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Tom Archia
Ernest Alvin Archia, Jr. (November 26, 1919 – January 16, 1977) known as Tom Archia, was an American jazz tenor saxophonist. Early life Archia was born in Groveton, Texas, moving with his family as a child to Rockdale and then Baytown, near Houston. He played saxophone in the Wheatley High School orchestra. He was known in childhood as "Sonny", but took the name "Tom" when he decided that neither "Ernest" nor "Alvin" were appropriate for a musician. Career After graduating from Prairie View A&M University in 1939, he joined Milt Larkin's band which, at the time, according to ''Down Beat'', also included Eddie Vinson, Arnett Cobb, and Illinois Jacquet in the reed section and Cedric Haywood as pianist and arranger. Archia arrived in Chicago as a member of Larkin's band, which took up a nine-month residency backing T-Bone Walker at the Rhumboogie Club from August 1942 to May 1943. In November 1943, he was a member of the Roy Eldridge orchestra that recorded in Chica ...
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Groveton, Texas
Groveton is a city in Trinity County, Texas, United States. The population was 918 at the 2020 census. It is the county seat of Trinity County. Geography According to the United States Census Bureau, the city has a total area of 2.6 sq mi (6.8 km), of which, 2.6 sq mi (6.6 km) are land and 0.1 sq mi (0.1 km) (1.91%) is covered by water. Demographics As of the 2020 United States census, there were 918 people, 496 households, and 307 families residing in the city. As of the census of 2000, 1,107 people, 444 households, and 278 families resided in the city. The population density was 431.6 people/sq mi (167.0/km). The 565 housing units averaged 220.3/sq mi (85.2/km). The Race (United States Census), racial makeup of the city was 73.08% White, 18.25% African American, 0.18% Native American, 0.09% Asian, 6.23% from other races, and 2.17% from two or more races. Hispanics or Latinos of any race were 11.38% of the population. Of the 444 households, 32. ...
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Chicago
(''City in a Garden''); I Will , image_map = , map_caption = Interactive Map of Chicago , coordinates = , coordinates_footnotes = , subdivision_type = List of sovereign states, Country , subdivision_name = United States , subdivision_type1 = U.S. state, State , subdivision_type2 = List of counties in Illinois, Counties , subdivision_name1 = Illinois , subdivision_name2 = Cook County, Illinois, Cook and DuPage County, Illinois, DuPage , established_title = Settled , established_date = , established_title2 = Municipal corporation, Incorporated (city) , established_date2 = , founder = Jean Baptiste Point du Sable , government_type = Mayor–council government, Mayor–council , governing_body = Chicago City Council , leader_title = Mayor of Chicago, Mayor , leader_name = Lori Lightfo ...
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Russell Jacquet
Russell Jacquet (December 4, 1917 – February 28, 1990) was an American trumpeter. Jacquet was born on December 4, 1917 in Saint Martinville, Louisiana, United States. He was the elder brother of well-known tenor saxophonist Illinois Jacquet, whom he worked with through the years. Jacquet had stints with Floyd Ray and Milt Larkin before he began studying music at Wiley College and Texas Southern University. He moved west and played with his brother's band for a time, later forming his own group which became the house band at Cotton Club (New York City), the Cotton Club from 1945 to 1949. He then rejoined his brother's group. He later played with several small groups in Oakland, California, and in Houston with Arnett Cobb, and on a few dates in New York with his brother. He died of a heart attack on February 28, 1990 in Los Angeles, California, aged 72. Discography With Illinois Jacquet *''Groovin' with Jacquet'' (Clef, 1951-53 [1956]) *''The Kid and the Brute'' (Clef, 1955) *'' ...
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Teddy Edwards
Theodore Marcus Edwards (April 26, 1924 – April 20, 2003) was an American jazz tenor saxophonist. Biography Edwards was born in Jackson, Mississippi, United States. He learned to play at a very early age, first on alto saxophone and then clarinet. His uncle sent for him to come to Detroit to live because he felt opportunities were better. Due to illness in the family, he went back to Jackson and ventured to Alexandria, Louisiana. He was persuaded by Ernie Fields to join his band after going to Tampa, Florida. Edwards had planned to go to New York City, but Fields convinced him he could get there by way of Washington, D.C., if he worked with his band. Edwards ended up at the "Club Alabam" on Central Avenue in Los Angeles, which later became his city of residence. Edwards played with many jazz musicians, including his personal friend Charlie Parker, Roy Milton, Wynonie Harris, Vince Guaraldi, Joe Castro and Ernie Andrews. A 1947 recording with Dexter Gordon, '' The ...
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Howard McGhee
Howard McGhee (March 6, 1918 – July 17, 1987) was one of the first American bebop jazz trumpeters, with Dizzy Gillespie, Fats Navarro and Idrees Sulieman. He was known for his fast fingering and high notes. He had an influence on younger bebop trumpeters such as Fats Navarro. Biography Howard McGhee was born in Tulsa, Oklahoma, United States, and raised in Detroit, Michigan. During his career, he played in bands led by Lionel Hampton, Andy Kirk, Count Basie and Charlie Barnet. He was in a club listening to the radio when he first heard Charlie Parker and was one of the earliest adopters of the new style, a fact that was disapproved by older musicians like Kid Ory. In 1946–47, some record sessions for the new label Dial were organized in Hollywood, with Charlie Parker and McGhee. The first was held on July 29, 1946. The musicians were Charlie Parker, Howard McGhee, Jimmy Bunn, Bob Kesterson, and Roy Porter. With Parker's health near to collapse, he played "Max ...
