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Tomasso Laureti
Tommaso Laureti, often called Tommaso Laureti Siciliano ( 1530 – 22 September 1602), was an Italian painter from Sicily who trained in the atelier of the aged Sebastiano del Piombo and worked in Bologna. From 1582, he worked for papal patrons in Rome in a Michelangelo-inspired style with special skill in illusionistic perspective, that in his Roman work avoided all but traces of Mannerism. Biography Laureti was born in Palermo, Sicily. After his first master's death in 1547, he settled in Bologna, introducing illusionistic perspective paintings on ceilings to the city, notably an ''Alexander the Great'' ceiling with a painted architectural setting in Palazzo Vizzani. He painted a ''Transportation of the Body of Saint Augustine'' for the church of San Giacomo Maggiore in Bologna. The Mannerist structural elements of the marble and bronze ''Fountain of Neptune'' in Bologna, which is surmounted by Giambologna's ''Neptune'', completed in 1566, were based on a 1563 drawing by Laureti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sicily
Sicily (Italian language, Italian and ), officially the Sicilian Region (), is an island in the central Mediterranean Sea, south of the Italian Peninsula in continental Europe and is one of the 20 regions of Italy, regions of Italy. With 4.7 million inhabitants, including 1.2 million in and around the capital city of Palermo, it is both the largest and most populous island in the Mediterranean Sea. Sicily is named after the Sicels, who inhabited the eastern part of the island during the Iron Age. Sicily has a rich and unique culture in #Art and architecture, arts, Music of Sicily, music, #Literature, literature, Sicilian cuisine, cuisine, and Sicilian Baroque, architecture. Its most prominent landmark is Mount Etna, the tallest active volcano in Europe, and one of the most active in the world, currently high. The island has a typical Mediterranean climate. It is separated from Calabria by the Strait of Messina. It is one of the five Regions of Italy#Autonomous regions with s ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Accademia Di San Luca
The Accademia di San Luca () is an Italian academy of artists in Rome. The establishment of the Accademia de i Pittori e Scultori di Roma was approved by papal brief in 1577, and in 1593 Federico Zuccari became its first ''principe'' or director; the statutes were ratified in 1607. Other founders included Girolamo Muziano and Pietro Olivieri. The Academy was named for Luke the Evangelist, the patron saint of painters. From the late sixteenth century until it moved to its present location at the Palazzo Carpegna, it was based in an urban block by the Roman Forum and although these buildings no longer survive, the Academy church of Santi Luca e Martina, does. Designed by the Baroque architect, Pietro da Cortona, its main façade overlooks the Forum. History The Academy's predecessor was the ''Compagnia di San Luca'', a guild of painters and miniaturists, which met in the demolished church of S.Luca all'Esquilino, near the Basilica of S. Mary Major, and whose statutes and priv ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Ludovico Carracci
Ludovico (or Lodovico) Carracci ( , , ; 21 April 1555 – 13 November 1619) was an Italian early-Baroque painter, etcher, and printmaker from Bologna. His works are characterized by a strong mood invoked by broad gestures and flickering light that create spiritual emotion and are credited with reinvigorating Italian art, especially fresco art, which was subsumed with formalistic Mannerism. He died in Bologna in 1619. Biography Ludovico apprenticed under Prospero Fontana in Bologna and traveled to Florence, Parma, and Venice, before returning to his hometown. Together with his cousins Annibale and Agostino Carracci, Ludovico worked in Bologna on the fresco cycles depicting Histories of ''Jason and Medea'' (1584) in Palazzo Fava, and the ''Histories of Romulus and Remus'' (1590-1592) for the Palazzo Magnani. Their individual contributions to these works are unclear, although Annibale, the younger than Ludovico by 5 years had gained fame as the best of the three. This le ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Reggio Emilia
Reggio nell'Emilia (; ), usually referred to as Reggio Emilia, or simply Reggio by its inhabitants, and known until Unification of Italy, 1861 as Reggio di Lombardia, is a city in northern Italy, in the Emilia-Romagna region. It has about 172,518 inhabitants and is the main ''comune'' (municipality) of the province of Reggio Emilia.The inhabitants of Reggio nell'Emilia are called ''Reggiani'', while the inhabitants of Reggio di Calabria, in the southwest of the country, are called ''Reggini''. The old town has a hexagonal form, which derives from the ancient walls, and the main buildings are from the 16th–17th centuries. The commune's territory lies entirely on a plain, crossed by the Crostolo stream. History Ancient and early Middle Ages Reggio began as a historical site with the construction by Marcus Aemilius Lepidus (consul 187 BC), Marcus Aemilius Lepidus of the Via Aemilia, leading from Piacenza to Rimini (187 BC). Reggio became a judicial administration centre, with ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
San Prospero (Reggio Emilia)
