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Tommaso Giordani
Tommaso Giordani (c.1730 to 1733 – before 24 February 1806) was an Italian composer active in England and particularly in Ireland. Life Giordani was born in Naples between 1730 and 1733 and came from a musical family. His father was Giuseppe Giordani senior, born around 1695 in Naples, and died after 1762, probably in London (no relation to the Neapolitan organist Carmine Giordani, b. 1685). A possible younger brother was Giuseppe Giordani (1751–1798), called "Giordanello". Tommaso was trained in Naples and moved with his father and siblings (including singer Nicolina) via Graz (1747), Salzburg and Frankfurt (1750), Amsterdam (1752) and Paris (1753) to London, where they performed four burlettas at Covent Garden in the 1753–4 season. Although the family performed in London for the next two years, Tommaso is not mentioned in the newspaper reports of the time. However in British publications of his time, Giordani was often referred to as "Tomaso Giordani," with a single "m ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Naples
Naples ( ; ; ) is the Regions of Italy, regional capital of Campania and the third-largest city of Italy, after Rome and Milan, with a population of 908,082 within the city's administrative limits as of 2025, while its Metropolitan City of Naples, province-level municipality is the third most populous Metropolitan cities of Italy, metropolitan city in Italy with a population of 2,958,410 residents, and the List of urban areas in the European Union, eighth most populous in the European Union. Naples metropolitan area, Its metropolitan area stretches beyond the boundaries of the city wall for approximately . Naples also plays a key role in international diplomacy, since it is home to NATO's Allied Joint Force Command Naples and the Parliamentary Assembly of the Mediterranean. Founded by Greeks in the 1st millennium BC, first millennium BC, Naples is one of the oldest continuously inhabited urban areas in the world. In the eighth century BC, a colony known as Parthenope () was e ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Lady Morgan
Sydney, Lady Morgan (; – 14 April 1859), was an List of Irish novelists, Irish novelist, best known for ''The Wild Irish Girl'' (1806)'','' a romantic, and some critics suggest, "proto-feminist", novel with political and patriotic overtones. Her work, including continental travelogues, sparked controversy and faced censorship. She counted Percy Bysshe Shelley and Lord Byron among her defenders. Early life Sydney Owenson was the daughter of Robert Owenson, alias MacOwen, and Jane Hill. Robert Owenson was an Irish Catholic and a professional actor, noted for his comedic performances. He had been raised in London, and while in England he met and married Jane Hill, the Protestant daughter of a trader from Shrewsbury. In 1776 Owenson and his wife returned to Ireland for good. The couple settled in Dublin and Owenson earned a living by performing in theatres around Dublin, Drumcondra, and Sligo. Around 1778 the couple gave birth to Sydney, who was named after her paternal grandmo ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
The Beggar's Opera
''The Beggar's Opera'' is a ballad opera in three acts written in 1728 by John Gay with music arranged by Johann Christoph Pepusch. It is one of the watershed plays in Augustan drama and is the only example of the once thriving genre of satirical ballad opera to remain popular today. Ballad operas were satiric musical plays that used some of the conventions of opera, but without recitative. The lyrics of the airs in the piece are set to popular broadside ballads, opera arias, church hymns and folk tunes of the time. ''The Beggar's Opera'' premiered at the Lincoln's Inn Fields Theatre on 29 January 1728 and ran for 62 consecutive performances, the second-longest run in theatre history up to that time (after 146 performances of Robert Cambert's '' Pomone'' in Paris in 1671). The work became Gay's greatest success and has been played ever since; it has been called "the most popular play of the eighteenth century". In 1920, ''The Beggar's Opera'' began a revival run of 1,463 p ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Galant Style
The galant style was an 18th-century movement in music, visual arts and literature. In Germany a closely related style was called the '' empfindsamer Stil'' (sensitive style). Another close relative is rococo style. The galant style was drawn in opposition to the strictures of the Baroque style, emphasizing light elegance in place of the Baroque's dignified seriousness and high grandeur. Music In music, the galant emphasis was on simplicity, immediacy of appeal, and elegance. Fashion In fashion, galant featured perfumed handkerchiefs and powdered wigs for both sexes. The fantastic exotic asymmetry of bizarre silk Bizarre silks are a style of figured silk fabrics popular in Europe in the late 17th and early 18th centuries. Bizarre silks are characterized by large-scale, asymmetrical patterns featuring geometrical shapes and stylized leaves and flowers, in ... patterns were symptomatic of galant tastes. References External links {{wiktionary-inline, Galant 18th century i ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Theatre Royal, Dublin
Over the centuries, there have been five theatres in Dublin called the Theatre Royal. In the history of the theatre in Great Britain and Ireland, the designation "Theatre Royal", or "Royal Theatre", once meant that a theatre had been granted a Patent theatre, royal patent, without which "serious drama" theatrical performances were not permitted by law. Many such theatres had other names. The first Theatre Royal (1662–1787) The Smock Alley Theatre, first Theatre Royal was opened by John Ogilby in 1662 in Smock Alley. Ogilby, who was the first Irish Master of the Revels, had previously run the Werburgh Street Theatre, New Theatre in Werburgh Street. This was the first custom-built theatre in the city. It opened in 1637 but was closed by the Puritans in 1641. The Restoration (Ireland), Restoration of the monarchy in Ireland in 1661 enabled Ogilby to resume his position as Master of the Revels and open his new venture. This Theatre Royal was essentially under the control of the a ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
King George III