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Marl Young
Marl Young (January 29, 1917 – 29 April 2009) was an American musician and arranger who helped with the merger of the all-black and all-white musicians unions in Los Angeles in the early 1950s. He later became the first black music director of a major network television series, ''Here's Lucy'', starring Lucille Ball. Biography Young was born in Bluefield, Virginia, spending the first seven years of his life there before moving to Chicago, Illinois, with his family. He had begun paying piano by the age of six. 1n 1947 he went to Los Angeles, California, where he became involved with the black musicians union and in the early 1950s was instrumental in the merging of the all-black and all-white musicians unions in Los Angeles. Steven Isoardi describes him as "one of the key figures in moving from segregated unions into an integrated American Federation of Musicians". After first connecting with Lucille Ball and Desilu Productions in 1958, Young went on to become the first b ...
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Charlie Parker
Charles Parker Jr. (August 29, 1920 – March 12, 1955), nicknamed "Bird" or "Yardbird", was an American jazz saxophonist, band leader and composer. Parker was a highly influential soloist and leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and advanced harmonies. Parker was an extremely brilliant virtuoso and introduced revolutionary rhythmic and harmonic ideas into jazz, including rapid passing chords, new variants of altered chords, and chord substitutions. Primarily a player of the alto saxophone, Parker's tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career on the road with Jay McShann. This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster ...
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Doc West
Harold "Doc" West (August 12, 1915 – May 4, 1951) was an American jazz drummer. Early life West was born in Wolford, North Dakota. He learned to play piano and cello as a child before switching to drums. Career In the 1930s, West played in Chicago with Tiny Parham, Erskine Tate, and Roy Eldridge (1937–38). Late in the 1930s he filled in for Chick Webb when Webb was unable to lead his own orchestra. Early in the 1940s he played with Hot Lips Page, and played on the early bebop scene at Minton's Playhouse in New York City with Dizzy Gillespie, Charlie Parker, Tiny Grimes, and Don Byas. He played with Oscar Pettiford in 1944 and stood in for Jo Jones occasionally in Count Basie's orchestra. West appears on recordings from Slam Stewart, Leo Watson, Wardell Gray, Billie Holiday, Erroll Garner, Big Joe Turner, and Jay McShann James Columbus "Jay" McShann (January 12, 1916 – December 7, 2006) was an American jazz pianist, vocalist, composer, and bandleader. He le ...
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Ted Sturgis
Ted "Mohawk" Sturgis (25 April 1913 – 18 October 1995) was an American jazz bassist. Life and career Born in Cape Charles, Virginia, Sturgis started his music studies on piano at age five. He also played alto saxophone, guitar and drums in addition to bass. He primarily played double-bass, although he played electric bass on some recordings late in life. In 1934 he moved to New York City to join Roy Eldridge and his band with whom he played in 1934-1935. Others he played with in New York included Jacques Butler (1935), Blanche Calloway (1936), Tommy Stevenson (1936–1937), and Eddie Mallory (1937–1938). He appeared on a 1943 Eldridge recording for Brunswick. He then worked as a sideman in the 1940s with, among others, Benny Carter, Don Byas, Stuff Smith, and Louis Armstrong. He was a frequent accompanist of female singers such as Billie Holiday, Mildred Bailey, and in Earl Hines' orchestra with Sarah Vaughan.
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Ike Quebec
Ike Abrams Quebec (August 17, 1918 – January 16, 1963) was an American jazz tenor saxophonist. He began his career in the big band era of the 1940s, then fell from prominence for a time until launching a comeback in the years before his death. Critic Alex Henderson wrote, "Though he was never an innovator, Quebec had a big, breathy sound that was distinctive and easily recognizable, and he was quite consistent when it came to down-home blues, sexy ballads, and up-tempo aggression." Biography Quebec was born in Newark, New Jersey, United States. An accomplished dancer and pianist, he switched to tenor sax as his primary instrument in his early twenties, and quickly earned a reputation as a promising player. His recording career started in 1940, with the Barons of Rhythm. Later on, he recorded or performed with Frankie Newton, Hot Lips Page, Roy Eldridge, Trummy Young, Ella Fitzgerald, Benny Carter and Coleman Hawkins. Between 1944 and 1951, he worked intermittently with ...
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Record Label
A record label, or record company, is a brand or trademark of music recordings and music videos, or the company that owns it. Sometimes, a record label is also a publishing company that manages such brands and trademarks, coordinates the production, manufacture, distribution, marketing, promotion, and enforcement of copyright for sound recordings and music videos, while also conducting talent scouting and development of new artists, and maintaining contracts with recording artists and their managers. The term "record label", derives from the circular label in the center of a vinyl record which prominently displays the manufacturer's name, along with other information. Within the mainstream music industry, recording artists have traditionally been reliant upon record labels to broaden their consumer base, market their albums, and promote their singles on streaming services, radio, and television. Record labels also provide publicists, who assist performers in gaining positi ...
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Brunswick Records
Brunswick Records is an American record label founded in 1916. History From 1916 Records under the Brunswick label were first produced by the Brunswick-Balke-Collender Company, a company based in Dubuque, Iowa which had been manufacturing products ranging from pianos to sporting equipment since 1845. The company first began producing phonographs in 1916, then began marketing their own line of records as an afterthought. These first Brunswick records used the vertical cut system like Edison Disc Records, and were not sold in large numbers. They were recorded in the United States but sold only in Canada. 1920s In January 1920, a new line of Brunswick Records was introduced in the U.S. and Canada that employed the lateral cut system which was becoming the default cut for 78 discs. Brunswick started its standard popular series at 2000 and ended up in 1940 at 8517. However, when the series reached 4999, they skipped over the previous allocated 5000s and continued at 6000. Whe ...
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