The Basilica of San Prospero is a Renaissance-style, Roman Catholic church with a late Baroque-style facade, located on Piazza di San Prospero in central Reggio Emilia, Italy. History and Exterior A church known as ''San Prospero di Castello'', located inside the city walls, is known prior to 997. San Prospero, a fifth century bishop, became the patron saint of the town. In 1514, during the expansion of the city walls, the church and its adjacent monastery, the dilapidated church, nearly in ruins, was demolished. The church was moved some 600 meters and its adjacent bell tower underwent reconstructions. By 1527, a new church was completed with designs by Luca Corti and Matteo Florentino. Minor chapels were added until 1543, when the basilica was reconsecrated. Major changes to the octagonal belltower were designed by Cristoforo Ricci and Giulio Romano in 1536–1570. The facade of the church had been left incomplete until it was completed in 1748-1753 using designs of Giovanni Batti ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Giacomo Barozzi Da Vignola
Giacomo Barozzi da Vignola ( , , ; 1 October 15077 July 1573), often simply called Vignola, was one of the great Italian architects of 16th century Mannerism. His two great masterpieces are the Villa Farnese at Caprarola and the Jesuits' Church of the Gesù in Rome. The three architects who spread the Italian Renaissance style throughout Western Europe are Vignola, Serlio and Palladio. He is often considered the most important architect in Rome in the Mannerist era. Biography Jacopo Barozzi was born at Vignola, near Modena (Emilia-Romagna). He began his career as an architect in Bologna, supporting himself by painting and making perspective templates for inlay craftsmen. He made his first trip to Rome in 1536 to make measured drawings of Roman temples, with a thought to publish an illustrated Vitruvius. Then François I called him to Fontainebleau, where he spent the years 1541–1543. Here he probably met his fellow Bolognese, the architect Sebastiano Serlio and the ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Di Sotto In Su
Illusionistic ceiling painting, which includes the techniques of perspective di sotto in sù and quadratura, is the tradition in Renaissance, Baroque and Rococo art in which ''trompe-l'œil'', perspective tools such as foreshortening, and other spatial effects are used to create the illusion of three-dimensional space on an otherwise two-dimensional or mostly flat ceiling surface above the viewer. It is frequently used to create the illusion of an open sky, such as with the oculus in Andrea Mantegna's Camera degli Sposi, or the illusion of an architectural space such as the cupola, one of Andrea Pozzo's frescoes in Sant'Ignazio, Rome. Illusionistic ceiling painting belongs to the general class of illusionism in art, designed to create accurate representations of reality. Di sotto in sù ''Di sotto in sù'' (or ''sotto in su''), which means "seen from below" or "from below, upward" in Italian, developed in late quattrocento Italian Renaissance painting, notably in Andrea Mantegn ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Antonio Scalvati
Antonio Scalvati (1559–1619)Other sources cite 1557-1622. was an Italian painter, mainly active in Rome. He was known for his portraits. Biography Born in Bologna, Scalvati began as assistant for Tomasso Laureti, and then moved to Rome Rome (Italian language, Italian and , ) is the capital city and most populated (municipality) of Italy. It is also the administrative centre of the Lazio Regions of Italy, region and of the Metropolitan City of Rome. A special named with 2, ... under Pope Gregory XIII. He was employed in various projects in Rome including the Hall of Constantine in the Vatican Palace and the Vatican Library under Sixtus V. He painted portraits including of Pope Clement VIII, Leo XI, and Paul V. The portrait of Leo XI is now in the church of Sant'Agnese in Piazza Navona. He appears to have been ill and bedridden much of his life. He died in Rome. References * {{DEFAULTSORT:Scalvati Antonio 1559 births 1619 deaths 16th-century Italian painters It ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Artists In Biographies By Giovanni Baglione
''Le Vite de’ Pittori, Scultori et Architetti. Dal Pontificato di Gregorio XII del 1572 in fino a’ tempi di Papa Urbano VIII nel 1642'' ("Lives of the painters, sculptors, architects, from the papacies of Gregory XII in 1572 to Urban VIII in 1642") is an art history book by Giovanni Baglione, first published in 1642. It represents an encyclopedic compendium of biographies of the artists active in Rome during late Mannerism and early Baroque. Baglione (1566 – 1643) was a Mannerism, Late Mannerist and Baroque, Early Baroque painter and art historian, best remembered for his writings and his acrimonious involvement with the artist Caravaggio, by whom he was nonetheless greatly influenced. The book was first published in 1642, with a final version published in Naples in 1733, long after Baglione's death, with a biography of Salvator Rosa by Giovanni Battista Passeri as an appendix. The poet Ottavio Tronsarelli may have contributed a good deal of the text. The biographies ar ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
Sixtus V
Pope Sixtus V (; 13 December 1521 – 27 August 1590), born Felice Piergentile, was head of the Catholic Church and ruler of the Papal States from 24 April 1585 to his death, in August 1590. As a youth, he joined the Franciscan order, where he displayed talents as a scholar and preacher, and enjoyed the patronage of Pius V, who made him a cardinal. As a cardinal, he was known as Cardinal Montalto. As Pope, he energetically rooted out corruption and lawlessness across Rome, and launched a far-sighted rebuilding programme that continues to provoke controversy, as it involved the destruction of antiquities. The cost of these works was met by heavy taxation which caused much suffering. His foreign policy was regarded as over-ambitious; he excommunicated King Henry IV of France and renewed the excommunication of Queen Elizabeth I of England. He is recognized as a significant figure of the Counter-Reformation. He is the most recent pope to date to take on the pontifical name "Sixt ... [...More Info...] [...Related Items...] OR: [Wikipedia] [Google] [Baidu] |
