or imaginative talent expressive of technical proficiency, beauty, emotional power, or conceptual ideas. There is no generally agreed definition of what constitutes art, and its interpretation has varied greatly throughout history and across cultures. In the Western tradition, the three classical branches of visual art are painting, sculpture, and architecture. Theatre, dance, and other performing arts, as well as literature, music, film and other media such as interactive media, are included in a broader definition of the arts. Until the 17th century, ''art'' referred to any skill or mastery and was not differentiated from crafts or sciences. In modern usage after the 17th century, where aesthetic considerations are paramount, the fine arts are separated and distinguished from acquired skills in general, such as the decorative or applied arts. The nature of art and related concepts, such ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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Barbizon School
The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, on the edge of the Forest of Fontainebleau, where many of the artists gathered. Most of their works were landscape painting, but several of them also painted landscapes with farmworkers, and genre scenes of village life. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form. The leaders of the Barbizon school were: Théodore Rousseau, Charles-François Daubigny, Jules Dupré, Constant Troyon, Charles Jacque, and Narcisse Virgilio Díaz. Jean-François Millet lived in Barbizon from 1849, but his interest in figures with a landscape backdrop sets him rather apart from the others. Jean-Baptiste-Camille Corot was the earliest o ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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French Impressionism
Impressionism was a 19th-century art movement characterized by relatively small, thin, yet visible brush strokes, open composition, emphasis on accurate depiction of light in its changing qualities (often accentuating the effects of the passage of time), ordinary subject matter, unusual visual angles, and inclusion of movement as a crucial element of human perception and experience. Impressionism originated with a group of Paris-based artists whose independent exhibitions brought them to prominence during the 1870s and 1880s. The Impressionists faced harsh opposition from the conventional art community in France. The name of the style derives from the title of a Claude Monet work, ''Impression, soleil levant'' (''Impression, Sunrise''), which provoked the critic Louis Leroy to coin the term in a satirical review published in the Parisian newspaper '' Le Charivari''. The development of Impressionism in the visual arts was soon followed by analogous styles in other media that be ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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American Impressionism
American Impressionism was a style of painting related to European Impressionism and practiced by American artists in the United States from the mid-nineteenth century through the beginning of the twentieth. The style is characterized by loose brushwork and vivid colors with a wide array of subject matters but focusing on landscapes and upper-class domestic life. Emerging Style Impressionism emerged as an artistic style in France in the 1860s. Major exhibitions of French impressionist works in Boston and New York in the 1880s introduced the style to the American public. The first exhibit took place in 1886 in New York and was presented by the American Art Association and organized by Paul Durand-Ruel . Some of the first American artists to paint in an impressionistic mode, such as Theodore Robinson and Mary Cassatt, did so in the late 1880s after visiting France and meeting with artists such as Claude Monet. Others, such as Childe Hassam, took notice of the increasing ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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California Art Club
The California Art Club (CAC) is one of the oldest and most active arts organizations in California. Founded in December 1909, it celebrated its centennial in 2009 and into the spring of 2010. The California Art Club originally evolved out of The Painters Club of Los Angeles, a short-lived group that lasted from 1906–09. The new organization was more inclusive, as it accepted women, sculptors and out-of-state artists.Antony Anderson, Exit the Painters’ Club, Los Angeles Times, December 12, 1909, III17 Most of the major early California painters belonged to the CAC, including Franz Bischoff, Carl Oscar Borg, Edgar Payne, Julia Bracken Wendt, and William Wendt. As the members of the first generation of California Plein-Air Painters aged and died, the membership was filled by younger professional painters, including Millard Sheets, Mabel Alvarez,Alvarez participated in CAC exhibitions from 1918–37. Emil Kosa Jr., and watercolorist Rex Brandt, along with amateur painters ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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California Plein-Air Painting
The terms California Impressionism and California Plein-Air Painting describe the large movement of 20th century California artists who worked out of doors (''en plein air''), directly from nature in California, United States. Their work became popular in the San Francisco Bay Area and Southern California in the first three decades after the turn of the 20th century. Considered to be a regional variation on American Impressionism, the California Impressionists are a subset of the California Plein-Air School. History The California Impressionist artists depicted the California landscape from the south to the north — the foothills, mountains, seashores, and deserts of the interior and coastal regions. California Impressionism reached its peak of popularity in the years before the Great Depression. The California Impressionists generally painted in a bright, chromatic palette with loose, painterly brush work that showed influence from French Impressionism and Post-Impressionism. Th ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |
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:Category:Tonalism
''The visual art movement Tonalism Tonalism was an artistic style that emerged in the 1880s when American artists began to paint landscape forms with an overall tone of colored atmosphere or mist. Between 1880 and 1915, dark, neutral hues such as gray, brown or blue, often dominat ....'' Art movements American art movements American Impressionism Modern art ... [...More Info...]       [...Related Items...]     OR:     [Wikipedia]   [Google]   [Baidu]   |