George III (George William Frederick; 4 June 173829 January 1820) was King of Great Britain and King of Ireland, Ireland from 25 October 1760 until his death in 1820. The Acts of Union 1800 unified Kingdom of Great Britain, Great Britain and Kingdom of Ireland, Ireland into the United Kingdom of Great Britain and Ireland, with George as its king. He was concurrently Duke and Prince-elector of Electorate of Hanover, Hanover in the Holy Roman Empire before becoming King of Hanover on 12 October 1814. He was the first monarch of the House of Hanover who was born in Great Britain, spoke English as his first language, and never visited Hanover. George was born during the reign of his paternal grandfather, George II of Great Britain, King George II, as the first son of Frederick, Prince of Wales, and Princess Augusta of Saxe-Gotha. Following his father's death in 1751, Prince George became heir apparent and Prince of Wales. He succeeded to the throne on George II's death in 1760. Th ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Te Deum
The ( or , ; from its incipit, ) is a Latin Christian hymn traditionally ascribed to a date before AD 500, but perhaps with antecedents that place it much earlier. It is central to the Ambrosian hymnal, which spread throughout the Latin Church with other parts of the Ambrosian Rite of Milan in the 6th to 8th centuries. It is sometimes known as the Ambrosian Hymn, although authorship by Saint Ambrose is unlikely. The term can also refer to a short religious service (of blessing or thanks) that is based upon the hymn. It continues in use in many contexts by several denominations. In particular it is the core of a short church service of thanksgiving held, often at short notice, to celebrate good news such as a military victory, the signing of a peace treaty, or the birth of a royal child. History Authorship of the hymn is traditionally ascribed to Saint Ambrose (died 397) or Saint Augustine (died 430). In 19th-century scholarship, Saint Hilary of Poitiers (died 367) ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Basso Continuo
Basso continuo parts, almost universal in the Baroque era (1600–1750), provided the harmonic structure of the music by supplying a bassline and a chord progression. The phrase is often shortened to continuo, and the instrumentalists playing the continuo part are called the ''continuo group''. Forces The composition of the continuo group is often left to the discretion of the performers (or, for a large performance, the conductor), and practice varied enormously within the Baroque period. At least one instrument capable of playing chords must be included, such as a harpsichord, organ, lute, theorbo, guitar, regal, or harp. In addition, any number of instruments that play in the bass register may be included, such as cello The violoncello ( , ), commonly abbreviated as cello ( ), is a middle pitched bowed (sometimes pizzicato, plucked and occasionally col legno, hit) string instrument of the violin family. Its four strings are usually intonation (music), tuned i ..., ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
String Quartet
The term string quartet refers to either a type of musical composition or a group of four people who play them. Many composers from the mid-18th century onwards wrote string quartets. The associated musical ensemble consists of two Violin, violinists, a Viola, violist, and a Cello, cellist. The string quartet was developed into its present form by the Austrian composer Joseph Haydn, whose works in the 1750s established the ensemble as a group of four more-or-less equal partners. Since that time, the string quartet has been considered a prestigious form; writing for four instruments with broadly similar characteristics both constrains and tests a composer. String quartet composition flourished in the Classical music era, Classical era, and Wolfgang Amadeus Mozart, Mozart, Ludwig van Beethoven, Beethoven and Franz Schubert, Schubert each wrote a number of them. Many Romantic era music, Romantic and 20th-century classical music, early-twentieth-century composers composed string quarte ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Concerto
A concerto (; plural ''concertos'', or ''concerti'' from the Italian plural) is, from the late Baroque era, mostly understood as an instrumental composition, written for one or more soloists accompanied by an orchestra or other ensemble. The typical three- movement structure, a slow movement (e.g., lento or adagio) preceded and followed by fast movements (e.g., presto or allegro), became a standard from the early 18th century. The concerto originated as a genre of vocal music in the late 16th century: the instrumental variant appeared around a century later, when Italians such as Giuseppe Torelli and Arcangelo Corelli started to publish their concertos. A few decades later, Venetian composers, such as Antonio Vivaldi, had written hundreds of violin concertos, while also producing solo concertos for other instruments such as a cello or a woodwind instrument, and concerti grossi for a group of soloists. The first keyboard concertos, such as George Frideric Handel ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sonata
In music a sonata (; pl. ''sonate'') literally means a piece ''played'' as opposed to a cantata (Latin and Italian ''cantare'', "to sing"), a piece ''sung''. The term evolved through the history of music, designating a variety of forms until the Classical era, when it took on increasing importance. Sonata is a vague term, with varying meanings depending on the context and time period. By the early 19th century it came to represent a principle of composing large-scale works. It was applied to most instrumental genres and regarded—alongside the fugue—as one of two fundamental methods of organizing, interpreting and analyzing concert music. Though the musical style of sonatas has changed since the Classical era, most 20th- and 21st-century sonatas maintain the overarching structure. The term sonatina, pl. ''sonatine'', the diminutive form of sonata, is often used for a short or technically easy sonata. Instrumentation In the Baroque period, a sonata was for one or more inst ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Oratorio
An oratorio () is a musical composition with dramatic or narrative text for choir, soloists and orchestra or other ensemble. Similar to opera, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters (e.g. soloists), and arias. However, opera is musical theatre, and typically involves significant theatrical spectacle, including sets, props, and costuming, as well as staged interactions between characters. In oratorio, there is generally minimal staging, with the chorus often assuming a more central dramatic role, and the work is typically presented as a concert piece – though oratorios are sometimes staged as operas, and operas are not infrequently presented in concert form. A particularly important difference between opera and oratorio is in the typical subject matter of the text. An opera libretto may deal with any conceivable dramatic subject (e.g. history, mythology, Richard Nixon, Anna Nicole Smith an ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
